 2005 edition of book cover | |
| Author | Kembrew McLeod |
|---|---|
| Original title | Freedom of Expression® |
| Language | English |
| Subject | Freedom of speech,human rights |
| Genre | Non-fiction |
| Publisher | Doubleday |
Publication date | 2005 |
| Publication place | United States |
| Media type | Hardback |
| Pages | 384 pp. |
| ISBN | 0-385-51325-9 |
| OCLC | 55870944 |
Freedom of Expression® is a book written byKembrew McLeod about freedom of speech issues involving concepts ofintellectual property. The book was first published in 2005 by Doubleday asFreedom of Expression®: Overzealous Copyright Bozos and Other Enemies of Creativity, and in 2007 byUniversity of Minnesota Press asFreedom of Expression®: Resistance and Repression in the Age of Intellectual Property. The paperback edition includes a foreword byLawrence Lessig. The author recounts a history of the use of counter-cultural artistry, illegal art, and the use of copyrighted works in art as a form of fair use and creative expression. The book encourages the reader to continue such uses in art and other forms of creative expression.
The book received a positive reception and the Intellectual Freedom Round Table of theAmerican Library Association awarded McLeod with theEli M. Oboler Memorial Award, which honors the "best published work in the area of intellectual freedom". A review inThe American Scholar said that McLeod " ... delivers a lively, personal account of the ways intellectual property messes with people—and how he messes with intellectual property."American Book Review said the work is "a clever compendium of examples" for those familiar with its subject matter. TheJournal of Popular Culture called it "an informative, thought-provoking, and occasionally laugh-out-loud funny examination of specific ways the privatization of ideas suppresses creativity in contemporary culture."Publishers Weekly said that McLeod's views echo prior comments about intellectual property by academics—including Lessig.
McLeod first published the book as a compilation of writings in magazine format.[1][2]Freedom of Expression was first published in book form in 2005 by Doubleday asFreedom of Expression®: Overzealous Copyright Bozos and Other Enemies of Creativity,[3][4] and in 2007 by University of Minnesota Press asFreedom of Expression®: Resistance and Repression in the Age of Intellectual Property.[5][6] The 2005 edition of the book was made freely available via aCreative Commons license.[7]
The Media Education Foundation released a DVD documentary film ytyhrtyreyeyeyn 2007 featuring McLeod, Jeremy Smith,Sut Jhally, and Jeremy Earp.[8][9] The documentary was narrated byNaomi Klein and included interviews with Lessig,Siva Vaidhyanathan—aUniversity of Virginia academic in media studies; Inga Chernyak—a co-founder of Free Culture atNew York University, and Mark Hosler ofNegativland.[9]
InFreedom of Expression®, Kembrew McLeod discusses the concept of freedom of expression regarding cultural norms and the manner in which society allows corporations to influence discourse.[10] McLeod discusses his own pranks, such as his 1998 registration of the phrase "freedom of expression" as a trademark.[10] In 1998, he registered the phrase "Freedom of Expression" as atrademark in the United States,[11][12][13] and said he would initiate a lawsuit against individuals who subsequently used this phrase without his permission. McLeod said, "If the ACLU wanted to put out a magazine with [the] titleFreedom of Expression, they would have to pay me royalties."[2] After the telecommunications companyAT&T used the phrase during a marketing campaign, McLeod's attorney sent a cease and desist letter to request that AT&T stop using his trademarked phrase.[10] In his bookOwning Culture: Authorship, Ownership, and Intellectual Property Law, McLeod said that his intention with the registration of "Freedom of Expression" was to initiate social commentary in the media, saying, "I would let the news story itself be the social commentary."[13] The trademarked phrase subsequently fell back into the public domain.[11]
McLeod also discusses the history of counter-cultural artistry, recounting episodes such asDadaist art styles and an incident in whichVanna White initiated a lawsuit against a robot likeness for copyright infringement.[14] He explores the concept offair use and encourages the reader to use copyrighted works in alternative forms of artwork.[14] He also gives a history of the song "Happy Birthday to You", information about the music industry's use of sampling, and discusses illegal art.[7] McLeod said that the threat of a lawsuit from a company is not necessarily an indication of actual criminal activity, and these threats against artistry and creativity can be overcome through determination.[14]
In 2006, the Intellectual Freedom Round Table (IFRT)—a committee of theAmerican Library Association (ALA)—awarded McLeod theEli M. Oboler Memorial Award,[15][16] which recognizes the "best published work in the area of intellectual freedom."[17] In a press release statement upon presenting McLeod with the award, Committee Chair Fred Stielow commented, "McLeod captures the growing switch from a balanced compromise between the creator's rights and public access. In its place, the author wittily exposes a stifling shift of copyright law into an instrument of commercial interests."[15] McLeod was the only recipient of the Eli M. Oboler Memorial Award in 2006.[18]
In a review of the book forThe American Scholar,Siva Vaidhyanathan ofNew York University wrote that MacLeod " ... delivers a lively, personal account of the ways intellectual property messes with people—and how he messes with intellectual property",[10] and that, "McLeod is ironic and witty, writing with a hip-hop-influenced youth-savvy diction that demonstrates his confidence and engagement with the material and the culture that means so much to him."[10]Davis Schneiderman wrote positively of the work in a review forAmerican Book Review,[14] comparing it to similar works on the subject matter, includingNo Logo: Taking Aim at the Brand Bullies (2000) by Naomi Klein, and writings ofMichael Moore andAl Franken.[14]
A review by Eric Anderson ofBowling Green State University in theJournal of Popular Culture praised the author's use of interviews throughout the book, writing that it " ... shines with McLeod's broad use of interviews ... [he] records and reports the voices of creative people who have been encumbered by the contemporary intellectual property regime. The incorporation of these interviews, demonstrating as they do specific examples of creativity obstructed in specific ways, is this book's most important contribution."[7] Anderson said the book is "an informative, thought-provoking, and occasionally laugh-out-loud funny examination of specific ways the privatization of ideas suppresses creativity in contemporary culture."[7] Anderson mentions McLeod's and the book's publisher's uncommon tactic of making the book freely available via aCreative Commons license.[7]
Publishers Weekly reviewed the book and compared McLeod's tactic of following his trademarked phrase with "®" as a satire ofFox Network's registration of the phrase "fair and balanced" as a trademark.[19] The reviewer wrote, "While McLeod's arguments aren't original, his entertaining examples and punchy writing nicely amplify the concerns voiced by an increasing number of intellectual property scholars, such as Lawrence Lessig."[19] The reviewer said of the author's tone, "Although he evokes dark, almost Orwellian images throughout, McLeod manages an upbeat spin, citing the 'egalitarian' nature of the new technologies and a growing awareness of the need to return to a place where 'freedom of expression' is once again 'a meaningful concept that guides our political, social and creative lives.'"[19]
