Ziporyn is theKenan Sahin Distinguished Professor of Music at theMassachusetts Institute of Technology as well as director of MIT's Center for Art, Science & Technology (CAST). At MIT he directs GamelanGalak Tika, an ensemble he founded in 1993, a group of 30 MIT students, staff and community members, devoted to the study and performance of new works forBalinese Gamelan.
He is currently a member of the Eviyan Trio, with Czech violinist/vocalistIva Bittovà and American guitaristGyan Riley.
Evan Ziporyn was named a 2007 USA Walker Fellow byUnited States Artists, an arts advocacy foundation dedicated to the support and promotion of America's top living artists.
Ziporyn studied at Eastman, Yale and UC Berkeley withJoseph Schwantner,Martin Bresnick, andGerard Grisey. He first traveled to Bali in 1981, studying with Madé Lebah,Colin McPhee's 1930s musical informant. He returned on a Fulbright in 1987. While living on the west coast during the 1980s he was a member ofGamelan Sekar Jaya. The three compositions he composed for Sekar Jaya all included western instruments.
He performed a clarinet solo at the First Bang on a Can Marathon in New York. His involvement with BOAC continued for 25 years: in 1992 he co-founded the Bang on a Can All-stars (Musical America's 2005 Ensemble of the Year), with whom he toured the globe and premiered over 100 commissioned works, collaborating with Nik Bartsch, Iva Bittova, Don Byron, Ornette Coleman, Brian Eno, Philip Glass, Meredith Monk, Thurston Moore, Terry Riley and Tan Dun. He co-produced their seminal 1996 recording ofBrian Eno'sMusic for Airports, as well as their 2012Big Beautiful Dark & Scary (2012). He left the group in the fall of that year to form Eviyan withIva Bittová and Gyan Riley, with whom he now concertizes and records regularly. In the fall of 2013 he founded the Critical Band, a group devoted to the music of the late British composerSteve Martland.[1]
Ziporyn joined the MIT faculty in 1990, founding Gamelan Galak Tika there in 1993, and continued a series of compositions for gamelan and western instruments. These include three evening-length works, 2001'sShadowBang, 2004'sOedipus Rex at theAmerican Repertory Theater (Robert Woodruff, director),[2] and 2009'sA House in Bali, an opera about composerColin McPhee, anthropologistMargaret Mead, and artistWalter Spies, which joined Western singers Anne Harley, Marc Molomot and Timur Bekbosunov with Balinese traditional performers Nyoman Catra and Desak Made Suari Laksmi, andBang on a Can All-Stars with a full gamelan ensemble.[3] It received its world premiere in Bali that summer and its New York premiere atBAM Next Wave in October 2010.
In 2001 his solo clarinet CD,This is Not A Clarinet, made Top Ten lists across the country. His compositions have been commissioned by Yo-Yo Ma's Silk Road Ensemble, Kronos Quartet, American Composers Orchestra, Maya Beiser, So Percussion,Wu Man, and the Boston Modern Orchestra Project, with whom he recorded two CDs,Frog's Eye (2006) andBig Grenadilla/Mumbai (2012). His honors include awards from the Massachusetts Cultural Council (2011), The Herb Alpert Foundation (2011), USA Artists Walker Fellowship (2007), MIT's Kepes Prize (2006), theAmerican Academy of Arts and Letters Goddard Lieberson Fellowship (2004), as well as commissions from Meet the Composer/Commissioning Music USA and the Rockefeller MAP Fund. Recordings of his works have been released on Cantaloupe, Sony Classical, New Albion, New World, Koch, Naxos, Innova, and CRI.
