David Walter FosterOCOBC (born November 1, 1949) is a Canadian record producer, composer, arranger, and musician. He has won 16Grammy Awards from 45 nominations. He is one of the few artists who consistently produced popular hit music over four decades: the 1970s, 1980s, 1990s, and 2000s.[1]
In recent years, Foster composedBoop! The Musical, which premiered in Chicago in 2023 and debuted on Broadway in 2025. He was nominated for aDrama Desk Award for Outstanding Music.[5]
Foster was born inVictoria, British Columbia, the son of Maurice "Maury" Foster (1913–1968), an office worker, and Eleanor May Foster (née Vantreight) (1918- 2006), a homemaker. He has six sisters.[6][7][8][9] His parents discovered his perfect pitch at around age three.[10] During his childhood, he studied both classical and jazz music.[11] When he was 13 years old, he heard The Beatles on the radio and was so impressed that he said, "That's what I want to do."[12] In 1963, he enrolled in theUniversity of Washington's music program.[12] He attendedMount Douglas Secondary School from 1964 to 1966. Although he did not graduate, he was awarded his Dogwood Certificate in 1985 and was named Honorary Alumni President in 2010.[13] While attending school, he performed with the local band The Teen Beats, through which he developed a lasting friendship with fellow member Chris Earthy.[14][15]
In 1966, he joined a stage band called The Strangers, and soon afterward they moved to London. They performed withChuck Berry andBo Diddley. Diddley became a mentor to Foster, teaching him about groove. During this time, Foster was going through a difficult period, and was barely able to make ends meet.[10]
In 1969, he auditioned for a band at a nightclub inEdmonton owned by jazz musicianTommy Banks. Banks mentored Foster in jazz, producing records, and the music business.[16] Around the same time, Foster also performed withRonnie Hawkins.[17]
In 1971, while playing in Hawkins' band, he met B.J. Cook, and the two quickly hit it off. They soon recruited other musicians to formSkylark.[17] Foster was a keyboardist and de facto leader of Skylark. In 1972, the members of Skylark moved to Los Angeles at the urging ofBarry De Vorzon, who became interested in the band after hearing a demo of their song “Wildflower.” For Foster, De Vorzon's support marked a major turning point in his career.[18] Cook was persistent and leveraged his connections, and after passing through several hands, Skylark finally secured a deal with Capitol Records. The song "Wildflower" produced by Eirik Wangberg, was a top ten hit in 1973.[19][20] The band disbanded after releasing their second album, while foster remained in Los Angeles as a studio musician.[12]
In 1974, while working a few minor jobs as a rehearsal pianist, Foster was invited to a weekly jam session hosted byJim Keltner. This pivotal event brought his talent to the attention of the music industry, marking a turning point in his life and launching his career in Los Angeles.[21]
By this time, Foster had collaborated with numerous musicians and had gained a degree of recognition within the music industry. He was credited as a keyboardist on a number of albums from that era. Foster had gradually transitioned from working solely as a studio musician to also taking on the role of producer.[10] When Foster launched his career in music production, he entered into a full-scale management agreement with attorney Ned Shankman and Ron DeBlasio. Foster had been under contract with Shankman since 1974, but this marked his first major management deal. While such agreements were common for artists, this was the first time a behind-the-scenes producer had been retained in this way. Foster and his managers went on to build a partnership that lasted for decades, during which his managers played a central role in guiding and supporting his career.[26][27]
In 1978, after contributing to the production of various albums, Foster was given the opportunity to produce an entire album for a major record label for the first time. The project wasAlong the Red Ledge forHall & Oates.[28] This album was the first collaboration withHumberto Gatica, who would go on to become a long-time colleague. Its success led Foster to produce their next album,X-Static.[29]
In the same year, Foster producedFrom the Inside, a concept album byAlice Cooper. Although not a commercial success, it marked an early example of Foster's versatility as a producer and his ability to work across genres.[30]
That same year, Foster produced the majority ofDeniece Williams’ albumWhen Love Comes Calling, marking his first collaboration withJeremy Lubbock as orchestral arranger and conductor. The two continued to work together on most of Foster's subsequent projects over the decades until Lubbock's death.[33]
In 1983, Foster released his first solo albumKimi ni Subete wo (The Best of Me), exclusively in Japan. The album was well received, underwent multiple reprints, and remains available as of 2025. It was essentially a collection of demos, many of its songs have since been covered by other artists.[35][36]
Foster was a major contributor to the career of jazz rock bandChicago in the early and mid-1980s, serving as the band's producer onChicago 16 (1982),Chicago 17 (1984) andChicago 18 (1986). The three albums were highly successful and the group's unexpected comeback surprised everyone. Foster co-wrote several of the band's biggest hits with the band's bassist,Peter Cetera and outside songwriters, including "Hard to Say I'm Sorry" (US No. 1), "Hard Habit to Break" (US No. 3), "You're the Inspiration" (US No. 3), and "Will You Still Love Me?" (US No. 3). Entrusted with the task of reviving Chicago, Foster asserted his own style from the outset. He worked primarily with Cetera, with whom he shared similar views, and kept his distance from the other members, which led to ongoing discord within the band. Years later, Foster reflected, “I'm sorry for what happened back then.” In retrospect, 21st-century reviews have noted that the songwriting, arrangements, and production ofChicago 17 are more representative of Foster's style than of the band's. For his work on the album, Foster was awardedProducer of the Year at the27th Annual Grammy Awards.[10][37][1]
Foster co-wroteKenny Loggins's song "Heart to Heart" (US No. 15), from the 1982 albumHigh Adventure. Around this time, Foster and Loggins became friends and began collaborating frequently on album production.
