Folklore of Italy refers to thefolklore andurban legends ofItaly. Within the Italian territory, various people have followed each other over time, each of which has left its mark on current culture. Some tales also come fromChristianization, especially those concerningdemons, which are sometimes recognized by Christiandemonology. Italian folklore also includes the genre of thefairy tale (where the term itself was born[1]),folk music,folk dance andfolk heroes.
TheMommotti in theSardinian tradition they represent an imaginary figure used to frighten children. Sometimes they are associated with the boogeyman or with an evil ogre and their job is to take away children who do not behave well.[7]
TheBenandanti were linked to a pagan-shamanic peasant cult based on the fertility of the land widespread in Friuli around the 16th-17th century. These were small congregations that worked to protect villages and the crops from the evil intervention of witches.[8]
Segnature is a traditional Italian folk‑healing practice involving ritual gestures (literally “signs”) and sacred words to heal illness, remove curses such as the evil eye, protect individuals, and even influence natural forces like weather. Practitioners—known as Segnatori or Segnatrici—trace crosses or other symbolic marks on the body or objects while reciting secret prayers passed down through family or community lineages. Recent ethnographic research classifies Segnature as a localized form of Italian shamanism, blending pre‑Christian folk beliefs with Catholic ritual elements.[9]
Bombasìn is a monstrous character of the tradition of thePolesine and theVenetian Lagoon. Traditionally linked to the customs of Brusavecia and Carnival, the character has the appearance of an angry bull, and represents the most ferocious and wild side of human nature. Sometimes he is accompanied on parades by peasants who hold him in check with a chain, while the Bombasìn scares young and old in its path. Its name derives from cotton wool, a word that in turn derives from the Greek word for cotton, a material used to build the large black matel that wraps the Bombasìn. More recent tales connect him to the mythical character of King Hadrian and to the Gnomes of Polesine.[10]
TheStrego is a character of the popular tradition ofGarfagnana. Unlike classic witches and sorcerers, dedicated to various exercises of witchcraft and aimed exclusively at procuring evil for people, the witch seems to have a more ambiguous attitude as it is usually disinterested in other human beings preferring to gather in groups to perform non-religious ceremonies. well identified.[11]
TheOrcolat is a monstrous being that popular tradition indicates as the cause of the earthquakes inFriuli. The Orcolat is a recurring figure especially in the tales of the popular tradition.[12]
TheMaskinganna, literally "master of deceptions", was a legendary character of Sardinian folklore who enjoyed making fun of sleeping people making them awaken in terror.[13]
ThePettenedda is a mythical creature that belongs to the Sardinian tradition and that would live in wells. The legend was probably invented by mothers to scare children and keep them away from wells.[14]
TheGiufà is referred to in some areas of the country.[15] He is a "village fool", whose actions and words usually serve to provide a moral message.[15]
TheMarranghino is a fictional character ofLucanian folklore. Its myth shares common traits with that ofMonachicchio, and is particularly widespread in theprovince of Matera.[16]
TheSa Mama 'e su Sole ("the Mother of the Sun"), is a fantastic creature of the Sardinian tradition used to scare children who did not want to go to sleep on summer afternoons, when the sun was too strong.[17]
TheBabau (more rarelyBabao,Barabao orBobo) is in Italian folklore and other European regions, an imaginary monster with undefined characteristics that is traditionally invoked to scare children.[18]
TheOrco (Ogre in Italian) is a fairy-tale character probably derived from Orcus of Roman mythology, an evil imaginary humanoid monster of enormous tonnage and with an irascible temperament, devouring human flesh, especially children.[19]
Val Camonica witch trials. Translation of the inscription: "In memory of the Federici di Sonico accused of heresy and of the victims of the burnings for witchcraft in the 16th century inVal Camonica".
