 First edition cover | |
| Author | Ian Fleming |
|---|---|
| Cover artist | Pat Marriott |
| Series | James Bond |
| Genre | Spy fiction |
| Publisher | Jonathan Cape |
Publication date | 26 March 1956 (hardback) |
| Publication place | United Kingdom |
| Pages | 257 |
| Preceded by | Moonraker |
| Followed by | From Russia, with Love |
Diamonds Are Forever is thefourth novel by the British authorIan Fleming to feature his fictional BritishSecret Service agentJames Bond.[a] Fleming wrote the story at hisGoldeneye estate in Jamaica, inspired by aSunday Times article on diamond smuggling. The book was first published byJonathan Cape in the United Kingdom on 26 March 1956.
The story centres on Bond's investigation of a diamond-smuggling operation that originates in the mines ofSierra Leone and runs to Las Vegas. Along the way Bond meets and falls in love with one of the members of the smuggling gang,Tiffany Case. Much of Fleming's background research formed the basis for his non-fiction 1957 bookThe Diamond Smugglers.Diamonds Are Forever deals with international travel, marriage and the transitory nature of life.
As with Fleming's previous novels,Diamonds Are Forever received broadly positive reviews at the time of publication. The story was serialised in theDaily Express newspaper, first in an abridged, multi-part form and then as a comic strip. In 1971 it was adapted into theseventh Bond film in theseries and was the lastEon Productions film to starSean Connery as Bond.
The BritishSecret Service agentJames Bond is sent on an assignment by his superior,M. Acting on information received fromSpecial Branch, M tasks Bond with infiltrating a smuggling ring transporting diamonds from mines in theCrown colony of Sierra Leone to the United States. Bond must infiltrate the smugglers' pipeline to uncover those responsible. Using the identity of "Peter Franks", a country house burglar turned diamond smuggler, he meetsTiffany Case, an attractive gang member who has developed an antipathy towards men after being gang-raped as a teenager.
Bond discovers that the ring is operated by the Spangled Mob, a ruthless American gang run by the brothers Jack and Seraffimo Spang. He follows the trail from London to New York. To earn his fee for carrying the diamonds he is instructed by a gang member, Shady Tree, to bet on a rigged horse race in nearbySaratoga. There Bond meets his old friendFelix Leiter, a formerCIA agent working atPinkertons as a private detective investigating crooked horse racing. Leiter bribes the jockey to ensure the failure of the plot to rig the race, and asks Bond to make the pay-off. When he goes to make the payment, he witnesses two homosexual thugs,Wint and Kidd, attack the jockey.
Bond calls Tree to enquire further about the payment of his fee and is told to go to the Tiara Hotel in Las Vegas. The Tiara is owned by Seraffimo Spang and operates as the headquarters of the Spangled Mob. Spang also owns an old Western ghost town, named Spectreville, restored to be his own private holiday retreat. At the hotel Bond finally receives payment through a rigged blackjack game where the dealer is Tiffany. After winning the money he is owed he disobeys his orders from Tree by continuing to gamble in the casino and wins heavily. Spang suspects that Bond may be a 'plant' and has him captured and tortured at Spectreville. With Tiffany's help he escapes from Spectreville aboard a railwaypush-car with Seraffimo Spang in pursuit aboard an old Western train. Bond changes the railwaypoints and re-routes the train onto a dead-end, and shoots Spang before the resulting crash. Assisted by Leiter, Bond and Tiffany go via California to New York, where they board theRMSQueen Elizabeth to travel to London, a relationship developing between them as they go. Wint and Kidd observe their embarkation and follow them on board. They kidnap Tiffany, planning to kill her and throw her overboard. Bond rescues her and kills both gangsters; he makes it look like amurder-suicide.
Tiffany subsequently informs Bond of the details of the pipeline. The story begins in Africa where a dentist bribes miners to smuggle diamonds in their mouths; he extracts the gems during routine appointments. From there, the dentist takes the diamonds to a rendezvous with a German helicopter pilot. Eventually the diamonds go to Paris and then on to London. There, after telephone instructions from a contact known as ABC, Tiffany meets a person who explains how the diamonds will be smuggled to New York City. After returning to London—where Tiffany moves into Bond's flat—Bond flies toFreetown in Sierra Leone, and then to the next diamond rendezvous. With the collapse of the rest of the pipeline, Jack Spang (who turns out to be ABC) shuts down his diamond-smuggling pipeline by killing its participants. Spang himself is killed when Bond shoots down his helicopter.
