Movatterモバイル変換


[0]ホーム

URL:


Jump to content
WikipediaThe Free Encyclopedia
Search

Four Masters of the Ming dynasty

From Wikipedia, the free encyclopedia
Grouping of major Chinese painters during the Ming dynasty period (1368–1644)
Four Masters of the Ming dynasty - 明四家 - Ming Sijia.

TheFour Masters of the Ming dynasty (Chinese:明四家;pinyin:Míng Sì Jiā) are a traditional grouping in Chinese art history of four famousChinese painters that lived during theMing dynasty. The group consists ofShen Zhou (1427–1509),Wen Zhengming (1470–1559),Tang Yin (1470–1523), andQiu Ying (c.1494–c.1552).[1][2] They were contemporaries, with Shen being the teacher of Wen, while Tang and Qiu was taught byZhou Chen (1460–1535). All five of the aforementioned painters were part of theWu School.[3] Their styles and subject matter were varied.[4] Qiu was solely a painter, while the other three developed distinct styles of painting, calligraphy, and poetry.

Other names

[edit]
Clearing after Snow on a Mountain Pass byTang Yin (1470-1524)

There are several alternative terms for these four leading painters:[citation needed]

The "Four Masters" designation was first used in the mid-Ming dynasty, probably during theJiajing era, and has continued to be applied since then.

The painters

[edit]

Some of the painters were friends when they were living, and were familiar with each other's works. Their family backgrounds varied,Tang Yin was born into a poor merchant background, while Wen Zhengming's father had strong connections and became a patron to Tang, suggesting a relatively prosperous family status.[1] Both Tang and Wen were also skilled in poetry and calligraphy.[1][7]

Shen Zhou was born in a respected and wealthy family. He was one of the main founders of theWu School of painting and was also a poet, essayist and calligrapher.[2] Wen studied painting with Shen while Tang and Qiu studied with Zhou Chen, all of whom from the Wu School and made major painting revival techniques from their predecessors.[3]

Shen was most accomplished inshan shui painting and painted in a firm well-structured painting technique, probably following the techniques ofWang Ming.[2] While Tang was accomplished in painting landscapes and semi-cursive script.[1] Wen studied under the tutelage of Shen and would have borrowed painting techniques from him.[8]

Except for Qiu, the other three painters were accomplishedcalligraphers andpoets.

See also

[edit]

Notes

[edit]
  1. ^abcd"Tang Yin: One of the Four Masters of Ming Dynasty". cultural-china.com. 2007. Archived fromthe original on 8 July 2011. Retrieved31 May 2010.
  2. ^abc"Shen Zhou – China Online Museum". Retrieved2022-07-04.
  3. ^abLiscomb, Kathlyn (1992)."Shen Zhou's Collection of Early Ming Paintings and the Origins of the Wu School's Eclectic Revivalism".Artibus Asiae.52 (3/4):215–254.doi:10.2307/3249890.ISSN 0004-3648.JSTOR 3249890.
  4. ^Rawson, Jessica (2007).The British Museum Book of Chinese Art. British Museum Press. p. 340.ISBN 978-0-7141-2446-9.
  5. ^Rawson, p. 340
  6. ^"Wumen Painting School and Four Master Painters of Suzhou". Chinadaily.com.cn. Archived fromthe original on 1 October 2009. Retrieved31 May 2010.
  7. ^"Wen Zhengming – China Online Museum". Retrieved2022-07-04.
  8. ^Clunas, Craig (2013-06-01).Fruitful Sites: Garden Culture in Ming Dynasty China. Reaktion Books. p. 29.ISBN 978-1-78023-158-7.

References

[edit]

External links

[edit]
History
Early
(1368–1435)
Middle
(1435–1572)
Late
(1572–1683)
Government
Military
Frontiers
Compilations and documents
Palaces and mausoleums
Society and culture
Economy
Other topics
Retrieved from "https://en.wikipedia.org/w/index.php?title=Four_Masters_of_the_Ming_dynasty&oldid=1292088669"
Categories:
Hidden categories:

[8]ページ先頭

©2009-2026 Movatter.jp