Força de um Desejo (lit. 'Strength of Desire') is a Brazilian telenovela produced byRede Globo, and was shown in the schedule of 18 hours between May 10, 1999, and January 29, 2000, in 227 chapters. It was written byGilberto Braga and as collaborators with Alcides Nogueira and Sérgio Marques,Lilian Garcia, Eliane Garcia, Philip Miguez and Mark Silver and directed by Mauro Mendonça Filho, Carlos Araújo, Fabricio Mamberti and João Camargo, with production of the core Marcos Paulo.

FeaturedMalu Mader,Fábio Assunção,Cláudia Abreu,Marcelo Serrado,Selton Mello,Nathália Timberg,Lavínia Vlasak,Isabel Fillardis,Louise Cardoso,Reginaldo Faria,Denise Del Vecchio andPaulo Betti in leading roles.

The setting isParaíba Valley, Rio de Janeiro, in the nineteenth century. Higino Ventura (Paulo Betti) is a former peddler who enriched himself with shady dealings. Ventura bought thefazenda of Morro Alto ('Hill Top Plantation') in the town of Sant'Anna to win back the love of Helena (Sonia Braga), a resident of the neighbouringfazenda, Ouro Verde (lit. 'Green Gold', translates to 'Young Gold'). Helena is currently married to the powerful Baron Henrique de Sampaio Sobral (Reginaldo Faria). Ventura is willing to do anything to win Helena back, including buying Ouro Verde and obtaining a noble title. Although Helena disregards Ventura, and is faithful to her husband, she suffers at his hands due to a family secret – Baron Henrique Sobral is aware that his younger son, Abelardo (Selton Mello) is the result of an affair between Helena and Ventura.

The couple's legitimate son, Inácio (Fábio Assunção), despises the cruel treatment that his father reserves to his mother and decides to leave the household. In the capital, he meets Ester Ramos Delamare (Malu Mader), a beautifulcourtesan, and owner of the most famous saloon of the Court. They fall in love and live an intense romance, leading Ester to decide to leave her way of life and marry him. However, the unexpected death of Helena Sobral makes Inácio return to the plantation to stay close to his mourning family. Helena's mother, Idalina Menezes Albuquerque Silveira (Nathália Timberg) is against her grandson Inácio's relationship with Ester due to her lower social class although she ignores Ester's job. To put an end to their relationship, Idalina falsifies a letter and convinces Ester that Inácio does not love her anymore.

Baron Sobral is devastated by the death of Helena and is tormented by remorse and guilt over mistreating his wife. He decides to start a new life and travels throughout the court. After meeting Ester at her famous saloon in Rio de Janeiro, he falls in love with her without knowing the man who left her heartbroken is his son, Inácio. The Baron convinces Ester that it is not worth throwing her life away over a heartbreak. Willing to offer Ester a new life, Baron Sobral asks her to marry him. After the wedding, Sobral and Ester return to Ouro Verde. Upon their arrival, Ester comes face to face with Inácio; victims of Idalina's schemes, the former lovers are forced to live in the same house, hiding their past to everyone.

Ester and Inácio try to avoid each other but eventually end up clarifying the misunderstanding that separated them. They decide to tell Sobral the truth but end up not doing it upon discovery that the Baron is seriously ill. Dissatisfied with the situation and knowing that Ouro Verde is facing financial difficulties, Inácio marries Alice Ventura (Lavinia Vlasak), the daughter of Higino Ventura and his wife, Barbara (Denise Del Vecchio), whose only goal is that of becoming a baroness.

At Ouro Verde, Ester becomes friends with Zulmira (Ana Carbatti), herhouse slave at the fazenda who, however, she treats with kindness and as if she were amaid instead. Ester then discovers that Zulmira's family has been divided by slavers and decides to reunite Zulmira with her loved ones with help from her best friend Guiomar Pereira da Silva (Louise Cardoso), a former courtesan who moved to Sant'Anna to live closer to Ester, and local journalist Bartolomeu Xavier (Daniel Dantas).

Ventura continues with his plans to humiliate his rival, Henrique Sobral, and becomes obsessed with newcomer Olivia (Claudia Abreu). Snubbed by the girl, Ventura inquires about her, and he discovers that she is an enslaved woman on the run and that she is being sought by the police. As Olivia befriends Ester, more of her story is revealed – Olivia was born toa wealthy landowner and a light-skinned African enslaved woman. Her father recognized her as his daughter, and despite his family did not accept such a situation, he named her Ana Tambellini, educated her and wrote her acarta de libertad, a letter ofmanumission to acknowledge she was born free. Unfortunately, Olivia's father did not register the letter officially. When he died, his racist and envious eldest daughter tore the letter of manumission and wanted to make Ana a slave. For this reason, the girl ran away and changed her name to Olivia. Upon learning this from Olivia's sister, Ventura decides to deliver her to the police only to buy her back from her family to abuse Olivia as a sex slave. Olivia goes through Hell, unable to escape the clutches of her cruel owner despite the attempts of her boyfriend, the young doctor Mariano Xavier (Marcelo Serrado), and those of their friends Inácio and Ester, to release her from slavery.