TheCogas orBruxas, in Sardinian traditions, are witches with the appearance of an old woman, having the ability to assume any shape and size, both animal and vegetable or even of people; that's why they are dangerous.[20]
TheJanare, inBenevento popular belief, especially in the peasant one, are the witches of Benevento whose terrible misdeeds are told.[21]
TheMajare are the witches of the popular culture ofSicily.[22]
ThePantàsema is an ancient female figure linked to the agricultural rites of the pagan culture ofCentral Italy, particularly present in theMolise,Lazio,Abruzzo,Umbria eMarche territories.[23]
TheBorda belong to the culture of theEmilia-Romagna and other areas of thePo Valley inItaly. It is a sort of witch that appears, blindfolded and horrible, both at night and on foggy days and kills anyone who has the misfortune to meet her. It is apersonification of the fear related toswamps andmarshlands, and to ponds and canals, invoked by adults to scare children and keep them away from such potentially dangerous places.[25]
TheMasca is an important figure inPiedmontese folklore and popular belief, which attributes to her supernatural faculties handed down from mother to daughter or from grandmother to granddaughter.[26]
TheBàsura, a witch ofLigurian folklore whose tradition is widespread above all in the West, is bad, according to folklores.[27] According to the legend, she is the witch who lives in theToirano Caves (otherwise known as theGrotte della Strega, "caves of witch"); the legend developed when, after the discovery of the caves, all the labyrinths were closed, and the wind made strange noises. Legend has it that theBàsura does not want anyone to enter its caves.
TheGiubiana is a witch ofLombard and Piedmontese folklore, often thin, with very long legs and red stockings. It lives in the woods and thanks to its long legs, it never sets foot on the ground, but moves from tree to tree. So he observes all those who enter the woods and frightens them, especially the children.[28]
TheMaciara is a person to whom magical powers are attributed by the popular culture of Southern Italy.[29]
TheJanas were the fairies ofSardinian folklore. They lived in the so-called Domus de Janas, which were actually rock-cut tombs. According to other legends, they lived on top of thenurhags and spent their time weaving with a gold loom.[30] Some Domus de Janas can be visited in the coastal area of Villasimius near Riso Beach, not far from the marina.[31]
TheAnguana orAgana orLongana is an aquatic nymph belonging toAlpine mythology, also widespread inUmbria, and which is also spoken of in the area of theMarmore Falls, in which it would live and/or refresh itself daily. There is also talk of this fairy inAbruzzo,Tuscany (in the area of the Tuscan-EmilianApennines), inVeneto and inEmilia-Romagna. As an aquatic nymph it lives only in fresh waters, such as lakes, rivers, streams, waterfalls or streams.[32]
TheBella 'mbriana, in the popular belief of theNeapolitan people, is the spirit of the house.[33]
TheMazaròl is a sprite of the folkloric-fairytale tradition ofDolomiti.[46]
TheMonachicchio is a sprite present in the popular tradition ofBasilicata.[47]
TheMonaciello is a legendary sprite from the ancient folklore ofNaples. Monaciello, which means "littleMonk" inNeapolitan, is typically a benevolent man, short and stocky, dressed in a long monk's robe with a broad hood.[48]
TheSquasc is a mythological being from the folklore of easternLombardy.[49]
TheTummà is a sprite present in the popular tradition ofApulia.[50]
The corridor of the castle of Montebello, inprovince of Rimini, presumed home of the ghost ofAzzurina
TheConfinati or theAnime Confinate are mythical figures widespread in the popular traditions of north-easternLombardy, especially in theBergamo valleys,Val Camonica andValtellina.[49]
ThePandafeca is a dreamlike manifestation, commonly widespread in the imaginary of theAbruzzo culture.[51]
According to legend,Azzurrina was the daughter of a certain Ugolinuccio di Montebello, lord of Montebello, in the modernprovince of Rimini, in the mid-14th century. According to the folktale, she would have mysteriously disappeared.[52]
TheBianca di Collalto tells of a young maid who was walled up alive due to the jealousy of her mistress. His ghost appears to the members of theCollalto family to announce joys or misfortunes.[53]
TheGuria, is a spirit of the popular tradition ofBarletta that inhabits the houses, often identified as the "spirit of the house".[54]
Aamon is a GrandMarquis ofHell who governs 40 infernal legions, and the 7th spirit of theGoetia. He is the demon of life and reproduction.[55] According to theDictionnaire Infernal byCollin de Plancy, he commands 40 legions of demons and carries the title of Prince.
