Deerhoof | |
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 Deerhoof performing atHaldern Pop in 2018 | |
| Background information | |
| Origin | San Francisco, California, U.S. |
| Genres | |
| Years active | 1994 (1994)–present |
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| Members |
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| Past members |
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| Website | deerhoof |
Deerhoof is an American musical group formed inSan Francisco in 1994. It consists of founding drummerGreg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvisednoise punk band, Deerhoof became widely renowned and influential in the 2000s through its self-produced albums.[1]
Deerhoof has released 20 studio albums since 1997. Its most recent,Noble and Godlike in Ruin, was released on April 25, 2025.[2]
Deerhoof was formed in San Francisco in 1994 as Rob Fisk'simprovisational bass/harmonica solo project.Greg Saunier joined on drums a week later.[3][4] They were quickly signed to record a single forKill Rock Stars after ownerSlim Moon witnessed their performance at the 1994Yoyo A Go Go festival.[5] Satomi Matsuzaki joined Deerhoof within a week of moving to the United States from Japan in May 1995, with no prior experience playing in a band, and went on tour as Deerhoof's singer only a week later, opening forCaroliner.[6] Deerhoof's 1997 debut album,The Man, the King, the Girl, was recorded on a4-track tape.
Deerhoof had a music practice space at the Art Explosion Studios at 2425 17th Street in theMission District; other bands in this space includedCreeper Lagoon,Beulah, Zmrzlina, Don't Mean Maybe, and S-- S-- Band Band.[7]
Chris Cohen joined Deerhoof on guitar in 2002, betweenReveille's completion and release.[4]
In contrast toReveille's digital production process, 2003'sApple O' was played almost entirely live to tape in one nine-hour session with Jay Pellicci engineering.[4] Extinction,nuclear holocaust,invasive species, and the Greek god of music all figure prominently in the album's themes.[8][failed verification]Karen O choseApple O' in the Rolling Stone 2003 Music Awards, Artists' Top Albums,[9] and the album received some critical praise, notably in theNew York Times.[10] But in what became a pattern for Deerhoof, the album's critical appraisal improved with time, and Pitchfork later listedApple O' as one of the top albums of the 2000s.[11] The record's antiwar themes were underscored by Deerhoof's outspoken opposition to theIraq War.[12]
By 2003 Deerhoof had become the longest-running band onKill Rock Stars.[9] Matsuzaki was editing a Bay Area Japanese magazine, Cohen was waiting tables at a Thai restaurant, and Dieterich and Saunier were doing data entry for legal and consulting firms,[4] but that year they all quit their jobs simultaneously to focus on touring.[4] That year they contributed toAzadi! A Benefit Compilation for the Revolutionary Association of the Women of Afghanistan.[13] Saunier also releasedNervous Cop, a collaboration album withZach Hill andJoanna Newsom.[14][15]
Deerhoof's next record was inspired by a crudely drawn character created by the Japanese artist Ken Kagami.[4] 2004'sMilk Man featured an opulent, campy sound inspired byBroadway andIgor Stravinsky.[4][16] It was nominated for "Outstanding Alternative Album" in the California Music Awards,[9] and stayed at No. 1 on the Dusted Radio Chart for six consecutive weeks, and reached No. 1 on theCMJ Core Chart.[9] Also in 2004 Deerhoof received the Editor's Choice Award from7x7 magazine, and was voted "Best Local Rock Band" by readers ofSF Weekly.[9] In 2006Milk Man was adapted to a children's ballet.[17]
Deerhoof's next release was its first to be sung in Matsuzaki's native language of Japanese.[4] 2005's mini-albumGreen Cosmos combined an orchestral sound with dance music styles.[18]
Deerhoof spent several months in 2005 in a rented rehearsal space inOakland, writing and recording daily as a full band.[19] When the result was released that fall, the double albumThe Runners Four featured each band member taking turns as vocalist, singing unusually wordy lyrics in which Arks and time capsules recur, as though foretelling that this would be this lineup's final recording.[20] Instrumental roles were reversed for Matsuzaki (now on guitar) and Cohen (now on bass).[20]
In 2006,Danielson released the critically acclaimedShips, which featured Deerhoof as the backing band on many of the tracks.[21] Later that year, after an extensive world tour that ended atCoachella, Deerhoof composed and performed a live soundtrack toHarry Smith's hour-long animated filmHeaven and Earth Magic at theSan Francisco International Film Festival.[22] This was Cohen's last activity with Deerhoof.[23] The split was amicable. Commemorating Cohen, Deerhoof posteda free EP on its website, one of several it has posted over the years.[4]Chris Cohen now records and tours as a solo act.[24]
Matsuzaki, Saunier, and Dieterich began a new recording as a trio. They recorded mostly in Dieterich's bedroom and mixed on the band's laptop in hotel rooms during tours withRadiohead,the Flaming Lips, andBeck.[4] Some material was from the "Heaven and Earth Magic" soundtrack, some was completely orchestral (without drums or guitars), and one song ("Matchbook Seeks Maniac") was specifically created for a Hollywood film's end credits.[25][26] The album was highly praised in Pitchfork and Rolling Stone.[27]
By January 2008 Deerhoof became a quartet again with the addition of theFlying Luttenbachers/Gorge Trio/XBXRX guitarist and longtime friend Ed Rodriguez. That summer Deerhoof released the song "Fresh Born" online as sheet music only, anticipating similar experiments by Beck andBlur by several years. Fans recorded and uploaded their own versions of the song to a website before anyone outside the band had heard Deerhoof's version.[28] The October 2008 albumOffend Maggie was praised by VH1, NPR, Entertainment Weekly, Alternative Press, The Guardian, and Mojo.[29]
In April 2010 Deerhoof curated the Belgian music festival Sonic City, inviting an eclectic array of European acts includingThe Go! Team,Paolo Pandolfo, and sitting in with the Belgian punk bandthe Kids. In April and July 2010, Deerhoof andXiu Xiu joined to performJoy Division's albumUnknown Pleasures live at the Donaufestival in Austria and at Brooklyn's Williamsburg Waterfront.
