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Eugénie de Montijo

From Wikipedia, the free encyclopedia
Empress of the French from 1853 to 1870
"Empress Eugenie" redirects here. For other uses, seeEmpress Eugenie (disambiguation).
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This article'slead sectionmay be too short to adequatelysummarize the key points. Please consider expanding the lead toprovide an accessible overview of all important aspects of the article.(August 2019)
Eugénie de Montijo
19thCountess of Teba
16thMarquise of Ardales
The Empress in 1862
Empress consort of the French
Tenure30 January 1853 – 4 September 1870
Born(1826-05-05)5 May 1826
Granada, Spain
Died11 July 1920(1920-07-11) (aged 94)
Madrid, Spain
Burial
Spouse
IssueLouis-Napoléon, Prince Imperial
Names
María Eugenia Ignacia Agustina de Palafox y Kirkpatrick
HouseBonaparte (by marriage)
FatherCipriano de Palafox y Portocarrero, 8thCount of Montijo
MotherMaría Manuela Enriqueta Kirkpatrick de Closeburn y Grivegnée
ReligionCatholicism
SignatureEugénie de Montijo's signature

Eugénie de Montijo (French:[øʒenimɔ̃tiʁo]; bornMaría Eugenia Ignacia Agustina de Palafox y Kirkpatrick; 5 May 1826 – 11 July 1920) wasEmpress of the French from her marriage toNapoleon III on 30 January 1853 until he was overthrown on 4 September 1870. From 28 July to 4 September 1870, she was thede facto head of state of France.

Born to prominent Spanish nobility, Eugénie was educated in France, Spain, and England.[1][2] As Empress, she used her influence to champion "authoritarian and clerical policies"; her involvement in politics earned her much criticism from contemporaries.[3][4] Napoléon and Eugénie had one child together,Louis-Napoléon, Prince Imperial (1856–1879). After the fall of the Empire, the three lived in exile in England; Eugénie outlived both her husband and son and spent the remainder of her life working to commemorate their memories and the memory of theSecond French Empire.[5]

Youth

[edit]
Empress Eugénie asMarie Antoinette (byFranz Xaver Winterhalter, 1854)

María Eugenia Ignacia Agustina was born on 5 May 1826 inGranada, Spain. She was the youngest child and daughter of DonCipriano de Palafox y Portocarrero, three timesGrandee of Spain, whose titles included 13thDuke of Peñaranda de Duero, 9thCount of Montijo, 15thCount of Teba, 8th Count of Ablitas, 8th Count of Fuentidueña, 14thMarquis of Ardales, 17thMarquis of Moya and 13th Marquis of la Algaba,[6] andMaría Manuela Enriqueta Kirkpatrick de Closeburn y Grivegnée. María de Grivegnée was the daughter of the Scots-born William Kirkpatrick of Closeburn (1764–1837), who became United Statesconsul toMálaga, and later was a wholesale wine merchant, and his wife, Marie Françoise de Grivegnée (born 1769), daughter ofLiège-born Henri, Baron de Grivegnée and Spanish wife, Doña Francisca Antonia de Gallegos y Delgado (1751–1853).[7] In later life, the Empress told Lady Helena Gleichen that "she was born in the middle of an earthquake andher mother was carried out of the house and laid under a tree, her family ever after used to mock at her saying, 'The mountain was in travail and it brought forth a mouse.'"[8]

Eugenia's elder sister,María Francisca de Sales de Palafox Portocarrero y Kirkpatrick, nicknamed "Paca", who inherited most of the family honours and was 14th Duchess of Peñaranda, Grandee of Spain and 9th Countess of Montijo, a title later ceded to Eugenia, married the15th Duke of Alba in 1849. Until her marriage in 1853, Eugenia variously used the titles Countess of Teba or Countess of Montijo. However, some family titles were inherited by her elder sister, through which they passed to theHouse of Alba. After the death of her father, Eugenia became the 9th Countess of Teba and is named as such in theAlmanach de Gotha (1901 edition). After Eugenia's demise, all titles of the Montijo family came to theFitz-Jameses (the Dukes of Alba andBerwick).

