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Eugene Thacker

From Wikipedia, the free encyclopedia
American author
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Eugene Thacker
Education
Education
Philosophical work
School
InstitutionsParsons School of Design
Main interests
Notable ideas
  • Cosmic Pessimism
  • The Horror of Philosophy
  • World,Earth andPlanet
  • Dark Media
  • Biomedia
Websiteeugenethacker.com

Eugene Thacker is an American author. He is a professor of media studies atParsons School of Design in New York City.[1] His writing is associated with the philosophies ofnihilism andpessimism. He is known for his booksIn the Dust of This Planet andInfinite Resignation.

Life and education

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Thacker was born and grew up in thePacific Northwest.[2] He received aBachelor of Arts degree fromUniversity of Washington, and aMaster of Arts andDoctor of Philosophy in comparative literature fromRutgers University.[3] Prior to teaching at The New School, he was a professor atGeorgia Institute of Technology in the school of literature, media, and communication.[4]

Works

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Nihilism, pessimism, and speculative realism

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Thacker's work has been associated withphilosophical nihilism,pessimism, and tocontemporary philosophies ofspeculative realism andcollapsology.[5] His short bookCosmic Pessimism defines pessimism as "the philosophical form of disenchantment": "Pessimism is the night-side of thought, a melodrama of the futility of the brain, a poetry written in the graveyard of philosophy."[6]

Thacker's bookInfinite Resignation was published byRepeater Books. The book combines several genres of writing, and consists of fragments, aphorisms, and poetic prose that mixes the personal and philosophical. Thacker engages with writers likeThomas Bernhard,E.M. Cioran,Osamu Dazai,Søren Kierkegaard,Clarice Lispector,Giacomo Leopardi,Fernando Pessoa, andSchopenhauer.The New York Times notes: "Thacker has thrown a party for all of these eloquent cranks inInfinite Resignation, and he is an excellent host...This book provides a metric ton of misery and a lot of company."[7]

Thacker'sAfter Life is a book of philosophy published by the University of Chicago Press. In it, Thacker argues that philosophies of life operates by way of a split between "Life" and "the living," resulting in a "metaphysical displacement" in which life is thought via another metaphysical term, such as time, form, or spirit: "Every ontology of life thinks of life in terms of something-other-than-life...that something-other-than-life is most often a metaphysical concept, such as time and temporality, form and causality, or spirit and immanence"[8] Thacker traces this theme inAristotle,Dionysius the Areopagite,John Scottus Eriugena,negative theology,Immanuel Kant, andGeorges Bataille.[9]After Life also includes comparisons with Islamic, Japanese, and Chinese philosophy.

Thacker's follow-up essay "Darklife: Negation, Nothingness, and the Will-to-Life in Schopenhauer" discusses the ontology of life in terms of negation,eliminativism, and "the inverse relationship between logic and life."[10] Thacker argues that Schopenhauer's philosophy posits a "dark life" in opposition to the "ontology of generosity" ofGerman Idealist thinkers such as Hegel and Schelling. Thacker has also written in a similar vein on the role of negation and "nothingness" in the work of mystical philosopher Meister Eckhart.[11] Ultimately Thacker argues for a skepticism regarding "life": "Life is not only a problemof philosophy, but a problemfor philosophy.[12]

Horror and philosophy

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Thacker's most widely read book isIn the Dust of This Planet, part of theHorror of Philosophy trilogy.[13] In it, Thacker explores the idea of the "unthinkable world" as represented in the horror genre, in philosophies of pessimism and nihilism, and in "darkness" mysticism. Thacker calls the horror of philosophy "the isolation of those moments in which philosophy reveals its own limitations and constraints, moments in which thinking enigmatically confronts the horizon of its own possibility."[14] Thacker distinguishes the "world-for-us" (a human-centric view of the world), and the "world-in-itself" (the world as it exists), from what he calls the "world-without-us": "the world-without-us lies somewhere in between, in a nebulous zone that is at once impersonal and horrific."[15] In this and the other volumes of the trilogy Thacker writes about a wide range of work:H.P. Lovecraft,Algernon Blackwood,Edgar Allan Poe,Dante's Inferno,Les Chants de Maldoror byComte de Lautréamont, theFaust myth, manga artistJunji Ito, contemporary horror authorsThomas Ligotti andCaitlín Kiernan,K-horror film, and the philosophy of Arthur Schopenhauer,Rudolph Otto, Medievalmysticism (Meister Eckhart,Angela of Foligno,John of the Cross),occult philosophy, and the philosophy of theKyoto School.