Su Ammuntadore orAmmuntadori is a creature ofSardinian mythology that would attack people in their sleep through nightmares.[56]
Maimone orMamuthone is a divinity of nature current in the mythology and culture of Sardinia. He was transformed, with the advent of Christianity, into a demon.[57]
Incubus is a demon in male form in folklore that seeks to have sexual intercourse with sleeping women. In medieval Europe, union with an incubus was supposed by some to result in the birth of witches, demons, and deformed human offspring. Parallels exist in many cultures.[60] Walter Stephens alleges in "Demon Lovers", some traditions hold that repeated sexual activity with an incubus or succubus may result in the deterioration of health, an impaired mental state, or even death.[61]
Succubus is a demon orsupernatural entity infolklore, in female form, that appears in dreams toseduce men, usually throughsexual activity. According toreligious traditions, repeated sexual activity with a succubus can cause poor physical or mental health, even death.[62] In modern representations, a succubus is often depicted as a beautiful seductress orenchantress, rather than as demonic or frightening.
Thyrus, the dragon ofTerni, is one of the most famous dragons of Italian folklore, a river dragon that besieged Terni in the Middle Ages. One day, a young and brave knight of the noble House of Cittadini, tired of witnessing the death of his fellow citizens and the depopulation of Terni, faced the dragon and killed it. From that day, the town assumed the creature in its coat of arms, accompanied by a Latin inscription: "Thyrus et amnis dederunt signa Teramnis" ("Thyrus and the river gave their insignia to Terni"), that stands under the banner of the town of Terni, honoring this legend.[64][65]
The Ferocious Beast, an enormous animal similar to a wolf. It ate pets and children and terrorizedMilan during the 1790s and the Milanese organized a hunt against it. After months they killed the Ferocious Beast and displayed its body at theUniversity of Pavia; but it is no longer there and has been missing for decades. Informal sources claim it was stolen, destroyed during World War II, or removed specifically by German actions during that war.[66]
TheTarantasio is the name of a legendary dragon that terrorized the inhabitants of the ancientGerundo Lake (now dried up), in the area ofLodi, inLombardy. This mythological animal was believed to devour children, destroy boats, and with its pestilential breath, soak up the air and cause a strange disease called yellow fever.[68]
TheCatoblepas is a legendary creature described byPliny the Elder andClaudius Aelianus. In ancient Greek and Roman mythology he was an "African quadruped, depicted with his heavy head always lowered to the ground".[69]
TheAmphisbaena is a mythical snake with two heads, one at each extremity of the body, and eyes that shine like lamps. The amphesibena as a mythological and legendary creature has been cited byLucan,Pliny the Elder, andDante Alighieri.[70]
TheMarroca is a mythical animal which, according to peasant belief, lives essentially in the wetlands of the countryside of theValdichiana,Siena,Arezzo, andUmbria.[72]
TheOzena is a legendary octopus described by Pliny the Elder and its name means "stinking octopus" due to its unpleasant smell. Most of the ozenas were small in size and remained at the bottom of the sea. In rare cases, some larger species attacked and ate humans.[73]
TheCaddos birdes were fantastic creatures of Sardininian folklore, which appeared in the form of small horses with green skins very rare and very difficult to spot.[77]
TheSerpente regolo orRegulus is a fantastic animal of theTuscan,Umbrian,Abruzzese andSabine traditions. It would be a large snake with a head "as big as that of a child", which lives in the scrublands, fields and ravines of the mountains.[78]
TheBiddrina is a large aquatic snake which, according to legend, lives in the wetlands of the countryside of theprovince of Caltanissetta.[79]
TheJaculus is a small mythicalserpent ordragon. It can be shown with wings and sometimes has front legs. It is also sometimes known as the javelin snake. It was said that the jaculus hid in the trees and sprang out at its victims. The force of it launching itself at the victim led to the association with javelins.[80]Pliny described it as follows: "The jaculus darts from the branches of trees; and it is not only to our feet that the serpent is formidable, for these fly through the air even, just as though they were hurled from an engine."[81]Lucan also describes the attack of the jaculus in thePharsalia.
