| "Everything You've Come to Expect" | ||||
|---|---|---|---|---|
| Single byThe Last Shadow Puppets | ||||
| from the album Everything You've Come to Expect | ||||
| Released | 10 March 2016 (2016-03-10) | |||
| Genre | ||||
| Length | 3:13 | |||
| Label | Domino | |||
| Songwriters | ||||
| Producer | James Ford | |||
| The Last Shadow Puppets singles chronology | ||||
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| Music video | ||||
| "Everything You've Come to Expect" onYouTube | ||||
"Everything You've Come to Expect" is a song by Englishbaroque pop bandThe Last Shadow Puppets released on 10 March 2016, throughDomino Recording Company.[3] The song was included on their second studio album,Everything You've Come to Expect (2016). Written by co-frontmenAlex Turner andMiles Kane, and produced byJames Ford, "Everything You've Come to Expect" is a baroque pop andpsychedelic pop track.
Musically "Everything You've Come to Expect" has been described as a "psychedelicwaltz"[2] and has been called "Beatle-esque". The song finds Turner as "a jealous guy", among a "phantasmagoria of surreal visions of decadence".[2] The song references several songs and musicians, with the line "Croc-skin collar on a diamond dog" recallingDavid Bowie'salbum of the same name. The mention ofHoney Pie on the preceding verse, was thought to be aBeatles reference, although Turner admitted it was coincidental.[4] The band has said it was the last song written for the album, and "the further down the wing" they have gone in terms of songwriting, adding that its their favourite track in the record.[5][6] Turner said the song was written on aVox Continental keyboard.[7][8]

The music video for "Everything You've Come to Expect" was released on 10 March 2016 and features Turner and Kane submerged in sand up to their necks, with a woman in bridal clothing (Michelle Dawley) scolding Turner and dancing around the beach. It serves as the second installment of the album's video trilogy initiated byAviation.
The video was shot in one day atPoint Dume,Malibu. It was directed bySaam Farahmand and filmed in16mm.Chung Chung-hoon served asDoP.[9][10]