Gavin Turk | |
|---|---|
 Gavin Turk,Beard Project April 2015 | |
| Born | 1967 (age 58–59) Guildford, England |
| Website | http://www.gavinturk.com |
Gavin Turk (born 1967)[1] is a British artist from Guildford in Surrey,[1] and was considered to be one of theYoung British Artists. Turk's oeuvre deals with issues of authenticity and identity, engaged withmodernist andavant-garde debates surrounding the 'myth' of the artist and the 'authorship' of a work of art.
Turk studied atChelsea School of Art from 1986 to 1989,[1] and at theRoyal College of Art from 1989 to 1991.[1]
In 1991, tutors at theRoyal College of Art refused to present Gavin Turk with his postgraduate degree,[1] a decision based on his graduation exhibition, which was titledCave, and consisted of a whitewashed studio space, containing ablue heritage plaque of the kind normally found on historic buildings, commemorating his own presence as a sculptor, stating "Gavin Turk worked here, 1989–1991".[2] This bestowed some instant notoriety on Turk, whose work was collected by numerous collectors includingCharles Saatchi,[1] who later exhibited Turk's work in the exhibitionSensation, which toured London (Royal Academy of Arts), Berlin (Hamburger Bahnhof) and New York (Brooklyn Museum). Turk attended the private view of the Sensation exhibition at theRoyal Academy, dressed as a down-and-out. The blue plaque from theCave installation was later exhibited in a museum style case asRelic (Cave),[3] he also had a version of it made by one of the companies who make blue plaques forEnglish Heritage and this is in theTate collection.[4]
He has subsequently produced an extensive body of work, which purports to question the value and integrity of a hermetic artistic identity.[5] Turk was considered to be one of the group of artists known as theYoung British Artists.[6]
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Turk's wide ranging practice often incorporates iconic images of figures taken from popular culture and art historical sources. A series of detailed life-sizedwaxworks, incorporating the artist's own appearance, features the artist assuming various poses as different characters, includingSid Vicious,Jean-Paul Marat, and theMarxist revolutionaryChe Guevara.[2] Turk's most famous work in this series,Pop (1993), is a waxwork of Turk as Sid Vicious. The work appropriates the stance ofAndy Warhol's screen print ofElvis Presley. In the work, the right hand is pointing a gun, a motif which recurs in other works in the series, such asBum (1998).[2]
Turk has appropriated recognisable elements from artists such asJacques-Louis David,Yves Klein,Marcel Duchamp,Andy Warhol,René Magritte,Alighiero Boetti,Robert Morris (artist),Jasper Johns andThe Death of Marat painting byJacques-Louis David.[2]
From 2005 Turk began producing a small number of silkscreen works on canvas, depicting himself asElvis Presley, in a pose taken from the paintings by Andy Warhol of the same subject from the 1960s, such as Warhol'sTriple Elvis. Turk applied diamond dust to some of the Elvis works made from diamanté applied to silkscreened canvas in vibrant pop colours, which sparkles in direct light. Examples of Turk's Elvis series areDiamond Yellow Elvis, 2005 andDiamond Pink Elvis, 2005.[7] A set of what appeared to beclassic posters of Che Guevara in a beret, again revealed themselves on further scrutiny to be photos of Turk himself.[7]
A series of three-dimensionaltrompe-l'œil works includes objects cast into bronze, painted to give the appearance of the original object. Possibly his most revered works, these include bronze sculptures of plastic rubbish bags, see "Bag" (2000). Other sculptures includeNomad (2002), a bronze cast of a sleeping bag, andBox (2002), which resembles a cardboard box. Turk is perhaps the leading exponent of the painted bronze, and has cast objects from spent matches to worn paving slabs to discarded vehicle exhaust pipes.
In December 2009, Turk took part in the "Bricks" exhibition at Area 10 in Peckham in Southeast London. However, the day before the exhibition was to start, organisers noticed that his piece entitledRevolting Brick had been stolen and replaced with a fake brick. The fake brick held the words "Thank You Have a Nice Day, Next" and was part of a set of 500 that was given away at the exhibition.Revolting Brick was number eight in a series of ten that Turk had created and signed. The artist stated that he "was upset but flattered" at what had happened and that the theft "raises questions about value and worth".[8]
In May 2011, Turk's first large-scale, 12-metre public sculpture was unveiled between theOne New Change City mall, designed byPritzker Prize-winning architectJean Nouvel, andSt Paul's Cathedral.
