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Edith Balas

From Wikipedia, the free encyclopedia
Edith Balas
Born(1929-06-20)June 20, 1929
DiedNovember 16, 2024(2024-11-16) (aged 95)
CitizenshipAmerican
EducationUniversity of Bucharest, M.A. (1952)
Alma materUniversity of Pittsburgh, Ph.D. (1973)
OccupationProfessor of Art History
Years active1977–present
EmployerCarnegie Mellon University
SpouseEgon Balas
Romanian–American art historian (1929-2025)

Edith Balas (June 20, 1929 - November 16, 2024) was a Romanian-born American Professor of Art History, College of Humanities & Social Sciences atCarnegie Mellon University inPittsburgh, Pennsylvania.

Biography

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Balas was born in 1929 inCluj (present-day Romania); she was aHolocaust survivor. She was the widow of the late mathematicianEgon Balas, who was a fellow professor at Carnegie Mellon.[1]

Balas' main areas of interest weremodern art (1890-1960), painting and sculpture, and the art of the Italian Renaissance.[2][3][4][5] In 2003, she curated an exhibition at the Frick Art Museum,[6] and several in Pittsburgh, Paris, New York and Budapest. She began teaching atCarnegie Mellon University in 1977, where she was also an adjunct professor of History of Art and Architecture at theUniversity of Pittsburgh.

Balas was also a Holocaust survivor, having been sent to the Nazi death campAuschwitz. InBird in Flight: Memoir of a Survivor and Scholar, Balas tells her story of facing grim situations and becoming what she describes as a “professional survivor.” Balas named her memoir “Bird in Flight” afterConstantin Brâncuși’s famous sculpture of the same name. “I consider it emblematic of my life,” she said.[7]

After the war, her husband was imprisoned by thecommunist authorities for three years, during which Balas raised their two daughters. She received an M.A. in philosophy from theUniversity of Bucharest in 1952.[8] She then emigrated to the United States with her husband, and received an M.A. in the History of Arts from Pittsburgh University in 1970 and a Ph.D. in 1973.

Works

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See also

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References

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  1. ^"Edith Balas".Holocaust Center of Pittsburgh. Archived fromthe original on 8 October 2017. Retrieved8 October 2017.
  2. ^Beck, James (July 1998). "Review: Michelangelo's Medici Chapel: A New Interpretation. Edith Balas".Renaissance Quarterly.51 (2):620–621.doi:10.2307/2901595.JSTOR 2901595.S2CID 192089735.
  3. ^Emison, Patricia (June 2005). "Review: Michelangelo's Double Self-Portraits by Edith Balas".Renaissance Quarterly.58 (2):600–602.doi:10.1353/ren.2008.0719.S2CID 162049348.
  4. ^Feinstein, Steve (2003). "The Holocaust in the Painting of Valentin Lustig (review)".Shofar: An Interdisciplinary Journal of Jewish Studies.21 (3):190–192.doi:10.1353/sho.2003.0013.S2CID 170695806.
  5. ^Thomas, Mary."Art Reviews: Painter goes deep into both Holocaust history and his own story".Pittsburgh Post-Gazette. Archived fromthe original on 10 October 2017. Retrieved9 October 2017.
  6. ^Thomas, Mary."Art Review: Frick exhibits explore two artists' sense of loss".Pittsburgh Post-Gazette. Archived fromthe original on 10 October 2017. Retrieved9 October 2017.
  7. ^(CMU), Carnegie Mellon University."March 22: CMU's Edith Balas Pens Memoir Depicting Life as a Survivor and Scholar - Carnegie Mellon University - CMU".www.cmu.edu. Archived fromthe original on 8 October 2017. Retrieved8 October 2017.
  8. ^University, Carnegie Mellon."Edith Balas - Center for the Arts in Society - Carnegie Mellon University".www.cmu.edu. Archived fromthe original on 27 March 2019. Retrieved8 October 2017.
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