On 18 July 1834, María Manuela and her daughters left Madrid for Paris, fleeing acholera outbreak and the dangers of theFirst Carlist War. The previous day, Eugenia had witnessed a riot and murder in the square outside their residence, Casa Ariza.[9]

Eugénie de Montijo, as she became known in France, was formally educated mostly in Paris, beginning at the fashionable, traditionalistConvent of the Sacré Cœur from 1835 to 1836.[citation needed] A more compatible school was the progressive Gymnase Normal, Civil et Orthosomatique,[citation needed] from 1836 to 1837, which appealed to her athletic side (a school report praised her strong liking for athletic exercise, and although an indifferent student, that her character was "good, generous, active and firm").[10] In 1837, Eugénie and Paca briefly attended a boarding school for girls onRoyal York Crescent inClifton, Bristol,[11] to learn English. Eugénie was teased as "Carrots" for her red hair and tried to run away to India, making it as far as climbing on board a ship at Bristol docks. In August 1837, they returned to school in Paris.[12] However, much of the girls' education took place at home, under the tutelage of English governesses Miss Cole and Miss Flowers,[13] and family friends such asProsper Mérimée[14] andHenri Beyle.[15]

In March 1839, on the death of their father in Madrid, the girls left Paris to rejoin their mother there.[16] In Spain, Eugénie grew up into a headstrong and physically daring young woman, devoted to horseriding and a range of other sports.[17] She was rescued from drowning and twice attempted suicide after romantic disappointments.[18] She was very interested in politics and became devoted to theBonapartist cause, under the influence of Eleanore Gordon, a former mistress ofLouis Napoléon.[17] Due to her mother's role as a lavish society hostess, Eugénie became acquainted with QueenIsabella II of Spain and the prime ministerRamón Narváez. María Manuela was increasingly anxious to find a husband for her daughter and took her on trips to Paris again in 1849 and England in 1851.[19]

Marriage

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Portrait byFranz Xaver Winterhalter, 1853

She first met Prince Louis Napoléon after he had become president of theSecond Republic with her mother at a reception given by the "prince-president" at theÉlysée Palace on 12 April 1849.[20] "What is the road to your heart?" Napoleon demanded to know. "Through the chapel, Sire", she answered.[21]

In a speech on 22 January 1853, Napoleon III, after becoming emperor, formally announced his engagement, saying, "I have preferred a woman whom I love and respect to a woman unknown to me, with whom an alliance would have had advantages mixed with sacrifices".[22] They were wed on 29 January 1853 in a civil ceremony at theTuileries, and on the 30th, there was a grander religious ceremony atNotre Dame.[23]

EmperorNapoleon III and Empress Eugénie with their son
Empress Eugénie of the French, 1858

The marriage had come after considerable activity concerning who would make a suitable match, often toward titled royals and with an eye to foreign policy. The final choice was opposed in many quarters. Eugénie was considered of too little social standing by some.[24][25] In the United Kingdom,The Times made light of the latter concern, emphasizing that theparvenu Bonapartes were marrying intoGrandees and one of the most important established houses in thepeerage of Spain: "We learn with some amusement that this romantic event in the annals of the French Empire has called forth the strongest opposition and provoked the utmost irritation. The Imperial family, the Council of Ministers, and even the lower coteries of the palace or its purlieus, all affect to regard this marriage as an amazing humiliation..."[citation needed]

Eugénie found childbearing extraordinarily difficult. An initial miscarriage in 1853, after a three-month pregnancy, frightened and soured her.[26] On 16 March 1856, after a two-day labor that endangered both mother and child, and from which Eugénie made a prolonged recovery, the empress gave birth to an only son,Napoléon Eugène Louis Jean Joseph Bonaparte, styledPrince Impérial.[27][28]

After marriage, it did not take long for her husband to stray as Eugénie found sex with him "disgusting".[29][page needed] It is doubtful that she allowed further approaches by her husband once she had given him an heir.[21] He subsequently resumed his "petites distractions" with other women.

