| Fathers and Sons | ||||
|---|---|---|---|---|
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| Studio album /Live album by | ||||
| Released | August 1969 (1969-08) | |||
| Recorded | April 21–23, 1969 at Tel Mar Studios inChicago, Illinois[1] April 24, 1969 at the Super Cosmic Joy-Scout Jamboree in Chicago, Illinois[1] | |||
| Genre | Chicago blues | |||
| Length | 64:32 | |||
| Label | Chess | |||
| Producer | Norman Dayron[1] | |||
| Muddy Waters chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| The Penguin Guide to Blues Recordings | |
| Rolling Stone | favorable[3] |
Fathers and Sons is the seventh studio album by the Americanblues musicianMuddy Waters, released as adoubleLP byChess Records in August1969.
The album contains both studio and live recordings recorded in April 1969 inChicago, Illinois, with an all-star band, includingMichael Bloomfield andPaul Butterfield of the Paul Butterfield Blues Band,Donald "Duck" Dunn ofBooker T. & the M.G.'s,Otis Spann, andSam Lay.
The album was Waters's biggest mainstream success, reaching #70 on theBillboard 200, which was his only appearance in the top half of the chart. Waters would not make another appearance on the 200 untilHard Again in 1977.[5]
According toMarshall Chess,Fathers and Sons came about when Mike Bloomfield said that he and Paul Butterfield wanted to do an album with Muddy Waters while in Chicago for a charity concert. Chess rounded up Donald "Duck" Dunn,Otis Spann, and Sam Lay for the studio sessions.[6]
While some blues purists criticized Waters's "psychedelic" albumElectric Mud,Fathers and Sons was received more favorably since it avoided psychedelia, instead showcasing his "classic" sound of the 1950s. In many ways, the album anticipated his later, critically acclaimed, albums produced byJohnny Winter.
The studio disc of the album was recorded on April 21–23, 1969, at Ter Mar Studios. These sides wereengineered byRon Malo and featured rhythm guitarist Paul Asbell, who did not play on the live songs.
The live songs were recorded on April 24, 1969, at the Super Cosmic Joy-Scout Jamboree. These sides were engineered byReice Hamel. DrummerBuddy Miles played on the second part of "Got My Mojo Working".
The producer on all sessions was Norman Dayron, who would go on to produceThe London Howlin' Wolf Sessions in 1970, among other items.[1]
The cover illustration forFathers and Sons was created by Don Wilson and was based onMichelangelo's design on theSistine Chapel. The original album's design was by Daily Planet[1] and was packaged in a foldout sleeve.[7] The 2001MCA Records expanded reissue featured a reissued design by Mike Fink.
All songs written byMcKinley Morganfield, except where indicated.
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| United States | August 1969 | Chess Records | monodouble LP | LP-127 |
| stereo double LP | LPS-127 | |||
| United Kingdom | September 1969 | Chess Records | double LP | CRL 4556 |
| United States | 1972 | Chess Records | stereo double LP | 2CH-50033 |
| United States | 1989 | MCA/Chess Records | Cassette | CHC-92522 |
| CD | CHD-92522 | |||
| United States | October 30, 2001 | MCA/Chess Records | extended CD | 088 112 648-2 |
| Japan | August 22, 2007 | Chess Records | mini-LP CD | UICY-93295 |
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