In the folklore ofLombardy, more precisely of the provinces ofBergamo andCremona, theGata Carogna is a monstrous animal which would infest the dark alleys of the cities.[82] She looks like a large red cat, with shaggy fur and an angry look, who would attack children to steal their souls.
TheGatto mammone is a fictional monster of popular Italian folklore, in the form of a huge terrifying-looking cat.[83] Such a cat would have been dedicated to frightening the grazing herds and would have had demonic movements and expressions.[84] His cry would be a cross between a roar and a meow. The monster would be so stealthy as to attack unsuspecting victims and tear them to pieces without leaving even the bones.[83]
TheGigiàtt is, in Lombard folklore traditions, a deer of enormous proportions that feeds on hikers and travelers.[85]
TheScultone, in Sardinian popular belief, was a dragon-like creature that killed men and animals nearBaunei.[86]
TheBisso Galeto is a legendary creature of theVeronese valleys. It has the body and head of a rooster, with a large red crest, wings full of spines and a snake's tail. Its normal size is quite small, making it similar to a small snake, but the Bisso Galeto can increase and decrease the length of its body at its will.[87]
TheTatzelwurm is a legendary creature of theAlps, described as a lizard with only four or two short legs and a stubby tail.[88]
TheLonza a creature described in Dante's Inferno.[89] It represents thevice oflust orenvy.[90] It is described in the Tuscan Bestiary as a hybrid between a Lion and a Lynx or Leopard.[91]
TheScrixoxiu, inSardinian traditions, is a casket belonging to a spirit of a deceased family member.[92]
TheLibro del comando is the name by which the black magic texts containing the description of the methods to know and distinguish benign and evil spirits were indicated, as well as the magic formulas to invoke their intervention, in order to obtain their help for means of "responses and revelations", the circulation of which was fought by authority.[93]
TheLibro del Cinquecento orLibru do cincucentu is a legendary book that would be kept inFicarra,Sicily. Legend has it that it was a magic book that contained formulas that made it possible to overcome all problems.[94]
Anegg of Columbus refers to a brilliant idea or discovery that seems simple or easy after the fact. The expression refers to anapocryphal story, dating from at least the 16th century, in which it is said thatChristopher Columbus, having been told that finding a new trade route was inevitable and no great accomplishment, challenges his critics to make anegg stand on its tip. After his challengers give up, Columbus does it himself by tapping the egg on the table to flatten its tip. The story is often alluded to when discussingcreativity.[95] The term has also been used as the trade name ofa tangram puzzle andseveral mechanical puzzles. It also shows that anything can be done by anyone with the right set of skills; however, not everyone knows how to do it.
