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Florencio Morales Ramos

From Wikipedia, the free encyclopedia
Puerto Rican singer of jíbaro music
Florencio Morales Ramos
Also known asFlor
Born(1915-09-05)September 5, 1915
DiedFebruary 23, 1989(1989-02-23) (aged 73)
GenresJíbaro music
OccupationsMusician, composer
InstrumentVoice
Musical artist
In thisSpanish name, the first or paternal surname is Morales and the second or maternal family name is Ramos.

Florencio ("Flor")Morales Ramos (September 5, 1915 – February 23, 1989), better known asRamito, was aPuerto Ricantrovador, andcomposer who was a native ofCaguas, Puerto Rico. Fans of the genre consider him the king ofJíbaro music. Known as "El Cantor de la Montaña" (The Singer from the Mountain),[1] Morales Ramos had two brothers, Luis ("Luisito") and Juan María ("Moralito"), who also attained major recognition as jíbaro singers.[2]

Early years

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Ramito was born on September 5, 1915, in[3] theBairoa barrio ofCaguas, Puerto Rico (very close to whereBairoa Gym, headquarters for many Puerto Rican prizefighters andboxing champions, stands nowadays);"Cagüitas" (Little Caguas) was a boyhood nickname of his, used by his closest friends. He left school in fourth grade ("but an old-time fourth grade at that!", he mentioned whenever asked) to assist his parents, who were parenting twelve other children (including six of their own), and whose economic situation was precarious. His mother had been an amateur singer and improviser and he would sing her favorite songs at the sugar cane fields where he served, first as a water boy and later as a messenger and sugar cane cutter. Regarded as a good singer by his peers, he was already singing for money at the age of thirteen. In 1932, he began his music career,[4] as a participant at a localtrova singers contest in Caguas. That was the beginning of fame for "Ramito".

Musical career

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Ten years later, in 1942, he inaugurated theWIAC radio station, a station with national reach. He also sang in the inaugural broadcast ofWKJB-AM inMayagüez, in 1948. Later he animated the radio show "La Hora del Volante", fromBayamón. His affable stage presence and reputation as a fast improviser and bright lyricist earned him a large following in Puerto Rico and growing communities of Puerto Rican migrants to the northeastern United States.

"Ramito" was featured in the short musical film"Truya" (1950), along the most reputed Puerto Rican jíbaro singers and musicians of the time, including Jesús Sánchez Erazo "Chuíto El De Bayamón", Ernestina Reyes, "La Calandria",Maso Rivera and others. He also appeared on television multiple times and he released a wide number of trovaalbums, of which many were best sellers inPuerto Rico and other Latin American countries.

Between 1960 and 1972 he nominally moved toNew York, where he worked on the radio show "La Montaña Canta" on theWHOM station. He maintained a constant presence in Puerto Rico, however, virtually living between both places.

"Ramito" became an icon to fans of trova music in Puerto Rico, specially those in the mountainside areas of that island. He toured intensely in Latin America and the United States, and had a particularly strong following among the Puerto Rican community inHawaii, which he visited twice. He also visitedOkinawa, where he entertained Puerto Rican troops of the United States military who were stationed there. He sang for presidentJohn F. Kennedy at theWhite House in November 1961, in a showcase of Puerto Rican musical talent that complemented a visit by then governorLuis Muñoz Marín to Washington.

Musical work

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Ramito influenced several Puerto Rican musicians and singers, not only within thecanción jíbara realm, but also in other Puerto Rican music genres, such asplena andsalsa. He is credited with inventing theseis de enramada, one of the many musical structures to which Puerto Rican country music is sung to (collectively namedseises after a distantly related genre made popular inAndalusian music). He also popularized theseis llanera, a variety ofseis that incorporated musical influences that are also common toVenezuela.

Willie Colón was so strongly moved by Ramito's work that he recordedPatria y Amor, one of Ramito'sdécimas, as part of his seminal Christmas albumAsalto Navideño (1971).Héctor Lavoe's interpretation of the song, renamed"Canto a Borinquen" for the album, is considered the definitive version of this patriotic song, which has since been versioned byJosé Feliciano,Lucecita Benítez and other Puerto Rican singers.

Que Bonita Bandera

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External audio
audio icon You may listen to"¡Que Bonita Bandera!" (What a beautiful flag!) performed by "Ramito" onYouTube

Ramito's composition "Qué Bonita Bandera" -aplena homage to the Puerto Rican flag- deserves a particular mention. During the decade previous to the song's inception in 1968, waving a Puerto Rican flag in public was considered taboo in the island (during a brief period in the early 1950s, which coincided with theJayuya Uprising and theUnited States Capitol shooting incident of 1954 it was actually outlawed). Ramito wrote the song to demonstrate pride for the flag. In its lyrics, he incorporated the names ofJosé de Diego,Ramón Emeterio Betances andLuis Muñoz Rivera, and manifested his wish to see it "floating freely over my beautiful Borinquen". It quickly became an unofficial anthem for Puerto Ricans everywhere, and was particularly popular among Puerto Ricans in New York City. Besides Ramito's original version, it has been versioned by multiple artists, includingJennifer Lopez,Ricky Martin,Pete Seeger,Yolandita Monge,Tony Croatto, José González y su Banda Criolla, and others. Salvadorean band La Fuerza used the song's chorus as the basis for a similarly named song honoringEl Salvador.

On March 19, 2009,"Qué Bonita Bandera" was played as part of the wake-up call forSpace ShuttleMission STS-119, in honor of Mission SpecialistJoe Acaba, whose ancestry is Puerto Rican.

Personal life

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In his early years, Ramito was an agricultural worker; he later served as aprison warden andfirefighter before becoming a professional singer. In 1970 the government of Puerto Rico named him a liaison and goodwill ambassador to the Puerto Rican communities in the United States.

Ramito married six times and had eight children. His widow Irma Rodriguez is a jíbaro singer on her own merit, whose nickname is"La Jibarita de Salinas". Ramito relocated to her hometown,Salinas, after marrying her. On February 23, 1989, Ramito committed suicide by a self-inflicted gunshot wound in his in-law's house, after learning that a cancer he was suffering at the time hadmetastasized.[5] He was buried in the town's cemetery.

See also

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References

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  1. ^Florencio Morales Ramos: Ramito, “el Cantor de la Montaña”. David Morales. Our Country Music. Undated. Accessed 8 December 2018.
  2. ^"Luis Morales Ramos "El Montañero"".Fundación Nacional para la Cultura Popular (in Spanish). 12 November 2020. Retrieved2 February 2023.
  3. ^"Ramito: 100 + 1 = 101".Fundación Nacional para la Cultura Popular (in Spanish). 25 February 2016. Retrieved2 February 2023.
  4. ^"Flor Morales Ramos ("Ramito")".Fundación Nacional para la Cultura Popular (in Spanish). 12 November 2020. Retrieved2 February 2023.
  5. ^Frasier, David K. (2002). "Ramos, Flor Morales".Suicide in the entertainment industry: an encyclopedia of 840 twentieth century cases. McFarland. p. 257.ISBN 978-0-7864-1038-5. RetrievedJuly 17, 2009.

External links

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