He is Kenan Sahin Distinguished Professor of Music at MIT. He has also been inaugural director of MIT's new Center for Art Science and Technology and still serves as head of Music and Theater Arts at the Center for Art, Science and Technology (CAST). He is also founder and artistic director of Gamelan Galak Tika, and curator of the MIT Sounding performance series.[4]
Banyuari by Michael Tenzer, Situ Banda by Michael Tenzer, Khayalan Tiga by Wayne Vitale, Aneh Tapi Nyata by Evan Ziporyn, Kekembangan by Nyoman Windha & Evan Ziporyn
A House in Bali (2009) 90' – opera based on the memoir of Colin McPhee, for amplified sextet (gtr, perc, pno, vln, vc, cb), Balinese gamelan, two tenors, one soprano, and four Balinese actors/dancers www.houseinbali.org
Oedipus Rex (2004) 90' – Greek choruses and onstage incidental music the American Repertory Theater production of the original Sophocles tragedy. Directed by Robert Woodruff, Loeb Theater, Cambridge, MA
ShadowBang (2001) 90' – full-length theater work for Balinese dalang (shadow puppeteer) and Bang on a Can Allstars.
Commissioned by Rockefeller Multi-Arts Program for I Wayan Wija and Bang on a Can Allstars; premiered October 2001 at MIT Kresge Auditorium, Cambridge, and MassMOCA, North Adams, MA
Big Grenadilla (2006) 15' – orchestra and solo bass clarinet
War Chant (2004) 15' – orchestra with Hawaiian-style lap-steel guitar
commissioned by Boston Modern Orchestra Project
Ngaben (for Sari Club) (2003) 15' – orchestra with gamelan
commissioned by the New England Conservatory; world premiere Jordan Hall, Boston, March 12, 2003 by Gamelan Galak Tika and the NEC Symphony, Dante Anzolini, conductor
Frog's Eye (2002) 13' – chamber orchestra
commissioned and premiered by Boston Pro Arte Orchestra, Isaiah Jackson, conductor, October 2002
Filling Station (1986) 12' – orchestra premiered by UC Berkeley Symphony, EZ conductor, October 1986
Pleasureville, Pain City (1985) 6' – premiered by UC Berkeley Symphony, John Sackett, conductor, February 1985
commissioned and premiered by Dinosaur Annex, Cambridge, MA June 2005
No Return (2002) 30' – 4 movements for violin, clarinet, and sounds of the Salmon River
commissioned by Sun Valley Center for the Arts and premiered by Todd Reynolds and Evan Ziporyn, Ketchum, ID, January 2003
More Songs About Telephones and Dogs (2002) 20' – 4 movements for mixed ensemble – 'Iris in Furs' 'Jubilee of Indifference' '...no messages...' 'Dog Heaven'
commissioned by The Kitchen for Kitchen House Blend, premiered December 2002
Tight Fitting Garments 15' – violin and clarinet: "It Is And It Isn't," "Illusions of Purity," "Jubilee of Indifference"
Serenity Now (1998) 5'
commissioned by Chamber Music Conference of the East, Bennington, VT
Pay Phone (1993) – violin, viola, electric guitar, bass clarinet, keyboard for the Michael Gordon Philharmonic
Esto House (1993) 10' – violin, viola, electric guitar, bass clarinet, keyboard for the Michael Gordon Philharmonic
Tree Frog (1990) 25' – bass clarinet, baritone saxophone, trombone, percussion, keyboard, violin; commissioned by Toronto Border Crossings Festival for Sound Pressure, premiered at the Music Gallery, Toronto, May 1990
Twine (1985) 12' – three movements for soprano, two saxophones, bass clarinet, violin, viola, percussion
LUVTime (1984) 15' – three movements for bass clarinet, baritone saxophone, trombone, percussion, piano
Hval (2007) – solo bass, commissioned by Robert Black
Current Rate (1999) 15' – solo Chinese pipa and pre-recorded CD (or two pipa), commissioned and premiered by Wu Man at Bang on a Can Women and Music, Henry Street Settlement
Kebyar Maya (1995) 14' – solo cello and prerecorded CD, commissioned by Rockefeller Multi-Arts Program for Maya Beiser
Studies in Normative Behaviour, Vol 1 (1991) 10' – solo percussionist, commissioned and premiered by Danny Tunick
The Motions (1990) 9' – solo viola (or viola and CD), premiered by John Lad
China Spring (1991) 15' – for oboe and piano, commissioned and premiered by Peter Cooper and Evan Ziporyn
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