By mid 1954 the authorIan Fleming had published two novels—Casino Royale (1953) andLive and Let Die (1954)—and had a third,Moonraker, being edited and prepared for production.[2][3][b] That year he read a story inThe Sunday Times about diamond smuggling from Sierra Leone.[5] He considered this story as the possible basis for a new novel and, through an old school friend, he engineered a meeting withSir Percy Sillitoe, the ex-head ofMI5, then working in a security capacity for the diamond-trading companyDe Beers.[5][6] The material Fleming gathered was used in bothDiamonds Are Forever andThe Diamond Smugglers, a non-fiction book published in 1957.[5][c]
After Fleming's friend,Sir William Stephenson, sent him a magazine article about the spa town of Saratoga Springs, Fleming flew to the US in August 1954, where he met his friendsIvar Bryce andErnest Cuneo; the three travelled to the town in New York State.[2][7] There, Fleming and Cuneo visited a mud-bath: en route to an up-market establishment they took the wrong directions and ended up at a run-down outlet, which became the inspiration for the Acme Mud and Sulphur Baths scene in the book.[8] Fleming met the rich socialite,William Woodward, Jr., who drove aStudillac—aStudebaker with a powerfulCadillac engine. According toHenry Chancellor, "the speed and comfort of it impressed Ian, and he shamelessly appropriated this car" for the book.[9] Woodward was killed by his wife shortly afterwards—she claimed she mistook him for a prowler—and whenDiamonds Are Forever was published, it was dedicated to Bryce, Cuneo and "the memory of W. W. Jr., at Saratoga, 1954 and 55".[10]
Fleming also travelled to Los Angeles with Cuneo, visiting theLos Angeles Police Intelligence headquarters, where they met Captain James Hamilton, who provided Fleming with information on theMafia organisation in the US.[11] From Los Angeles Fleming travelled to Las Vegas, where he stayed at theSands Hotel; he interviewed the hotel owner,Jack Entratter, where he learnt the background to the security systems and methods of cheating that he used in the novel.[11]
Fleming wroteDiamonds Are Forever at hisGoldeneye estate in Jamaica in January and February 1955.[12] He followed his usual practice, which he later outlined inBooks and Bookmen magazine, in which he said: "I write for about three hours in the morning ... and I do another hour's work between six and seven in the evening. I never correct anything and I never go back to see what I have written ... By following my formula, you write 2,000 words a day."[13] On completion Fleming wrote to his friend Hilary Bray:
I baked a fresh cake in Jamaica this year which I think has finally exhausted my inventiveness as it contains every single method of escape and every variety of suspenseful action that I had omitted from my previous books—in fact everything except the kitchen sink, and if you can think up a good plot involving kitchen sinks, please send it along speedily.[14]
He returned to London with the completed 183-page typescript in March that year;[15] he had earlier settled on a title, which he based on an advertisement slogan "A Diamond is Forever" in the American edition ofVogue.[16]
Although Fleming provides no dates within his novels, John Griswold and Henry Chancellor—both of whom have written books on behalf ofIan Fleming Publications—have identified different timelines based on events and situations within thenovel series as a whole. Chancellor put the events ofDiamonds Are Forever in 1954; Griswold is more precise, and considers the story to have taken place in July and August 1953.[17][18]
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Fleming had previously travelled to the US on the RMSQueen Elizabeth; the experience provided background information for the final four chapters of the novel.[19] His trip had included a railway journey on theSuper Chief, during which he and Cuneo had visited the cab to meet the driver and engineer,[20] and an excursion on the20th Century Limited, both of which gave information Fleming used for Spang's train, theCannonball.[21][22] Fleming had a long-standing interest in trains and following his involvement in a near-fatal crash associated them with danger. In addition toDiamonds Are Forever, he used them inLive and Let Die,From Russia, with Love andThe Man with the Golden Gun.[23]
As with several others of his works, Fleming appropriated the names of people he knew for the story's characters.[24] The name of one of Fleming's two travelling companions from the US, Ernest Cuneo, was used as Ernie Cureo, Bond's taxi-driving ally in Las Vegas,[7][d] and one of the homosexual villains, "Boofy" Kidd, was named after one of Fleming's close friends—and a relative of his wife—Arthur Gore, 8th Earl of Arran, known to his friends as "Boofy". Arran, an advocate of the relaxation of the British laws relating to homosexuality, heard about the use of his name before publication and complained to Fleming about it, but was ignored and the name was retained for the novel.[25][26] During his trip to America Fleming had come across the name Spang—old German for "maker of shoe buckles"—which he appropriated for the villainous brothers.[27]
