| Ella and Louis | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | October 1956[1][2][3] | |||
| Recorded | 16 August 1956 | |||
| Studio | Capitol (Hollywood) | |||
| Genre | Jazz | |||
| Length | 54:06 | |||
| Label | Verve MGV 4003 Polygram 825 373-2 (1989) | |||
| Producer | Norman Granz | |||
| Ella Fitzgerald chronology | ||||
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| Louis Armstrong chronology | ||||
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Ella and Louis is a studioalbum byElla Fitzgerald andLouis Armstrong, accompanied by theOscar Peterson Quartet, released in October 1956.[1][2][3][4] Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together forVerve Records, later followed by 1957'sElla and Louis Again and 1959'sPorgy and Bess.
Norman Granz, the founder of the Verve label, selected eleven ballads for Fitzgerald and Armstrong, mainly played in a slow or moderate tempo. Recording began 16 August 1956, at the newCapitol Studios in Hollywood. Though Granz produced the album, Armstrong was given final say over songs and keys.[5]
The success ofElla and Louis was replicated byElla and Louis Again andPorgy and Bess. All three were released asThe Complete Ella Fitzgerald & Louis Armstrong on Verve. Verve also released the album as one of the first ones inSACD.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [6] |
| The Encyclopedia of Popular Music | [8] |
| The Penguin Guide to Jazz Recordings | [9] |
| The Rolling Stone Jazz Record Guide |  [7] |
AllMusic'sScott Yanow wrote, "Ella Fitzgerald andLouis Armstrong make for a charming team on this CD… This is primarily a vocal set with the emphasis on tasteful renditions of ballads."[6] Jasen and Jones called the set a "pinnacle of popular singing".[10]The Penguin Guide to Jazz, compiled by Richard Cook and Brian Morton, says that while the approaches of Armstrong and Fitzgerald may not have been entirely compatible, the results are "hard to resist", and awards the album three and a half stars.[9]
In 2000 it was voted number 636 inColin Larkin'sAll Time Top 1000 Albums.[11]
Björk chose the album as one of her favourites in a 1993Q feature. "I love the way Ella and Louis work together," she remarked. "They were opposites in how they sung, but were still completely functional together, and respectful of each other."
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Can't We Be Friends?" | Paul James,Kay Swift | 3:47 |
| 2. | "Isn't This a Lovely Day?" | Irving Berlin | 6:16 |
| 3. | "Moonlight in Vermont" | John Blackburn,Karl Suessdorf | 3:42 |
| 4. | "They Can't Take That Away from Me" | Ira Gershwin,George Gershwin | 4:39 |
| 5. | "Under a Blanket of Blue" | Jerry Livingston,Al J. Neiburg,Marty Symes | 4:18 |
| 6. | "Tenderly" | Walter Gross,Jack Lawrence | 5:10 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "A Foggy Day" | Ira Gershwin, George Gershwin | 4:32 |
| 2. | "Stars Fell on Alabama" | Mitchell Parish,Frank Perkins | 3:34 |
| 3. | "Cheek to Cheek" | Irving Berlin | 5:53 |
| 4. | "The Nearness of You" | Hoagy Carmichael,Ned Washington | 5:42 |
| 5. | "April in Paris" | Vernon Duke,Yip Harburg | 6:33 |
| Chart (2022) | Peak position |
|---|---|
| German Albums (Offizielle Top 100)[12] | 66 |