In 2017 Turk placed an unofficialblue plaque commemoratingDamien Hirst at Newport Street Gallery in London.[9]
In June 2021, Gavin Turk'sL'Âge d'Or, 2021, a larger than life bronze painted door, was installed opposite the Fenix Museum, as part of Sculpture International Rotterdam.[10]
In September 2021, Gavin Turk made a piece calledPiscio D'Artista whereby he canned his own urine and sold it for its weight in silver through Kickstarter, as an homage toPiero Manzoni's 1961 art pieceArtist's ShitMerda D'Artista, in which Manzoni canned his own excrement and sold it for its weight in gold.[11]
Turk's work often challenge notions of authenticity, authorship and identity. Several of his works have received critical attention.
Turk has exhibited widely internationally. His solo exhibitions include 'L'Amour Fou', David Nolan Gallery, New York City (2013), 'Türk', Galerist, Istanbul, Turkey (2012), 'Gavin & Turk', Ben Brown Gallery, London (2013), 'Jack Shit!', Aeroplastics, Brussels, Belgium (2011), 'Before The World Was Round', Galerie Krinzinger, Vienna, Austria (2011) and 'En Face', Galerie Almine Rech, Paris, France (2010), 'The Mirror Stage', Goodman Gallery, Cape Town, South Africa (2009),[19] 'Burnt Out', Kunsthaus Baselland, Basel, Switzerland (2008), 'Piss Off', Galerie Krinzinger, Vienna, Austria (2008) and 'Negotiation of Purpose', GEM Museum for Contemporary Art, The Hague, Netherlands (2007). Additionally, Turk has had solo exhibitions at Sean Kelly Gallery, New York (2005), the New Art Centre Sculpture Park and Gallery, Salisbury, England (2003), the New Art Gallery in Walsall, England (2002), and "The Stuff Show" at South London Gallery (1998).[20]
Recent group exhibitions include 'Street', New Art gallery Walsall (2012), 'Made in Britain: Contemporary Art from the British Council Collection', Sichuan (2012), 'Deja-vu? The Art of Copying from Dürer to You Tube', Staatliche Kunsthalle Karlsruhe, Germany (2012), 'Twenty', Aurel Scheibler, Berlin, Germany (2012), 'The Art of Chess', Bendigo Gallery; University of Queensland Art Museum, Australia (2012), 'Identity Theft', Mimmo scognamiglio Arte Contemporanea, Milan, Italy (2010), 'Pop Life: Art in a Material World', Tate Modern, London (2009), 'The Third Dimension, Whitechapel Art Gallery', London (2009), 'DLA Piper Series: This is Sculpture', Tate Liverpool, Liverpool (2009), Turk has also been involved in "teach-in" events such as "The Che Gavara [sic] Story" (2001).[21]
In August 2014, Turk was one of 200 public figures who were signatories to a letter toThe Guardian expressing their hope that Scotland would vote to remain part of the United Kingdom in September'sreferendum on that issue.[22]
In November 2018, Turk was one of 82 people arrested during a coordinated occupation of five bridges in Central London. The demonstration which was co-ordinated byExtinction Rebellion, was to raise the awareness ofclimate change. Turk said, "It seems like everyone is in an odd sense of denial about climate change."[23]
In 2007 Turk established, with his partner Deborah Curtis, The House of Fairy Tales, a children's arts charity based in London, that brings together hundreds of artists, performers, actors, writers and philosophers to deliver theatrical events, guides and exhibitions. The project continues to further community education projects based around, supported by, and advocating art. The House of Fairy Tales tour the country in a mobile gallery horse box which made its festival debut at the 2008Crunch Festival in Hay-on-Wye. In 2009, they appeared at the Glastonbury Festival.[24] In the summer of 2009, The House of Fairy Tales also stagedThe Long Weekend, a pop-up festival for all ages, hosted byTate Modern.
In 2001, Turk was awarded the Jack Goldhill Sculpture Prize for his workBag (2000) by the Royal Academy of Arts, London, who in 2007 also awarded him the Charles Wollaston award for his workDumb Candle (2007), a carving of a candle made from the top of an old broom handle.[25]
Turk was awarded an honorary doctorate in Arts, University of East London in 2010. He held the post of professor of Art and Design 2012–2020 atBath Spa University.[26]
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