Building on "I Did Crimes For You", during this time Deerhoof continued to record in a rented rehearsal space in Oakland. Musical influences fromthe Beach Boys,new romanticism,tropicalia, and theCongotronics series found their way onto 2011'sDeerhoof vs. Evil. The band released the album one track at a time via different media outlets online, with a full map and schedule available on its website.[30] The album was acclaimed by Entertainment Weekly, MOJO, and Paste.[31] Matt Goldman's design was the second Deerhoof album cover to feature a mushroom cloud. Shugo Tokumaru remixed "Behold a Marvel in the Darkness".[32] Deerhoof immediately initiated a 7-inch series wherein guest vocalists (includingJeff Tweedy ofWilco,Kevin Barnes ofOf Montreal, singer-songwriterDavid Bazan, rapperBusdriver, and others) sang new lyrics over an instrumental of aDeerhoof vs. Evil song of their choice.
Deerhoof wasThe Wire magazine's January 2011 cover story.[33] It contributed to Polyvinyl's benefit compilationJapan 3.11.11, joining the relief efforts for March's earthquake and tsunami.[34] Over the summer of 2011, Deerhoof toured with Congotronics Vs. Rockers, an international supergroup, alongsideKonono N°1,Juana Molina,Kasai Allstars, and others. Its onstage repertoire included the Deerhoof song "Super Duper Rescue Heads" fromDeerhoof Vs. Evil.[35] In April 2012 Deerhoof collaborated withQuestlove,Reggie Watts,Sasha Grey, and others in a conceptual concert event calledShuffle Culture at Brooklyn Academy of Music.[36] In April 2012 a young adult fiction book,Rules to Rock By, by Josh Farrar was published; it is about a 12-year-old girl who is inspired by Deerhoof to form her own band. Deerhoof's version ofLiLiPUT's "Hitchhike" appears on the soundtrack.[37] In June 2012 at a Deerhoof performance in Chicago's Millennium Park,contemporary classical musicensemble Dal Niente performedMarcos Balter's arrangement of Deerhoof's "Eaguru Guru".[38] The same month, Deerhoof andThe Flaming Lips performed songs byKing Crimson,Canned Heat, and Deerhoof onstage together.[39]
In 2012 Deerhoof also began home-recording the recordBreakup Song. The band said the album was a response to the tradition of breakup songs, which it felt included too many sad songs and too few empowering ones. After a long final mixing session at Saunier's apartment, Matsuzaki took the front cover photo of a garbage truck in the early morning.[40] The Polyvinyl Records release was also released onJoyful Noise Recordings in "flexi-book" format, allowing listeners to flip from song to song as if each track were a page in a storybook.[41] Deerhoof hero Simeon ofSilver Apples remixed "Mario's Flaming Whiskers III".[42] Revealing some of Deerhoof's working methods and group chemistry, a rare full-band interview, with former MTV VJJohn Norris, appeared in the fall 2012Interview magazine.[43]
In October, Deerhoof released a single, "Sexy, but Sparkly", produced byFear of a Black Planet co-producer Chris Shaw, the first time Deerhoof worked with a producer.[44] It was recorded as part of the series of short documentaries Masters From Their Day, which chronicles the efforts of a band and a record producer as they attempt to record and mix a new single in one day.[45] The song then appeared in the LAMC split-7" series, in which a well-known artist chooses a lesser-known one (Deerhoof chose Half Waif) to make their recorded debut, with proceeds going to the Ariel Panero Memorial Fund at VH1 Save the Music.[46]
Deerhoof's 12th album, 2014'sLa Isla Bonita, was self-recorded live in guitarist Ed Rodriguez's basement during a "weeklong sleepover arguing over whether to try and sound likeJoan Jett orJanet Jackson". The recordings were meant as demos to be rerecorded with former music journalist and Mr. Dream drummerNick Sylvester, but the band liked the raw DIY versions so much it just kept them and recorded the vocals with Sylvester. The lyrics were heavily influenced by Columbia professorJonathan Crary's book24/7.[47] The album art is bySara Cwynar.[48] The video for "Exit Only" featuredMichael Shannon playing two roles, with a cameo by Rodriguez.[49] The Guardian, on its exclusive preview stream ofLa Isla Bonita, collected testimonials about Deerhoof from various notable musicians and artists, includingRadiohead'sJonny Greenwood,Henry Rollins,Blur'sGraham Coxon,Adam Green, theYeah Yeah Yeahs'Brian Chase, andDavid Shrigley.[50] The album received high praise from NPR, A.V. Club, Alternative Press, and The Wire,[51] and was reviewed byTune-Yards' Merril Garbus for Talkhouse.[52]