These ideas extend to what Thacker callsdark media, or technologies that mediate between the natural and supernatural, and point to the limit of human perception and knowledge.[16] Thacker has written a series of essays on "necrology", the decay or disintegration of the body politic. Thacker writes aboutplague,demonic possession, and theliving dead, drawing upon the history of medicine, biopolitics, political theology, and the horror genre.[17]

Philosophy, science, and technology

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Thacker's earlier works adopt approaches from thephilosophies of science,technology, and the study of the relation between science and science fiction. Many of his media contributions are developments ofScience and Technology Studies. Examples are his bookBiomedia,[18] and his writings onbioinformatics,nanotechnology,biocomputing,complex adaptive systems,swarm intelligence, andnetwork theory.[19] Thacker definesbiomedia as follows: "Biomedia entail the informatic recontextualization of biological components and processes, for ends that may be medical or nonmedical...biomedia continuously make the dual demand that information materialize itself...biomedia depend upon an understanding of biological as informational but not immaterial."[20]

Thacker, along withAlexander Galloway andMcKenzie Wark, published the co-authored bookExcommunication: Three Inquiries in Media and Mediation. In it the authors ask: "Does everything that exists, exist to be presented and represented, to be mediated and remediated, to be communicated and translated? There are mediative situations in which heresy, exile, or banishment carry the day, not repetition, communion, or integration. There are certain kinds of messages that state 'there will be no more messages'. Hence for every communication there is a correlative excommunication."[21] This approach has been called the "New York School of Media Theory."[22]

Other writings

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Thacker has written ananti-novel titledAn Ideal for Living, of which American poet and conceptual writerKenneth Goldsmith has said: "this an important book...these pages take cues from Burroughs and Gibson, while at the same time presciently pointing to the web-based path writing would take over the next decade."[23] In the 1990s, Thacker, along withRonald Sukenick andMark Amerika, founded Alt-X Press, for which he edited the anthology of experimental writingHard_Code. Thacker is part of the editorial board of underground publisher Schism Press.[24]

Thacker is a contributor toThe Japan Times Books section, where he has written about the work of Junji Ito,Osamu Dazai,Haruo Sato,Keiji Nishitani,Izumi Kyōka,Edogawa Rampo, and Zen death poetry. He wrote a column for London-basedMute Magazine called "Occultural Studies," on topics as the Surrealist poetRobert Desnos, Schopenhauer's philosophy, the horror writing of Thomas Ligotti, and the music ofAnd Also The Trees. He has written the Forewords to the English editions of the works ofE. M. Cioran, published by Arcade Press. he has contributed to limited edition books produced by Fiddleblack Press, Infinity Land Press, Locus+, Mount Abraxis, [NAME], Schism, and Zagava Press.

Other activities

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Thacker also collaborated with artists and musicians. These include the art collective Fakeshop, which presented work atArs Electronica,[25]ACM SIGGRAPH,[26] and theWhitney Biennial.[27] He has also collaborated with Biotech Hobbyist, and co-authored the art bookCreative Biotechnology: A User's Manual.[28] Thacker as collaborated with Japanese noise musicianMerzbow/Masami Akita,[29] and with Iranian composer Siavash Amini.[30]

Influence

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In an interview with theWall Street Journal,Nic Pizzolatto, creator and writer ofTrue Detective, cites Thacker'sIn the Dust of This Planet as an influence on the TV series, particularly the worldview of lead characterRust Cohle, along with several other books:Ray Brassier'sNihil Unbound,Thomas Ligotti'sThe Conspiracy Against the Human Race, Jim Crawford'sConfessions of an Antinatalist, andDavid Benatar'sBetter Never to Have Been.[31]

In September 2014 theWNYC'sRadiolab ran a show entitled "In the Dust of This Planet." The program traced the appropriation of Thacker's book of the same name in contemporary art, fashion, music video, and popular culture.[32] Both Thacker's book and the Radiolab podcast were covered byGlenn Beck on TheBlazeTV.[33] Thacker has commented on 'nihilism memes' in an interview: "Is it any accident that at a time when we have become acutely aware of the challenges concerning global climate change, we have also created this bubble of social media? I find social media and media culture generally to be a vapid, desperate, self-aggrandizing circus of species-specific solipsism — ironically, the stupidity of our species might be its only legacy."[34]

Comic book authorWarren Ellis cites as an influence the nihilist philosophies of Thacker and Peter Sjöstedt-H for his 2017 seriesKarnak: The Flaw in All Things, a re-imagining of the original MarvelInhumans characterKarnak.[35]

The writing of Thacker and Thomas Ligotti is cited as an influence on the 2021 albumThe Nightmare of Being by the Gothenburg melodic death metal bandAt the Gates.[36]

Thacker's writing is cited as an influence onPolia & Blastema, an experimental film and opera written and directed byE. Elias Merhige.[37]

Eugene Thacker is one of the main characters of the animation filmTetragrammaton;[38] the last chapter is devoted to his philosophy.

