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Fathers and Sons (album)

From Wikipedia, the free encyclopedia

1969 studio album / Live album by Muddy Waters
Fathers and Sons
Studio album /Live album by
ReleasedAugust 1969 (1969-08)
RecordedApril 21–23, 1969 at Tel Mar Studios inChicago, Illinois[1]
April 24, 1969 at the Super Cosmic Joy-Scout Jamboree in Chicago, Illinois[1]
GenreChicago blues
Length64:32
LabelChess
ProducerNorman Dayron[1]
Muddy Waters chronology
After the Rain
(1969)
Fathers and Sons
(1969)
Live at Mr. Kelly's
(1971)
Professional ratings
Review scores
SourceRating
AllMusicStarStarStar[2]
The Penguin Guide to Blues RecordingsStarStarHalf star[4]
Rolling Stonefavorable[3]

Fathers and Sons is the seventh studio album by the Americanblues musicianMuddy Waters, released as adoubleLP byChess Records in August1969.

The album contains both studio and live recordings recorded in April 1969 inChicago, Illinois, with an all-star band, includingMichael Bloomfield andPaul Butterfield of the Paul Butterfield Blues Band,Donald "Duck" Dunn ofBooker T. & the M.G.'s,Otis Spann, andSam Lay.

The album was Waters's biggest mainstream success, reaching #70 on theBillboard 200, which was his only appearance in the top half of the chart. Waters would not make another appearance on the 200 untilHard Again in 1977.[5]

Background

[edit]

According toMarshall Chess,Fathers and Sons came about when Mike Bloomfield said that he and Paul Butterfield wanted to do an album with Muddy Waters while in Chicago for a charity concert. Chess rounded up Donald "Duck" Dunn,Otis Spann, and Sam Lay for the studio sessions.[6]

While some blues purists criticized Waters's "psychedelic" albumElectric Mud,Fathers and Sons was received more favorably since it avoided psychedelia, instead showcasing his "classic" sound of the 1950s. In many ways, the album anticipated his later, critically acclaimed, albums produced byJohnny Winter.

Recording and production

[edit]

The studio disc of the album was recorded on April 21–23, 1969, at Ter Mar Studios. These sides wereengineered byRon Malo and featured rhythm guitarist Paul Asbell, who did not play on the live songs.

The live songs were recorded on April 24, 1969, at the Super Cosmic Joy-Scout Jamboree. These sides were engineered byReice Hamel. DrummerBuddy Miles played on the second part of "Got My Mojo Working".

The producer on all sessions was Norman Dayron, who would go on to produceThe London Howlin' Wolf Sessions in 1970, among other items.[1]

Artwork and design

[edit]

The cover illustration forFathers and Sons was created by Don Wilson and was based onMichelangelo's design on theSistine Chapel. The original album's design was by Daily Planet[1] and was packaged in a foldout sleeve.[7] The 2001MCA Records expanded reissue featured a reissued design by Mike Fink.

Track listing

[edit]

All songs written byMcKinley Morganfield, except where indicated.

Vinyl version

[edit]
Side A (studio)
  1. "All Aboard" – 2:50
  2. "Mean Disposition" – 5:42
  3. "Blow Wind Blow" – 3:35
  4. "Can't Lose What You Ain't Never Had" – 3:03
  5. "Walkin' Thru The Park" – 3:07
Side B (studio)
  1. "Forty Days and Forty Nights" (Bernard Roth) – 3:04
  2. "Standin' Round Crying" – 4:01
  3. "I'm Ready" (Willie Dixon) – 3:33
  4. "Twenty Four Hours" (Eddie Boyd) – 4:46
  5. "Sugar Sweet" (Mel London) – 2:16
Side C (live)
  1. "Long Distance Call" – 6:35
  2. "Baby, Please Don't Go" (Big Joe Williams) – 3:05
  3. "Honey Bee" – 3:57
Side D (live)
  1. "The Same Thing" (Dixon) – 6:00
  2. "Got My Mojo Working, Part 1" (Preston Foster, Morganfield) – 3:39
  3. "Got My Mojo Working, Part 2" (Foster, Morganfield) – 5:33

CD version

[edit]
  1. "All Aboard" – 2:52
  2. "Mean Disposition" – 5:42
  3. "Blow Wind Blow" – 3:38
  4. "Can't Lose What You Ain't Never Had" – 3:06
  5. "Walkin' Thru The Park" – 3:21
  6. "Forty Days And Forty Nights" (Roth) – 3:08
  7. "Standin' Round Cryin'" – 4:05
  8. "I'm Ready" (Dixon) – 3:39
  9. "Twenty Four Hours" (Boyd) – 4:48
  10. "Sugar Sweet" – 2:18
  11. "Country Boy"* – 3:20 (bonus track)
  12. "I Love the Life I Live (I Live the Life I Love)"* (Dixon) – 2:45 (bonus track)
  13. "Oh Yeah"* (Dixon) – 3:38 (bonus track)
  14. "I Feel So Good"* (Big Bill Broonzy) – 3:00 (bonus track)
  15. "Long Distance Call"+ – 6:37 (recorded live)
  16. "Baby, Please Don't Go"+ (Williams) – 3:03 (recorded live)
  17. "Honey Bee"+ – 3:56 (recorded live)
  18. "The Same Thing"+ (Dixon) – 5:59 (recorded live)
  19. "Got My Mojo Working, Part 1"+ (Foster, Morganfield) – 3:22 (recorded live)
  20. "Got My Mojo Working, Part 2"+ (Foster, Morganfield) – 5:11 (recorded live)

Personnel

[edit]
Technical

Release history

[edit]
RegionDateLabelFormatCatalog
United StatesAugust 1969Chess Recordsmonodouble LPLP-127
stereo double LPLPS-127
United KingdomSeptember 1969Chess Recordsdouble LPCRL 4556
United States1972Chess Recordsstereo double LP2CH-50033
United States1989MCA/Chess RecordsCassetteCHC-92522
CDCHD-92522
United StatesOctober 30, 2001MCA/Chess Recordsextended CD088 112 648-2
JapanAugust 22, 2007Chess Recordsmini-LP CDUICY-93295

References

[edit]
  1. ^abcdeFathers and Sons (Vinyl sleeve).Muddy Waters.Germany:Chess Records. 275025/026.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  2. ^AllMusic review
  3. ^Welding, Pete (October 18, 1969)."Records".Rolling Stone. No. 44. San Francisco: Straight Arrow Publishers, Inc. p. 40. RetrievedApril 25, 2016.
  4. ^Russell, Tony; Smith, Chris (2006).The Penguin Guide to Blues Recordings.Penguin. p. 482.ISBN 978-0-140-51384-4.
  5. ^"Charts & Awards: Muddy Waters – Billboard Albums".Allmusic. United States:Rovi Corporation. RetrievedFebruary 13, 2011.
  6. ^Paige, Earl (August 16, 1969)."A Chess Album That May Set a Trend".Billboard. p. 46. RetrievedFebruary 13, 2011.
  7. ^David Edwards; Mike Callahan; Randy Watts."Chess Album Discography, Part 1 (1956-1965)".Both Sides Now Publications. RetrievedMarch 13, 2011.

External links

[edit]
Studio albums
Live albums
Compilations
Noted singles
Related articles
Authority control databasesEdit this at Wikidata
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