Empress

[edit]

Public life

[edit]
Eugénie de Montijo – the last empress of the French – in a photograph byGustave Le Gray,c. 1856

Eugénie faithfully performed the duties of an empress, entertaining guests and accompanying the emperor to balls, opera, and theater. After her marriage, her ladies-in-waiting consisted of six (later twelve)dames du palais, most of whom were chosen from among the acquaintances to the empress before her marriage, headed by theGrand-MaitresseAnne Debelle, Princesse d'Essling, and thedame d'honneur,Pauline de Bassano.[30] In 1855Franz Xaver Winterhalter paintedThe Empress Eugénie Surrounded by her Ladies in Waiting, where it depicted Eugénie, sitting beside theGrand-Maitresse in a countryside setting, with eight of her ladies-in-waiting.[31]

She traveled to Egypt for the official opening of theSuez Canal and represented her husband whenever he traveled outside France. In 1860, she visited Algiers with Napoleon.[32] She strongly advocated equality for women; she pressured theMinistry of National Education to give the first baccalaureate diploma to a woman and tried unsuccessfully to induce theAcadémie Française to elect the writerGeorge Sand as its first female member.[33]

Her husband often consulted her on important questions.[citation needed] She acted as regent during his absences in 1859, 1865 and 1870, as he often accompanied his soldiers on the battlefield to motivate them during the wars. In the 1860s, she often attended meetings of the Council of Ministers, even leading the meetings for a brief space of time in 1866 when her husband was away from Paris.[4] A Catholic and a conservative, her influence countered any liberal tendencies in the emperor's policies.[citation needed] Her strong preference was forhereditary monarchy and she made repeated displays of support for members of European royalty who were in crisis, like supporting a restoration of the Bourbons in Spain or trying to help the deposed monarchs ofParma and theKingdom of the Two Sicilies. According toNancy Nichols Barker, "her ideas on the principles of government were ill formed and included a jumble ofBonapartism andLegitimism, whose incompatibility she seemed not to even recognize."[34]

She was a staunch defender of papal temporal powers in Italy and ofultramontanism. Because of this she ardently tried to dissuade her husband from recognizing the newKingdom of Italy, which was formed afterSardinia's 1861 annexation of the Bourbon-ruled Kingdom of the Two Sicilies and all of the pope's territory outside Rome. She also supported keeping a French garrison in Rome to protect the papacy's continued hold on the city. Her opposition to Italian unification earned her the enmity ofVictor Emmanuel II of Italy, who stated that "the emperor is weakening visibly and the empress is our enemy and works with the priests. If I had her in my hands I would teach her well what women are good for and with what she should meddle."[35] She also clashed with the French foreign ministerÉdouard Thouvenel over the question of the French garrison in Rome. Much to Eugénie's chagrin, Thouvenel negotiated an agreement to wind down the French military presence in exchange for a guarantee of papal sovereignty from the new Italian kingdom. TheDuke of Persigny blamed her influence when Thouvenel was dismissed by the emperor, declaring to Louis-Napoléon that, "You allow yourself to be ruled by your wife just as I do. But I only compromise my future...whereas you sacrifice your own interests and those of your son and the country at large."[36]

She was blamed for the fiasco of theFrench intervention in Mexico and the eventual death of EmperorMaximilian I of Mexico.[37] However, the assertion of her clericalism and influence on the side of conservatism is often countered by other authors.[38][page needed][39][page needed]

In 1868, Empress Eugénie visited theDolmabahçe Palace inConstantinople, the home toPertevniyal Sultan, mother ofAbdulaziz, 32nd sultan of theOttoman Empire. Pertevniyal became outraged by the forwardness of Eugénie taking the arm of one of her sons while he gave a tour of the palace garden, and she slapped the empress on the stomach as a reminder that they were not in France.[40] According to another account, Pertevniyal perceived the presence of a foreign woman within her quarters of theseraglio as an insult. She reportedly slapped Eugénie across the face, almost resulting in an international incident.[41]

Role in the arts

[edit]

The Empress possessed one of the most important jewellery collections of her time; Catherine Granger recalls that her purchases were estimated at the enormous sum of 3,600,000 francs, a sum to be compared with the 200,000 francs devoted to the purchase of works of art for her personal collection. The American jewellerCharles Tiffany, who had already acquired the French crown jewels, bought most of the former Empress's jewels from the government and sold them to the ladies of American high society.[42]

