| Everett Building | |
|---|---|
_(54574355305).jpg) (2025) | |
 | |
| General information | |
| Location | 200 Park Avenue South New York City |
| Coordinates | 40°44′13″N73°59′21″W / 40.73694°N 73.98917°W /40.73694; -73.98917 |
| Completed | 1908 |
| Height | |
| Roof | 230 ft (70 m) |
| Technical details | |
| Floor count | 16 |
| Design and construction | |
| Architect | Starrett & van Vleck |
| Designated | September 6, 1988 |
| Reference no. | 1540 |
| References | |
| [1] | |
TheEverett Building is a 16-story commercial structure at 200Park Avenue South at the northwest corner withEast 17th Street, onUnion Square inManhattan, New York. It was designed by the architectural firm ofStarrett & van Vleck and opened in 1908. Goldwin Starrett, the lead architect, had worked forDaniel Burnham for four years inChicago, and as such the building reflects Burnham's functionalist philosophy. It marked the development of fireproof commercial skyscrapers with open plan interiors and simple, classical exteriors.[2]
In 1988, the Everett Building was designated aNew York City landmark.[2] The Everett Building, along with theW New York Union Square (formerly Germania Life Insurance Company Building) at the northeast corner of Park Avenue South and 17th Street, were described by theNew York City Landmarks Preservation Commission as forming an "imposing terminus to Park Avenue South".[3] The Everett Building is located directly east of theCentury Building, another New York City landmark.
The site of the Everett Building was initially part of the colonial farm owned by Dutch settlerCornelius Tiebout.[4] Union Square was first laid out in theCommissioners' Plan of 1811, expanded in 1832, and then made into a public park in 1839.[3][5] The completion of the park led to the construction of mansions surrounding it, and the Everett House hotel, located on the north side of East 17th Street, was among several fashionable buildings completed around Union Square. After theAmerican Civil War, Union Square became a primarily commercial area and many mansions were destroyed, including Everett House.[4][5] By the first decade of the 20th century, Union Square had grown into a major transportation hub with severalelevated railroad andstreetcar lines running nearby, and theNew York City Subway's14th Street–Union Square station opening in 1904.[4][6]
Plans for the development of a 20-story office building on the site of Everett House were first announced in June 1908.[6] Goldwin Starrett ofStarrett & van Vleck was selected to design the building in early August.[7] When the plans were publicly released at the end of that month, there was high demand for industrial loft and office space in the area.[8] Only four months elapsed between the building'sgroundbreaking ceremony and the initial spaces being ready for tenants.[9]
Upon opening, the Everett Building was one of the many buildings around Union Square and Park Avenue that were occupied by the cotton, dry-goods, wool, and silk industries. Space in the Everett Building and several others on Union Square's northern end was cheaper than the industrial space onFifth Avenue, two blocks west, and as a result the Everett Building's space was in high demand.[10] By October 1911, theReal Estate Record & Guide wrote that the Everett Building was fully occupied.[11] Though the building was erected for theEverett Investing Company, its other tenants worked in a variety of industries, and included silk sellersWilliam Skinner and Sons, construction contractors W. G. Cornell, and even the offices of Starrett & van Vleck.[10]
The Everett Building is located on a reverse-L-shaped site measuring 142 feet (43 m) along Park Avenue South and 128 feet (39 m) along 17th Street. The building has arms extending to the north and west, and a rectangular recess is located at the northwest corner of the building.[6] It is 17 stories tall and supported by a frame of structural steel. The 17th story is located behind thecornice at the top of the 16th story, and is only visible on the northern and western sides.[12]
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When erected, the Everett Building's design was described by theReal Estate Record as being among several "strictly commercial" buildings on Park Avenue South that were "thoroughly contemporary" and built at a fast pace.[9][13] Starrett & van Vleck used a grid-like pattern on the fourth through 14th floor, creating an exteriorarticulation depicting the structural frame inside,[14] and thus fulfilled a key design principle of theChicago school architectural style.[14] The Everett Building was also one of the first buildings to useterracotta as a primary material for the entire facade, rather than a secondary undercoating or as an ornamental element.[14][15]
According to critic A. C. David, the optimal building design included high ceilings and large windows to maximize natural light coverage.[16] The Everett Building not only included these features, but also had a corner location that was conducive toward the maximization of natural light.[9] In addition, the Everett Building's design complied with building codes and insurance companies' fireproofing stipulations, while combining several elements to cut costs,[17] features that David described as being part of the optimal building design.[16]
The Everett Building's facade consists primarily of white terracotta panels. There are eight vertical architecturalbays facing Park Avenue South and six bays facing 17th Street. There are storefronts at ground level. Starting at the second level, most of the bays are divided into three windows, except for the second-to-northernmost bay on the Park Avenue South facade, which only has two window bays.[12]
On the southern and eastern facades, the ground and second floors comprise the base of the building. These floors have a facade withrusticated architecturalpiers containing several rows of textured masonry blocks. Above the second floor is a decorated cornice withmetopes andtriglyphs.[12] The facade outside the third story contains ornamented vertical piers andpilasters, with decoratedcapitals at their tops, and afrieze runs above the third story. The fourth through 14th stories comprise the building's vertical "shaft" section. The exterior contains raised verticalmullions on the outer edges of the piers, as well as raised horizontalspandrel beams on the outer edges of the spaces between the windows on each floor, creating a grid-like pattern. The facade of the "shaft" is topped by abelt course above the 14th floor.[18] The 15th and 16th floors contain orange and green terracotta decoration. Rectangular orange panels are placed on the space between floors, as well as on the piers between architectural bays, while circular green panels are placed in the middle of the piers between each floor, at the midpoints between four rectangular panels. An intricately molded cornice is located above the 16th floor.[19]
The northern and western facades consist of white buff brick with windows on the 9th through 17th floors, and have very little ornamentation.[19]
Notes
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