| Year | Title | Notes |
|---|
| 1982 | Angel | |
| Experience Preferred... But Not Essential | |
| Giro City | |
| Hero | |
| Moonlighting | |
| P'tang, Yang, Kipperbang | |
| Remembrance | |
| The Draughtsman's Contract | Co-production withBritish Film Institute |
| Walter | |
| 1983 | Red Monarch | Co-production withGoldcrest Films andEnigma Productions |
| The Ploughman's Lunch | Co-production withGoldcrest Films andMichael White |
| 1984 | Paris, Texas | Co-production withWestdeutscher Rundfunk |
| 1985 | A Room with a View | Co-production withMerchant Ivory Productions andGoldcrest Films |
| A Zed and Two Noughts | Co-production withBritish Film Institute andArtificial Eye |
| Dance with a Stranger | |
| My Beautiful Laundrette | Co-production with SAF Productions andWorking Title Films |
| She'll Be Wearing Pink Pyjamas | |
| The Supergrass | Co-production withThe Comic Strip andMichael White |
| 1986 | Comrades | Co-production with now-defunctNational Film Finance Corporation |
| When the Wind Blows | Co-production withKings Road Entertainment |
| Zastrozzi, A Romance | |
| 1987 | A Month in the Country | Co-production withEuston Films |
| Eat the Rich | Co-production withMichael White |
| Hidden City | |
| The Belly of an Architect | Co-production withHemdale Film Corporation |
| Rita, Sue and Bob Too | |
| Sammy and Rosie Get Laid | Co-production withWorking Title Films |
| Wish You Were Here | |
| 1988 | Drowning by Numbers | |
| High Hopes | |
| Stormy Monday | Co-production withAtlantic Entertainment Group |
| 1989 | Queen of Hearts | Co-production withNelson Entertainment,TVS Television andCinecom |
| 1990 | God on the Rocks | |
| Life Is Sweet | |
| 1991 | Blonde Fist | |
| Hear My Song | |
| London Kills Me | Co-production withPolyGram Filmed Entertainment andWorking Title Films |
| Night on Earth | Co-production withJVC Entertainment,Victor Music Industries,Le Studio Canal + andPandora Film |
| Prospero's Books | Co-production withCanal+,Eurimages,VPRO,NHK,Cineplex Odeon Films andPalace Pictures |
| Riff-Raff | |
| The Miracle | |
| The Pope Must Die | Co production withMiramax Films, Palace Pictures andMichael White |
| 1992 | Damage | Co-production withLe Studio Canal+ andCanal+ |
| Dust Devil | Co-production withMiramax Films |
| Howards End | |
| Peter's Friends | Co-production withThe Samuel Goldwyn Company |
| The Crying Game | Co-production with British Screen, Eurotrustees, Nippon Film Development and Finance and Palace Pictures |
| Waterland | |
| Wild West | |
| 1993 | Wittgenstein | Co-production with theBritish Film Institute |
| Bad Behaviour | |
| Bhaji on the Beach | |
| Blue | Co-production withBBC Radio 3 andArts Council of Great Britain |
| Raining Stones | |
| The Baby of Mâcon | Co-production withUGC andCanal+ |
| 1994 | Backbeat | Co-production withPolyGram Filmed Entertainment |
| Bandit Queen | Co-production withKaleidoscope Entertainment |
| Death and the Maiden | Co-production withCapitol Films,Canal+,TF1 andFine Line Features |
| Four Weddings and a Funeral | Co-production withPolyGram Filmed Entertainment andWorking Title Films |
| Ladybird, Ladybird | |
| Shallow Grave | |
| Shopping | Co-production withKuzui Enterprises andPolyGram Filmed Entertainment |
| Sister My Sister | |
| The Acid House | |
| The Madness of King George | Co-production withThe Samuel Goldwyn Company |
| A Pin for the Butterfly | |
| 1995 | Angels & Insects | Co-production withThe Samuel Goldwyn Company |
| Blue Juice | |
| Institute Benjamenta | Co-production withPandora Film |
| Nothing Personal | Co-production withBórd Scannán na hÉireann/Irish Film Board |
| The Neon Bible | Co-production withArtificial Eye |
| 1996 | Beautiful Thing | |
| American Buffalo | Co-production withCapitol Films |
| Brassed Off | Co-production withMiramax Films and Prominent Features |
