Eduard Hildebrandt (9 September 1818 inDanzig – 25 October 1868 inBerlin) was a German landscape painter.
He served as apprentice to his father, a house-painter at Danzig. He was not twenty when he moved to Berlin, where he was taken in hand byWilhelm Krause, a painter of sea pieces. Several early pieces exhibited after his death—a breakwater, dated 1838, ships in a breeze offSwinemünde (1840), and other canvases of this and the following year—show Hildebrandt to have been a careful student of nature, with inborn talents kept down by the conventionalisms of the formal school to which Krause belonged.[1]
Accident made him acquainted with masterpieces of French art displayed at the Berlin Academy, and these awakened his curiosity and envy. He went toParis, where, about 1842, he entered theatelier ofIsabey and became the companion ofLepoittevin. In a short time he sent home pictures which might have been taken for copies from these artists. Gradually he mastered the mysteries of touch and the secrets of effect in which the French at this period excelled.[1]
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He also acquired the necessary skill in painting figures, and returned to Germany, skilled in the rendering of many kinds of landscape forms. His pictures of French street life, done about 1843, while impressed with the stamp of the Paris school, reveal a spirit eager for novelty, quick at grasping, equally quick at rendering, momentary changes of tone and atmosphere.[1]
After 1843, under the influence ofAlexander von Humboldt and with the financial support of the Prussian KingFrederick William IV, Hildebrandt expanded his travels. In 1844, he traveled toBrazil and North America. Hildebrandt's fourth journey in 1851 took him throughItaly,Egypt andSyria toPalestine. He returned to Berlin viaTurkey andGreece. Between 1861 and 1862, Hildebrandt undertook his last art trip, which turned into a world tour. Hildebrandt returned home with over 300 watercolors, drawings and oil paintings.
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Whilst his experience became enlarged his powers of concentration broke down. He lost the taste for detail in seeking for scenic breadth, and a fatal facility of hand diminished the value of his works for all those who look for composition and harmony of hue as necessary concomitants of tone and touch.[1]
In oil he gradually produced less, in water colours more, than at first, and his fame must rest on the sketches which he made in the latter form, many of them represented bychromolithography. Fantasies in red, yellow and opal, sunset, sunrise and moonshine, distances of hundreds of miles like those of theAndes and theHimalaya, narrow streets in the bazaars ofCairo orSuez, panoramas as seen from mast-heads, wide cities likeBombay orPekin, narrow strips of desert with measure-less expanses of skyall alike display his quality of bravura. Hildebrandt died at Berlin on 25 October 1868.[1]
One or more of the preceding sentences incorporates text from a publication now in thepublic domain: Chisholm, Hugh, ed. (1911). "Hildebrandt, Eduard".Encyclopædia Britannica. Vol. 13 (11th ed.). Cambridge University Press. p. 461.
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