Emperor Juntoku (順徳天皇,Juntoku-tennō) (22 October 1197 – 7 October 1242) of theJōgen (Kamakura period) was the 84themperor of Japan, according to the traditional order of succession. His reign spanned the years from 1210 through 1221, a part of Japan'sKamakura Period.[1]
12 December 1210 (Jōgen 1, 25th day of the 11th month): In the 12th year of Tsuchimikado-tennō's reign (土御門天皇十二年), the emperor abdicated; and the succession (senso) was received by his younger brother, the second son of the former-Emperor Go-Toba. Shortly thereafter, Emperor Juntoku is said to have acceded to the throne (sokui).[4]
In actuality, Emperor Go-Toba wielded effective power as acloistered emperor during the years of Juntoku's reign.
In 1221, he was forced to abdicate because of his participation in Go-Toba's unsuccessful attempt to displace theKamakura bakufu with re-asserted Imperial power. This political and military struggle was called theJōkyū War or the Jōkyū Incident (Jōkyū-no ran).
Imperial tomb of Emperor Juntoku and Emperor Go-Toba, Kyoto
After theJōkyū-no ran, Juntoku was sent into exile onSado Island (佐渡島 or 佐渡ヶ島, bothSadogashima), where he remained until his death in 1242.[5]
This emperor is known posthumously as Sado-no In (佐渡院) because his last years were spent at Sado. He was buried in a mausoleum, theMano Goryo, on Sado's west coast.[5] Juntoku's official Imperial tomb (misasagi) is in Kyoto.
Juntoku was tutored in poetry byFujiwara no Sadaie, who was also known asTeika. One of the emperor's poems was selected for inclusion in what became a well-known anthology, theOgura Hyakunin Isshu. This literary legacy in Teika's collection of poems has accorded Juntoku a continuing popular prominence beyond the scope of his other lifetime achievements. The poets and poems of the Hyakunin isshu form the basis for a card game (uta karuta) which is still widely played today.[6]
Kugyō (公卿) is a collective term for the very few most powerful men attached to the court of theEmperor of Japan in pre-Meiji eras.
In general, this elite group included only three to four men at a time. These were hereditary courtiers whose experience and background would have brought them to the pinnacle of a life's career. During juntoku's reign, this apex of theDaijō-kan included:
^Titsingh, Isaac. (1834).Annales des empereurs du Japon, pp. 230–238; Brown, Delmeret al. (1979).Gukanshō, pp. 341–343; Varley, H. Paul. (1980).Jinnō Shōtōki. pp. 221–223.
^Brown, pp. 264; n.b., up until the time ofEmperor Jomei, the personal names of the emperors (theirimina) were very long and people did not generally use them. The number of characters in each name diminished after Jomei's reign.
^Titsingh, p. 230; Brown, p. 341; Varley, p. 44; n.b., a distinct act ofsenso is unrecognized prior toEmperor Tenji; and all sovereigns exceptJitō,Yōzei,Go-Toba, andFushimi havesenso andsokui in the same year until the reign ofEmperor Go-Murakami.
^abBornoff, Nicholas. (2005).National Geographic Traveler Japan, p. 193.
^Mostow, Joshua, ed. (1996).Pictures of the Heart: The Hyakunin Isshu in Word and Image, p. 437.