The writerJonathan Kellerman's introduction to the 2006 edition ofDiamonds Are Forever describes Bond as a "surprisingly ... complex" character who, in contrast with the cinematic representation, is "nothing other than human. ... Fleming's Bond makes mistakes and pays for them. He feels pain and regret."[28] The novelistRaymond Benson—who later wrote a series of Bond novels—writes that the character develops inDiamonds Are Forever, building on Fleming's characterisation in his previous three novels. This growth arises through Bond's burgeoning relationship with the book's main female character, Tiffany Case. He falls in love; the first time he has done so sinceVesper Lynd inCasino Royale. According to Benson, Tiffany is portrayed as tough, but lonely and insecure, and "is Fleming's first fully developed female character."[29] The cultural historians Janet Woollacott andTony Bennett write that many of the main female characters in Fleming's novels are uncommon, and Tiffany—along withPussy Galore fromGoldfinger andHoneychile Rider fromDr. No—has been "damaged ... sexually" having previously been raped. The effect of the trauma has led to Tiffany working for the villain, which allows Bond to complete his mission, and align her to a more honest lifestyle.[30]
The literary analyst LeRoy L. Panek observes thatDiamonds Are Forever along withGoldfinger andThe Man with the Golden Gun have gangsters, rather than spies, as antagonists;[31] the novel is the only one in the Bond canon without a connection to theCold War.[32][33] Panek, comparing the gangsters to Bond's normal adversaries, identifies them as "merely incompetent gunsels" when compared with the British agent, who can eliminate them with relative ease.[34] The essayistUmberto Eco sees the Spangs as being a forerunner of theSPECTRE organisation Fleming uses in his later novels.[35]Kingsley Amis, who later wrote a Bond novel, considered that there was "no decent villain",[36] while Eco judges three of the villains—the two Spang brothers and Winter—as physically abnormal, as many of Bond's adversaries are.[37] Anthony Synnott, in his examination of aesthetics in the Bond novels, also considers that the gangster Michael "Shady" Tree fits into the abnormal category, as he is a red-haired hunchback with "a pair of china eyes that were so empty and motionless that they might have been hired by a taxidermist".[38]
Diamonds Are Forever opens with a passage in which a scorpion hunts and eats its prey, and is subsequently killed by one of the diamond couriers. Eco sees this "cleverly presented" beginning as similar to the opening of a film, remarking that "Fleming abounds in such passages of high technical skill".[39] When the writerWilliam Plomer was proof-reading the manuscript he saw literary merit, and wrote to Fleming that the passages relating to the racing stables at Saratoga were "the work of a serious writer".[40] Kellerman considers that "Fleming's depiction of Las Vegas in the '50s is wickedly spot on and one of the finest renditions of time and place in contemporary crime fiction. The story is robust and complex."[28]
Fleming used well-known brand names and everyday details to produce a sense of realism,[13][41] which Amis called "the Fleming effect".[42] Amis describes "the imaginative use of information, whereby the pervading fantastic nature of Bond's world ... [is] bolted down to some sort of reality, or at least counter-balanced."[43] Benson considers that inDiamonds Are Forever the use of detail is "rich and flamboyant" which allows an "interesting and amusing" description of the US.[44] Benson considers a weakness of the book to be a lack of structural development, although this is compensated by character development; Kellerman also believes the novel to be "rich in characterization".[28]
Benson analyses Fleming's writing style and identifies what he describes as the "Fleming Sweep": a stylistic point that sweeps the reader from one chapter to another using 'hooks' at the end of chapters to heighten tension and pull the reader into the next:[45] Benson feels that the sweep inDiamonds Are Forever was "at full force" in the novel, which "maintain[s] a constant level of excitement" as a result.[46]
According to Benson the main theme ofDiamonds Are Forever is expressed in the title, with the permanency of the gemstones held in contrast to other aspects of the story, particularly love and life.[44] Towards the end of the novel Fleming uses the lines "Death is forever. But so are diamonds",[28] and Benson sees the gems as a metaphor for death and Bond as the "messenger of death".[44]
The journalist and authorChristopher Hitchens observes that "the central paradox of the classic Bond stories is that, although superficially devoted to the Anglo-American war against communism, they are full of contempt and resentment for America and Americans";[47] Benson sees thatDiamonds Are Forever contains examples of Fleming's feelings of superiority towards American culture, including his description of the sleaziness of Las Vegas.[44] Amis, in his exploration of Bond inThe James Bond Dossier, pointed out that Leiter is
... such a nonentity as a piece of characterization ... he, the American, takes orders from Bond, the Britisher, and that Bond is constantly doing better than he, showing himself, not braver or more devoted, but smarter, wittier, tougher, more resourceful, the incarnation of little old England.[48]
