Dora Toll was born in 1903 inWickham, New South Wales, a suburb ofNewcastle, the sixth daughter ofAlbert Frederick Toll and Hannah (née Roberts).[3] She was ahead of her time in studying at theUniversity of Sydney in a period when few women received a tertiary education. However, she was suspended in 1923 for a poem appearing in the literary magazineHermes, which describes post-coital bliss.[4] Her future husband, poet and journalistBert Birtles, was expelled for a still more explicit poem in the same issue ofHermes describing their tryst on the roof of the university quadrangle.[5][6][7]
Dora Birtles returned to Sydney University to take a degree in Oriental history and a diploma of education,[3] and then taught inNewcastle, New South Wales for a short time before travelling to Europe. Before theSecond World War she was a member of the International Women's League Against War and Fascism and reported for theNewcastle Sun.[8]
Crew of the "Gullmarn", King's Wharf, Newcastle, NSW, 29 April 1932. From left to right - Hedley Metcalf (captain), Miss Saxby, Mr. Nicholson (navigator), Mrs. Bert Birtles, Mrs. Metcalf and Mr. Moore.
Birtles was the subject of a finalist portrait for theArchibald Prize of 1947, by Dora Toovey.[9]
Dora Birtles died inCobar, New South Wales, on 27 January 1992 aged 88.[10]
Birtles' first novel,Pioneer Shack was for children. It had been written in the 1930s but did not appear until 1947, after the publication of a novel for adults,The Overlanders (1946), which was based on the1946 film of the same name for which she had been a researcher.[11][12] Birtles wrote an account of a sea voyage from Newcastle toSingapore,North-West by North (1935) which became one of her most popular works. She also wrote another children's novel,Bonza the Bull (1949). Her work has been the subject offeminist literary criticism.[13][14]
^Mills, Sara. (2003),Discourses of Difference: An Analysis of Women's Travel Writing and Colonialism, London; Taylor & Francis.
^Cooper, J. E. (1987). Shaping meaning: Women's diaries, journals, and letters—The old and the new. In Women's studies international forum (Vol. 10, No. 1, pp. 95-99). Pergamon.