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Emilio De Marchi (Italian pronunciation:[eˈmiːljodeˈmarki]; 6 January 1861 – 20 March 1917) was an Italianoperatictenor. He had a significant career during the late 19th and early 20th century, appearing at major theatres on both sides of the Atlantic. In 1900, he entered the annals of musical history as the creator of the role of Cavaradossi inGiacomo Puccini'sTosca. Today, however, he has largely been forgotten because, unlike many of his contemporaries, he did not leave a legacy of commercialgramophone orphonograph recordings.
De Marchi came from Northern Italy'sLombardy region; he was born inVoghera. His voice was discovered during his military service, and he received professional singing lessons. In 1886, he made his operatic debut in Milan, at theTeatro Dal Verme, as Alfredo inGiuseppe Verdi'sLa traviata. Over the next few years, he appeared at leading opera houses throughout Italy and Spain and was a member of a distinguished Italian operatic company which visitedBuenos Aires in 1890. There he sang Don José, Enzo, and Faust (Gounod). De Marchi returned to Buenos Aires in 1895, 1896 and 1900 and his other roles were Raoul, Alfredo, Faust (Boito), Des Grieux (Puccini), Lohengrin, Tannhäuser, Turiddu, and Samson. In Buenos Aires, he was the first Rodolfo (1896), the first Cavaradossi (1900), and sang at the premiere of Beruti´sTaras Bulba (1895).
He debuted at Italy's leading opera house,La Scala, Milan, in 1898 asStolzing in an Italian-language version ofRichard Wagner'sDie Meistersinger. He proved to be a success at La Scala and was chosen by the composer Puccini to sing the coveted role of Cavaradossi in the first performance ofTosca, which occurred atRome'sTeatro Costanzi on 14 January 1900. A rising young tenor namedEnrico Caruso, 12 years De Marchi's junior, had hoped to create Cavaradossi; but in the end, Puccini, although greatly impressed by Caruso's voice, decided to entrust the part to the more experienced singer. When Puccini heard Caruso sing the role of Cavaradossi inBologna the following November, he stated that he regretted his earlier decision.
De Marchi sang Cavaradossi again atLondon'sRoyal Opera House,Covent Garden, in 1901. Cavaradossi was also his debut role the following year at theMetropolitan Opera inNew York City. During his New York sojourn, he sang the title role in the premiere Met production of Verdi'sErnani, which was mounted in 1903. His other Met roles wereRadames,Alfredo, Manrico, Raoul,Rodolfo,Riccardo,Turiddu,Canio, Leandro (in Mancinelli´s Ero e Leandro), andDon Jose.
He returned to Italy and, in addition to a number of mainstream Italian operatic parts, he sang Max inWeber'sDer Freischütz and Licinius inSpontini'sLa Vestale during his final seasons at La Scala. He died in Milan at the age of 56.
De Marchi did not make any commercial recordings, but he can be heard clearly in a few fragments fromTosca that were recorded on theMapleson Cylinders during a live performance at the Met on 3 January 1903. He sang withsopranoEmma Eames as Tosca andbaritoneAntonio Scotti as Scarpia, withLuigi Mancinelli conducting. He is also audible in excerpts fromErnani,Aida, andCavalleria Rusticana (the latter with sopranoEmma Calvé).
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