Cola Pesce, also known asPesce Cola (i.e., Nicholas Fish) is an Italian folktale about amerman, mentioned in literature as early as the 12th century. Many variants and retellings have been recorded.[96] The first known literary mention was by a 12th-century poet, Raimon Jordon of Provencal, who referred to a "Nichola de Bar" (Nicholas of Bari) who lived with the fishes.[97]
Thescrofa semilanuta is an ancient emblem of the city ofMilan, Italy, dating back at least to theMiddle Ages — and, according to a local legend, to the very foundation of Milan. Several ancient sources (includingSidonius Apollinaris,Datius, and, more recently,Andrea Alciato)[98] have argued that thescrofa semilanuta is connected to the etymology of the ancient name of Milan,Mediolanum, and this is still occasionally mentioned in modern sources, although this interpretation has long been dismissed by scholars.[98]
According to Italian tradition, the Days of the Blackbird are the last three days of January. Also according to tradition they would be the three coldest days of the year. According to tradition, the explanation of the phrase derives from a legend according to which, to shelter from the great cold, a blackbird and its chicks, originally white, took refuge inside a chimney, from which they emerged on February 1, all black because of the soot . From that day on, all the blackbirds were black.[99]
According to a popular Italian tradition, the Days of the Old Woman (or Lent Days) are the last three days of March, ie March 29, 30 and 31, in which it is believed that the cold of the recently finished winter often returns. : are considered the coldest days of spring. The Days of the Old Woman owe their name to an ancient popular legend: once, when March was only 28 days old, an old woman, now anticipating the warmth of spring, said: "March, now you can no longer harm me, because today it is already April and the Sun is already up! "; so it was that March, offended, asked for three more days in April and used it to bring the winter cold back to earth and make the old woman sick.[100]
TheRape of the Sabine Women, also known as the "Abduction of the Sabine Women" or the "Kidnapping of the Sabine Women", was an incident inRoman mythology in which the men of Rome committed amass abduction of young women from the other cities in the region. It has been a frequent subject of painters and sculptors, particularly during theRenaissance and post-Renaissance eras. The word "rape" (cognate with "rapto" in Portuguese and other Romance languages, meaning "kidnap") is the conventional translation of theLatin wordraptio used in the ancient accounts of the incident. Modern scholars tend to interpret the word as "abduction" or "kidnapping" as opposed to asexual assault.[101]
Madonna Oriente is an Italian mythical figure, often mentioned in the trials held in cases ofwitch-hunt. Connected to pagan cults, it has been placed side by side with the figures ofDiana,Herodias,Perchta. It could manifest itself in various forms, usually as a ghost or as a huntress, while at times it appeared as a beautiful girl who lived in the woods, dressed only in hair, with a look capable of bewitching people.[102]
TheTomb of Lars Porsena is a legendary ancient building in what is now centralItaly, tomb of theEtruscan kingLars Porsena. Allegedly built around 500 BCE atClusium (modernChiusi, in south-easternTuscany), and was described as follows by theRoman writerMarcus Varro (116–27 BCE). In the 18th century Angelo Cortenovis proposed that the tomb of Lars Porsena was a machine for conducting lightning.[103]
Dina and Clarenza are two women connected in legend with the historical siege ofMessina byCharles I of Anjou during theSicilian Vespers in August 1282. Dina and Clarenza, two Messinese women, were heroines who, in legend, opposed the assaults of the Angevin forces. The two women were standing guard on the wall. As soon as they saw the enemies, they did all they could to repel the attack. While Dina continually hurled rocks down on the enemy soldiers, Clarenza rang the bells in thecampanile of theDuomo, from which she awakened the whole city. Thus the Messinese rushed to the defense of their city and repelled the attack.[104]
Pietro Bailardo or Pietro Baialardo is a legendary character accused by his contemporaries of being a magician and necromancer in direct relationship with the devil.[106]
Maria Puteolana is a semi-legendary figure in the history ofPozzuoli. The only reference to this figure is provided byFrancesco Petrarca who in 1341 withRobert, King of Naples, would have visited Pozzuoli in order to meet the "very famousvirago Maria, later called Maria Puteolana".[107]
Pacciûgo andPacciûga are two figures remembered in two statues to which one of the oldest legends with a religious background inGenoa is linked.[108]
The Legend of San Pietro al Monte or the Legend of the White Boar ofCivate wants to explain the foundation of the church of the same name as an act of devotion of the Lombard KingDesiderius.[109]