In 1985, David Foster launched a charity project in Canada to support famine relief efforts in Africa. Inspired byUSA for Africa, the project was unique in its own right. Foster contributed the song “Tears Are Not Enough” and brought together renowned Canadian artists to produce and release it. This song was included on the albumWe Are the World. By 1990, the project had raised $3.2 million for famine relief in Africa. Ten percent of the funds raised were set aside to support Canadian food banks. Around this time, Foster began to engage more actively in charitable work. The following article contains information about the artists who contributed to it,Tears Are Not Enough performers.[38][39]
In 1986, Foster released his first international albumDavid Foster. The album was nominated forBest Pop Instrumental Performance andBest Engineered Recording at the29th Grammy Awards. It consists of instrumental tracks and two vocal tracks. The well-known song "Best of Me" is also included on the Japan-exclusive album (1983) with Foster's solo vocals, but this time it has been re-recorded with richer production and features a duet withOlivia Newton-John. The record company finally greenlit the album after the instrumental track "The Love Theme from St. Elmo's Fire" became a major hit the previous year. Earlier, when the albumKimi ni Subete wo (The Best of Me) was released exclusively in Japan, their bid to issue it in the U.S. had failed.[1][35][41][26]
In 1986, Foster also co-wrote, with Peter Cetera and Cetera's wife Diane Nini, the US No. 1 solo hit "Glory of Love."[42]
Foster founded the David Foster Foundation (DFF) in 1986. For more details, see the separate chapter.
Foster composed "Winter Games", the instrumental theme song for the1988 Winter Olympics and performed both the instrumental and its vocal version "Can't You Feel It?" inCalgary,Alberta. The song was nominated forBest Instrumental Composition at the31st Grammy Awards. The song has since been widely used as background music in television and live event productions.[1]
In 1988, Foster released his second international album,TheSymphony Sessions, a collaboration with theVancouver Symphony Orchestra. The album features only instrumental songs. Many of the songs are introspective, it also includes “Winter Games” from the Calgary Olympics. A video version of the album was produced and released simultaneously. It appeared onVHS in the United States, Japan, and Canada, and was also issued onLaserdisc in Japan. The video release was nominated forBest Performance Music Video at the31st Grammy Awards.[43][44][45]
That same year, Foster hired a young engineer, David Reitzas, to join his studio. Since then, the two have continued to work together for many years, up to the present.[46]
In 1989, Foster appeared in his first self-titled television special,A David Foster Christmas Card. More information about the special can be found in a separate chapter below.