Eugénie de Montijo in Granada

The empress was "perhaps the last Royal personage to have a direct and immediate influence on fashion".[43] She set the standard for contemporary fashion at a time when the luxury industries of Paris were flourishing.[44] Gowns, colors, and hairstyles"à l'impératrice" were avidly copied from the empress throughout Europe and America. She was famous for her largecrinolines and for rotating her outfits throughout the day, with a different dress for the morning, afternoon, evening, and night.[45][43] The British satirical magazinePunch christened her variously as the "Queen of Fashion", "Imperatrice de la Mode", "Countess of Crinoline", and "Goddess of theBustles".[46] She never wore the same gown twice, and in this way commissioned and acquired an enormous wardrobe, which she disposed of in annual sales to benefit charity. Her favored couturier,Charles Frederick Worth, provided hundreds of gowns to her over the years and was appointed the official dressmaker to the court in 1869.[47][48] In the late 1860s, she caused a shift in fashion by turning against the crinoline and adopting Worth's "new" slimmer silhouettes with the skirt gathered in the back over a bustle.[47][44]

Eugénie's influence on contemporary taste extended into the decorative arts. She was a great admirer of QueenMarie Antoinette and decorated her interiors in revivals of theLouis XV andLouis XVI styles. A general vogue arose for 18th century French design, becoming known as"Style Louis XVI Impératrice".[49][50] According to Nancy Nichols Barker, her admiration for Marie Antoinette "was nearly an obsession. She collected her portraits and trinkets, lived in her suite atSaint-Cloud, had constructed a small model of thePetit Trianon in the park, and frequently engagedHübner in lugubrious conversation about the fate of the martyred queen."[51]

In 1863, the Empress established a museum of Asian art called themusée Chinois (Chinese Museum) at thePalace of Fontainebleau.[52] She carefully curated the displays of her museum, constituting diplomatic gifts given to her by an embassy fromSiam in 1860, as well as loot taken from theOld Summer Palace outsideBeijing by French troops during theSecond Opium War. GeneralCharles Cousin-Montauban had sent crates of this loot to Eugénie as a gift, with the first shipment arriving in February 1861.[53] The collection numbers some 800 objects, with 300 coming from the sack of the Summer Palace.[52]

Biarritz

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In 1854, Emperor Napoleon III and Eugénie bought several acres of dunes in Biarritz and gave the engineer Dagueret the task of establishing a summer home surrounded by gardens, woods, meadows, a pond and outbuildings.[54] Napoleon III chose the location near Spain so his wife would not get homesick for her native country.[55] The house was called the Villa Eugénie, today theHôtel du Palais.[56] The presence of the imperial couple attracted other European royalty like the British monarchsQueen Victoria and the Spanish kingAlfonso XIII and made Biarritz well-known.

Role in Franco-Prussian War

[edit]
Empress Eugénie holding a small parasol, mid-1870s

The Empress held anti-Prussian views and disliked theNorth German chancellor,Otto von Bismarck, for what she perceived as his "meddling" in Spanish affairs.[57] She believed that France's status as a great power was under threat, and that a victory against Prussia would secure her son's future rule.[57][58][59]Maxime du Camp claimed that, after thePrussian victory over Austria in 1866, the Empress would often state that "Catholic France could not support the neighborhood of a great Protestant power."[59] In 1870, when thediplomatic crisis which would lead to theFranco-Prussian War erupted over Prussia'sHohenzollern candidate for the Spanish throne, Eugénie was key in pushing her husband toward supporting what she called "my war" ("C'est ma guerre").[57][59] In one instance she pointed to the couple's son in front of her husband and declared "this child will never reign unless we repair the misfortunes ofSadowa".[58]Adolphe Thiers included her, the foreign secretary theDuc de Gramont,Émile Ollivier, and the military in the pro-war camp behind the Emperor, who was himself indecisive.[57]

