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Flesh Gordon

From Wikipedia, the free encyclopedia
1974 film
Not to be confused withFlash Gordon.
For the French professional wrestler, seeFlesh Gordon (professional wrestler).

Flesh Gordon
Special collector's DVD artwork
byGeorge Barr
Directed byMichael Benveniste
Howard Ziehm
Written byMichael Benveniste
Produced byWalter R. Cichy
Bill Osco
Howard Ziehm
StarringJason Williams
Suzanne Fields
Joseph Hudgins
William Dennis Hunt
Candy Samples
Mycle Brandy
John Hoyt
Narrated byRobert V. Greene
CinematographyHoward Ziehm
Edited byAbbas Amin
Music byRalph Ferraro
Production
company
Graffiti Productions
Distributed byMammoth Films
Release date
  • July 26, 1974 (1974-07-26)
Running time
78 minutes
90 minutes(Collector's edition)[1]
CountryUnited States
LanguageEnglish
Budget$470,000
Box office$5.3 million (US and Canadian rentals)[2][3]

Flesh Gordon is a 1974 Americansuperherosex comedy feature film serving as a spoof ofUniversal Pictures's first (of three)Flash Gordonserial films from the 1930s. The film was produced by Walter R. Cichy,Bill Osco, andHoward Ziehm. It was co-directed by Ziehm and Michael Benveniste, who also wrote the screenplay. The cast includes Gregory Loquist, Suzanne Fields,John Hoyt andWilliam Dennis Hunt. It was distributed by Mammoth Films.

The storyline is reminiscent of the first Universal PicturesFlash Gordon serialFlash Gordon (1936), but written and directed with a purposelycampy adult flavor. The planet Porno (in the serial: Mongo) and major characters are suggestive innuendos: the hero Flesh Gordon (Flash Gordon); his love interest Dale Ardor (Dale Arden); the evil Emperor Wang the Perverted (Ming the Merciless); scientist Dr. Flexi Jerkoff (Dr. Alexi Zarkov); seductive Amora, queen of Magic (Ming's daughter Aura); and gay Prince Precious (Prince Barin). The film features production values comparable to the original serial, but withstop-motion animation of creatures, frequent use of gratuitous nudity, and brief sex scenes.

Plot

[edit]

Distinguished Professor Gordon explains that Earth is being tormented by periodic "sex rays", which send people into a sexual frenzy. When one of the rays hits the passenger aircraft carrying Flesh Gordon and Dale Ardor, the pilots abandon the controls and everyone aboard has manic sex. Realizing no one is flying the plane, Flesh temporarily snaps out of the effects of the ray and tries to pilot the vehicle, to no avail. Seeing no other solution, he takes a parachute and escapes with Dale from the imminent crash. They land near the workshop of Dr. Flexi Jerkoff, who has a plan to stop the sex rays at their source.

They travel to the planet Porno aboard Jerkoff's phallic rocket ship, and are briefly hit by a sex ray, resulting in a frantic three-way orgy. After being shot down by the minions of Emperor Wang, the heroes crash land. They run away from their pursuers and enter a nearby cave, where several one-eyed Penisauruses attack them. Wang's soldiers then shoot down the creatures and imprison the earthlings. They are brought before Wang, who is presiding over a sex orgy of more than a dozen men and women. Jerkoff is sent to work in the palace's laboratory, while Wang announces his intention to marry Dale. Flesh is sentenced to death, but is saved from execution by Queen Amora, who takes him as her sex slave. To achieve this, Amora takes Flesh to her ship, which departs for the stars while she hypnotizes him and they make love.

Angry at her rebellious attitude, Wang shoots down Amora's airship, and Flesh is the only survivor. Jerkoff escapes the palace and reunites with Flesh, and they resume their efforts to defeat Emperor Wang. To aid them in their quest, Amora's spirit lends them her "power pasties", which turn out to be powerful weapons against Porno's soldiers. The heroes manage to interrupt Wang and Dale's wedding before it is fully realized, and a fight ensues. During it, Dale is kidnapped by Amazonian lesbians. Their leader, Chief Nellie, attempts to initiate Dale into their warrior sex cult. Flesh and Jerkoff save her, unexpectedly aided by Prince Precious of the Forest Kingdom.

With help from their new ally, Jerkoff builds a weapon to destroy the sex ray. During the mission, they confront Wang and trick his "rapist robots" into turning on him. However, Wang escapes, seeking the aid of the towering idol of the Great God Porno. Porno comes to life and captures Dale, doing a running commentary like a jaded hipster as they flee. Shooting the living idol, Jerkoff frees Dale and causes the god to fall on Wang. The crash destroys the sex ray and kills them both. Flesh, Dale, and Jerkoff are celebrated as heroes of the planet Porno, thank Prince Precious (the true heir of planet Porno) and return to Earth.

Cast

[edit]
  • Jason Williams as Flesh Gordon
  • Suzanne Fields as Dale Ardor
  • Joseph Hudgins as Dr. Flexi Jerkoff
  • William Dennis Hunt as Emperor Wang the Perverted
  • John Hoyt as Professor Gordon
  • Candy Samples as Chief Nellie
  • Mycle Brandy as Prince Precious
  • Nora Wieternik as Amora, Queen of Magic
  • Lance Larsen as Guard for Emperor Wang
  • Robert V. Greene (voice) as Narrator
  • Craig T. Nelson (uncredited voice) as The Great God Porno

Production

[edit]

Flesh Gordon was shot in 1971, and according to producer Bill Osco, cost $470,000 to make. Osco intended to hold out for a major distributor to pay a $1 million advance to secure the American release rights.[4]

The film initially was assigned aMPAArating of X, but was then re-edited, receiving a reclassifiedrating of R. The original running time was 78 minutes, but the later, unrated "collector's edition" video release runs 90 minutes.

