Elizabeth Cotten | |
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| Birth name | Elizabeth Nevills |
| Born | (1893-01-05)January 5, 1893 Carrboro, North Carolina, U.S. |
| Died | June 29, 1987(1987-06-29) (aged 94) Syracuse, New York, U.S. |
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Elizabeth "Libba"Cotten (néeNevills; January 5, 1893 – June 29, 1987)[1][2][3] was an influential Americanfolk andblues musician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down.[4] This position meant that she would play thebass lines with her fingers and the melody with her thumb. Her signaturealternating bass style has become known as "Cotten picking".[5]NPR stated "her influence has reverberated through the generations, permeating every genre of music."[6]
Her albumFolksongs and Instrumentals with Guitar (1958), was placed into theNational Recording Registry by theLibrary of Congress, and was deemed as "culturally, historically, or aesthetically significant". The album included her signature recording "Freight Train", a song she wrote in her early teens.[7] In 1984, her live albumElizabeth Cotten Live!, won her aGrammy Award for Best Ethnic or Traditional Folk Recording, at the age of 90.[8] That same year, Cotten was recognized as aNational Heritage Fellow by theNational Endowment for the Arts.[9] In 2022, she was posthumouslyinducted into theRock and Roll Hall of Fame, as an early influence.[10]
Cotten was born in 1893[11] in or nearChapel Hill, North Carolina.[11] Although there is debate over her birth date due to the poor recording keeping of the time. Her parents were George Nevill (also spelled Nevills) and Louisa (or Louise) Price Nevill. Elizabeth was the youngest of five children. She named herself on her first day of school, when the teacher asked her name, because at home she was only called "Li'l Sis".[12] By the age of eight, she was playing songs. At age nine, she was forced to quit school and began work as adomestic worker.[13] At the age of twelve, she had a live-in job at Chapel Hill. She earned a dollar a month, that her mother saved up to buy her first guitar.[14][15] The guitar, aSears and Roebuck brand instrument, cost $3.75 (equivalent to $131 in 2024).[14] Although self-taught, she became proficient at playing the instrument,[16] and her repertoire included a large number ofrags and dance tunes.[13]
By her early teens, she was writing her own songs, one of which, "Freight Train", became one of her most recognized.[17] She wrote the song in remembrance of a nearby train that she could hear from her childhood home.[13] The 1956 UK recording of the song byChas McDevitt andNancy Whiskey was a major hit and is credited as one of the main influences on the rise ofskiffle in the UK.[18]
Around the age of 13, Cotten began working as a maid along with her mother. On November 7, 1910, at the age of 17, she married Frank Cotten.[19] The couple had a daughter, Lillie, and soon after Elizabeth gave up guitar playing for family andchurch. Elizabeth, Frank and their daughter Lillie moved around the eastern United States for a number of years, betweenNorth Carolina, New York City, and Washington, D.C., finally settling in the D.C. area. When Lillie married, Elizabeth divorced Frank and moved in with her daughter and her family.
Cotten retired from playing the guitar for 25 years, except for occasional church performances. She did not begin performing publicly and recording until she was in her 60s. She was discovered by the folk-singing Seeger family while she was working for them as a housekeeper.
While working briefly in a department store, Cotten helped a child wandering through the aisles find her mother. The child wasPeggy Seeger, and the mother was the composerRuth Crawford Seeger. Soon after this, Cotten again began working as a maid, this time for Ruth Crawford Seeger andCharles Seeger, and caring for their children,Mike, Peggy, Barbara, and Penny. The Seeger family kids, who were too young to pronounce "Elizabeth", began calling her "Libba", and she embraced that nickname later in life.[20] While working with the Seegers (a voraciously musical family that includedPete Seeger, a son of Charles from a previous marriage), she remembered her own guitar playing from 40 years prior and picked up the instrument again and relearned to play it, almost from scratch.[14]
In the later half of the 1950s,Mike Seeger began making bedroomreel-to-reel recordings of Cotten's songs in her house.[21] These recordings later became the albumFolksongs and Instrumentals with Guitar, which was released byFolkways Records. Since the release of that album, her songs, especially her signature song, "Freight Train" — which she wrote when she was a teenager — have been covered byPeter, Paul, and Mary,Jerry Garcia,Bob Dylan,Joe Dassin,Joan Baez,Devendra Banhart,Laura Gibson,Laura Veirs,Tommy Emmanuel,His Name Is Alive,Doc Watson,Taj Mahal,Geoff Farina,Esther Ofarim andCountry Teasers.[17][20]
Peggy Seeger took the song "Freight Train" with her to England, where it became popular in folk music circles. British songwriters Paul James and Fred Williams subsequently misappropriated it as their own composition and copyrighted it. Under their credit, it was then recorded by British skiffle singerChas McDevitt, who recorded the song in December 1956. Under advice from his manager (Bill Varley), McDevitt then brought in folk-singerNancy Whiskey and re-recorded the song with her doing the vocal; the result was a chart hit. McDevitt's version influenced many young skiffle groups of the day, includingThe Quarrymen. Under the advocacy of the influential Seeger family, the copyright was eventually restored to Cotten.[22][23] Nevertheless, it remains mis-credited in many sources.
Shortly after that first album, she began playing concerts with Mike Seeger, the first of which was in 1960 atSwarthmore College.
In the early 1960s, Cotten went on to play concerts with some of the big names in the burgeoningfolk revival. Some of these includedMississippi John Hurt,John Lee Hooker, andMuddy Waters at venues such as theNewport Folk Festival and theSmithsonian Festival of American Folklife.
The newfound interest in her work inspired her to write more songs to perform, and in 1967 she released a record created with her grandchildren, which took its name from one of her songs, "Shake Sugaree". The song featured 12-year-old Brenda Joyce Evans, Cotten's great-grandchild, and futureUndisputed Truth singer.[citation needed]
Using profits from her touring, record releases and awards given to her for her own contributions to the folk arts, Cotten was able to move with her daughter and grandchildren from Washington, D.C., and buy a house inSyracuse, New York. She was also able to continue touring and releasing records well into her 80s. In 1985, she won theGrammy Award for Best Ethnic or Traditional Recording, for the albumElizabeth Cotten Live, released byArhoolie Records. When accepting the award in Los Angeles, her comment was, "Thank you. I only wish I had my guitar so I could play a song for you all." In 1989, Cotten was one of 75 influential African-American women included in the photo documentaryI Dream a World.[25]
Cotten died in June 1987, at Crouse-Irving Hospital in Syracuse, New York, at the age of 94.[26]
Cotten began writing music while toying with her older brother'sbanjo. She was left-handed, so she played the banjo in reverse position. Later, when she transferred her songs to the guitar, she formed a unique style, since on a 5-string banjo the uppermost string is not a bass string, but a short, high-pitched string which ends at the fifth fret. This required her to adopt a unique style for the guitar. She first played with the "all finger down strokes" like a banjo.[14] Later, her playing evolved into a unique style offingerpicking. Her signature alternating bass style is now known as "Cotten picking". Her fingerpicking techniques have influenced many other musicians.[27]
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