After the outbreak of the Franco-Prussian War, Eugénie remained in Paris as Regent while Napoleon III and the Prince Imperial travelled to join the troops at the German front. When the news of several French defeats reached Paris on 7 August, it was greeted with disbelief and dismay. Prime MinisterÉmile Ollivier and the chief of staff of the army, MarshalLe Bœuf, both resigned, and Eugenie took it upon herself to name a new government. She chose GeneralCousin-Montauban, better known as the count of Palikao, 74 years old, as her new prime minister. The count of Palikao named MaréchalFrancois Achille Bazaine, the commander of the French forces in Lorraine, as the new overall military commander. Napoleon III proposed returning to Paris, realizing that he was doing no good for the army. The empress responded by telegraph: "Don't think of coming back unless you want to unleash a terrible revolution. They will say you quit the army to flee the danger." The emperor agreed to remain with the army but sent his son back to the capital.[60] With the empress directing the country and Bazaine commanding the army, the emperor no longer had any real role to play. At the front, the emperor told Marshal Le Bœuf, "we've both been dismissed."[61]

The army was ultimately defeated, and Napoleon III gave himself up to the Prussians at theBattle of Sedan. The news of the capitulation reached Paris on 3 September. When the empress received word that the emperor and the army were prisoners, she reacted by shouting at the Emperor's personal aide, "No! An emperor does not capitulate! He is dead!...They are trying to hide it from me. Why didn't he kill himself! Doesn't he know he has dishonored himself?!".[62] Later, when hostile crowds formed near the Tuileries Palace and the staff began to flee, the empress slipped out with one of her entourage and sought sanctuary with her American dentist,Thomas W. Evans, who took her to Deauville. From there, on 7 September, she took the yacht of a British official to England. In the meantime, on 4 September, a group of republican deputies proclaimed the return of theRepublic, and the creation of aGovernment of National Defense.[63]

From 5 September 1870 until 19 March 1871, Napoleon III and his entourage, including Joseph Bonaparte's grandson Louis Joseph Benton, were held in comfortable captivity in a castle atWilhelmshöhe, nearKassel. Eugénie traveled incognito to Germany to visit Napoleon.[64]

After the Franco-Prussian War

[edit]
Empress Eugénie in mourning for herson, 1880

When the Second Empire was overthrown after France's defeat in the Franco-Prussian War, the empress and her husband took permanent refuge in England and settled atCamden Place inChislehurst,Kent. Her husband, Napoleon III, died in 1873, and her son died in 1879 while fighting in theZulu War in South Africa, with Eugénie visitinghis death site on the first anniversary. Before her son's death and after she was widowed, she attempted to join Bonapartists and Legitimists in political alliance against theFrench Third Republic by making overtures to theCount of Chambord (the Legitimist claimant to the throne of France) and proposing that he adopt her son. The idea was rejected by the Count of Chambord.[65] In 1885, she moved toFarnborough Hill inFarnborough, Hampshire,[66] and to theVilla Cyrnos (named after the ancient Greek for Corsica), which was built for her atCape Martin, between Menton and Nice, where she lived in retirement.[67]

After the deaths of her husband and son, as her health started to deteriorate, she spent some time atOsborne House on theIsle of Wight; her physician recommended she visitBournemouth which was, in Victorian times, famed as a health spa resort. During an afternoon visit in 1881, she called onthe queen of Sweden, at her residence 'Crag Head'.[68] Her health recovered sufficiently to allow her to travel internationally; she is recorded to have visited theTomb of Yuya and Thuya (KV46) in theValley of the Kings during its clearance in the spring of 1905, during which visit she sat on a chair that unbeknownst to her was the 3,000-year-oldThrone of Princess Sitamun.[69][70]

Her deposed family's friendly association with the United Kingdom was commemorated in 1887 when she became the godmother ofVictoria Eugenie of Battenberg (1887–1969), daughter ofPrincess Beatrice, who later became queen consort ofAlfonso XIII of Spain. She was also close to Empress consortAlexandra Feodorovna of Russia, who last visited her, along with EmperorNicholas II, in 1909.[citation needed]

On the outbreak ofWorld War I, she donated her steam yachtThistle to theBritish Navy. She funded a military hospital at Farnborough Hill as well as made large donations to French hospitals, for which she was appointedDame Grand Cross of the Order of the British Empire (GBE) in 1919.[71]