In the late 1980s, Foster signed a personal management deal with Danny Goldberg and Brian Avnet, which led to his frequent appearances as an artist. Together, they also co-founded and managed Foster's personal label, 143 Records, where they discovered and developed numerous artists.[47][48][49]Around the same time, Foster brought on Chris Earthy, a longtime friend from their teenage years in the local bandTheTeen Beats, as his production and tour manager, a position he held until 2011.[14][15]
In 1990, Foster released his third albumRiver of Love. It was a collaboration with various singers, the album showcased Foster's work as a writer, performer, and producer. Its format is similar toQuincy Jones's albums from the 1980s, though in this case Foster also wrote all of the songs himself. Unlike his previous album, this one contains a variety of material, ranging from up-tempo to ballads. It also includes a new recording of the famous "Grown Up Christmas List."[50]
In the same year, he helpedCeline Dion break into the U.S. market by producing several tracks on her first English-language album,Unison. Dion has credited both her managerRené Angélil and Foster for helping her reach the international music scene. Foster would go on to collaborate with Dion on many albums over the following decades.[12][51]
In 1991, Foster launched a charity project to support soldiers in theGulf War. Modeled after his African famine relief project six years earlier, he wrote and produced a charity song and brought together well-known North American artists to perform it. The result was "Voices That Care," with proceeds benefiting theUnited Service Organizations and theAmerican Red Cross Gulf Crisis Fund. Further details about the participating artists can be found in the article,Voices That Care performers.[52]
That same year, Foster released his fourth album,Rechordings. As the title suggests, it is a collection of his hit songs reinterpreted with new chord progressions. Similar to his second album,TheSymphony Sessions, it is an instrumental record. The arrangements from this album have since served as the basis for live performances, interviews, and television appearances.[53]
The Bodyguard,Whitney Houston's soundtrack album, was released in 1992 and was partially produced by Foster. Houston and Foster began recording in November of the previous year.[60][61] After a hiatus, they resumed work in March. Before recording "I Will Always Love You," Foster contacted the song's writer,Dolly Parton, about using it. When he mentioned that he planned to followLinda Ronstadt’s version, Parton suggested restoring a third verse from her original lyrics, which she felt was important. Foster agreed. According to him, the recording was completed in a single take without splicing.[10] The version ultimately used was actually a rough cut thatClive Davis requested, rather than the final polished version.[62] The album became a historic success, topping the charts in 21 countries. It stayed at number one on theBillboard 200 for 20 consecutive weeks, making it the first album by a female artist to achieve that milestone.[63] It sold over one million copies per week for several consecutive weeks, and later became one of three Houston albums certified Diamond by theRIAA.[64] As of 2017, the album had sold 50 million copies worldwide—making it the best-selling soundtrack album of all time, the best-selling album by a woman, and the third best-selling album overall, behind onlyAC/DC’sBack in Black andMichael Jackson’sThriller.[65][66][67] The first single, "I Will Always Love You," spent 14 consecutive weeks at number one on theBillboard Hot 100. This tied Houston's record for the most number-one singles by a female artist at the time, and the song went on to top the charts in 34 countries. It sold more than 24 million copies worldwide, becoming the best-selling single by a female artist of all time.[63][64] At the65th Academy Awards, "Run to You" and Foster's composition "I Have Nothing" were nominated for Best Original Song. At the36th Grammy Awards, "I Will Always Love You" won the awards forBest Female Pop Vocal Performance andRecord of the Year.The Bodyguard won the award forAlbum of the Year. "I Have Nothing" and "Run to You" were also nominated forBest Song Written for Visual Media. Foster himself won the award forBest Instrumental Arrangement, Accompanying Vocal for "When I Fall in Love," sung byCeline Dion andClive Griffin, and was additionally awardedProducer of the Year.[68][69][1] Incidentally, Foster makes a brief appearance in the film as a conductor, and his name appears in the end credits.
In 1993, Foster starred in his second self-titled TV special,David Foster's Christmas Album. More information about the special can be found in a separate chapter below.
In 1994, Foster held a concert in Japan calledJT Super Producers '94. The concert was part of a series of events showcasing leading producers of the time. Before and after the concert, he conducted producer workshops in which he spoke about his role as a producer. The albumLove Lights the World, featuring tracks created for the concert, was released in advance and later distributed not only in Japan but also across Asia. This concert was important for Foster, because it introduced him to the joy of live performance and became the prototype for theFoster & Friends concerts that followed. Performers includedCeline Dion,Peabo Bryson,Color Me Badd,Jay Graydon,Wendy Morton,Warren Wiebe,ANRI,the New Japan Philharmonic (conducted byJeremy Lubbock),Michael Thompson,Chester Thompson, Claude Gaudette,Leland Sklar, and theSeawind Horns.[10][70]
The American R&B groupAll-4-One released "I Swear," produced by David Foster, in 1994. The song topped the Billboard Hot 100 for 11 consecutive weeks.
By this point, Foster's focus had shifted beyond the role of producer, as he wanted to help artists develop from a broader perspective. In 1995, he signed a deal withWarner Bros. to launch his boutique label,143 Records, as a joint venture with the company.[71] He entrusted day-to-day operations of the label to his then-manager, Brian Avnet.[71] One of the label's first signings was the Irish folk-rock bandThe Corrs, whose debut album he produced.[71] By 1997, Foster concluded that, at least in the American market, “logo labels” like 143 were in a difficult position. He sold the label back to Warner and became a senior vice president at the corporation.[71] In 2001, Warner Music Group announced it was shutting down the label and its artists were transferred to other Warner imprints (mainlyReprise). However, the 143 name was retained within Warner and continues to exist into the 2020s, though its role has been diminished.[72]
Madonna produced new songs for the compilation albumSomething to Remember, including two collaborations with Foster. "You'll See," released in 1995, became a hit. Although Foster hadn't expected Madonna to choose him, he later said that he felt they did a good job together.[62]
Foster participated annually inAndre Agassi's Grand Slam for Children charity concert every year since 1995. For more details, see the separate chapter.
