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Eames House | |
 The entry door to the Eames house | |
    | |
| Location | 203 N. Chautauqua Blvd. Pacific Palisades, California |
|---|---|
| Coordinates | 34°01′47″N118°31′10″W / 34.02972°N 118.51944°W /34.02972; -118.51944 |
| Built | 1949 |
| Architect | Charles and Ray Eames |
| Architectural style | Modern Architecture |
| NRHP reference No. | 06000978 |
| LAHCM No. | 381 |
| Significant dates | |
| Added to NRHP | September 20, 2006 |
| Designated NHL | September 20, 2006 |
| Designated LAHCM | July 15, 1988 |
TheEames House (also known asCase Study House No. 8) is a landmark of mid-20th centurymodern architecture located at 203 North Chautauqua Boulevard in thePacific Palisades neighborhood ofLos Angeles. It was constructed in 1949, by husband-and-wife design pioneersCharles and Ray Eames, to serve as their home and studio. The house was commissioned byArts & Architecture magazine as part of itsCase Study House program, challenging architects to design progressive, but modest, homes inSouthern California.[1] Charles and Ray moved into the home on Christmas Eve in 1949 and never moved out (Charles died in August 1978 andRay in August 1988). Charles's daughter, Lucia Eames, inherited the home and created the non-profit organization, the Eames Foundation, in 2004. Now ahistoric house museum maintained by the Eames Foundation, it was designated aNational Historic Landmark in 2006[2] and is visited by nearly 20,000 people annually.
In the early 1940s,John Entenza, the owner of Arts & Architecture magazine and Case Study Program founder, purchased 5 acres of land on a wooded bluff that was once part ofWill Rogers' large estate. He sold 1.4 acres of this land toCharles andRay Eames in 1945. Their home's design was first sketched out by Charles Eames with fellow architectEero Saarinen in 1945 as a raised steel and glass box projecting out of the slope and spanning the entrance drive before cantilevering dramatically over the front yard. The structure was to be constructed entirely from "off-the-shelf" parts available from steel fabricator catalogs. Immediately after the war, though, these parts were in short supply. By the time the materials arrived three years later, much pre-construction time had been spent picnicking at and exploring the lot where the house would stand. After a period of intense collaboration between Charles and Ray, the scheme was radically changed to sit more quietly in the land and avoid impinging upon the pleasant meadow that fronted the house. Although Eero Saarinen did not have any contribution to the Eames House as built, he did co-design theEntenza House (Case Study House #9) with Charles Eames next door for John Entenza.
The new Eames House design featured a residence building and a studio building tucked into the landscape's slope, with an 8 foot (2.4 m) tall by 200 foot (60 m) long concreteretaining wall. The lower level of the residence features a living room with alcove, hall with closets and spiral staircase, kitchen, and utility space. The upper level holds two bedrooms and overlooks the double-height living room in mezzanine fashion. The residence's second story also has two bathrooms, multiple hallways filled with aluminum closets, and a wire-embedded skylight. The studio building has a similar mezzanine, but is shorter in length. The studio's ground floor has a utility sink, bathroom, dark room for processing photographs, and a large open space of double-volume height. The upper floor was primarily used as storage, but occasionally became guest quarters. Acourtyard was also introduced, separating the residence from thestudio space. This revised scheme required only one additional beam. The 17 foot (5.1 m) tall facade is broken into a rigidly geometric composition of brightly colored and neutral-colored panels between thin steel columns and braces, painted a warm grey. Over time, painting schemes allowed the grey to become black. The entry door is marked with a gold-leaf panel above. Planted in the 1880s by Abbot Kinney,[2] an existing row ofeucalyptus trees was preserved along the exposed wall of the house, providing some shading and a visual contrast with the house's bold facade.
As for the interior design, the Eameses' collection includes, among others: anIsamu Noguchi floor lamp, folk and Abstract Expressionist art,[2] Japanese kokeshi dolls, Chinese lacquered pillows, Native American baskets,[3] Thonet chairs, and numerous Eames furniture designs (some of which never made it past the prototype stage). The maximalist interiors were grouped by the Eameses in idiosyncratic tableaux[2] and the home's interior decorating has sparked conversation of the Eameses "humanizing" modernism.
Of the twenty-five Case Study Houses built, the Eames house is considered the most successful both as an architectural statement and as a comfortable, functional living space. The brash sleekness of the design made it a favorite backdrop for fashion shoots in the 1950s and 1960s for publications such as Vogue magazine. Perhaps the proof of its success in fulfilling its program is that it remained at the center of the Eameses' life and work from the time they moved in (Christmas Eve 1949) until their deaths.
Eames House is a prominent architectural example with the influence of theDe Stijl Movement outside Europe. The sliding walls and windows give it the versatility and openness of the De Stijl Movement.
After the Eameses died, the house was largely unchanged.[3] In January 2025, the house narrowly escaped damage in thePalisades Fire, which destroyed much of the rest of Pacific Palisades.[4] The house reopened that July after restorations.[5][6] The Eameses' studio was opened to the public for the first time.[7][8]
The Eames House is operated by The Eames Foundation, a non-profit foundation established in 2004 by Lucia Eames, Charles Eames's daughter from his first marriage.[1] The Eames Foundation's corporate sponsors are the Eames Office,Herman Miller, andVitra. On September 20, 2006, the Eames House was designated aNational Historic Landmark (and listed on theNational Register of Historic Places). In 2011, the contents of the living room were reassembled at theLos Angeles County Museum of Art as a centerpiece of the exhibition "California Design, 1930–1965: Living in a Modern Way".[9]
Also in 2011, the Eames Foundation hired Los Angeles architectural firm Escher GuneWardena to develop a plan for the house, one that would restore and preserve the house as it was in 1988.[3] In 2012, theGetty Conservation Institute pledged about $250,000 to preservation-related research work at the Eames House.[10] In 2013, the Eames Foundation teamed with the digital marketing agency Nebo to produce limited-edition prints for auction with a goal of raising $150,000; every donation was to be matched by an Authenticity Fund created by modern furniture manufacturers Herman Miller and Vitra.[11]
Lucia Eames died in 2014, leaving her five children as the Board of Directors of the Eames Foundation. Together, with the help of staff and docents, they oversee the ownership, conservation, and visitor services of the two structures, landscaping, and Charles and Ray's belongings. The Eames Foundation's 250 Year Project hopes to conserve and care for the home for 250 years into the future.
Reservations to view the Eames House are available five days a week, which include exterior self-guided visits, private interior tours, picnics, and events.
In February 2010, LAS Magazine posted an article about the building's history and current significance to the Eames Century Modern Collection, a typography project by design studioHouse Industries.[12]
In April 2019, the Getty Conservation Institute released the Conservation Management Plan (CMP) of the Eames House. This publication spanned over 200 pages and featured Eames House history, current use of the property, potential damage and ecological risks, and mitigations for conservation. This publication will aid the Eames Foundation's 250 Year Project for conservation and serves as a tool for other stewards of modern architecture around the globe.
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