| Carla's Song | Co-production withGlasgow Film Office andTelevisión Española |
| Secrets & Lies | Co-production withCiby 2000 |
| The Pillow Book | Co-production withCanal+ |
| Trainspotting | |
| Trojan Eddie | Co-production withBórd Scannán na hÉireann/Irish Film Board |
| True Blue | |
| Walking and Talking | Co-production withMiramax Films,Zenith Productions,Pandora Film, Mikado Films (France), Electric, TEAM Communications Group,PolyGram Filmed Entertainment andGood Machine |
| 1997 | A Life Less Ordinary | Co-production withPolyGram Filmed Entertainment and20th Century Fox |
| Bent | Co-production withArts Council of England |
| Career Girls | |
| Fever Pitch | |
| Welcome to Sarajevo | Co-production withMiramax Films |
| The Woodlanders | Co-production withPathé Productions andArts Council of England |
| 1998 | Croupier | Co-production withArte andWestdeutscher Rundfunk |
| Dancing at Lughnasa | Co-production withSony Pictures Classics,Bórd Scannán na hÉireann/Irish Film Board,Raidió Teilifís Éireann andCapitol Films |
| Elizabeth | Co-production withPolyGram Filmed Entertainment, Meridian andWorking Title Films |
| Hilary and Jackie | |
| Martha, Meet Frank, Daniel and Laurence | |
| My Name Is Joe | |
| Orphans | Co-production withScottish Arts Council andGlasgow Film Office |
| The Land Girls | Co-production withPolyGram Filmed Entertainment,Gramercy Pictures,Intermedia Films andCanal+ |
| The Red Violin | Co-production withNew Line Cinema,Lionsgate,Telefilm Canada andCITY-TV |
| Velvet Goldmine | Co-production withNewmarket Capital Group,Miramax Films,Killer Films andZenith Entertainment |
| 1999 | With or Without You | Co-production withMiramax Films andRevolution Films |
| Buena Vista Social Club | Co-production withRoad Movies Filmproduktion andArte |
| Dogma | Produced byView Askew |
| East Is East | |
| Gregory's Two Girls | |
| Holy Smoke! | Co-production withMiramax Films |
| Sunshine | Co-production withAlliance Atlantis,Eurimages,Telefilm Canada,The Movie Network,Kinowelt,TV2,ORF andParamount Classics |
| The Debt Collector | |
| The Straight Story | Co-production withStudioCanal andWalt Disney Pictures |
| 2000 | Dancer in the Dark | Co-production withCanal+,France 3 Cinéma,Zentropa andFine Line Features |
| Bread and Roses | |
| Gangster No. 1 | Co-production withMedienboard Berlin-Brandenburg,Road Movies Filmproduktion andBSkyB |
| Purely Belter | |
| Sexy Beast | Co-production with Kanzaman,Fox Searchlight Pictures andRecorded Picture Company |
| The House of Mirth | Co-production withGranada Productions,Kinowelt,Arts Council of England,Showtime Networks andThe Scottish Arts Council |
| The Filth and the Fury | Co-production withJersey Films |
| 2001 | Birthday Girl | Co-production withMiramax Films,Mirage Enterprises andHAL Films |
| Charlotte Gray | Co-production withEcosse Films andWarner Bros. |
| Christmas Carol: The Movie | Co-production withUK Film Council |
| Buffalo Soldiers | Co-production withGood Machine andMiramax Films |
| Dog Eat Dog | Co-production withTiger Aspect Productions |
| Gabriel and Me | Co-production withPathé,Isle of Man Film andUK Film Council |
| K-PAX | Co-production withUniversal Pictures andIntermedia Films |
| Invincible | Co-production withFine Line Features |
| Late Night Shopping | Co-production withScottish Screen andGlasgow Film Office |
| Lucky Break | Co-production withParamount Pictures andMiramax Films |
| Series 7: The Contenders | Co-production withUSA Films |
| The Navigators | Co-production withRoad Movies Filmproduktion,Westdeutscher Rundfunk andArte |
| The Low Down | Co-production with British Screen, Oil Factory and Sleeper Films |
| Very Annie Mary | Co-production withCanal+ |
| 2002 | 24 Hour Party People | Co-production withUnited Artists,UK Film Council,Revolution Films andBaby Cow Productions |
| Death to Smoochy | Co-production with Senator Film andWarner Bros. |