Gammazita is a young girl, the protagonist of aCatania legend linked to the history of theAngevins of Sicily. Its name was also given to a site in the historic center of the Sicilian city, a natural cavity called the well of Gammazita.[110]
The beast ofCusago was a she-wolf who sowed panic during the summer of 1792 in the Cusago wood in theDuchy of Milan. The animal, as it also happened in that period in similar cases in Lombardy, but also elsewhere, had become anthropophagous and killed and devoured several victims, always boys and girls.[111]
Marco Polo recorded his 24 years-long travels in theBook of the Marvels of the World, introducing Europeans to Central Asia and China.[112]Christopher Columbus leads an expedition to the New World, 1492.His voyages are celebrated as the discovery of the Americas from a European perspective, and they opened anew era in the history of humankind and sustained contact between the two worlds.Giuseppe Garibaldi during theExpedition of the Thousand holding aflag of Italy. He is considered one of the greatest generals of modern times.[113] Garibaldi is also known as the "Hero of the Two Worlds" because of his military enterprises in South America and Europe.[114]
Ducetius – he was aHellenized leader of theSicels and founder of a unitedSicilian state and numerous cities.[115] It is thought he may have been born around the town ofMineo.[116] His story is told through the Greek historianDiodorus Siculus in the 1st century BCE, who drew on the work ofTimaeus. He was a native Sicilian, but his education was Greek[117] and was very much influenced by Greek civilization in Sicily.
Scipio Africanus – he was a Roman general and statesman, most notable as one of the main architects of Rome's victory againstCarthage in theSecond Punic War. Often regarded as one of the best military commanders and strategists of all time, his greatest military achievement was the defeat ofHannibal at theBattle of Zama in 202 BC. This victory in Africa earned him the epithetAfricanus, literally meaning "the African," but meant to be understood as a conqueror ofAfrica. Scipio Africanus is mentioned inIl Canto degli Italiani, thenational anthem ofItaly since 1946.
Alberto da Giussano – he is alegendary character of the 12th century who would have participated, as a protagonist, in thebattle of Legnano on 29 May 1176.[5] In reality, according to historians, the actual military leader of theLombard League in the famous military battle withFrederick Barbarossa wasGuido da Landriano.[121] Historical analyses made over time have indeed shown that the figure of Alberto da Giussano never existed.[122] In the past, historians, attempting to find a real confirmation, hypothesized the identification of his figure withAlbertus de Carathe (Alberto daCarate) andAlbertus Longus (Alberto Longo), both among the Milanese who signed the pact inCremona in March 1167 which established the Lombard League, or in an Alberto da Giussano mentioned in an appeal of 1196 presented toPope Celestine III on the administration of thechurch-hospital of San Sempliciano. These, however, are all weak identifications, given that they lack clear and convincing historical confirmation.[5][123]
Marco Polo – he was aVenetian merchant,[124][125] explorer and writer who travelled through Asia along theSilk Road between 1271 and 1295. His travels are recorded inThe Travels of Marco Polo (also known asBook of the Marvels of the World andIl Milione, c. 1300), a book that described to Europeans the then mysterious culture and inner workings of the Eastern world, including the wealth and great size of theMongol Empire and China in theYuan Dynasty, giving their first comprehensive look intoChina,Persia,India,Japan and other Asian cities and countries.[126] Marco was appointed to serve as Khan's foreign emissary, and he was sent on manydiplomatic missions throughout the empire and Southeast Asia, such as in present-dayBurma,India,Indonesia,Sri Lanka andVietnam.[127][128] As part of this appointment, Marco also travelled extensively inside China, living in the emperor's lands for 17 years and seeing many things that had previously been unknown to Europeans.[129]
Roger I of Sicily – he was aNorman nobleman who became the firstCount of Sicily from 1071 to 1101. He was a member of theHouse of Hauteville, and his descendants in the male line continued to rule Sicily down to 1194. Roger was born inNormandy, and came to southern Italy as a young man in 1057. He participated in several military expeditions against theEmirate of Sicily beginning in 1061. He was invested with part of Sicily and the title of count by his brother,Robert Guiscard,Duke of Apulia, in 1071.[131] By 1090, he had conquered the entire island. In 1091, heconqueredMalta. The state he created was merged with the Duchy of Apulia in 1127 and became theKingdom of Sicily in 1130.