For Deerhoof andLightning Bolt's mutual 20-year anniversary, Matt Conboy directed a Pitchfork-premiered documentary, "Checking in at 20", about their respective drummers.[53] 2014 also saw the release of Deerhoof's contribution to theBOATS compilation, an international arts project featuring and supporting Dalit "untouchable" children in south-east India and featuring samples of the Light of Love Children's Choir.[54]
During the world tour forLa Isla Bonita, three complete-performance live videos were shot: their November 4 record release show in Brooklyn,[55] a nine-song Boiler Room session recorded in London while both Rodriguez and Matsuzaki were ill with fevers and Saunier had a black eye,[56] and a December 16 performance recorded at a tiny Tokyo rock club called Fever, resulting in a live album,Fever 121614. The 2015 release included a downloadable video of the entire show, edited by longtime friend and collaborator Noriko Oishi. The LP/CD artwork included a massive collage of fan-contributed drawings of the band in manga style.[57] Also in 2015 Deerhoof contributed a track in support of gay and transgender Hoosiers on theJoyful Noise compilation50 Bands & a Cat for Indiana Equality.[58]
In August 2015, the band was the first act invited to perform improvisational site-specific noise music atCERN'sLarge Hadron Collider, as part of the Ex/Noise/CERN project,[59] founded by particle physicistJames Beacham, who stated, "Musical curiosity is similar to scientific curiosity and, on a personal level, Deerhoof has inspired me as much as Einstein".[60] The resulting film[61][62][63] of the project quickly became one of the top ten most-watched videos ever produced by CERN and received wide coverage in the music, art, and science press,[64][65][66][67][68][69] as well as positive responses from notable artists, musicians, and writers.
In 2016 Deerhoof releasedThe Magic. The album blendsglam metal, punk, and noise, but also includes a cover of "I Don't Want to Set the World on Fire" byThe Ink Spots. The cover art was by Matsuzaki.[70] Joseph Baughman created the stop-motion music video for the album's "The Devil and his Anarchic Surrealist Retinue". Baughman described his style as aslow-motionimprovisation. Theclay animated video features chessboard pieces and multicoloredminotaurs.[71]
The Magic was the first Deerhoof album to hit No. 1 on CMJ, and was highly praised by NPR, A.V. Club and Exclaim.[72] A.V. Club invited them to participate in A.V. Undercover, where bands choose from an ever-dwindling list of songs to cover on video. They ended up with "Goody Two Shoes" byAdam Ant but included an excerpt of "Hot for Teacher" byVan Halen.[73] Those who pre-orderedThe Magic from Polyvinyl were treated to a surprise cassette that included Deerhoof doing covers ofDef Leppard,Van Halen,David Bowie,Madonna,Sonic Youth,Malaria!, andPublic Enemy. Their cover of "Fight the Power" appears on thePlanned Parenthood benefit compilationCover Your Ass.[74] They contributeda cover of Xiu Xiu's "Hi", played in the style of White Reaper, to thePolyvinyl Plays Polyvinyl compilation.[75]
After a long world tour forThe Magic, Deerhoof was invited byRed Hot Chili Peppers to open their concerts in northern European arenas in November 2016.[76] Deerhoof is confirmed to open for Red Hot Chili Peppers again in summer 2017. They were one of the headliners of 2017'sBig Ears Festival.[77]
In 2017 Deerhoof was chosen asJoyful Noise Recordings' Artist in Residence. Deerhoof and several Deerhoof-related collaborative projects will be releasing five new LPs in 2017. Proceeds will be donated to a variety of causes, the first of which will beBrand New Congress. On June 28 Deerhoof announced a new album titledMountain Moves and premiered the first single "I Will Spite Survive" (featuring Jenn Wasner on guest vocals) onDemocracy Now!.[78] A second single "Your Dystopic Creation Does Not Fear You" (featuring rapper Awkwafina) was premiered on the Adult Swim Singles Series.[79]Mountain Moves was released on September 8, 2017.