| Once Upon a Time in the Midlands | Co-production withUK Film Council |
| 2003 | The Actors | Co-production withMiramax Films andBórd Scannán na hÉireann/Irish Film Board |
| To Kill a King | Co-production withNatural Nylon andHanWay Films |
| Touching the Void | Co-production withChannel 4,UK Film Council,Darlow Smithson Productions andPBS |
| 2004 | Dead Man's Shoes | |
| Enduring Love | Co-production withPathé,UK Film Council andIngenious Film Partners |
| Shaun of the Dead | Co-production withBig Talk Productions,Working Title Films,StudioCanal,Universal Pictures andRogue Pictures |
| The Motorcycle Diaries | |
| 2005 | Brothers of the Head | Co-production withScreen East andEM Media |
| The League of Gentlemen's Apocalypse | Co-production withUniversal Pictures andTiger Aspect |
| Me and You and Everyone We Know | |
| The King | |
| 2006 | Deep Water | |
| Venus | Co-production withUK Film Council andMiramax Films |
| The Last King of Scotland | Co-production withDNA Films andFox Searchlight Pictures |
| This Is England | Co-production withUK Film Council,Optimum Releasing,Screen Yorkshire andWarp Films |
| 2007 | Funny Games | Co-production withWarner Independent Pictures andTartan Films |
| And When Did You Last See Your Father? | Co-production withSony Pictures Classics,UK Film Council,EM Media,Tiger Aspect,Bórd Scannán na hÉireann/Irish Film Board andEuropean Development Fund |
| In the Shadow of the Moon | Co-production withDiscovery Films andPassion Pictures |
| Joe Strummer: The Future Is Unwritten | |
| Hallam Foe | Co-production withIngenious Film Partners,Glasgow Film Office,Scottish Screen andSigma Films |
| Mister Lonely | Co-production withRecorded Picture Company |
| Straightheads | Co-production withIngenious Film Partners andUK Film Council |
| 2008 | Slumdog Millionaire | Co-production withCelador Films |
| How to Lose Friends & Alienate People | Co-production withUK Film Council |
| Hunger | |
| Franklyn | Co-production withRecorded Picture Company,HanWay Films andUK Film Council |
| Happy-Go-Lucky | Co-production withIngenious Film Partners andSummit Entertainment |
| In Bruges | Co-production withFocus Features |
| A Complete History of My Sexual Failures | Co-production withWarp Films,Screen Yorkshire,EM Media,Madman Entertainment andUK Film Council |
| Donkey Punch | Co-production withEM Media,Madman Entertainment,Screen Yorkshire,UK Film Council andWarp X Productions |
| 2009 | Bunny and the Bull | Co-production withWarp X Productions,Wild Bunch,Optimum Releasing,Screen Yorkshire andUK Film Council |
| Looking for Eric | Co-production withIcon Entertainment International andWild Bunch |
| Hush | Co-production withWarp X,Pathé,Screen Yorkshire,UK Film Council andOptimum Releasing |
| Nowhere Boy | Co-production withUK Film Council,Ecosse Films andThe Weinstein Company |
| The Lovely Bones | Co-production withDreamWorks Pictures andParamount Pictures |
| The Scouting Book for Boys | Co-production withCelador Films,Screen East andPathé |
| 2010 | Four Lions | Co-production withWarp Films,Wild Bunch andOptimum Releasing |
| 127 Hours | Co-production withPathé,Fox Searchlight Pictures, Everest Entertainment,Cloud Eight Films,Darlow Smithson Productions andWarner Bros. Pictures |
| Another Year | Co-production withThin Man Films |
| Neds | Co-production withScottish Screen,UK Film Council andWild Bunch |
| Never Let Me Go | Co-production withDNA Films andFox Searchlight Pictures |
| Submarine | Co-production withRed Hour Films andWarp Films |
| 2011 | Attack the Block | Co-production withBig Talk Productions,StudioCanal andUK Film Council |
| Kill List | Co-production withUK Film Council,Warp X,Screen Yorkshire and Rook Films |
| One Day | Co-production withFocus Features,Random House Films andColor Force |