The cultural historianJeremy Black points to the theme of international travel inDiamonds Are Forever, which was still a novelty to most people in Britain at the time.[49] This travel between a number of a locations exacerbates one of the problems identified by Black: that there was no centre to the story. In contrast to the other novels in the Bond canon, whereCasino Royale had Royale,From Russia, with Love had Istanbul andDr. No had Jamaica,Diamonds Are Forever had multiple locations and two villains and there was "no megalomaniac fervour, no weird self-obsession, at the dark centre of the plot".[50][e]
According to Fleming's biographer,Andrew Lycett, after the novel was completed, Fleming added four extra chapters "almost as an afterthought", detailing the events on theQueen Elizabeth.[52] This introduced the question of marriage, and allowed Fleming to discuss matrimony through his characters, with Bond telling Case "Most marriages don't add two people together. They subtract one from the other." Lycett opines that the addition was because of the state of Fleming's own marriage which was going through a bad time.[53]
Diamonds Are Forever was published on 26 March 1956 byJonathan Cape[54] with a cover designed by Pat Marriott.[55] As with the three previous Bond books, the first edition of 12,500 copies sold out quickly;[56] the US edition was published in October 1956 byMacmillan.[57] The novel was serialised inThe Daily Express newspaper from 12 April 1956 onwards[58]—the first of Fleming's novels he had sold to the newspaper—which led to an overall rise in the sales of the novels.[59] From November 1956 sales ofDiamonds Are Forever, and Fleming's other novels, all rose following the visit of thePrime Minister,Sir Anthony Eden, to Fleming's Goldeneye estate to recuperate following theSuez Crisis; Eden's stay was much reported in the British press.[57] The book received boosts in sales in 1962 whenEon Productions adaptedDr. No for the cinema, and in 1971 whenDiamonds Are Forever was produced for the big screen.[60] In February 1958Pan Books published a paperback version of the novel in the UK, which sold 68,000 copies before the end of the year.[61] Since its initial publication the book has been issued in numerous hardback and paperback editions, translated into several languages and has never been out of print.[62]
In 2023 Ian Fleming Publications—the company that administers all Fleming's literary works—had the Bond series edited as part of a sensitivity review to remove or reword some racial or ethnic descriptors. The rerelease of the series was for the 70th anniversary ofCasino Royale, the first Bond novel.[63]
Julian Symons, reviewingDiamonds Are Forever inThe Times Literary Supplement, thought that Fleming had some enviable qualities as a writer, including "a fine eye for places ... an ability to convey his own interest in the mechanics of gambling and an air of knowledgeableness".[64] Symons also saw defects in Fleming's style, including "his inability to write convincing dialogue". For Symons, the novel was Fleming's "weakest book, a heavily padded story about diamond smuggling", where "the exciting passages are few".[64]
Milward Kennedy ofThe Manchester Guardian, thought that Fleming was "determined to be as tough as Chandler, if a little less lifelike",[65] whileMaurice Richardson, inThe Observer, considered Bond "one of the most cunningly synthesised heroes in crime-fiction".[66] Richardson wrote how "Fleming's method is worth noting, and recommending: he does not start indulging in his wilder fantasies until he has laid down a foundation of factual description."[66] Elements of a review byRaymond Chandler forThe Sunday Times were used as advertising for the novel; Chandler wrote that it was "about the nicest piece of book-making in this type of literature which I have seen for a long time ... Mr. Fleming writes a journalistic style, neat, clean, spare and never pretentious".[67]
Writing inThe New York Times,Anthony Boucher—described by Fleming's biographerJohn Pearson as "throughout an avid anti-Bond and an anti-Fleming man"[68]—was mixed in his review, thinking that "Mr. Fleming's handling of America and Americans is well above the British average",[69] although he felt that "the narrative is loose-jointed and weakly resolved", while Bond resolves his assignments "more by muscles and luck than by any sign of operative intelligence".[69]
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Diamonds Are Forever was adapted as a dailycomic strip for theDaily Express newspaper, and syndicated around the world. The original adaptation ran from 10 August 1959 to 30 January 1960.[70] The strip was written byHenry Gammidge and illustrated byJohn McLusky.[71][f]
The novel was loosely adapted in a1971 film starringSean Connery and directed byGuy Hamilton.[72]Diamonds Are Forever was the final Bond film undertaken by Sean Connery with Eon Productions, although he returned to the role of Bond twelve years later forKevin McClory andJack Schwartzman'sNever Say Never Again.[73]
In July 2015Diamonds Are Forever was broadcast onBBC Radio 4, starringToby Stephens as Bond; it was directed byMartin Jarvis.[74]
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