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Garifuna music

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Ethnic music from Central America
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Garifuna music
Stylistic origins
Cultural originsGarifuna people
Typical instruments
Subgenres
  • Adügürühani
  • Arairaguni
  • Amuyadahani
  • Achuguhani
Language, dance, and music of the Garifuna
Country
  • Belize
  • Guatemala
  • Honduras
  • Nicaragua
Reference00001
RegionLatin America and the Caribbean
Inscription history
Inscription2008 (3rd session)
ListRepresentative

Garifuna music is an ethnic music and dance with African,Arawak, andKalinago elements, originating with the Afro-IndigenousGarifuna people fromCentral America andSaint Vincent and the Grenadines. In 2001, Garifuna music, dance, and language were collectively proclaimed as aMasterpiece of the Oral and Intangible Heritage of Humanity byUNESCO.[1]

Nonsecular music

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Genres

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Nonsecular musical genres within the Garifuna culture stem from a fusion of West African ancestral worship andAmerindian shamanism.[citation needed] Examples of Garifuna music rituals includeAdügürühani (also known asdügü), a healing ceremony;Arairaguni, an invocation to determine illness;Amuyadahani, a ritual in which family members make offerings to their ancestors; andAchuguhani (Chugú), "feeding the dead".[citation needed]

Dügü (Feeding the Dead)

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The Garifuna tradition ofAdügürühani is a ritual that takes place when a Garifuna individual becomes ill and must consult a shaman in the hopes of restoring their health.[citation needed] The shaman will consult with the ancestral spirits (gubida) that have inflicted the illness upon the individual.[citation needed] Drums are played during thedügü, which is thought to have a calming effect on the individual who is possessed by thegubida.[citation needed] The drumming is performed intriple meter and is accompanied by song and dance. Often there are two to three drums, and the ensemble of drummers is calleddangbu.[citation needed] The drums are constructed using mahogany or mayflower wood and animal skins (usually deer, goat, or peccary).[citation needed] During construction, the drums are rubbed with acassava wine and then subsequently blessed with the smoke of buwe—a sacred herb.[citation needed] These techniques suggest the presence of both African and Amerindian influences in drum construction, indicative of a fusion of African and Amerindian culture in Garifuna sacred music.[citation needed]

The gender roles documented in the musical performances ofdügü suggest that traditional Garifuna society emphasizesmatrilineality andmatrifocality.[citation needed] "The texts of mostdügü songs refer to ancestors as female (grandmother or great-grandmother, even if thedügü is being given in honor of a man)… It may also be a reflection of gender-based empowerment, because older women predominate as organizers, ritual participants, and composers of ritual songs."[2] Gender roles are often portrayed in music. "Music performance can and often does play an important role in inter-gender relations, for the inequalities or asymmetries perceived in such relations may be protested, mediated, reversed, and transformed, or confined through various social/musical strategies."[3] The matrilineatlity demonstrated in the Garifunadügü ritual demonstrates an authentic (non-westernized) aspect of West African and/or Amerindian culture, which remained unaffected by Spanish (and subsequently, British) colonization.

Secular music

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Genres

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Garifuna genres includepunta,paranda, andpunta rock.[4]

There are different types of songs, some of which are associated with work, some with play, some with dance, and some that are reserved for prayer or ritual use.[5]

Instruments

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The main traditional instruments are drums andmaracas.[5]

Drums play an important role in Garifuna music. The main drum is the Segunda (bass drum). The drums are normally made by hollowing out logs and stretching antelope skin over them.[5]

Notable performers

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See also

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References

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  1. ^"Language, Dance and Music of the Garifuna". UNESCO Culture Sector. Retrieved7 September 2009.
  2. ^Olsen, D. A., & Sheehy, D. E. (1998). South America, Mexico, Central America, and the Caribbean. Garland Publishing, Inc. pg. 669https://archive.org/details/garlandencyclope0002unse/page/677/mode/1up
  3. ^Koskoff, EllenAn Introduction to Women, Music, and Culture 1987, p. 10
  4. ^Michael Stone."400 years of fury, 400 years of sound". Roots World. Retrieved2 November 2014.
  5. ^abc"Garifuna Music and Dance". National Garifuna Council of Belize. Archived from the original on 13 November 2015. Retrieved8 February 2015.
Gum-rubber mallets on a balafon.
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