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Div (mythology)

From Wikipedia, the free encyclopedia
Demons in Middle Eastern beliefs

"Dev (mythology)" redirects here. For other religious figures sometimes transliterated as "Dev", seeDeva (disambiguation) § Religion and mythology.
Div
The Div Akvan throwsRostam into the sea. Miniature from the manuscript of theShahnameh, 16th-17th century
Creature information
GroupingMythical creature
FolkloreIranian mythology
Armenian mythology
Azerbaijani mythology
Albanian mythology
Origin
CountryIran,Armenia,Azerbaijan,Albania,Turkey

Div ordev (Classical Persian:دیوdēw;Iranian Persian:دیوdīv) (with the broader meaning of demons or fiends) are monstrous creatures of Middle Eastern lore and probably of Persian origin.[1] Their origin may lie in theVedic deities (devas) who were later demonized in the Persian religion (seedaeva). Most of their images, when disseminated into the Islamic world, includingArmenia,Turkic countries, andAlbania,[2] assimilated with the demons and ogres of ancestral beliefs.[3] As such they have been adapted according to the beliefs of Islamic concepts of otherworldly entities.[4](pp 37) Muslim authors often identified them with theifrit (demons) andshayatin (devils) of their own belief-system. InSufism they becamesymbols of human vices and evil urges.

In folklore and legends, they are often described as having a body like that of a human, only of gigantic size, with two horns upon their heads and teeth like thetusks of aboar. Powerful, cruel and cold-hearted, they have a particular relish for the taste of human flesh.[5][full citation needed] Some use only primitive weapons, such as stones: others, more sophisticated, are equipped like warriors, wearingarmour and using weapons of metal. Despite their uncouth appearance – and in addition to their great physical strength – many are also masters ofsorcery, capable of overcoming their enemies by magic and afflicting them withnightmares.[6]

History

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Rostam killsArzhang Div (TheShahnameh of Shah Tahmasp)
Akvan Div (TheShahnameh of Shah Tahmasp)
Siyah Div (TheShahnameh of Shah Tahmasp)

Thedivs seem to have originally been Persian, pre-Zoroastrian, divine or semi-divine beings who were subsequentlydemonized. By the time of the Islamic conquest, they had faded into Persian folklore and folktales, and hence disseminated throughout the Islamic world. They were modified during that dissemination to include foreign (specifically Hindu) deities, and elements already present in local folklore.

Origins

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Divs probably originate from theAvestandaevas, deities who share the same origin withIndianDeva (gods). It is unknown when and why the former deities turned into rejected gods or even demons. There might have been a pantheon with several types of deities, but while the Indians demonized theAsura and deified the Deva, the Persians demonized the Deva, but deified Asura in the form of Ahura Mazda.[7]

In theGathas, the oldestZorastrian text, they are not yet the evil creatures they will become, although, according to some scholarly interpretations, the texts do indicate that they should be rejected.[8][a]

Middle persian era

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Babylonian Jewish demonology partly integrated the concept of demons from the divs (ordew).[9] The story of Solomon andAsmodeus, whose name is of Persian origin, appears in theBabylonian Talmud[10] and is designated as the king of demons (devs).[11]

Div (dew) are further attested on Jewish Babylonian Aramaic bowls next to other supernatural beings, such asshedim (demi-gods),ruḥot (spirits),mazzikin ("harmers"), and "satans".[12][13] The exact differences between these entities are, however, not always clear.[14]

Islamic period

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King Solomon and two demons in aPersian miniature

Some earlyPersian translations of the Quran translated jinn, devils, and Satan, asdiv.[15][6] This is problematic insofar as that div refers to irrevocably evil forces, while the termjinn is morally ambiguous.[16](p 519) As such, the termjinn was also translated aspari, if regarded as befitting.[6]

In later Persian literature, the termdiv is used for the Arabicifrit (demon),shaitan (devil), andtaghut (false god).[17] According to modernShias, humans, jinn, and div will be judged by God and receive either reward or punishment.[18]

WhileTabari does not mention any being akin to demons preceding the creation of angels and jinn,Abu Ali Bal'ami's redition ofTarikh al-Tabari also mentionsdivs created prior to the angels and jinn.[4](p40) According to Bal'ami, thediv were manifest (ashkar) and evident (zaher) to the people until the time of thegreat flood.[4](p 43) Afterthat, they vanished from the sights of people.

