Cover of first edition (paperback) | |
| Author | Philip K. Dick |
|---|---|
| Language | English |
| Genre | Science fiction |
| Publisher | Ace Books |
Publication date | 1957 |
| Publication place | United States |
| Media type | Print (hardback & paperback) |
| Pages | 255 |
Eye in the Sky is ascience fiction novel by American writerPhilip K. Dick, originally published in 1957.
After an accident at the BelmontBevatron, eight people are forced into several differentalternate universes. These ersatz universes are later revealed to besolipsistic manifestations of each individual's innermost fears and prejudices, bringing the story in line with Dick's penchant forsubjective realities. As well as his future discussions oftheology and fears aboutMcCarthy-eraauthoritarianism, the novel skewers several human foibles.
The title refers to the eye of God, who appears as a character in the universe ofreligious fundamentalist Arthur Sylvester.
While on a visit to the (fictional) BelmontBevatron in the 1957 novel's near-future year of 1959, eight people become stuck in a series of subtly and not-so-subtly unreal worlds. The instigating incident is a malfunction of theparticle accelerator, which places all of the injured parties in states of total or partialunconsciousness.
Jack Hamilton, the central protagonist, is dismissed from his job at the California Maintenance Labs due to McCarthy-eraparanoia about his wife Marsha'sleft-wing political sympathies; this dismissal is instigated by security chief Charlie McFeyffe. Bill Laws, an African-American possessing aPhD in Physics, is employed as a lowly tour guide for the Bevatron. Arthur Sylvester is an elderly political conservative and believer in an obsoletegeocentriccosmology, derived from a schismaticBábí offshoot. Joan Reiss is a pathologically paranoid woman, and Edith Pritchet is a maternal but censorious elderly woman. Her son David, along with Charlie McFeyffe, complete the eight-member tour group.
After the Bevatron fails, all eight members of the tour group are injured by a collapsing walkway and high levels ofradiation. They awake to a world wheremiracles,prayer, andcurses are common-day occurrences. Hamilton and Charles McFeyffe travel toheaven and glimpse a gargantuan eye of God. They discover that they are inside the mind of Arthur Sylvester and knock him unconscious, hoping that doing so will return them to reality. Instead, they continue to a different universe. The next universe is a caricature ofVictorian morality in which Edith Pritchett has abolished everything which she considers unpleasant, and the third universe reveals the paranoid delusions of Joan Reiss.
Finally, the group arrives in aMarxist caricature of contemporary US society. The characters discover that Marsha Hamilton did not create this world. Instead, Charles McFeyffe is revealed as aCommunist who is using his position as chief security officer to further the ideals of the Communist Party.
After McFeyffe is knocked unconscious, the group believes they have returned to the real world. Jack Hamilton and Bill Laws form a small business that seeks advances instereophonic technology. The disclosure of McFeyffe's Marxist-Leninist allegiances is dismissed as unprovable. The novel ends ambiguously, as it is unclear if the group has returned to reality or is still living in someone else's universe. But if so, whoever it is seems to be a hands-off deity, content to let people live as they please and cultivate their own gardens.
Anthony Boucher lauded the novel as "nicely calculated and adroitly revealed," saying that he had "never seen [its] theme handled with greater technical dexterity or given more psychological meaning."[1]
Episode 20 of the science fiction animeErgo Proxy, titled "Sacred Eye of the Void/Goodbye, Vincent", is based onEye in the Sky. In this episode, the protagonist awakens to find himself stuck inside someone's subconscious, presumably one of the main characters, and he must wade through realities within realities while figuring out how to escape—and alongside confirm that he is more than just an imaginative figment of the brain he is trapped in.