Bibliography

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References

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  1. ^"Parsons School of Design". Retrieved2025-10-25.
  2. ^"About".Eugene Thacker. Retrieved2022-09-17.
  3. ^"Eugene Thacker | Parsons School of Design".www.newschool.edu.
  4. ^"ResearchGate". Retrieved2025-10-25.
  5. ^The Age of Catastrophe, Books.fr/Cairn.info (October 2020) and the journalCollapse (Urbanomic Publications).
  6. ^Cosmic Pessimism (Univocal Publishing, 2014), p.3.
  7. ^"Finding Alarm and Consolation About the Apocalypse".New York Times. 2018-08-01.
  8. ^Thacker,After Life (University of Chicago Press, 2010), p. x.
  9. ^See the essayAfter Life: De anima and Unhuman PoliticsRadical Philosophy vol. 155 (2009).
  10. ^"Darklife: Negation, Nothingness, and the Will-to-Life in Schopenhauer,"Parrhesia no. 12 (2011), p. 3.
  11. ^"Wayless Abyss: Mysticism, Mediation, & Divine Nothingness",Postmedieval #3 (2012).
  12. ^Thacker,After Life, p. x.
  13. ^In The Dust Of This Planet has been translated into several languages, including Spanish (Materia Oscura, 2015), Italian (Nero Editions 2018), Russian (Hyle Press, 2017), and German (Mathes & Seitz, 2019).
  14. ^In The Dust Of This Planet, p. 2.
  15. ^In The Dust Of This Planet, p. 6.
  16. ^Excommunication: Three Inquiries in Media and Mediation, co-authored with Alexander Galloway and McKenzie Wark (University of Chicago Press, 2013), pp. 77–149.
  17. ^See also “Nekros; or, the Poetics of Biopolitics” inZombie Theory: A Reader (University of Minnesota Press, 2017).
  18. ^See the entry "Biomedia" inCritical Terms for Media Studies, eds. W.J.T. Mitchell & Mark Hansen (University of Chicago Press, 2010).
  19. ^"Networks, Swarms, Multitudes" Part 1,Part 2,CTheory (2004),"Biophilosophy for the 21st Century",CTheory (2005).
  20. ^Thacker, "Biomedia", inCritical Terms for Media Studies, p. 123.
  21. ^Excommunication: Three Inquiries in Media and Mediation, p. 10.
  22. ^Geert Lovnik,"Hermes on the Hudson: Notes on Media Theory after Snowden", e-flux #54 (2014).
  23. ^From the back cover blurb, published by Schism Press.
  24. ^"Schism - About".
  25. ^Ars Electronica '99Archived 2017-11-16 at theWayback Machine festival.
  26. ^"Fakeshop: LifeScience – Fakeshop".ACM SIGGRAPH HISTORY ARCHIVES.
  27. ^"Whitney Artport: Fakeshop".artport.whitney.org.
  28. ^Biotech Hobbyist edition, Locus+
  29. ^Merzbox (XLTD-003).
  30. ^"SIAVASH AMINI & EUGENE THACKER - Songs for Sad Poets, by Siavash Amini & Eugene Thacker".Hallow Ground.
  31. ^Calia, Michael (February 2, 2014)."Writer Nic Pizzolatto on Thomas Ligotti and the Weird Secrets of 'True Detective'".Wall Street Journal – via www.wsj.com.
  32. ^"Radiolab - In The Dust Of This Planet", original broadcast Monday September 8, 2014. The story was also covered by NPR'sOn The Media.
  33. ^"In the Dust of This Planet book discussed by Glenn Beck on The Blaze TV".YouTube. 2014-10-31.
  34. ^"There's always death to look forward to: Nihilist Arby's and the cheerful nihilism of the Internet", The Awl, August 2, 2017.
  35. ^"The Flaw in Everything: Warren Ellis’ Karnak the Shatterer""
  36. ^"At the Gates: The Nightmare Of Being". Pitchfork.com. 8 July 2021. Retrieved14 August 2021.
  37. ^"Opera on Film: Sibyl + Polia & Blastema - Sibyl + Polia & Blastema".
  38. ^Klim Kozinskiy (2019-08-20).TETRAGRAMMATON (ТЕТРАГРАММАТОН) Official (rus sub). Retrieved2024-06-05 – via YouTube.
  39. ^"SIAVASH AMINI & EUGENE THACKER - Songs for Sad Poets, by Siavash Amini & Eugene Thacker".Hallow Ground. Retrieved2022-12-09.

External links

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