The town of Sant'Anna is struck by tragedy: Baron Henrique Sobral is murdered during the engagement party of Abelardo and Juliana Xavier (Julia Feldens). This is the same night Inácio and Ester flee to live together after they discovered the farce of Sobral's disease — fearful of losing his wife, the Baron made the disease up as a way to prevent Ester from leaving him. Local police mobilise to arrest Inácio, the prime suspect in the death of Baron Sobral. Thus begins a race against time to spare Inácio pay for a crime he did not commit. His friends and allies get to work to uncover the identity of the real killer.

Cast in alphabetical order

The original plot was written byAlcides Nogueira in 1988, with the title ofAmor perfeito, and was almost broadcast onRede Globo as a daytime soap opera. The project ended up being cancelled, and only ten years later, Globo greenlit the project withGilberto Braga developing it together with Nogueira. Inspired by three novels byAlfredo d'Escragnolle Taunay –A Retirada da Laguna,Inocência andA Mocidade de Trajano– and set in the second half of the 19th century, the plot also had as a backdrop important events in the history of Brazil, such as theParaguayan War and theabolitionist movement.^[2]

The opera sequence that was broadcast in the first episode – the third act ofThe Marriage of Figaro, byMozart – was performed in the Municipal Theater ofNiterói, with the participation of 100 extras.Força de um desejo also had scenes shot on Grumari beach, inAlto da Boa Vista and in Forte São João, inUrca, all tourist spots inRio de Janeiro. A two-weekworkshop was held with the actors of the telenovela, including four courses taught by university professors, which had as their themes theEmpire of Brazil, the daily life of the coffee and sugarfazendas, andRomanticism. Some actors took part in classes infencing,horseback riding,calligraphy and body language and diction to adapt to the language and customs of the time.^[3]

The physical appearance and clothing of the characters were entrusted to Marlene Moura. It included thick sideburns and moustaches as well as starched shirts and collars, in the case of the men, and appliques at the waist, heavy clothing, and pastel-toned makeup for the women. Some actors and actresses increased the length of their hair with extensions, such asDira Paes, Daniel Dantas,Chico Díaz andMalu Mader, who also used false eyelashes.José de Abreu had a partially shaved head to facilitate the application of a wig and had to wear afatsuit.

The noble characters' features were inspired by those of films such asLuchino Visconti'sThe Leopard, a 1963 classic ofItalian cinema based on thenovel of the same name byGiuseppe Tomasi di Lampedusa, andStanley Kubrick'sBarry Lyndon (1975), which served as a model for the theme of Romanticism in the telenovela.Greta Garbo's role as Marguerite Gauthier in the 1936 filmCamille byGeorge Cukor (based onThe Lady of the Camellias, a 1848 novel byAlexandre Dumas fils) and the atmosphere ofShane, a 1953 film directed byGeorge Stevens, served as a reference for set designer Denise Carvalho, whose team faithfully reconstructed the interiors of the homes and workplaces.

About half a millionreais were spent on 2,500 pieces of clothing. The wedding dress worn by Lavinia Vlasak in the episode of her character Alice's wedding, designed by costume designer Otacílio Coutinho, is inspired by the costume thatClaudia Cardinale used inThe Leopard. With a tulle covered in beads and glitter and pleats that enhance the neckline, if it were sold in stores, this dress would not leave less than 350,000 reais, according to the costume designer; still according to him, what makes the dresses more expensive are the embroidery, all done by hand.

The costumes, under the responsibility of Beth Filipecki, consumed 3,000 meters of different fabrics, such as linen, pure silk taffeta, and English adamascados and natural fibers, used for the costumes of the enslaved characters. Ester's wardrobe was inspired by the dresses ofEmpress Elisabeth of Austria, nicknamed Sissi.

Several costumes from the novel were later reused for the miniseriesOs Maias, in 2001.

• Força de um Desejo atIMDb

• 1999 Brazilian television series debuts
• 2000 Brazilian television series endings
• 1999 telenovelas
• TV Globo telenovelas
• Telenovelas by Gilberto Braga
• Portuguese-language telenovelas

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