A similar creation narrative appears in theSüleymanname. According which thedivs were created, along with the peri, prior to the jinn. They were formed from the fires of the stars, wind, and smoke; some of them have wings and can fly while others can move quickly.[19]

Sufi Literature

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Angels fighting to hold a demonic dragon in chains. On the left side of the picture, the head of Asmodeus lurks from a crag of the demonic manifestation. The image conveys the battle between the demonic passions and the rational intellect in the form of the angels, supposedly happening inside a human's heart.Siyah Qalam (1478)

The termdiv was still widely used in theadabliterature for personifications of vices.[20] They represent the evil urges of the stage to theal-nafs al-ammarah.[21]

As the sensual soul, they oppose the divine spirit, a motif the authors derived from the story of the QuranicprophetSolomon and his subjugation of demons.[22]

Attar of Nishapur writes: "If you bind thediv, you will set out for the royal pavilion with Solomon" and "You have no command over your self's kingdom [body and mind], for in your case thediv is in the place of Solomon".[23]

The Kulliyati Chahar Kitab reads as follows to explain the effect of demons on the human soul:[24]

"The desire to give up nafs is weak, the worship of God will weaken nafs.... Anyone who gives up hedonism, he will overcome the oppressive nafs.... If one behaved according to his carnal desire, how could one make jihad [struggle] with nafs. ... The killing of nafs may not be possible except by means of the use of the dagger of silence, the sword of hunger, or the spear of solitude and humility.... If you want to kill the div [demon] of nafs, you must stay away from the haram [forbidden].... If you are a slave of your sexual desire, even if you think you are free, you are a prisoner."

InRumi's Masnavi, demons serve as a symbol of evil and as a figurative device in order to answer hypothetical questions about theproblem of evil. He tells a story about an artist who draws both "beautifulhouris and ugly demons". Images of demons do not diminish the artist's talents, on the opposite, his ability to draw evil in the most grotesque way possible, proves his capabilities. Likewise, when God creates evil, it does not violate but proves his omnipotence. (Masnavī II, 2539–2544; Masnavī II, 2523–2528)[25]

In theShahnameh

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Rostam dismembering theDiv-e Sepid, demon king of Mazandaran

In theepic poemShahnameh, written by thePersian poetFerdowsi between c. 977 and 1010 CE, thediv had become associated with the lands ofMazandaran of legend (which is not to be identified with the Iranian province ofMazandaran).[6] It has thus been speculated that the termdiv referred to generally evil characters, including both demonic beings as well as evil humans.[26] While somediv appear as supernatural sorcerers, manydiv appear to be clearly demonized humans, including black people, attributed with supernatural strength, but no supernatural bodily features. Some people continued to worshipdiv in their rituals during the early Islamic period, known as "Daevayasna", although probably out of fear.[27][full citation needed] People of Mazdaran might have been associated with such worship and therefore equated with these entities. Despite manydiv that appear human in nature, there are also clearly supernaturaldiv, like the white div, who is said to be as huge as a mountain.

The poem begins with the kings of thePishdadian dynasty. They defeat and subjugate the demonic divs.Tahmuras commanded the divs and became known asdīvband (binder of demons).Jamshid, the fourth king of the world, ruled over both angels and divs, and served as a high priest of Ahura Mazda (Hormozd). Like his father, he slayed many divs, however, spared some under the condition they teach him new valuable arts, such as writing in different languages.[28] After a just reign over hundreds of years, Jamshid grew haughty and claimed, because of his wealth and power, divinity for himself. Whereupon God withdraws his blessings from him, and his people get unsatisfied with their king. With the ceasing influence of God, the devil gains power and aids Zahhak to usurp the throne.[28] Jamshid dies sawn in two by two demons. Tricked by Ahriman (or Iblis), Zahhak grew two snakes on his shoulders and becomes the demonic serpent-king.[29] The KingKay Kāvus fails to conquer the legendary Mazandaran, the land of divs and gets captured.[30] To save his king, Rustam takes a journey and fights throughseven trials. Divs are among the common enemies Rustam faces, the last one the Div-e Sepid, the demonic king of Mazandaran.

Rustam's battle against the demonic may also have a symbolic meaning: Rustam represents wisdom and rationality, fights the demon, embodiment of passion and instinct.[31]: 115  Rustam's victory over the White Div is also a triumph over men's lower drives, and killing the demon is a way to purge the human soul from such evil inclinations. The killing of the White Div is an inevitable act to restore the human king's eyesight.[31]: 115  Eliminating the divs is an act of self-preservation to safeguard the good in oneself's, and the part acceptable in a regulated society.[31]: 115 

Folklore

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Persian miniature — Ali fightingdivs. Ali might serve as a substitute forTahmuras, a Persian hero, who conquered thedivs as well. Here, the swordZulfiqar clearly indicating the representation of Ali.

