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Fanfare (ballet)

From Wikipedia, the free encyclopedia

Fanfare
ChoreographerJerome Robbins
MusicBenjamin Britten
PremiereJune 2, 1953 (1953-06-02)
City Center of Music and Drama
Original ballet companyNew York City Ballet
GenreNeoclassical ballet

Fanfare is a one-actballet choreographed byJerome Robbins to Benjamin Britten'sThe Young Person's Guide to the Orchestra, in celebration of theCoronation of Queen Elizabeth II. The ballet premiered on June 2, 1953, the night of the coronation, at theCity Center of Music and Drama, danced by theNew York City Ballet.[1]

Structure

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The ballet starts with amajordomo on stage reading Britten's explanatory text from the score, then proceeds to an ensemble performance with dancers representing different instruments,[2] including three women as apiccolo and twoflutes, a woman as theoboe, a man and a woman as theclarinets, two men as thebassoons, a man and a woman as theviolas,[3] three women as thecellos, a man as thedouble bass, a woman as theharp,[4] two men astrumpets, four men as atuba and threetrombones[5] and three men as thepercussion instruments.[4] There are no major solos in the ballet.[1]

Production

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According toDeborah Jowitt's biography ofJerome Robbins, it is believed thatGeorge Balanchine andLincoln Kirstein, bothNew York City Ballet co-founders andAnglophiles, requested Robbins to create a new ballet on the occasion of theCoronation of Queen Elizabeth II.[6] Balanchine wanted to contribute to the ballet. When Robbins was unavailable, he requested Balanchine to lead a rehearsal, but Balanchine added his touch to the choreography, which Robbins reversed once he found out. Balanchine would say "I fixed, but you changed" to Robbins wheneverFanfare was revived.[7]

The ballet is set to Britten'sThe Young Person's Guide to the Orchestra, which is based on a theme byHenry Purcell and was commissioned for the 1946BBC documentary,Instruments of the Orchestra.[1][2][5] At the premiere, the costumes and set were uncredited,[1] thoughIrene Sharaff was later credited.[4][8]

Performances

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The program on whichFanfare had its premiere, which was also the day of the coronation, was curated by Kirstein to honor British choreographers, composers and designers, though Robbins was born inManhattan.[2] It started with an address made byMajor-GeneralWilliam Dimoline of theBritish Army. Then, Walton'sOrb and Sceptre, which was used at the coronation earlier, was performed by the orchestra. Following performances of two ballets by choreographerFrederick Ashton andSwan Lake,Fanfare had its premiere.[1]

The New York City Ballet revivesFanfare infrequently, and the ballet was absent from the repertory between 1978 and 1987.[3]Fanfare was included in the 2008 Jerome Robbins Celebration program,[9] then was absent from the repertory again until the Robbins centenary program in the 2017/18 season.[10] Actors who have been the majordomo include Eric Swanson,[3] David Jaffe,[4]Bill Nolte,[5] David Lowenstein,[11] andDavid Aaron Baker.[12] In 2020, in response tothe impact of the coronavirus pandemic on the performing arts, the New York City Ballet released a video excerpt of the ballet.[13][14]

TheSchool of American Ballet, the affiliated school of the New York City Ballet, have includedFanfare in their annual workshop performances.[15][16] Robbins stagedFanfare for theRoyal Danish Ballet in 1956.[8] ThePacific Northwest Ballet have also performed the ballet with minor changes.[17]

Original cast

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Original cast:[18]

References

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  1. ^abcdeMartin, John (June 3, 1953). "'Orb and Sceptre' March in Bow At City Ballet Coronation Night".New York Times.
  2. ^abcNaughtin, Matthew (2014).Ballet Music. p. 223.ISBN 9780810886605.
  3. ^abcAnderson, Jack (February 2, 1987)."City Ballet" 'Fanfare' and 'Mozartiana'".New York Times.
  4. ^abcdDunning, Jennifer (January 21, 1988)."Dance: City Ballet Performs Robbins's 'Fanfare'".New York Times.
  5. ^abcDunning, Jennifer (January 22, 1999)."Dance Review; The Queen Might Still Be Amused".New York Times.
  6. ^Jowitt, Deborah (2004).Jerome Robbins: His Life, His Theater, His Dance. p. 222.ISBN 9780684869858.
  7. ^Lesser, Wendy (2018).Jerome Robbins: A Life in Dance. p. 46.ISBN 9780300240429.
  8. ^abJowitt, Deborah (2004).Jerome Robbins: His Life, His Theater, His Dance. p. 255.ISBN 9780684869858.
  9. ^Macaulay, Alastair (June 12, 2008)."Robbins the Contrarian Will Now Bow, Thanks".New York Times.
  10. ^Kourlas, Gia (April 13, 2018)."City Ballet Season to Feature Jerome Robbins Celebration".New York Times.
  11. ^Rockwell, John (February 8, 2005)."A Menu of Performances Going From Sinuous to Cute".New York Times.
  12. ^Forsyth, Sondra (May 13, 2018)."Robbins 100, New York City Ballet's Homage to the Co-Founding Choreographer".BroadwayWorld.
  13. ^Harss, Marina (October 2020)."New York City Ballet".The New Yorker.
  14. ^"Digital Fall Season: October 19 – 24".New York City Ballet (Press release). October 14, 2020. Archived fromthe original on October 16, 2020. RetrievedOctober 17, 2020.
  15. ^Macaulay, Alastair (June 4, 2008)."Fledgling Dancers, Already Fluent in Two Languages: Balanchine and Robbins".New York Times.
  16. ^Seibert, Brian (May 31, 2015)."Review: School of American Ballet Workshop Includes 'Harlequinade'".New York Times.
  17. ^Macdonald, Moira (November 23, 2019)."PNB's efforts to tone down stereotypes in 'The Nutcracker' show how dance evolves".Seattle Times.
  18. ^"Fanfare".New York City Ballet. RetrievedOctober 10, 2020.
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