Donato da Cascia (alsoda Firenze orda Florentia) (fl. c. 1350 – 1370) was an Italian composer of theTrecento. All of his surviving music is secular, and the largest single source is theSquarcialupi Codex. He was probably also a priest, and the picture that survives of him in the Squarcialupi Codex shows him in the robes of theBenedictine order.
Nothing at all is known about his life except what can be inferred from his picture, his name, and the geographic distribution of his surviving music. He was probably from Cascia, nearFlorence, and all of his music, with one exception (the virelai), is found in sources inTuscany.
Seventeen compositions by Donato survive, including: fourteenmadrigals, onecaccia, onevirelai, and oneballata. Except for one piece, his music is all for two voices, typical of mid-century practice in that regard, but unusually virtuosic; according toNino Pirrotta, it "represents the peak of virtuoso singing in the Italian madrigal, and therefore in the ItalianArs nova as a whole."[1]
Donato's madrigals usually feature an upper voice part which is more elaborate than the lower, and often useimitation between the two voices, though usually the imitative passages are short. In addition, he uses repeated words and phrases, often with a humorous intent; the influence of the caccia is evident in this device. Jacopo da Bologna was probably an influence on his work, as can be seen in the single-voiced transitional passages between different verses of the madrigals, typical of Jacopo.