According to folklore,divs are characterized through their inverted nature. They tend to do the opposite of what has been told to them. They are active at night, but get sleepy at day. Darkness is said to increase their power.[6] Usually, the approach of adiv is presaged by a change in temperature or foul smell in the air.[6] They are capable of transformation and performing magic. They are said to capture maidens, trying to force them to marry thediv.[6] Some have the form of a snake or adragon with multiple heads, whose heads grow again, after slain, comparable to theHydra.[32]

Throughout many legends divs appear as villains, sorcerers, monsters, ogres, or even helpers of the protagonist. It is usually necessary to overcome thediv to get his aid. After defeating thediv, one must attach a horseshoe, a needle or an iron ring on his body to enslave them.

Adiv can not be killed by physical combat, even if their body parts are cut off. Instead, one is required to find the object storing the soul of thediv: After that object is destroyed, thediv is said to disappear in smoke or thin air. The notion of a demon tied to a physical object, later inspired the Europeangenie.[33]

Armenian

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InArmenian mythology and many various Armenianfolk tales, thedev (inArmenian: դև) appears both in a kind and specially in a malicious role,[34] and has a semi-divine origin. In one medieval Armenian lexicon, thedev are explained as rebellious angels.[35]

Dev is a very large being with an immense head on his shoulders, and with eyes as large as earthen bowls.[36][page needed] Some of them may have only one eye. Usually, there are black and white devs. However, both of them can either be malicious or kind.

The White Dev is present inHovhannes Tumanyan's tale "Yedemakan Tzaghike" (Arm.: Եդեմական Ծաղիկը), translated as "The Flower of Paradise". In the tale, the Dev is the flower's guardian.

Jushkaparik, Vushkaparik, or Ass-Pairika is another chimerical being whose name indicates a half-demoniac and half-animal being, or a Pairika—a female Dev with amorous propensities—that appeared in the form of an ass and lived in ruins.[36][page needed]

Persian

[edit]
Div capturing aparī

Thedivs are in constant battle with benevolentperis (fairies).[37][38] While thedivs are usually perceived as male, theperis are often, but not necessarily, depicted as female.[39] According to a story, a man saved a white snake from a black one. The snake later revealed that she was aperi, and the black snake adiv, who attacked her. Thedivs in turn, frequently try to capture theperis and imprison them in cages.

In his treatise about the supernaturalAhl-i Hava (people of the air),Ghulam Husayn Sa'idi discusses several folkloric beliefs about different types of supernatural creatures and demons. He describes the Div as tall creatures living far away either on islands or in the desert. With their magical powers, they could turn people into statues by touching them.[40][41]

Turkic

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Div in Turkish language refers to a (primordial) giant.[42] In pre-Islamic they are associated withErlik (Lord of the underworld), but unlike Erlik, they can be killed.[43] In modern stories, the divs also gained some positive traits and may appear as benign creatures.

In Kisekbasch Destani ("Story of the cut head"), aTurkish legend from the 13th or 14th Century,Ali encounters a beheaded men, whose head is still reciting theQuran. His wife has been captured and his child has been devoured by adiv. Ali descends to the underworld to kill thediv. Here, he finds out, thediv further captured 500Sunnites and thediv threats Ali, to destroy the holy cities ofMecca andMedina and destroy the legacy of Islam. After a battle, Ali manages to kill thediv, release the inmates, saves the devoured child and brings the severed head, with aid ofMuhammad back to life.[44]

InKazakh fairy-tales, they often capture women, live in caves, and eat human flesh. Many ancient people probably believed such tales to be true, and that places beneath the earth's surface, where no human has gone before, were inhabited by gods anddivs.[45] InTatar folklore, thedivs are described as beings living in the depths of the waters under the earth. They may bewitch people or invite them as guests for dinner. They could smell the spirit of humans, whenever they enter their lairs. If one speaksbismillah, all the offered dishes turn into horse droppings and the demon himself disappears.[45]

In modern times, the role of the divs are sometimes inverted.Galimyan Gilmanov (2000) drawing fromTatar folklore, reinvents the story of a girl encountering a div in the forest. Here, the div who owns the meadow in the forest is supportive and grants the girl a wish after she offers him her comb.[46]

Footnotes

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  1. ^The scope ofaēnah- "error" is not precisely understood, and inYasna 32.3 it is unclear if the association ofdaeva- with unambiguously negative terms (for example withaka- "evil") formulates a relationship or is the revocation of one. The definitions ofYasna 32.3 occur with a syntactical construct that is otherwise unattested.