| Shame | Co-production withFox Searchlight Pictures,UK Film Council,See-Saw Films,HanWay Films andMomentum Pictures/Alliance Films |
| The Deep Blue Sea | Co-production withUK Film Council andArtificial Eye |
| The Eagle | Co-production withFocus Features |
| The Emperor's New Clothes | |
| The Future | Co-production withMedienboard Berlin-Brandenburg |
| The Great Bear | |
| The Inbetweeners Movie | Co-production withBwark Productions,Young Films andEntertainment Film Distributors |
| The Iron Lady | Co-production withPathé,UK Film Council andThe Weinstein Company |
| The Woman in the Fifth | Co-production withUK Film Council,Canal+,Orange Cinéma Séries andArtificial Eye |
| Tyrannosaur | Co-production withWarp X, Inflammable Films,UK Film Council,Screen Yorkshire, EM Media, andOptimum Releasing (as StudioCanal UK) |
| Wuthering Heights | Co-production withHanWay Films,Ecosse Films,UK Film Council,Goldcrest Films andScreen Yorkshire |
| 2012 | Hyde Park on Hudson | Co-production withDaybreak Pictures andFocus Features |
| Berberian Sound Studio | Co-production withWarp X Productions,Screen Yorkshire andUK Film Council |
| On the Road | Co-production withAmerican Zoetrope,MK2,France Télévisions,Canal+,Ciné+,France 2 Cinéma andVanguard Films |
| Sightseers | Co-production withBig Talk Pictures |
| Seven Psychopaths | Co-production withBritish Film Institute,HanWay Films andCBS Films |
| 2013 | A Field in England | |
| For Those in Peril | Co-production withWarp X Productions |
| How I Live Now | Co-production withBritish Film Institute,Magnolia Pictures andPassion Pictures |
| Le Week-End | |
| 12 Years a Slave | Co-production withRegency Enterprises,River Road Entertainment andPlan B |
| Starred Up | Co-production withCreative Scotland,Northern Ireland Screen andSigma Films |
| The Double | Co-production withAlcove Entertainment andBritish Film Institute |
| The Look of Love | Co-production withStudioCanal UK,Revolution Films andBaby Cow Productions |
| Trance | Co-production withPathé,Fox Searchlight Pictures andCloud Eight Films andIndian Paintbrush |
| Under the Skin | Co-production withBritish Film Institute,FilmNation Entertainment,Scottish Screen,Nick Wechsler Productions andA24 Films |
| The Spirit of '45 | |
| The Stone Roses: Made of Stone | Co-production withWarp Films |
| The Selfish Giant | Co-production withBritish Film Institute |
| 2014 | 20,000 Days on Earth | Co-production withBritish Film Institute |
| A Most Wanted Man | Co-production withFilmNation Entertainment |
| '71 | Co-production withBritish Film Institute,Screen Yorkshire,Creative Scotland andWarp Films |
| Black Sea | Co-production withFocus Features |
| Cuban Fury | Co-production withBritish Film Institute |
| Ex Machina | Co-production withUniversal Pictures andDNA Films |
| Frank | |
| Life | Co-production withSee-Saw Films,Telefilm Canada andScreen Australia |
| Jimmy's Hall | |
| Mr. Turner | Co-production withBritish Film Institute,Focus Features International andThin Man Films |
| The Inbetweeners 2 | Co-production withBwark Productions |
| The Riot Club | Co-production withUniversal Pictures,British Film Institute,HanWay Films andPinewood Pictures |
| 2015 | Macbeth | Co-production withStudioCanal, DMC Film,Anton Capital Entertainment,Creative Scotland andSee-Saw Films |
| High-Rise | Co-production withRecorded Picture Company,HanWay Films and theBritish Film Institute |
| The Lobster | Co-production withIrish Film Board,Eurimages,Netherlands Film Fund,British Film Institute,Canal+,Ciné+,CNC,Institut Français, Greek Film Centre, Element Pictures, Scarlet Films, Faliro House, Haut et Court and Lemming Films |
| 45 Years | Co-production withBritish Film Institute |
| Amy | Co-production withUniversal Music, Playmaker Films & Krishwerkz Entertainment |
| Carol | Co-production withNumber 9 Films andKiller Films |
| Catch Me Daddy | Co-production withBritish Film Institute andScreen Yorkshire |
