First Person Singular

First edition cover (Bungeishunjū, 2020)
Author	Haruki Murakami
Original title	Ichininshō Tansū (一人称単数)
Translator	Philip Gabriel
Cover artist	Tetsuya Toyoda
Language	Japanese
Genre	Short story collection
Publisher	Bungeishunjū
Publication date	18 July 2020
Publication place	Japan
Published in English	6 April 2021
Media type	Print (hardcover), e-book
Pages	240
ISBN	978-4-16-391239-4 (hardcover)
OCLC	1176350511
Dewey Decimal	895.63/5
LC Class	PL856.U673 A2 2021

First Person Singular (Japanese:一人称単数,Hepburn:Ichininshō Tansū) is a collection of eight stories byHaruki Murakami.^[1] It was first published on 18 July 2020 byBungeishunjū. As its title suggests, all eight stories in the book are told in afirst-person singular narrative.^[2]

The first-person narrator accepts a sudden invitation to a piano recital from an old acquaintance. On a Sunday afternoon in November, he travels to the recital hall, located at the top of a mountain inKobe. When he arrives, the gate is locked and the parking lot empty. No one responds and there seems to be no signs of a recital set to take place. Retiring to a small park nearby, he later meets an old man who implores him to visualize a circle that has many centers but no circumference. The man tells him that when you finally achieve such difficult things as reaching an understanding of something you once couldn't, it becomes the cream of your life, thecrème de la crème. The narrator closes his eyes once again and tries to visualize such a circle but is unable to. Upon opening his eyes, he discovers that the old man has vanished. The narrator recounts the event to a friend and attempts to make sense of the old man's musings.

A man reminisces about his time as a nineteen-year-old when he engaged in a sexual relationship with atanka poet.

As a college student, the narrator writes a review for a fictional album by jazz saxophonistCharlie Parker entitledCharlie Parker Plays Bossa Nova. The album was recorded in 1963, contradicting the fact that Parker died in 1955. However, the editor of the university's literary journal publishes his piece as a serious review. Some years later, the narrator discovers his imagined album in a record store on East14th Street.

A man reminisces about his high school years in Kobe. He recalls a vivid memory from 1964 of a girl walking down a school hallway, clutching an LP copy ofWith the Beatles to her chest. The narrator then recalls his first girlfriend. Towards the end of autumn in 1965, he goes to her house to meet up for a date. He is met instead by her older brother of four years, who suffers from memory loss. Waiting for his girlfriend to arrive, the narrator reads aloud to her brother from the final part ofRyūnosuke Akutagawa's final short story, "Spinning Gears".

A sequel to "A Shinagawa Monkey".^[8] The narrator reminisces on five years earlier, when he met an elderly monkey living in a Japanese-style inn in ahot springs town inGunma Prefecture. The talking monkey works in the ramshackle inn, scrubbing guests' backs. The monkey also drinks beer and enjoysAnton Bruckner's symphonies. The narrator invites the monkey to his room, where the monkey begins his confessions. The monkey tells the narrator how he came to love human females and how he would later steal the names of the women he fell for.

A fifty-year-old narrator reminisces on his relationship with the "ugliest" woman he has ever known. The woman, ten years the narrator's junior, is referred to as "F*". The two connect over their shared interest in music, includingRobert Schumann'sCarnaval.

A man named Haruki Murakami details his affection forTokyo Yakult Swallows baseball team. While at theirJingu Stadium in Tokyo, he begins to write poetry. Structured as a series of epigrams. The story blurs the lines between fiction and nonfiction, as the book entitledThe Yakult Swallows Poetry Collection is a fabricated invention by Murakami for the story.^[9]

A man sits at a bar and a "friend of a friend" begins to berate him about a "horrible, awful thing" he has no memory of.

As its title suggests, all eight stories in the book are told in afirst-person singular narrative.^[10][2] The book's eight stories are works of fiction. However, as in the case ofThe Yakult Swallows Poetry Collection, the lines between fiction and nonfiction are occasionally blurred.^[2][11] The stories in the collection are all told by middle-aged male narrators who are reflecting and reminiscing on a memory from their past.^[12][13] Except for "Haruki Murakami" inThe Yakult Swallows Poetry Collection, all of the narrators in the stories are unnamed.^[12][14] The continuous usage of the first-person singular has led some to question whether the collection has a single narrator.^[15] The older male narrators, with their affinity for jazz music and baseball, have also been noted for having a striking similarity to Murakami himself. As such, critics have questioned whether the stories in the collection are fictional or a different form ofautobiography ormemoir.^[12][15][16]

The stories include philosophical meditations on love, solitude, loneliness, ageing, time, and memory.^{[14][10][17][16][18]} The eight stories are linked by a sustained sense of existentialnostalgia^[19][20] and the recurring theme ofmusic, includingclassical,jazz andThe Beatles.^[21] The nostalgia within the stories is marked by its reminiscence of young love,^[11][21] occasionally of anerotic nature.^[20][22] The book also includes an essay/story aboutbaseball,^[17][23] a recurring theme for Murakami since his debut novelHear the Wind Sing (1979) which he was inspired to write after watching an afternoon baseball game between the Yakult Swallows and theHiroshima Carp at Jingu Stadium in April 1978.^[24] Murakami also exercises his signaturemagic realism, such as in "Charlie Parker Plays Bossa Nova" and "Confessions of a Shinagawa Monkey".^[25][11] In "Confessions of a Shinagawa Monkey", Murakami'ssurrealism is displayed with the blurring of dreams and reality.^[21]

The book's title story, "First Person Singular", is a new story that was previously unpublished. The other seven stories in the book were first published in the literary magazineBungakukai between summer 2018 and winter 2020. Several stories in the book were also previously published in English inThe New Yorker andGranta.^[26]

The book was announced on 4 June 2020.^[27] It was first published on 18 July 2020 byBungeishunjū.^[28] The book's cover artwork was done byTetsuya Toyoda [ja].^[29] An English translation byPhilip Gabriel was published on 6 April 2021 byAlfred A. Knopf (US)^[2] andHarvill Secker (UK).^[30] It is Murakami's first collection of short stories sinceMen Without Women (2014) and his first published book since the novelKilling Commendatore (2017).^[3]

In itsstarred review,Publishers Weekly called the collection a "testament to Murakami's talent and enduring creativity" and wrote that "Murakami's gift for evocative, opaque magical realism" stood out in the stories "Charlie Parker Plays Bossa Nova" and "Confessions of a Shinagawa Monkey".^[11]Kirkus Reviews, in its starred review, called it an "essential addition to any Murakami fan's library".^[31]

The English translation debuted at number eleven onThe New York Times fiction best-seller list for the week ending April 10, 2021.^[32]

First Person Singular was longlisted for the 2022Andrew Carnegie Medal for Excellence in Fiction.^[33]

• 2020 short story collections
• Japanese short story collections
• Short story collections by Haruki Murakami
• Bungeishunjū books
• First-person narrative fiction

• CS1 Japanese-language sources (ja)
• Articles with short description
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