See also

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References

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  1. ^Friedl, E. (2020).Religion and Daily Life in the Mountains of Iran: Theology, saints, people. United Kingdom: Bloomsbury Publishing. p. 85.
  2. ^Elsie, Robert (2007)."Albanian Tales". In Haase, Donald (ed.).The Greenwood Encyclopedia of Folktales and Fairy Tales. Vol. 1:A–F. Westport, CT: Greenwood Publishing Group. p. 24.ISBN 9780313049477.OCLC 1063874626.
  3. ^Huart, Cl.; Massé, H. (2012) [1960-2007]. "Dīw". In Bearman, P.; Bianquis, Th.; Bosworth, C.E.; van Donzel, E.; Heinrichs, W.P. (eds.).Encyclopaedia of Islam (2nd ed.).doi:10.1163/1573-3912_islam_SIM_1879. Print edition:ISBN 9789004161214.
  4. ^abcAbedinifard, Mostafa; Azadibougar, Omid; Vafa, Amirhossein, eds. (2021).Persian Literature as World Literature. Literatures as World Literature. USA: Bloomsbury Publishing. pp. 40–43.ISBN 978-1501354205,ISBN 9781501354205
  5. ^Reza Ebrahimil, Seyed; Bakhshayesh, Elnaz Valaei.Manifestation of Evil in Persian Mythology from the Perspective of the Zoroastrian Religion. p. 7.
  6. ^abcdefg"Dīv".Encyclopædia Iranica. Dārā(b)–ebn al-Aṯir. Vol. VII, fasc. 4. 28 November 2011 [15 December 1995]. pp. 428–431. Retrieved25 February 2020.
  7. ^"Daiva".Encyclopaedia Iranica.
  8. ^Herrenschmidt & Kellens 1993, p. 601.
  9. ^Kohut, A. (1866). Ueber die jüdische Angelologie und Daemonologie in ihrer Abhängigkeit vom Parsismus. Deutschland: Brockhaus. pp. 55-65
  10. ^Hamburger, Jacob. Real-Encyclopädie des Judentums: Talmud und Midrash. 1896. N.p., J. Hamburger, 1896.
  11. ^A Question of Identity: Social, Political, and Historical Aspects of Identity Dynamics in Jewish and Other Contexts. (2019). Österreich: De Gruyter.
  12. ^Demons and Illness from Antiquity to the Early-Modern Period. (2017). Niederlande: Brill.p. 115
  13. ^Ronis, S. (2022). Demons in the Details: Demonic Discourse and Rabbinic Culture in Late Antique Babylonia. USA: University of California Press. p. 26
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  18. ^Huart, Cl.; Massé, H. (2012) [1960-2007]. "Dīw". In Bearman, P.; Bianquis, Th.; Bosworth, C.E.; van Donzel, E.; Heinrichs, W.P. (eds.).Encyclopaedia of Islam (2nd ed.).doi:10.1163/1573-3912_islam_SIM_1879. Print edition:ISBN 9789004161214.
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  20. ^Davaran, F. (2010).Continuity in Iranian Identity: Resilience of a cultural heritage. United Kingdom: Taylor & Francis. p. 207.
  21. ^Çakin, Mehmet Burak (2019)."Süleymân-Nâme'de mitolojİk bir unsur olarak dîvler*" [Devs as a mythological element in theSolomon-Name epic].Turkish Studies, Language and Literature.14 (3). Skopje, [North] Macedonia / Ankara, Turkey:1137–1158, esp. 1138.doi:10.29228/TurkishStudies.22895.ISSN 2667-5641.S2CID 213381726.
  22. ^Vladimirovna, Moiseeva Anna (2020)."Prophet Sulaimān v klassische persische Poesie: Semantik und struktur des Bildes" [The prophet Solomon in classical Persian poetry: Semantics and structuring of images].Orientalistik. Afrikanistik. (in German). No. 3. Retrieved14 October 2021.
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  31. ^abcMelville, Charles, and Gabrielle van den Berg, eds. Shahnama Studies II: The Reception of Firdausi's Shahnama. Vol. 5. Brill, 2012.
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  39. ^Yarshater, Ehsan (series); Kreyenbroek, Philip G.; Marzolp, Ulrich (eds.).A History of Persian Literature: Oral literature of Iranian languages – Kurdish, Pashto, Balochi, Ossetic, Persian, and Tajik. Vol. XVIII. New York, NY: Persian Heritage Foundation / Center for Iranian Studies, Columbia University. p. 225.
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  46. ^Nureeva, G. I. ., Mingazova, L. I. ., Khabutdinova, M. ?ukhametsyanovna ., & Sayfulina, F. S. . (2022). The Personality of Children's Dramaturgy by Galimjan Gyilmanov. International Journal of Criminology and Sociology, 9, 2353–2359.https://doi.org/10.6000/1929-4409.2020.09.284

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