Flesh Gordon employed special effects artists who later gained Hollywood fame, includingMike Minor,Greg Jein, andRick Baker. Established effects artistsJim Danforth (listed backward in the credits as Mij Htrofnad) andDave Allen also worked on the film. The low-budget special effects were achieved using old-fashioned techniques: For example, the model of Wang's palace was created using everyday objects, such as drinking glasses, and was designed to resembleGriffith Observatory so actual footage shot at the base of the observatory could be easily integrated into the scenes.

Los Angeles-areaStar Trek fan and writerBjo Trimble was a makeup artist onFlesh Gordon; she described these experiences in her bookOn the Good Ship Enterprise: My 15 Years with Star Trek.[citation needed] Other Los Angeles-area science fiction fans worked, at times, in various capacities on the film, including science fiction and fantasy artistGeorge Barr who designed and illustrated the theatrical release poster, and Cornelius Cole III, who animated the opening title credits sequence. Longtime fan and science fiction and fantasy writerTom Reamy served in the art department as the production'sproperty master. He tracked down many of the screen-used props, including authentic, full-sizedFord Trimotor wicker passenger seats (matching the film's Tri-Motor aircraft miniature) used in an early scene.

The towering creature was not originally intended to speak, but it proved so expressive that dialogue was dubbed over to match its mouth movements. Addressed as the Great God Porno in this dialogue, the special effects crew named him Nesuahyrrah, a tribute tostop-motion animation masterRay Harryhausen, spelling his name backwards.[5]

According to Ziehm's DVD audio commentary, the film was shot using scenes of straight and gay hardcore pornography. These were cut after Ziehm found himself in legal trouble: Producing pornography in Los Angeles was legally viewed aspandering at that time. The X-rated footage was surrendered to L.A. vice police. Although some explicit shots can be briefly seen during Wang's throne room orgy scenes, the "collector's edition" video, labelled "the original, uncensored version", is no more explicit than any of the earlier video releases.

Also according to Ziehm's DVD audio commentary,Universal Studios was planning to sue Graffiti Productions over the first part ofFlesh Gordon being too similar to the first chapter of Universal's 1936Flash Gordon serial film that it bordered on plagiarism. To avoid a lawsuit, Ziehm added an opening text scroll that stated thatFlesh Gordon was a burlesque style parody of the Depression Era superheroes of America's past; he also added "Not to be confused with the original Flash Gordon" to all advertising materials.

Critical reception

[edit]

Vivian Sobchack commented thatFlesh Gordon is "a skin flick hilariously molded around the Flash Gordon serials, and fully and lovingly aware of genre conventions from special effects to dialogue."[6]

Vincent Canby ofThe New York Times wrote: "What wit the film posseses had gone into the physical production [...] The acting is broad, which may be as it should be, although it quickly becomes monotonous unless you have a high tolerance for contemporary camp."[citation needed]Variety was more pointed in its review: "Puerile is the word for this softcore spoof of the Sci-Fi serials of the 1930s. By attempting to combine sexplicity and low-level camp, pic emerges as an expensive-looking mish-mash of obvious double-entendres, idiotic characterizations and dull situations."[citation needed]

The film was nominated for the 1975 Hugo Award forBest Dramatic Presentation (the only indie production nominated that year), but lost toMel Brooks'Young Frankenstein.[7]

OnRotten Tomatoes the film has a rating of 67% based on reviews from 6 critics.[8]

Legacy

[edit]

The sequelFlesh Gordon Meets the Cosmic Cheerleaders was released in 1990.

A four-issue comic book, written by Daniel Wilson and published byAircel Comics, was published in 1992.[9]

Famous Flesh Gordon's was a strip club operating in London, Ontario. The club was closed in 2015 after the provincial government revoked its liquor license due to the owner's connection with theHells Angels.[citation needed]

See also

[edit]

References

[edit]
  1. ^"FLESH GORDON (X)".British Board of Film Classification. December 18, 1980. RetrievedMarch 12, 2013.
  2. ^Cohn, Lawrence (October 15, 1990). "All-Time Film Rental Champs".Variety. p. M158.
  3. ^Donahue, Suzanne Mary (1987).American film distribution : the changing marketplace. UMI Research Press. p. 293.ISBN 9780835717762. Please note figures are for rentals in US and Canada
  4. ^Haber, Joyce (November 14, 1971)."Joyce Haber's Hollywood: A Very Good Year for Andy".The Victoria Advocate. Victoria, Texas. p. 7.
  5. ^Pettigrew, Neil,The Stop Motion Filmography,McFarland & Company, 1999, p. 251.
  6. ^Sobchack, Vivian Carol (1997).Screening space: the American science fiction film (2nd ed.). Rutgers University Press. p. 165.ISBN 0-8135-2492-X.
  7. ^"1975 Hugo Awards".The Hugo Awards. July 26, 2007. RetrievedJuly 29, 2020.
  8. ^Flesh Gordon atRotten Tomatoes
  9. ^Flesh Gordon Special Edition #1-4 (1992)

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