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Frankie and Johnny
Original cover with hype sticker
Soundtrack album by Elvis Presley
Released	March 1, 1966
Recorded	May 12–14, 1965
Studio	Radio Recorders (Hollywood)
Genre	Dixieland[1][2][3] ragtime[4][2]
Length	26:40
Label	RCA Victor
Producer	Fred Karger
Elvis Presley chronology
Harum Scarum (1965) Frankie and Johnny (1966) Paradise, Hawaiian Style (1966)
Singles from Frankie and Johnny
"Frankie and Johnny" / "Please Don't Stop Loving Me" Released: March 1966

Frankie and Johnny is the twelfth soundtrack album by American singer and musicianElvis Presley, released onRCA Victor Records in mono and stereo, LPM/LSP 3553, in April 1966.^[5] An excursion intoDixieland andragtime music, it is the soundtrack to the 1966film of the same name starring Presley.Recording sessions took place atRadio Recorders in Hollywood, California, on May 12, 13, and 14, 1965.^{[citation needed][6]} It peaked at number 20 on theTop LP's chart.^[7] It was certified Gold and Platinum on January 6, 2004, by theRecording Industry Association of America.^[8]

To coincide with the 19th century setting ofthe film, some traditional song material was used for the soundtrack. "When the Saints Go Marching In" is an oldgospel hymn that has become a jazz standard associated with thetraditional hot jazz ofNew Orleans. It is paired in amedley with "Down by the Riverside", another traditionalgospel song dating back to the relevant time period. Both are in thepublic domain, and the team of Giant, Baum, and Kaye captured the publishing forFreddy Bienstock and Presley's manager,Colonel Tom Parker.^[9] The title song, "Frankie and Johnny", is a variant on theAmerican popular song first published in 1904 and credited toHughie Cannon. With changed lyrics, another publishing royalty was secured for Gladys Music.^[10]

Stephen Thomas Erlewine wrote that, due to the film's period setting, the album is dominated by retroDixieland music,^[11] while biographer Mike Eder wrote that the period setting allows the album to "[get] away with a bit more than usual", with a deliberately "outdated" sound.^[12]Peter Jones and Jopling Norman described the record as "veryrag-time", with vibrant, brassy backings that add variety to Presley's catalogue.^[13] The authors ofElvis (2001) wrote that the album de-emphasised Presley's "rocking beat" in favour of "old-timey Dixie and ragtime beat".^[2]Adam Litovitz noted the mix of traditional songs "with an ersatz Dixieland flavor" alongside "blues, gospel, andgypsy music at their cheesiest".^[3] Regarding the title track, Eder noted that "touches ofjazz" are rare on a Presley album. He also noted the "mock-gypsy melody" on "Chesay" and added that "Everybody Come Around", "Shout It Out" and "Come Along" havevaudeville arrangements with "old-time Dixie horns", ukulele and banjo.^[12]

Twelve songs were recorded at the sessions forFrankie and Johnny, and all were used and issued on the soundtrack. Thetitle song was issued as a single, with "Please Don't Stop Loving Me" on theB-side. Released either just before or simultaneously with the album, depending if the disputed release dates are correct, "Frankie and Johnny" peaked at number 25 on theBillboard Hot 100, with the B-side also charting at number 45.^[14]

Professional ratings

Review scores
Source	Rating
AllMusic	[11]
Encyclopedia of Popular Music	[15]
Record Mirror	[13]

In a contemporary review ofFrankie and Johnny forRecord Mirror, Peter Jones and Jopling Norman wrote that Presley fans would enjoy the album's songs, while "trad fans" would enjoy the backings, noting that some listeners "might even think that Elvis has gone more versatile but it's only the backings." Overall he deemed the record to be "very pleasing and enjoyable".^[13]