Empress Eugénie in 1920

Death, burial and aftermath

[edit]
Empress Eugénie's tomb atSt Michael's Abbey, Farnborough, England

The former empress died on 11 July 1920, aged 94, during a visit to her relativethe 17th Duke of Alba, at theLiria Palace in Madrid in her native Spain, and she is interred in the Imperial Crypt atSt Michael's Abbey, Farnborough, with her husband and her son. The British KingGeorge V attended her requiem.[72]

After World War I, Eugenie lived long enough to see the collapse of other European monarchies, such as those of Russia, Germany andAustria-Hungary. She left her possessions to various relatives: her Spanish estates went to the grandsons of her sister Paca; the house in Farnborough with all collections to the heir of her son, PrinceVictor Bonaparte; Villa Cyrnos to his sisterPrincess Laetitia of Aosta. Liquid assets were divided into three parts and given to the above relatives except for the sum of 100,000 francs bequeathed to the Committee for Rebuilding theCathedral of Reims.[citation needed]

Legacy

[edit]
Monogram of "N" for Napoleon III on the façade of theOpéra Garnier in Paris. The "E" is for the empress Eugénie.

The empress has been commemorated in space; the asteroid45 Eugenia was named after her,[73] and its moonPetit-Prince after the prince imperial.[74]

She had an extensive and unique jewelry collection,[75] most of which later was owned by the Brazilian socialiteAimée de Heeren.[76][citation needed] De Heeren collected jewelry and was fond of the empress as both were considered to be the "Queens of Biarritz"; both spent summers on the Côte Basque. Impressed by the elegance, style and design of the jewelry of the neo-classical era, in 1858, she had a boutique in the Royal Palace under the name Royale Collections.[citation needed]

She was honoured byJohn Gould who gave thewhite-headed fruit dove the scientific namePtilinopus eugeniae.

In popular culture

[edit]

George W. M. Reynolds'spenny dreadfulThe Empress Eugenie's Boudoir tells of the goings-on in the French court during the days of the Second Empire and features the titular empress as one of its lead characters.

Named for the empress, theEugénie hat is a style of women's chapeau worn dramatically tilted and drooped over one eye; its brim is folded up sharply at both sides in the style of a riding topper, often with one long ostrich plume streaming behind it.[77] The hat was popularized by film starGreta Garbo and enjoyed a vogue in the early 1930s, becoming "hysterically popular".[78] More representative of the empress' actual apparel, however, was the late 19th-century fashion of theEugéniepaletot, a women's greatcoat with bell sleeves and a single button enclosure at the neck.[79]

Honours

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Film portrayals

[edit]

Arms

[edit]
  • Heraldry of Empress Eugénie
  • Coat of arms as empress of the French (1853–1870)
    Coat of arms as empress of the French
    (1853–1870)
  • Coat of arms as dame of the Order of Queen María Luisa (1853–1920)
    Coat of arms as dame of theOrder of Queen María Luisa
    (1853–1920)

See also

[edit]

