Feng Xiaogang
Feng in 2017
Born	(1958-03-18)18 March 1958 (age 67) Beijing, China
Occupations	Film director, actor, screenwriter
Years active	1984 - present
Agent	Huayi Brothers
Spouses	Zhang Di ​ ​ (m. 1984; div. 1999)​ Xu Fan ​ (m. 1999)​
Awards	Hong Kong Film Awards –Best Asian Film 2009Assembly Golden Horse Awards –Best Adapted Screenplay 2005A World Without ThievesBest Actor 2015Mr. Six Hundred Flowers Awards –Best Director 2008Assembly 2010If You Are the One
Chinese name
Traditional Chinese	馮小剛
Simplified Chinese	冯小刚
Transcriptions Standard Mandarin Hanyu Pinyin Féng Xiǎogāng

Feng Xiaogang (simplified Chinese:冯小刚;traditional Chinese:馮小剛;pinyin:Féng Xiǎogāng; born 18 March 1958 inBeijing) is a Chinese filmmaker and actor. After making his directorial debut with the romance filmLost My Love (1994), Feng had three film projects in succession disrupted by Chinese censorship, prompting him to pivot toward comedy. He rose to fame through his collaboration with actorGe You and played a pivotal role in shaping theChinese New Year film genre with popular comedies such asDream Factory (1997),Be There or Be Square (1998),Sorry Baby (1999),Big Shot’s Funeral (2001), and the film seriesIf You Are the One (2008–2023). From the 2000s onward, Feng diversified by directing dramas and epics such asCell Phone (2003),A World Without Thieves (2004),The Banquet (2006),Assembly (2007),Aftershock (2010),Back to 1942 (2012),I Am Not Madame Bovary (2016), for which he won theGolden Horse Award for Best Director,Youth (2017), andWe Girls (2025).^[1]

As an actor, Feng mostly appeared in cameo roles, with his only two major roles being inFather (2000) andMr. Six (2015), for the latter of which he won theGolden Horse Award for Best Leading Actor.

Feng's father, Feng Fei, courtesy name Kongxiu, was born in June 1921 in Yanbu Village, Xiangtan County, Hunan Province. He attended the National Southwest Associated University and served as an officer in Fu Zuoyi's army during theChinese Civil War before defecting to theChinese Communist Party. In 1950, Feng Fei graduated from the Department of Western Languages atPeking University and later worked as a professor at several universities in Beijing. Feng's mother was a health doctor at a printing factory in Beijing. Feng Fei and his wife had two children, Feng and his sister Feng Xiaojun.^[2][3][4]

Feng Xiaogang was born in Dongguanying Hutong, Xicheng District, Beijing. When he was just over a year old, his parents divorced because his father was designated as a "rightist." Feng moved with his mother and sister to an area near her workplace at Beili Street, Chegongzhuang. The family lived in the compound of the Beijing Municipal Party School.^{[citation needed]}

After high school, Feng Xiaogang joined the military and worked as a stage designer for the Beijing Military Region's Cultural and Arts Troupe. In 1977, he began working unofficially for the Propaganda Team of the 6th Armored Division of the 38th Army in Nankou, Changping District, Beijing, entering the unit by borrowing a military uniform after missing the 1977 conscription period. He officially enlisted in 1978. In his autobiography, Feng recalled joining as a trainee in the arts team and being promoted to a Level-23 cadre within three years. However, during the 1984 downsizing of the military initiated by the Central Military Commission, he was discharged, partly due to his romantic relationship with the daughter of a veteran in the drama team. Feng's seven years in the military arts troupe later served as inspiration for his filmYouth.^[5][6]

After his discharge, Feng was initially assigned to work in the propaganda department of the Xizhimen Grain Warehouse in Beijing, but he declined the position. He was then offered two options: to continue serving as a staff officer in the Audio-Visual Education Department of the People’s Armed Police Academy in Langfang, Hebei, or to transition into civilian life as a trade union officer for the Beijing Urban Construction Development Corporation. Feng chose the latter. In 1985, he joined the Beijing Television Arts Center as an art designer.^[7]

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In 1992, Feng collaborated with Zheng Xiaolong on the screenplay forThe Dream Factory, which was adapted into a film and earned five nominations at the 13th Golden Rooster Awards, including Best Picture and Best Screenplay. In 1994, he made his directorial debut withLost My Love, a love tragedy on which he also served as an art designer.

