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Analog photography

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(Redirected fromFilm photography)
Non-digital photography that uses film or chemical emulsions
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A photographer using a large formatview camera in 2013

Film photography orclassical photography, also known by theretronymanalog photography, is a term usually applied to photography that useschemical processes to capture an image, typically onpaper, gelatinfilm, or ahard plate. These processes were the only methods available to photographers for more than a century prior to the invention ofdigital photography, which useselectronic sensors to record images todigital media. Analog electronic photography was sometimes used in the late 20th century but soon died out.

Photographic films utilizesilver halide crystals suspended inemulsion, which when exposed to light record alatent image, which is thenprocessed making it visible and insensitive to light.

Despite a steep decline in popularity since the advent of digital photography, film photography has seen a limited resurgence due to social media and the ubiquity of digital cameras.[1] With the renewed interest in traditional photography, new organizations (Film Is Not Dead,Lomography) were established and new lines of products helped to perpetuate film photography. In 2017B&H Photo & Video stated that film sales were increasing by 5% each year in the recent past.[2]

Decline and revival

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A wet plate camera made in 1866.

As digital photography took over,Kodak, the major photographic film and cameras producer, announced in 2004 that it would stop selling and manufacturing traditional film cameras in North America and Europe.[3][4] In 2006,Nikon, the Japanese Camera maker announced that it would stop making most of its film cameras.[5] Incurring losses in the film camera line,Konica-Minolta too announced its discontinuation of cameras and film.[6] In 2008 the firstinstant film makerPolaroid announced it would stop making instant film.[7]

Interest in all types of film photography has been in the process of revival. The Lomography movement started in 1992, which, BBC claimed, has saved film from disappearing.[8] Lomography started manufacturing updated versions oftoy cameras likeLomo LC-A (as Lomo LC-A+),Diana (as Diana F+),Holga,Smena andLubitel.

Film photographers started experimenting with oldalternative photographic processes such ascyanotypes,double exposures,pinholes, andredscales. Worldwide Pinhole Photography Day is observed on the last Sunday of April, every year.[9] Organizations such as Roll4Roll spread the artistic movement of double exposures.[10]

Film Photography Project, a website dedicated to film photography, announced in 2017 the comeback oflarge-format camera by a new startup calledThe Intrepid Camera Co.[11]

Popularity

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Contemporary film photo, 2017

For those who are keen to work with, or do work with more traditional types of photography, dedicated online communities have been established in which like-minded individuals together share and explore old photographic practices.[12] Film photography has become much more popular with younger generations who have become increasingly interested in the traditional photographic practice; sales in film-based cameras began to soar, and youth were seen to embrace some 19th-century technology.[13] Young photographers say film has more 'soul' than digital.[14] Camera manufacturers have also noticed the renewed interest for film, and new simplepoint-and-shoot film cameras for beginners, have started to appear.[15]

Polaroid was once a power in instant photography. Facing the digital revolution, Polaroid stopped production of instant film in 2008. A new company calledImpossible Project (now Polaroid through brand acquisition) acquired Polaroid's production machines to produce new instant films for vintage Polaroid cameras and to revive Polaroid film technologies.

Art forms

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Namaka, contact sheet photograph combined withintentional camera movement

The revival of film photography has resulted in new art forms and photo challenges, as the technical limitations and constraints of film are used as parameters of the art. In the 36 (or sometimes 24) frames challenges, a single roll of film must capture a specific event, time period or as exercises to improve photography skills.[16][17]

In contact sheet photography, the traditionalcontact sheet is used as a way to make pictures consisting of partial photos. The resulting image spans the whole sheet, divided into squares by the black borders of the film.[18]

Advantages and disadvantages

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Main article:Comparison of digital and film photography

Advantages

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  • The time and expense of film photography instills craft and patience;[19] pre-film even more so.
  • Vintage film cameras offer a tactile, hands-on experience that feels more deliberate and engaging.
  • Each film stock delivers a distinct and consistent aesthetic that is difficult to achieve in digital photography.
  • Depending on thefilm sensitivity one can obtain a widedynamic range.
  • A film-printed (non-editable) image can help as legal evidence of the subject pictured.
  • In optimalprocessing and storage conditions, a film can have a lifetime duration.