| Suffragette | Co-production with20th Century Fox,Pathé,BFI,Ingenious Media,Canal+,Cine+ and Ruby Films |
| Slow West | Co-production with theNew Zealand Film Commission andSee-Saw Films |
| Room | Co-production withElement Pictures andNo Trace Camping |
| 2016 | American Honey | Co-production with Parts & Labor, Pulse Films, ManDown Pictures,British Film Institute, and Maven Pictures |
| Billy Lynn's Long Halftime Walk | Co-production withTriStar Pictures |
| Free Fire | Co-production withBritish Film Institute |
| Trespass Against Us | Co-production with Potboiler Productions |
| Una | Co-production withBron Studios, Jean Doumanian Productions, and WestEnd Films |
| 2017 | Disobedience | Co-production withFilmNation Entertainment andElement Pictures |
| The Killing of a Sacred Deer | Co-production withElement Pictures, Newsparta Films &A24 |
| Three Billboards Outside Ebbing, Missouri | Co-production withFox Searchlight Pictures andBlueprint Pictures |
| T2 Trainspotting | Co-production withTriStar Pictures,Cloud Eight Films andDNA Films |
| How to Talk to Girls at Parties | Co-production withHanWay Films,See-Saw Films and Little Punk |
| Beast | Co-production withBritish Film Institute |
| Journeyman | |
| Lean on Pete | Co-production withBritish Film Institute |
| You Were Never Really Here | Co-production withWhy Not Productions,British Film Institute and Page 114 |
| 2018 | Mary Magdalene | Co-production withUniversal Pictures, Porchlight Films,Affirm Films,Columbia Pictures andSee-Saw Films[27]) |
| The Favourite | Co-production withFox Searchlight Pictures andElement Pictures |
| The Festival | Co-production withEntertainment Film Distributors |
| The Little Stranger | Co-production withPathé,Canal+ andElement Pictures |
| Cold War | Co-production withBritish Film Institute andMK2 |
| American Animals | |
| An Evening with Beverly Luff Linn | Co-production withBritish Film Institute |
| Been So Long | Co-production withNetflix andBritish Film Institute |
| Peterloo | Co-production withBritish Film Institute,Amazon Studios andThin Man Films |
| Widows | Co-production with20th Century Fox,Regency Enterprises andSee-Saw Films |
| 2019 | How to Build a Girl | Co-production with Tango Entertainment,British Film Institute, Monumental Pictures, Protagonist Pictures |
| Rocks | |
| Saint Maud | Co-production withBritish Film Institute, Escape Plan Productions andStudioCanal |
| The Personal History of David Copperfield | Co-production withFilmNation Entertainment |
| Greed | Co-production withColumbia Pictures andRevolution Films |
| Dirt Music | Co-production withScreenWest |
| Fighting with My Family | Co-production withMetro-Goldwyn-Mayer,WWE Studios andSeven Bucks Productions |
| True History of the Kelly Gang | Co-production withFilm Victoria andScreen Australia |
| 2020 | Dream Horse | Co-production with Cornerstone Films,Ingenious Media,Raw,Topic Studios, FFilm Cymru Wales,Bleecker Street,Sony Pictures Worldwide Acquisitions andWarner Bros. Pictures |
| 2021 | Boxing Day | Co-production withBritish Film Institute, Rocket Science, DJ Films, Studio 113 andWarner Bros. Pictures |
| Everybody's Talking About Jamie | Co-production withNew Regency Pictures,20th Century Fox andWarp Films |
| Last Night in Soho | Co-production withFocus Features andWorking Title Films |
| 2022 | The Banshees of Inisherin | |
| Brian and Charles | Co-production withBritish Film Institute and Mr Box Productions |
| 2023 | Zone of Interest | |
| All of Us Strangers | Co-production withBlueprint Pictures andSearchlight Pictures |
| Poor Things | Co-production withSearchlight Pictures andElement Pictures |
| 2024 | Kinds of Kindness | Co-production withSearchlight Pictures andElement Pictures |
| We Live in Time | |
| Love Lies Bleeding | |
| Sister Midnight | |
| The Shadow Scholars | |
| 2025 | Hot Milk | |
| 2026 | | |