However, following his debut, three films developed by Feng in collaboration with writerWang Shuo under their production company—The Other Side of the Moon,Father, andLiving in Embarrassment—failed to secure approval from censors. The bans contributed to Wang Shuo’s temporary marginalisation within the industry and prompted Feng to pivot toward comedy, a comparatively safer genre under prevailing censorship standards.The Other Side of the Moon was later adapted into a television series in 1997, whileFather, completed in 1996 but never screened in China, was surreptitiously premiered at the 2000Locarno International Film Festival, with Wang Shuo credited as director.

Amid the rapid expansion of China’s film market, Feng instead found success in comedy, particularly through his collaborations with actorGe You. Feng established himself as a key figure in theChinese New Year film genre with a string of box office hits, such asThe Dream Factory,Be There or Be Square, andSorry Baby,Sigh andBig Shot's Funeral. Unlike contemporary directors such asZhang Yimou andChen Kaige, who first gained international acclaim before achieving domestic popularity, Feng built his career on commercial success in the mainland Chinese film market.

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In 2003, Feng directedCell Phone, which propelledFan Bingbing's career as a rising film star.

In 2004, Feng directedA World Without Thieves, based on the novel of the same name by Zhao Benfu. The film starred Andy Lau, Rene Liu, Ge You, Wang Baoqiang, and Li Bingbing. It earned ¥120 million at the domestic box office, making it the third-highest-grossing film of the year, behindKung Fu Hustle andHouse of Flying Daggers. Feng won the Golden Horse Award for Best Adapted Screenplay. Wang Baoqiang, playing a pivotal role, became one of the year's breakout stars.

In 2006, Feng directed his first historical film,The Banquet, a reimagining of Shakespeare'sHamlet set during the Five Dynasties and Ten Kingdoms period in China. The film starred Zhang Ziyi, Ge You, Daniel Wu, and Zhou Xun and grossed ¥130 million domestically. Zhou Xun won Best Supporting Actress at the Hong Kong Film Awards for her performance.

In 2007, Feng released the war filmAssembly, which earned ¥260 million and propelled Zhang Hanyu to stardom. The film won Best Asian Film at the 28th Hong Kong Film Awards, as well as Best Feature Film and Best Director at the Golden Rooster Awards.

In December 2008, Feng returned to his signature comedic style withIf You Are the One, a romantic comedy starring Ge You and Shu Qi. The film became one of the most successful Chinese films of the year and launched a franchise thereafter.

In 2010, Feng directed two major films:Aftershock andIf You Are the One 2.Aftershock, an adaptation of Zhang Ling's novel about the 1976 Tangshan earthquake, was the first ChineseIMAX film.Aftershock wonBest Film at the4th Asia Pacific Screen Awards.^[8]

In 2011, Feng began preparations forBack to 1942, a historical drama that premiered in November 2012. The film won Best Cross-Strait Chinese Film at the 32nd Hong Kong Film Awards and Best Picture at the 3rd Beijing International Film Festival.

In July 2013, Feng was officially appointed as the chief director of the 2014 CCTV Spring Festival Gala. That same year, he published a collection of personal essays,Trouble Maker, and directed the comedyPersonal Tailor. Despite mixed reviews, the film grossed ¥717 million, setting a new box office record for Feng.