Citations

[edit]
  1. ^McQueen, 2011; p. 2
  2. ^Vizetelly, 1908; p. 62-63
  3. ^Roger Price (2001).The French Second Empire: An Anatomy of Political Power. Cambridge University Press. pp. 47–48.
  4. ^abMcQueen 2011, p. 3.
  5. ^McQueen, 2011; p. 2-4
  6. ^"Cipriano Palafox y Portocarrero, 8. conde de Montijo".Geneall (in Spanish). Retrieved3 June 2017.
  7. ^Vizetelly, Ernest Alfred (1908).Court Life of the Second French Empire, 1852-1870: Its Organization, Chief Personages, Splendour, Frivolity, and Downfall. C. Scribner's sons. pp. 62–63. Retrieved6 September 2020.
  8. ^Gleichen, Lady Helena.Contacts and Contrasts. Butler & Tanner Ltd. p. 72.
  9. ^Seward 2004, pp. 4–5.
  10. ^Kurtz 1964, pp. 16–18.
  11. ^Jones, Donald (1992).A History of Clifton. Chichester: Phillimore. p. 138.ISBN 0-85033-820-4.
  12. ^Seward 2004, p. 7.
  13. ^Kurtz 1964, p. 17.
  14. ^Kurtz 1964, pp. 13 et seq..
  15. ^Kurtz 1964, pp. 18 et seq..
  16. ^Seward 2004, pp. 11–12.
  17. ^abSeward 2004, pp. 17–18.
  18. ^Seward 2004, pp. 20–22.
  19. ^Seward 2004, pp. 20–26.
  20. ^Kurtz 1964, p. 29.
  21. ^abBierman, M.F.E.M (1988).Napoleon III and His Carnival Empire. St Martin's Press (New York).ISBN 0-312-01827-4.
  22. ^Kurtz 1964, p. 50.
  23. ^Kurtz 1964, pp. 55–59.
  24. ^Duff 1978, pp. 83–84.
  25. ^Kurtz 1964, pp. 45–52.
  26. ^Duff 1978, pp. 104–105.
  27. ^Duff 1978, pp. 126–129.
  28. ^Kurtz 1964, pp. 90, 94.
  29. ^Kelen, Betty (1966).Mistresses: Domestic Scandals of 19th Century Monarchs. New York: Random Hours.LCCN 65021242.OCLC 619857.OL 5948939M.
  30. ^Seward, Desmond:Eugénie. An empress and her empire.ISBN 0-7509-2979-0 (2004)
  31. ^"Fashion and Politics in Franz Xaver Winterhalter's Portrait of The Empress Eugénie surrounded by her Ladies-in-Waiting – Smarthistory".smarthistory.org. Retrieved2 February 2023.
  32. ^"Interior of Governors Palace, Algiers, Algeria".World Digital Library. 1899. Retrieved25 September 2013.
  33. ^Séguin, Philippe (1990).Louis Napoléon Le Grand (in French). Bernard Grasset. pp. 204–210.ISBN 978-2253061519.OCLC 1036680743.OL 1599191M.
  34. ^Barker, Nancy Nichols (2011).Distaff Diplomacy: The Empress Eugenie and the Foreign Policy of the Second Empire. University of Texas. pp. 9–10.
  35. ^Dolan 1994, p. 24.
  36. ^Dolan 1994, pp. 24-25.
  37. ^Maximilian and Carlota by Gene Smith,ISBN 0-245-52418-5,ISBN 978-0-245-52418-9
  38. ^Kurtz 1964.
  39. ^Filon 1920.
  40. ^Duff 1978, p. 191.
  41. ^"Women in Power" 1840–1870, entry: "1861–76 Pertevniyal Valide Sultan of The Ottoman Empire"
  42. ^"Empress Eugenie's Bow Brooch | The Court Jeweller". Archived fromthe original on 12 October 2018. Retrieved27 July 2025.
  43. ^abJames Laver (1995).Costume & Fashion. Thames & Hudson. p. 185.
  44. ^abAlexander Fury (18 September 2013)."Impress of an empress: The influence of Eugénie on luxury style is still felt today".The Independent. Retrieved14 January 2021.
  45. ^Stephane Kirkland (2013).Paris Reborn: Napoléon III, Baron Haussmann, and the Quest to Build a Modern City. St. Martin's Press. p. 58=59.
  46. ^Therese Dolan (1994). "The Empress's New Clothes: Fashion and Politics in Second Empire France".Woman's Art Journal.15 (1): 23.
  47. ^abBonnie English (2013).A Cultural History of Fashion in the 20th and 21st Centuries: From Catwalk to Sidewalk. Bloomsbury. p. 8.
  48. ^Jess Krick (2000)."Charles Frederick Worth (1825–1895) and the House of Worth". Metropolitan Museum of Art. Retrieved15 January 2021.
  49. ^Madeleine Deschamps (1989).L'Art de Vivre: Decorative Arts and Design in France 1789-1989. The Vendome Press. p. 116.
  50. ^"Cabinet ca. 1866, Alexander Roux, France". metmuseum.org. 1866. Retrieved21 January 2021.
  51. ^Barker, 2011; p. 12
  52. ^abDominique Bonnet (21 March 2015)."La Musée Chinois de l'impératrice Eugénie à Fontainebleau" (in French). Paris Match.
  53. ^McQueen, 2011; p. 228-230
  54. ^Hôtel du Palais: Merimée.
  55. ^Prince & Porter 2010, p. 678.
  56. ^"Hotel du Palais, former Villa Eugenie". Grand Hotels of the World.
  57. ^abcdWawro, 2003; p. 35
  58. ^abHorne, 1965; p. 36
  59. ^abcdu Camp, 1949; p. 280
  60. ^Milza, 2009, pg. 80–81
  61. ^Milza, 2009, p. 81
  62. ^Milza, Pierre (2006).Napoleon III. Tempus (Paris). p. 711.ISBN 978-2-262-02607-3.
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References