Christopher Columbus was an explorer and navigator from theRepublic of Genoa who completedfour Spanish-based voyages across the Atlantic Ocean sponsored by theCatholic Monarchs, opening the way for the widespread Europeanexploration andcolonization of the Americas. His expeditions were the first known European contact with the Caribbean and Central and South America. Columbus's expeditions inaugurated a period of exploration, conquest, and colonization that lasted for centuries, thus bringing the Americas into the European sphere of influence. The transfer of plants, animals, precious metals, culture, human populations, technology, diseases, and ideas between theOld World andNew World that followed his first voyage are known as theColumbian exchange. These events and the effects which persist to the present are often cited as the beginning of themodern era.[132][133]
Italian folk dance has been an integral part ofItalian culture for centuries. Dance has been a continuous thread in Italian life fromDante through theRenaissance, the advent of thetarantella inSouthern Italy, and the modern revivals offolk music and dance. One of the earliest attempts to systematically collect folk dances is Gaspare Ungarelli's 1894 workLe vecchie danze italiane ancora in uso nella provincia bolognese ("Old Italian dances still in use in theprovince of Bologna") which gives brief descriptions and music for some 30 dances.[145]
In 1925,Benito Mussolini's government set up theOpera Nazionale Dopolavoro (OND) or National Recreational Club as a means of promoting sports and cultural activities and one of its accomplishments was a wide survey of folk music and dance in Italy at that time. The work was published in 1931 asCostumi, musica, danze e feste popolari italiane ("Italian popular customs, music, dance and festivals"). In September 1945 OND was replaced by a new organization, theEnte Nazionale Assistenza Lavoratori (ENAL), headquartered in Rome. In partnership with theInternational Folk Music Council, ENAL sponsored a Congress and Festival in Venice September 7–11, 1949 which included many of the outstanding researchers in Italian folklore as well as folk dance and music groups from various Italian regions.[146][147]
ENAL was dissolved in late 1978 but earlier in October 1970, the Italian folklore groups who had been members of ENAL set up a separate organization, which in 1978 became theFederazione Italiana Tradizioni Populari (FITP). The FITP publishes a newsletter and a scholarly publicationIl Folklore D'Italia.[148] An interest in preserving and fostering folk art, music and dance amongItalian Americans and the dedication and leadership of Elba Farabegoli Gurzau led to the formation of the Italian Folk Art Federation of America (IFAFA) in May 1979. The group sponsors an annual conference and has published a newsletter,Tradizioni, since 1980.[149]
Italian folk music has a deep and complex history.National unification came quite late to theItalian peninsula, so its many hundreds of separate cultures remained un-homogenized until quite recently. Moreover, Italian folk music reflects Italy's geographic position at the south ofEurope and in the center of theMediterranean Sea:Celtic,Slavic,Arabic,Greek,Spanish andByzantine influences are readily apparent in the musical styles of the Italian regions. Italy's rough geography and the historic dominance of smallcity states has allowed quite diverse musical styles to coexist in close proximity.
The Celtic and Slavic influences on the group and open-voice choral works of theNorthern Italy contrast with the Greek, Byzantine, and Arabic influenced stridentmonody of theSouthern Italy.[150] In theCentral Italy these influences combine, while indigenous traditions like narrative and ballad singing remain. The music of the island ofSardinia is distinct from that of the rest of Italy, and is best known for the polyphonic chanting of the tenores.