In his retrospective review forAllMusic, Stephen Thomas Erlewine wrote that the album's Dixieland style kept Presley "far, far away from the swingingMod explosion in pop music in 1966", further commenting that although the double-time breakdowns on "Shout It Out" features hints of "high-booted go-go-music", its impact is lessened by the late appearance of the song on the record, after "the clamor of thebrass bands, tambourines, and bass drums". He added that "What Every Woman Lives For" and "Beginner's Luck" were minor highlights but that overall, "Frankie and Johnny is one relentless, noisy, ugly record, its decibel level cranked to the breaking point and Presley appearing singularly mirthless throughout."^[11]

In his 2016 ranking of Presley's 57 albums, Adam Litovitz ofVariety placedFrankie and Johnny last. He noted that Presley had become tired with recording soundtracks and "threw a tantrum in the studio" and began recording his vocals away from the musicians, with the album being "the painful result". He criticised "What Every Woman Lives For" for being "ultra-sexist".^[3]

Mike Eder deemed the album a "miniscule [sic] improvement on the albums it followed and preceded", but still criticised the record and noted that it contains similarly "atrocious vocal mixes" to Presley's 1965 works. However, he noted some highlights, such as "Chesay" and the "second-rate vaudeville" songs, as well as some ballads "pretty enough to rise above the prevailing mood of languor".^[12] The authors ofElvis (2001) believed that Presley handled the ragtime and Dixieland material "very well", and highlighted the title song.^[2]

Frankie & Johnny
Soundtrack album (Reissue) by Elvis Presley
Released	November 1976
Recorded	1965
Length	21:40
Label	Pickwick Records
Elvis Presley chronology
From Elvis Presley Boulevard, Memphis, Tennessee (1976) Frankie & Johnny (1976) Welcome to My World (1977)

During the 1970s,Pickwick Records obtained the rights to reissue Presley compilation albums previously issued under the budgetRCA Camden label between 1969 and 1973. Several tracks fromFrankie and Johnny had been included on Camden releases; in 1976, Pickwick expanded its mandate and reissued the film's soundtrack album with a new cover showing a 1970s-era image of Presley and the title slightly amended toFrankie & Johnny. The running order of the tracks was altered and three songs from the original album were omitted — "Chesay", "Look Out Broadway", and "Everybody Come Aboard". The front cover does not indicate that this is a reissued soundtrack album, and it was Elvis' only soundtrack to be reissued in this way. It did not chart on theBillboard 200. This oddity remained in print for several years and when, following Presley's death in August 1977, RCA began reissuing all of his albums, the agreement between RCA and Pickwick prohibited RCA from reissuing the original, complete soundtrack album in the US for several years due to the existence of this version. The originalFrankie and Johnny soundtrack album was reissued in Canada and elsewhere however. Not until 2010 would the complete originalFrankie and Johnny soundtrack be widely available in the United States again.

In 2003Frankie and Johnny was reissued on the Follow That Dream label in a special edition that contained the original album tracks along with numerous alternate takes.^[16]

Note

• "Frankie and Johnny" was released as a single (RCA 8780) in March 1966 and appeared onBillboard's Hot 100 list for eight weeks. Its highest position was number 25. The single's B-side, "Please Don't Stop Loving Me", also charted for eight weeks and reached number 45.^[17]

Note

• "Chesay", "Look Out, Broadway", and "Everybody Come Aboard" were not included in the reissue.

• Elvis Presley – vocals
• The Jordanaires – backing vocals
• Eileen Wilson – vocals
• George Worth – trumpet
• Richard Noel – trombone
• John Johnson – tuba
• Gus Bivona – saxophone
• Scotty Moore – electric guitar
• Tiny Timbrell – acoustic guitar
• Charlie McCoy – guitar, harmonica on "Hard Luck”
• Larry Muhoberac – piano
• Bob Moore – double bass
• D. J. Fontana – drums
• Buddy Harman – drums

• Frankie and Johnny atDiscogs (list of releases)

• 1966 soundtrack albums
• Elvis Presley soundtracks
• RCA Records soundtracks
• RCA Victor soundtracks
• Pickwick Records soundtracks
• Albums produced by Fred Karger
• Musical film soundtracks
• Dixieland albums
• Ragtime albums
• Old-time music albums

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