| Francis A. & Edward K. | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1968 | |||
| Recorded | December 11 – 12, 1967,Hollywood, Los Angeles, California | |||
| Genre | Vocal jazz | |||
| Length | 35:14 | |||
| Label | Reprise | |||
| Producer | Sonny Burke | |||
| Frank Sinatra chronology | ||||
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| Duke Ellington chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
| DownBeat | [2] |
Francis A. & Edward K. is an album byFrank Sinatra withDuke Ellington and hisbig band.
The original intention was to record a mix of standards and originals, but only one original, Ellington's "I Like the Sunrise", was used.[1] The arrangements were written byBilly May.[3] All of the performances are at a slow tempo except "Come Back to Me".[1]
Francis A. & Edward K. was released byReprise Records.[3] TheAllMusic reviewer wrote that both Sinatra and the Ellington band gave uneven performances;[1] however,HiFiStereo Review gave it a "Best Of The Month" review in the May 1968 edition, in which reviewer Peter Reilly observed, "Two fine musicians at the peak of their powers have made an album twice as youthful and carefree and unpretentious as most people less than half their age."
Jonathan Scull included the album in his 1996 list in the yearlyStereophile feature "Records To Die For".[4] He wrote, "Enormous recorded acoustic, an illuminated, palpable, and confident Sinatra, restrained yet exuberant Billy May arrangements --- truly a record to die for. Find it --- it's out there. I promise you a little bit of analog heaven".[4]
Dan Morgenstern assigned the album 4 stars in hisDownBeat review.[5] He observed that the record grows on you with repeated listening.[5] He wrote, "To put it bluntly, this would have been a great album if Sinatra had been in top voice. On a few tracks, he is; at other times, one can sense that he is holding back . . . Relaxed tempi predominate to the point that the final selection, a way-up romp, comes as a positive relief. Why was it saved for that particular spot?"[5] Morgenstern singled out contributions by Cootie Williams, Paul Gonsalves, and Johnny Hodges. He highly praised track 4 writing, "Indian Summer is the album's masterpiece, and one of Sinatra's most impressive efforts in recent years. The mood is bittersweet, the reeds add lovely touches, Ellington makes the most of his keyboard presence, and Hodges' touching solo is a perfect extension of the mood set by the singer. This one makes the whole venture worth the effort".[5]
Among others, non-credited.
Complete Personnel:
Cat Anderson,Herbie Jones, Cootie Williams,Mercer Ellington,Al Porcino (tpt);Buster Cooper, Lawrence Brown, Chuck Connors (tbn); Johnny Hodges (alt); Russell Procope (alt/clt); Jimmy Hamilton (ten/clt); Paul Gonsalves (ten); Harry Camey (bar/b-clt); Bill Miller, Duke Ellington,Jimmy Jones (p); Jeffrey Castleman (b); Sam Woodyard (d). Billy May (arr/cond).
Tracks 3, 4, 6, 8:
Recorded 11-December-1967 (Monday) - Hollywood. Western Recorders (from I to 6 P.M.).
Tracks 1, 2, 7, 5:
Recorded 12-December-1967 (Tuesday) - Hollywood. Western Recorders (from I to 5 P.M.).[6]