The modern understanding of Italian folk music has its roots in the growth ofethnomusicology in the 1940s and 1950s and in the resurgence ofregionalism in Italy at the time. TheCentro Nazionale di Studi di Musica Popolare (CNSMP), now part of theAccademia Nazionale di Santa Cecilia, was started in 1948 to study and archive the various musical styles throughout Italy. The Italianfolk revival was accelerating by 1966, when theIstituto Ernesto de Martino was founded byGianni Bosio inMilan to document Italian oral culture and traditional music. Today, Italy's folk music is often divided into several spheres of geographic influence, a classification system proposed byAlan Lomax in 1956 and often repeated since.[151]
^abIlles, Judika (2009).Encyclopedia of Spirits: The Ultimate Guide to the Magic of Fairies, Genies, Demons, Ghosts, Gods & Goddesses. p. 269.ISBN978-0-06-135024-5.
^"Viva La Befana". Transparent Language 6 Jan, 2009. 12 Dec, 2009.
^Grillo, Paolo (2010).Legnano 1176. Una battaglia per la libertà [Legnano 1176. A battle for freedom] (in Italian). Laterza. pp. 157–163.ISBN978-88-420-9243-8.
^"Benandanti" (in Italian). Retrieved8 October 2022.
^Puca, Angela (2024). Italian Witchcraft and Shamanism: The Tradition of Segnature, Indigenous and Trans‑cultural Shamanic Traditions in Italy. Leiden: Koninklijke Brill NV. ISBN 978‑90‑04‑69417‑0.
^Borghese, Giovanni (2022).Racconti Ritrovati del Re Adriano [Rediscovered Tales of King Adriano] (in Italian).ISBN979-8411152326.
^abAshliman, D. L."Eat, My Clothes!".Clothes Make the Man - folktales of Aarne-Thompson type 1558 selected and edited by D. L. Ashliman. Retrieved2009-10-13.
^Campagna, Claudia (28 February 2020)."Mazapegul, il folletto romagnolo" [Mazapegul, the romagnol elf].Romagna a Tavola (in Italian). Retrieved1 March 2024.
^Giovetti, Paola[in Italian] (2001).L'Italia dell'insolito e del mistero: 100 itinerari diversi [The Italy of the unusual and the mysterious: 100 different itineraries] (in Italian). Edizioni Mediterranee. p. 76.
^"Bianca di Collalto" [Bianca from Collalto] (in Italian). Retrieved11 October 2022.
^Bestiario toscano - Milton Stahl Garver and Kenneth McKenzie,Il Bestiario toscano secondo la lezione dei codici di Parigi e di Roma, «Studi romanzi», VIII, 1912, Original text pp. 17-94: «Loncia è animale crudele e fiera, e nasce de coniungimento carnale de leone con lonça o vero de leopardo con leonissa»
^Kant, Immanuel (2013[1790]),Critique of Judgement, Book II, "Analytic of the Sublime", Simon and Schuster: "In my part of the country, if you set a common man a problem like that of Columbus and his egg, he says, 'There is no art in that, it is only science': i.e. youcan do it if you knowhow; and he says just the same of all the would-be arts of jugglers."
^Calvino, Italo (1980).Italian Folktales. Harcourt Brace Jovanovich, Inc. p. 746.
^abBrooks, Constant (1991).Antonio Panizzi: Scholar and Patriot. "Chapter VIII. Panizzi and Garibaldi. The Kingdom of Italy". Manchester University Press. p. 133.
^Bouchard, Norma (2005).Risorgimento in Modern Italian Culture: Revisiting the Nineteenth-Century Past in History, Narrative, and Cinema. Madison: Fairleigh Dickinson University Press. p. 76.ISBN9780838640548.
^AA.VV. (1999).La fabrique des héros. Maison des Sciences de l'Homme. p. 11.ISBN2-7351-0819-8.
^Lomax, Alan (1956). "Folk Song Style: Notes on a Systematic Approach to the Study of Folk Song."Journal of the International Folk Music Council, VIII, pp. 48–50.
.jpg)
_by_William_Hogarth.jpg)
.jpg)
.png)