On May 29, 2020, the band released their fifteenth album,Future Teenage Cave Artists. They had previously released three singles from it: the title track, "The Loved One", and "Farewell Symphony".[80] Future Teenage Cave Artists is notable in that it is Deerhoof's first overt concept record.[81]
Greg Saunier said in an August 2020 interview that a "sort of a sequel" toFuture Teenage Cave Artists would be "coming out in a couple months".[82] On September 28 they releasedLove-Lore.
On October 22, 2021, the band released the studio albumActually, You Can.[83]
On December 21, 2021, the band released the live albumDevil Kids.[84]
The band releasedMiracle-Level on March 31, 2023. It is notable in that it is their first to be produced in a recording studio (rather thanad hoc spaces) and to have its lyrics entirely in Japanese.[85]
On April 8, 2024, Saunier announced his solo debut albumWe Sang, Therefore We Were, which was released on April 26 by Joyful Noise.[86]
On April 25, 2025, Deerhoof released the studio albumNoble and Godlike in Ruin.[87]
On June 30, 2025, Deerhoof announced that they would pull their music fromSpotify following reports that the platform's founder,Daniel Ek, had invested in the AI weapons development companyHelsing.[88]
Deerhoof's style has been described asindie rock,[89][1]noise pop,[1][90]punk rock,[91][92][93] and "experimental pop mired in a pure punk sense of adventure".[94]AllMusic characterizes them as "highly revered indie rockers ... who play fractured, whimsical noise pop with anavant-garde edge",[1] whileMaineToday describes them as "the beloved punk band whose erratic style veers between pop,noise, and classicrock and roll".[93]
According toNoisey, Deerhoof formed as a "minimal noiseimprov" act before shifting to "pop-infusednoise-punk".[95] According to AllMusic, their early releases "had a more traditionally harsh,no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts ... [which] mix noise, sugary melodies, and anexperimental spirit into utterly distinctive music that made them one of the most acclaimed acts of the 2000s and 2010s."[1]Impose wrote that since its "beginnings as a noise punk band ... [Deerhoof has] taken leaps and bounds artistically and stylistically, experimenting with pop and punk in ways we could've never imagined ... [and] ultimately [proving] that punk can fit into an artistic world."[96] According to theLos Angeles Philharmonic, it made "some of the most difficult and unclassifiable noise of the mid-'90s [before] unexpectedly [rising] to international prominence as one of indie rock's most renowned and influential groups ... too 'pop' for 'noise,' and too 'noise' for 'pop.'"[97] ForThe Guardian, its breakthrough after many albums of "ellipticalart-pop" came withFriend Opportunity, which showcased "a band playing a constantly shifting mixture ofpsychedelia,post-punk,jazz and pop, which should have been difficult and forbidding, but was given an accessible focus by the sweet vocals andexpressionist lyrics of bassist/chanteuse Satomi Matsuzaki. ... [The followup]Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the bestprog-rock post-punk Afro-Oriental art-popfolk-jazz band in the world.[98] Deerhoof also experiments withcontemporary classical music.[92]
In 2005, Nick Sylvester wrote inPitchfork that it was "the best band in the world".[99]
Deerhoof is known for its anti-capitalist, pro-social, and radical DIY approach to art and life as exemplified by its work with and homages toDavid Graeber (an organizer ofOccupy Wall Street),[100][101][102] its anti-marketing campaigns,[103] trenchant published commentary,[104][105][106] and use of a low-budget and eco-friendly style of production and touring (for example, when it went on tour with theRed Hot Chili Peppers, they all rode together with all their gear to arena gigs in aPriusminivan behind the Chili Peppers' fleet of busses andsemi-trailers.)[103]
The band has been appreciated by and/or influential to other artists, notablyDavid Bowie,[107]Radiohead,[50]Questlove,[108][109][110]St. Vincent,[111]Foo Fighters,[112]Dirty Projectors,[113]Tune-Yards,[52]Stereolab,[114]Henry Rollins,[50]Sleigh Bells,[115] andof Montreal.[116] Deerhoof's songs are covered often by other artists (notablyPhil Lesh,[117]Los Campesinos!,[118]Marco Benevento,[119]David Bazan, and classical composerMarcos Balter[38]).
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Studio albums
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Live albums
Collaborations
Deerhoof has also released a large number of 7-inch singles, split releases with other artists, tracks on compilations, and free downloadable EPs.
{{cite web}}: CS1 maint: bot: original URL status unknown (link). Mp3.com (November 9, 2007). Retrieved November 26, 2010.
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