Disadvantages

[edit]
  • Film photography requires photographers to invest more time and skill than digital.
  • Film is delicate and requires careful handling, refrigeration, protection from the sun, protection from dust, etc.
  • Film negatives and slides require proper developing, or they may suffer from deterioration such asfogging.
  • Processing film is expensive and requires additional investment such as scanning, enlarging, or printing.

Material

[edit]
Contemporary tintype, 2004

Film photography does not just mean photographic film and its processing with photo chemicals.[dubiousdiscuss] Itself a science and a craft of its own, changes in chemistry and developing time will affect the end result. An example istintype photography. A tintype, also called ferrotype, is a positive photograph produced by applying a collodion-nitrocellulose solution to a thin, black-enameled metal plate immediately before exposure. The tintype, introduced in the mid-19th century, was essentially a variation on the ambrotype, which was a unique image made on glass instead of metal. Just as the ambrotype was a negative whose silver images appeared grayish white and whose dark backing made the clear areas of shadows appear dark, so the tintype, actually negative in its chemical formation, was made to appear positive by the black plate.[20] These methods were not abandoned when film came to dominate photography.

Instant film develops an image automatically, and soon after it is ejected from the camera without any processing by the photographer or by a photographic lab.Photographic paper, however, must be processed after exposure in a dark room or photographic lab.

Processes

[edit]
Main article:List of photographic processes

Black-and-white negative film may be processed using a variety of different solutions as well as processing time control, depending on the film type, targeted contrast, or grain structure. Many B&W processing developers are still available commercially, among them are Dektol, D-76, Rodinal and Kodak HC-110. Color negative film often uses theC-41 process,however film shot for movies is usually developed using the ECN-2 process. Color positive film uses theE-6 process which yields color slides. In the past,Kodachrome was developed with a specialized color process usually done at labs operated by kodak themselves. One developer bath was used per each color layer, this process is no longer commercially available.

Some photographers experiment with different processes such ascross processing which can yield unnatural colors and unexpected contrast. Cross processing film is when you develop film using a process it was not originally intended for, such as devoloping Color Positive film in C41 chemicals producing a negative rather than the intended positive, or color negative film in E-6 chemistry to get a positive.

Film processing does not use digital technology, since information is not translated into electric pulses of varying amplitude or binary data.

Format

[edit]
Main article:Photographic film

Photographic film

[edit]
Photographic film, 1980s–1990s.
Nikon F100 being loaded with 35mm film
Types

Films can be any of the following types:

Silver-based film supports come in various formats, of which the following are still in use:

  • 110 film (mono-perforated roll in plastic cassette)
  • 135 film 35 mm (bi-perforated roll in metal can)
  • 120 film 60 mm (non-perforated roll in paper sleeve)
  • Large format 4x5" 5x8" 8x10" etc. (gelatin sheets).
  • Super-8 (mono-perforated roll in plastic cassette)
  • Cinema 16 mm / 35 mm (bi-perforated roll on metal spool)

A selection of Black-and-white films still produced as of 2026 include:

Color films (mostly 135 and 120 formats) sold on the market in 2020 are:

  • Fujichrome Velvia 50
  • Fujichrome Provia 100F
  • Kodak Ektachrome 100
  • Kodak Ektar 100 Professional
  • Kodak Portra 160 Professional
  • Kodak Portra 400 Professional
  • Kodak Portra 800 Professional
  • Kodak Ultramax 400
  • Kodak Color Plus 200
  • Kodak Gold 200
  • Kodak Vision-3 50D
  • Kodak Vision-3 250D
  • Kodak Vision-3 500T
  • Cinestill 50 Daylight
  • Cinestill 400 Dynamic
  • Cinestill 800 Tungsten
  • Lucky 200

