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Dunedin sound

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New Zealand early indie rock scene
This article is about the style of music. For the body of water at Dunedin, seeOtago Harbour.
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Dunedin sound
Other names
  • Dunedin rock
  • Dunedin pop
Stylistic origins
Cultural originsEarly 1980s,
Dunedin, New Zealand
Other topics

TheDunedin sound was a musical and cultural movement inDunedin,Otago, New Zealand, in the early 1980s. It helped foundindie rock as a genre. The scene is associated withFlying Nun Records,[1] anindependent label.[2]

Bands associated with the Dunedin sound includethe Chills,the Clean,the Verlaines,the Bats,Toy Love,Tall Dwarfs,Straitjacket Fits,Look Blue Go Purple,the 3Ds,the Dead C,Snapper, andSneaky Feelings, among many others.

Characteristics

[edit]

According toMatthew Bannister, Dunedin sound "was typically marked by the use of droning or jangling guitars, indistinct vocals and often copious quantities of reverberation." Many Dunedin sound bands drew inspiration from punk rock, as well as pop, rock, and psychedelic music of the 1960s.[3]

The origin of the Dunedin sound is often associated with the particular venues that the bands played at, such as theEmpire Hotel and the Oriental Tavern.[4][5]

Influences

[edit]

The Dunedin sound can be traced back to the emergence ofpunk rock as a musical influence in New Zealand in the late 1970s. Isolated from the country's main punk scene inAuckland (which had been influenced by bands such as England'sBuzzcocks), Dunedin's punk groups, such asThe Enemy (which becameToy Love) and The Same (which later developed intoThe Chills), developed a sound more heavily influenced by artists likeThe Velvet Underground andThe Stooges. This was complemented by jangly,psychedelic-influenced guitar work reminiscent of 1960s bands such asThe Beatles andThe Byrds, and the combination of the two developed into the style which became known as the Dunedin sound.[6]

Reception and legacy

[edit]

New Zealand-basedFlying Nun Records championed the Dunedin sound, starting with its earliest releases (includingThe Clean's single "Tally Ho!" and the four-band compilationDunedin Double EP, from which the term "Dunedin sound" was first coined[7]). Many artists gained a dedicated "college music" following, both at home and overseas. In July 2009,Uncut magazine suggested that "before the mp3 replaced theflexidisc, the three axes of the international indie-pop underground wereOlympia [in Washington State] ...Glasgow, and Dunedin..."[8] The growth of the Dunedin sound coincided with the founding of thestudent radio stationRadio One at theUniversity of Otago, helping to increase the popularity and availability of the music around the city. Christchurch student radio station RDU, popular in student flats at the time, was already playing plenty of Dunedin music as early as 1981, while commercial radio stations in New Zealand barely featured any "homegrown" music until a voluntary code was introduced in 2002.[9]

The Chills in 1989, promotingBrave Words

The development of parallel musical trends such as thePaisley Underground in California and the resurgence ofjangle pop contributed to growth in the popularity of the Dunedin sound on college radio in the US and Europe. The heyday of the movement was in the mid-to-late 1980s, although music in the style is still being recorded and released.[citation needed]

Pavement,R.E.M., andMudhoney cite the Dunedin sound as an influence,[10] and other overseas artists, such asSuperchunk,[11]Barbara Manning,[12] andCat Power,[13] have covered Dunedin sound songs on several occasions. Post-2000 a new batch of Australian bands, often referred to asDolewave were heavily influenced by the Dunedin Sound.[citation needed]

The 1999 black comedy filmScarfies, set and filmed in Dunedin, features a soundtrack of Dunedin sound bands.[14]

In 2000, a "Dunedin sound" showcase was presented as part of the Otago Festival of the Arts, held in Dunedin. This showcase featured performances by The Clean, The Chills,the Dead C,Alastair Galbraith,the Renderers,Snapper, andthe Verlaines.KFJC 89.7 FM, an American college radio station based in Los Altos Hills, California, broadcast all six nights of the Dunedin sound showcase live to the San Francisco Bay Area via its FM signal and worldwide over the internet. The following year, a double CD documenting these broadcasts was produced for the station's annual fund-raiser.[citation needed]

References

[edit]
  1. ^"Dunedin Sound - the sound of honesty? - Article | AudioCulture".www.audioculture.co.nz. Retrieved8 September 2023.
  2. ^Stafford, Andrew (27 January 2017)."Flying Nun Records: 10 of the best songs of the Dunedin sound".The Guardian.ISSN 0261-3077. Retrieved8 September 2023.
  3. ^Bannister, Matthew."Anything Could Happen - Flying Nun History 1980-1995".Under the Radar. Archived fromthe original on 28 October 2017. Retrieved13 February 2021.
  4. ^Klein Nixon, Kylie (6 November 2024)."Empire Hotel, legendary home of the 'Dunedin sound' on the market".Stuff. Retrieved19 August 2025.
  5. ^Littlewood, Matthew (1 April 2025)."Iconic Dunedin Sound venue 'rubble by end of day'".Otago Daily Times. Retrieved19 August 2025.
  6. ^Roy ShukerUnderstanding popular music Routledge, 2001
  7. ^Staff, Bryan & Ashley, Sheran (2002)For the record: A history of the recording industry in New Zealand. Auckland: David Bateman.ISBN 1-86953-508-1. p. 144.
  8. ^Uncut issue 146, July 2009, p81
  9. ^"New Zealand music quota for radio".New Zealand Herald. 26 March 2002.ISSN 1170-0777. Retrieved18 April 2016.
  10. ^Williamson, laura, "Three decades under the influence," 23 July 2010. Retrieved 17 April 2014.Archived 23 July 2013 at theWayback Machine
  11. ^Superchunk havecovered songsArchived 19 April 2014 at theWayback Machine by The Chills, The Verlaines, and The Clean.
  12. ^Manning's albumIn New Zealand included covers of tracks by The Clean, The Bats, and Chris Knox, among others.
  13. ^Cat Power has covered Peter Jefferies'The Fate of the Human Carbine.
  14. ^McPhee, Elena (20 July 2019)."'Scarfies' 20 years on".Otago Daily Times. Retrieved19 August 2025.

Sources and further reading

[edit]
  • Bannister, M. (1999)Positively George Street. Auckland: Reed Books.ISBN 0-7900-0704-5
  • Bertram, G. "Great still sounds great",Otago Daily Times, 7 December 2013. Retrieved 17 April 2014.
  • Chapman, I. (2016)The Dunedin Sound: Some disenchanted evening. Auckland: David Bateman LtdISBN 978-1-86953-895-8
  • Davey, T. & Puschmann, H. (1996)Kiwi rock. Dunedin: Kiwi Rock Publications.ISBN 0-473-03718-1
  • Dix, J. (1988)Stranded in paradise: New Zealand rock'n'roll 1955–1988. Wellington: Paradise Publications.ISBN 0-473-00638-3
  • Eggleton, D. (2003)Ready to fly: The story of New Zealand rock music. Nelson, NZ: Craig Potton Publishing.ISBN 1-877333-06-9
  • Higgins, M. (1982)The Clean and the Dunedin Sound. InRip It Up magazine, April 1982.
  • Flying Nun 25th anniversary edition ofReal Groove magazine, 2006.
  • Flying Nun: Anything can happen (Television New Zealand documentary, 1990)
  • Heavenly pop hits: The Flying Nun story (Television New Zealand documentary, 2002)

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