FORVM was anAustrian monthly cultural and political magazine, published inVienna from 1954 to 1995, founded by Friedrich Hansen-Loeve, Felix Hubalek,Alexander Lernet-Holenia andFriedrich Torberg with the financial and logistical support of theCIA-fundedCongress for Cultural Freedom (CCF). Torberg also edited the magazine from its start in 1954 to 1965.[1] In 1965Günther Nenning took over as editor and in 1986Gerhard Oberschlick.
The magazine was distributed internationally and instigated ideological debates. In 1995, the magazine closed down due to financial difficulties. In 2004 a complete reprint was published.
In 1966, 12 years after the foundation ofFORVM, publications includingThe New York Times,Ramparts, andSaturday Evening Post reported that the magazine's funding came from the U.S.Central Intelligence Agency (CIA), with the aim of undermining leftist groups of intellectuals around the world and turning them againstcommunism as part of theCultural Cold War. The CIA website states that "[t]he Congress for Cultural Freedom is widely considered one of the CIA's more daring and effective Cold War covert operations."[2]
Other magazines funded by the CCF includedDer Monat in Western Berlin,Preuves in Paris,Tempo Presente in Rome,Cuadernos in Paris,Encounter in London, as well asFreedom First in Bombay,Solidarity in the Philippines,Quadrant in Australia,Hiwar (magazine) in Lebanon,Examen in Mexico, and others.[3][4]
FORVM was never an easy partner to its sponsors. Its first issue had already caused controversy by printing an argument betweenFriedrich Heer and editor Friedrich Torberg, called "Conversation with the Enemy," about the legitimacy of discourse with Eastern bloc communists. Heer was for such dialogue, whereas Torberg opposed any contact with the "enemy". Although Torberg was said to have lost the debate,[5] he nevertheless succeeded - usingFORVM as a weapon - to force all major Austrian theaters to boycott the plays ofBertolt Brecht, an avowed Marxist. This lasted until 23 February 1963, when theWiener Volkstheater dared to stageMutter Courage und ihre Kinder. Although the magazine focused mainly on theater and literature,FORVM also printed notable dialogues between church and state, discourses between the dominating ideologies of the time, and important texts on social sciences. But the rigid and fierceanti-communism of Torberg increasingly became a problem to the magazine's sponsors, who repeatedly warned the editor, then limited their funding in 1961, then finally stopped support entirely in 1964. When the new financier ofFORVM, Hans Deutsch, also pulled back in 1965, Torberg decided to give up his position. Nenning, who had served as editor-in-chief since 1958, became the new owner and editor.
Günther Nenning declared himself to be a "Christian and socialist," and openedFORVM to leftist thoughts and ideas. Due to Torberg's opposition to this change, Nenning had to rename the magazine toNEUES FORVM (New Forvm) until Torberg died in 1979. Nenning raised the circulation from 2,700 to nearly 30,000.[citation needed] When the magazine publishedde Sade'sPhilosophy in the Bedroom in 1970, with commentary by Michael Siegert,[6] theMinistry of the Interior reacted harshly, confiscating the magazine. This step was later declared unconstitutional, leading to the end of government censorship in Austria. The Nenning years were dominated by hearty discussions about Austria's constitution and neutrality, thelaw of nature,Vergangenheitsbewältigung, thesexual revolution,Viennese Actionism, andterrorism.
From 1973 to 1982 Michael Siegert served as editor-in-chief. Even more than Torberg or Nenning before him, Siegert heavily adapted some of the articlesFORVM printed, thereby angering some authors.[7] Nenning formally kept his position as owner and editor, but from 1973 on the magazine was published by an "association of the journalists and employees." In 1982, Gerhard Oberschlick took over as editor-in-chief, but was dismissed by Nenning in 1984 for insubordinate behavior. The main points of controversy were Nennings' cooperation with conservative publicists and politicians, as well as the secret funding of theKonrad Lorenz Referendum byHans Dichand and hisKronen Zeitung.[8] Nenning consequently establishedFORVM as the voice of the fundamental green movement, and the circulation dropped dramatically (to 1,700), puttingFORVM close to bankruptcy. In 1985 Nenning was expelled from theunion and theSocial Democratic Party of Austria. In 1986 he sold the magazine to Gerhard Oberschlick.
The new editor quickly had to reposition the magazine.Rule of law andhuman rights became central issues,Günther Anders the most prominent author. The circulation gained ground and reached up to 25.000. The presidency ofKurt Waldheim and the constant flirting ofJörg Haider withNazi ideology opened a wide field of discussion and controversy.FORVM served as a stable lighthouse ofanti-fascism, avidly opposing any kind ofracism andxenophobia. In 1992Hans Lebert received theGrillparzer Award, donated by GermanAlfred Toepfer in German Marks. Although ill and not able to participate in the ceremony, Lebert wrote an ardent speech, red by actor Wolfgang Gasser, famous for his performance in a play byThomas Bernhard at theBurgtheater. In it Lebert warned against the attempts of a newAnschluss, culminating in the exclaim: "Austrians, save your country yourselves!"[9] The speech caused a scandal, the German ambassadorPhilipp Jenninger was upset and left early, and Oberschlick, who had printed the speech secretly, had it distributed - as a special issue ofFORVM - at the end of the ceremony at theUniversity of Vienna.