See also

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References

[edit]
Wikimedia Commons has media related toAnalog photography.
Wikivoyage has travel information forTravel photography using film.
  1. ^"The photographers who refuse to abandon traditional film cameras".BBC News. 2015-04-18. Retrieved2020-10-05.
  2. ^"The Great Film Renaissance Of 2017".B&H Explora. Retrieved2020-10-05.
  3. ^"Kodak embraces digital revolution". 2004-01-13. Retrieved2020-10-05.
  4. ^Davies, Catriona (2004-01-14)."Kodak to stop making 35 mm cameras".The Guardian.ISSN 0261-3077. Retrieved2020-10-05.
  5. ^Associated Press (2006-01-13)."Nikon to stop making most film cameras".NBC News. Retrieved2020-10-05.
  6. ^"Konica Minolta to stop making cameras and film amid big losses".the Guardian. 2006-01-20. Retrieved2020-10-05.
  7. ^"Fans bid farewell to Polaroid film – CNN.com".CNN. Retrieved2020-10-05.
  8. ^Dowling, Stephen (2012-11-22)."Did the Lomo camera save film photography?".BBC News. Retrieved2020-10-05.
  9. ^"Worldwide Pinhole Photography Day".pinholeday.org. Retrieved2020-10-05.
  10. ^"A roll for a roll".roll4roll. Retrieved2020-10-05.
  11. ^"Intrepid 8x10 Camera – Affordable (NEW!) Large Format Camera".The Film Photography Project. 2017-06-14. Retrieved2020-10-05.
  12. ^"Archived copy". Archived fromthe original on 2006-10-02. Retrieved2006-11-04.{{cite web}}: CS1 maint: archived copy as title (link)
  13. ^"Teen hipsters discover joys of film photography".cnet.com. 16 May 2011. Retrieved9 April 2018.
  14. ^Stummer, Robin (28 January 2018)."Back to the darkroom: young fans reject digital to revive classic film camera".The Guardian. Retrieved24 February 2021.
  15. ^Schneider, Jaron (24 February 2021)."Harman Technologies Announces Point-and-Shoot EZ-35 Film Camera".www.petapixel.com. PetaPixel. Retrieved24 February 2021.
  16. ^"Film Photography: 36 Frames to Better Images".www.thephotographytoolkit.com. The Photography Toolkit. 23 October 2020. Retrieved24 February 2021.
  17. ^Cade, DL (6 March 2020)."Photo Challenge: Shooting BMX on a Nikon F100 and a Single Roll of Kodak Tri-X".www.petapixel.com. Petapixel. Retrieved24 February 2021.
  18. ^Barnes, Sara (20 April 2018)."Photographer Transforms Everyday Subjects Into Fractured Versions of Themselves".www.mymodernmet.com. My Modern Met. Retrieved24 February 2021.
  19. ^Wortham, Jenna (2012-05-30)."Just When You Got Digital Technology, Film Is Back (Published 2012)".The New York Times.ISSN 0362-4331. Retrieved2020-10-05.
  20. ^"Tintype | photography".Encyclopedia Britannica. Retrieved2020-10-05.
  21. ^"FOMA – Films". FOMA. Archived fromthe original on 2013-04-12. Retrieved2016-10-30.
  22. ^"ORWO FilmoTec – Camera Films". ORWO FilmoTec GmbH. Archived fromthe original on 2016-03-03. Retrieved2016-10-30.

Further reading

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  • Glenn D. Considine,Van Nostrand's Scientific Encyclopedia, Two-Volume Set, 9th Edition (Hoboken, NJ: Wiley, 2002).
  • Peter M.B. Walker,Chambers Technical Dictionary (Edinburgh: Chambers 1999).
  • William J. Mitchell,The reconfigured eye: visual truth in the post-photographic era (MIT Press, 1994).
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