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  • Aubry, Octave (1939).Eugenie: Empress of the French. London: Cobden-Sanderson.
  • Du Camp, Maxime (1949).Souvenirs d'un Demi-Siècle: Au Temps de Louis-Philippe et de Napoléon III 1830–1870 (in French). Hachette.
  • Duff, David (1978).Eugenie and Napoleon III. New York: William Morrow.ISBN 0688033385.
  • Filon, Augustin (1920).Recollections of the Empress Eugénie. London: Cassell and Company, Ltd. Retrieved14 August 2013.
  • Anthony Geraghty,The Empress Eugenie in England: Art, Architecture, Collecting, London: The Burlington Press, 2022
  • Horne, Alistair (1965).The Fall of Paris: The Siege and the Commune 1870-71. New York: St. Martin's Press.
  • Kurtz, Harold (1964).The Empress Eugénie: 1826–1920. Boston: Houghton Mifflin.LCCN 64006541.
  • Leroy, Alfred (1969).The Empress Eugénie. London: Heron Books.
  • McQueen, Alison (2011).Empress Eugénie and the Arts: Politics and Visual Culture in the Nineteenth Century. Burlington: Ashgate.ISBN 9781409405856.
  • "Hôtel du Palais".Merimée. Ministry of Culture. Retrieved10 June 2013.
  • Prince, Danforth; Porter, Darwin (2010).Frommer's France 2011. John Wiley & Sons.ISBN 9780470641774.
  • Sencourt, Robert (1931).The Life of the Empress Eugénie. London: Ernest Benn.
  • Seward, Desmond (2004).Eugénie: The Empress and her Empire. Stroud: Sutton.ISBN 0-7509-29790.
  • Stoddart, Jane T. (1906).The Life of the Empress Eugénie. London: Hodder & Stoughton.
  • Tschudi, Clara (1899).Eugenie: Empress of the French. A Popular Sketch. London: Swan Sonnenschein & Co.
  • Wawro, Geoffrey (2003).The Franco-Prussian War: The German Conquest of France in 1870-1871. Cambridge University Press.ISBN 9780521584364.

Further reading

[edit]
  • Kladstrup, Petie; Resnick, Evelyne (8 July 2025).The Last Empress of France. New York: Hanover Square Press. p. 336.ISBN 9780369763419.
  • Smith, Nancy (2017).Original Scarlett O'Hara: Similarity to the French Empress Eugenie who Impacted the Lincoln White House, Mexico, the Civil War and America's Gilded Age. Columbus: Biblio Publishing.ISBN 978-1622494064.
  • Loliée, Frédéric (1908).The Life of an Empress: (Eugénie de Montijo). E. Nash. Retrieved6 November 2025.

External links

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Wikimedia Commons has media related toEugénie de Montijo.
Eugénie de Montijo
Born: 5 May 1826 Died: 11 July 1920
French royalty
Vacant
Title last held by
Maria Amalia of Naples and Sicily
as Queen of the French
Empress of the French
30 January 1853–11 January 1871
Monarchy abolished
Titles in pretence
Vacant
Title last held by
Marie Louise of Austria
— TITULAR —
Empress of the French
11 January 1871 – 9 January 1873
Reason for succession failure:
Empire replaced by Republic
Vacant
Title next held by
Clémentine of Belgium
Spanish nobility
Preceded byCountess of Teba
1839–1920
Succeeded by
Marquise of Ardales
1839–1920
Succeeded by
Royal consorts of France
Merovingians (509–751)
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House of Capet (987–1328)
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House of Bourbon (1589–1792)
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