In June 2014, Feng's Haikou-based "Feng Xiaogang Movie Town" officially opened. The ¥5.5 billion project spans 1,400mu (93 hectares) and features architectural elements inspired by Feng's films, such asBack to 1942 andAftershock. The site serves as a film production base and commercial entertainment area.

In 2015, Feng was awarded the Knight of the Order of Arts and Letters by the French Ministry of Foreign Affairs.^[9] The same year, he served as a judge on Shanghai Dragon TV’s comedy showLaugh Out Loud and Zhejiang TV's talent showI See You've Got Talent.

That year, Feng starred as the lead in Guan Hu’s filmMr. Six, playing a grizzled Beijing street gangster. His performance won Best Actor at the 52nd Golden Horse Awards and the 23rd Beijing College Student Film Festival, and earned him a nomination for Best Actor at the 10th Asian Film Awards. Feng also produced two films,Only You andBad Guys Always Die, directed by emerging filmmakers Zhang Hao and Sun Hao, respectively.

In late 2015, Feng began filmingI Am Not Madame Bovary, an adaptation of Liu Zhenyun's novel, starring Fan Bingbing.^[10] The film premiered in 2016 and won the FIPRESCI Prize at the Toronto International Film Festival and the Golden Shell for Best Film at the San Sebastián International Film Festival. Feng won Best Director at the 53rd Golden Horse Awards and the 10th Asia Pacific Screen Awards. In December, he received a Lifetime Achievement Award at the inaugural Macau International Film Festival. In March 2017, the film won three awards at the 11th Asian Film Awards, including Best Film, Best Actress, and Best Cinematography.

In January 2017, Feng began shootingYouth, adapted from a semi-autobiographical novel byGeling Yan set against the backdrop of theCultural Revolution and theSino-Vietnamese War, centered on a military arts troupe. The film, which underwent significant censorship, was released in December 2017, earning ¥1.42 billion at the Chinese box office^[11]. The film gained renewed attention in 2025 following its popularity among some Chinese New Left and Maoist audiences, who interpreted it as a coded paean toWang Hongwen. This reception drew disapproval from both Chinese authorities and Geling Yan, who rejected interpretations of the film as nostalgic for the Cultural Revolution.^[12]

In 2018, Feng completed filmingCell Phone 2, a sequel toCell Phone, which reignited the feud with former television hostCui Yongyuan over the original's alleged insinuations of Cui's real life. Cui retaliated by exposing the use of dual contracts designed to evade taxes, known as "yin-yang contracts," pervasive in the Chinese entertainment industry. The accusations implicated the star of the film,Fan Bingbing, and sent lasting shockwaves through the industry. Several of Feng's companies, including Meila Culture Media, were subsequently liquidated or deregistered. Fan has since been blacklisted by the Chinese government over the use of yin-yang contracts.^[13]

In 2019, Feng's company paid nearly ¥70 million in performance compensation due to unmet profit targets set during a 2015 agreement withHuayi Brothers, which had acquired 70% of Dongyang Meila and Zhejiang Dongyang Haohan. In 2019, Feng directedOnly Cloud Knows, a romantic drama starringHuang Xuan andYang Caiyu, reuniting the trio after the success ofYouth.^[14]

Feng's first wife is Zhang Di. They have a daughter, Feng Siyu, who in 2009 was admitted to the Production Management Department at theBeijing Film Academy and later studied at theNew York Film Academy.^[15]

Feng's second wife is actressXu Fan, whom he married in 1999. Due to Feng's vitiligo condition, the couple did not have biological children but instead adopted a girl named Duo'er.^[16]

• Feng Xiaogang atIMDb

• 1958 births
• Living people
• Male actors from Beijing
• Film directors from Beijing
• Chinese comedy film directors
• Chinese film producers
• Chinese male screenwriters
• Screenwriters from Beijing
• Chinese male film actors
• Asia Pacific Screen Award winners
• Members of the 12th Chinese People's Political Consultative Conference
• Members of the 13th Chinese People's Political Consultative Conference

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