Fairfield Porter (June 10, 1907 – September 18, 1975) was an American painter andart critic.[1] He was the fourth of five children of James Porter, an architect, and Ruth Furness Porter, a poet from a literary family.[2] He was the brother of photographerEliot Porter and the brother-in-law of federalReclamation CommissionerMichael W. Straus.
While a student atHarvard, Porter majored in fine arts; he continued his studies at theArt Students' League when he moved to New York City in 1928. His studies at the Art Students' League predisposed him to produce socially relevant art and, although the subjects would change, he continued to produce realist work for the rest of his career. He would be criticized and revered for continuing his representational style in the midst of theAbstract Expressionist movement.[3]
His painterly vision, which encompassed a fascination withnature and the ability to reveal extraordinariness in ordinary life, was heavily indebted to the French paintersPierre Bonnard andÉdouard Vuillard. John Ashbery wrote of him: "Characteristically, [Porter] tended to prefer the late woolly Vuillards to the early ones everyone likes".[4]
Porter said once, "When I paint, I think that what would satisfy me is to express what Bonnard saidRenoir told him: 'make everything more beautiful.'"[5]
^Spike, John T.Fairfield Porter: An American Classic, p. 282-307.New York, Harry N. Abrams, 1992
^"Apple Blossoms I, (Color lithograph, state I/III, 42/50), The Christmas Tree (Color Lithograph on Arches paper, 40/100), Street Scene (Color lithograph, state IV/IV, 78/100)".Curators at Work III.Muscarelle Museum of Art. 2013.{{cite web}}:Missing or empty|url= (help)
