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On the Syrian Goddess

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(Redirected fromDe Dea Syria)
Greek treatise by Lucian of Samosata

ANabataean depiction of the goddessAtargatis dating from sometime around 100 A.D., roughly seventy years beforeLucian (or possibly Pseudo-Lucian) wroteThe Syrian Goddess; currently housed in theJordan Archaeological Museum
A painting byDante Gabriel Rossetti completed in 1877 depictingAtargatis, the goddess described inOn the Syrian Goddess

On the Syrian Goddess (Ancient Greek:Περὶ τῆς Συρίης Θεοῦ;Latin:De Dea Syria) is aGreek treatise of the second century AD which describes religious cults practiced at the temple ofHierapolis Bambyce, nowManbij, inSyria. The work is written in aHerodotean style ofIonic Greek, and has been traditionally ascribed to theSyrian[1] essayistLucian of Samosata.

Authorship

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Lucian has the reputation of being a witty scoffer, thanks to his many genuine essays and dialogues, and thus the reliability ofDe Dea Syria as an authentic picture of religious life in Syria in the second century has been brought into question, but given the possibility that Lucian is not in fact the author, the treatise may in fact be more accurate than was previously supposed.[2] A more recent analysis concludes that Lucian is in fact the author but that this does not preclude historical accuracy.[3]

Summary

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De Dea Syria describes the worship as being of aphallic character, withvotaries offering little male figures of wood andbronze. There were also huge phalluses set up likeobelisks before the temple, which were ceremoniously climbed once a year and decorated. The treatise begins with a retelling of theAtra-Hasisflood myth, where floodwaters are drained through a small cleft in the rock under the temple.[4]

Castration and ritual sex went on in thetemple precinct, and there was an elaborate ritual on entering the city and first visiting the shrine under the conduct of local guides. A mode ofdivination by movements of axoanon ofApollo was also practiced.

The treatise also provides a physical description of the temple. It was ofIonic character, with gold-plated doors and roof, and much gilt decoration. Inside was a holy chamber into which only priests were allowed to enter. Here were statues of a goddess and a god in gold, the goddess statue more richly decorated with gems and other ornaments. Between them stood a giltxoanon, which seems to have been carried outside in sacred processions. Other rich furniture is described. A great bronzealtar stood in front, set about with statues, and in the forecourt lived numerous sacred animals and birds (but not swine) used for sacrifice. The temple also had a tank of sacred fish, of whichAelian also relates marvels.

Some three hundred priests served the shrine and there were numerous minor ministrants. The lake was the centre of sacred festivities and it was customary for votaries to swim out and decorate an altar standing in the middle of the water.

References

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  1. ^Richter, Daniel S. (2017). "Chapter 21: Lucian of Samosata". In Richter, Daniel S.; Johnson, William A. (eds.).The Oxford Handbook of the Second Sophistic. Vol. 1. Oxford, England: Oxford University Press. p. 328-329.doi:10.1093/oxfordhb/9780199837472.013.26.ISBN 978-0-19-983747-2.
  2. ^Lucinda Dirven, "The Author ofDe Dea Syria and his cultural heritage",Numen44.2 (May 1997), pp. 153–179.
  3. ^Lightfoot,De Dea Syria (2003)
  4. ^Dalley, Stephanie (1998).Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others. Oxford University Press. p. 97.ISBN 978-0-19-283589-5.

Bibliography

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  • The Syrian Goddess translated by Herbert A. Strong,John Garstang (1913) at Internet Archive,[1]
  • J.L. Lightfoot (2003),Lucian On the Syrian Goddess: Edited with Introduction, Translation and Commentary. Oxford: Oxford University Press.

External links

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