In 1998, Foster produced and co-wrote 'The Prayer,' performed by Celine Dion andAndrea Bocelli, both as a duet and as solo artists. The song, has become one of his most covered works, won aGolden Globe Award for Best Original Song and was nominated for an Academy Award in the same category in 1998, and received a Grammy nomination forBest Pop Collaboration in 2000. Foster and Bocelli also developed a close working relationship, frequently collaborating on albums and concerts thereafter.[74][75][1][76]
Foster produced major-label debut albums ofJosh Groban (2001),Michael Bublé (2003),Renee Olstead (2004), andCharice (2010). They were mentored by Foster and were previously signed to 143 Records. In the 2000s, Foster's work also had a significantA&R component.
In 2001, Foster collaborated withLara Fabian and theVancouver Symphony Orchestra to record English, French, and bilingual versions of the Canadian national anthem, "O Canada." Following theSeptember 11 attacks, the Canadian government organized several cultural events to strengthen ties with the United States. As part of these initiatives, Lara Fabian was selected to perform a special rendition of "O Canada."[77]
Foster also became involved in his first talent show,Popstars USA, where he served as a mentor. The program aired onThe WB from 2001 to 2002. From then through the 2010s, he frequently appeared on talent shows.
In collaboration with Linda Thompson, Foster composed "Light the Fire Within", sung byLeAnn Rimes for the2002 Winter Olympics. The song was later included on the 2002 reissue of Rimes’ albumI Need You.[79][80]
In 2003, Foster won anEmmy Award for Outstanding Music and Lyrics forThe Concert forWorld Children's Day. For more details, see the separate chapter.
In 2005, Foster, his daughter Amy Foster-Gillies, andBeyoncé wrote "Stand Up For Love" as the anthem for theWorld Children's Day. In 2004,Destiny's Child had received the “Caring Hands, Caring Hearts” award fromMcDonald's Corporation in recognition of their role as global ambassadors for World Children's Day. Since then, the group remained actively involved as global ambassadors. During their North American tour, the group also donated 25 cents from every ticket sold to Ronald McDonald House Charities.[81]
In 2006, Foster appeared as a mentor onSeason 5 ofAmerican Idol. For more details, see the separate chapter.
In 2008, Foster staged a one-night concert calledHitman: David Foster & Friends at theMandalay Bay resort in Las Vegas featuringAndrea Bocelli,Michael Bublé,Josh Groban,Peter Cetera,Katharine McPhee,Celine Dion,Blake Shelton,Brian McKnight, andCharice. The event marked the beginning of theFoster & Friends series, which continued into the 2020s. From that point on, Foster increasingly shifted his focus from studio work to live performances. The concert was originally produced for broadcast onPBS, aired the following month as part of PBS'sGreat Performances series, and was later released on DVD. This marked the start of Foster's long-standing partnership with PBS.[82][83][84]
That same year, Foster's composition and production "I Will Be There With You" was used inJapan Airlines promotions through 2011. Initially, an instrumental version and a Japanese version performed byANRI were produced. In 2019, an English version featuring vocals byKatharine McPhee was released.[85][86][87]
Seal collaborated with Foster onSoul (2008), which became a moderate hit. He continued working with Foster onCommitment (2010) andSoul 2 (2011).[88][89][90]
Foster has produced Michael Bublé since his debut and won theGrammy Award for Best Traditional Pop Vocal Album for Bublé’s fifth album,Call Me Irresponsible (2008), his first Grammy in 11 years. The following year, Foster won the same award again for Bublé’s albumCrazy Love (2009). As of 2025, this remains his 16th and most recent Grammy Award.[1]
Between 2009 and 2012, Foster organized an intensive tour of North America and Asia with his concert seriesDavid Foster & Friends: USA and Canada (2009), USA and Asia (2010), USA (2011), and Asia (2012).[84]
In 2009, Foster published his first book, an autobiography titledHitman: Forty Years Making Music, Topping the Charts, and Winning Grammys. As of 2025, it holds a 4.4 out of 5 rating onAmazon and a 3.72 out of 5 rating onGoodreads, and remains available in hardcover, paperback, and e-book formats.[18]
In 2014, Foster's first musical,Primal Scream: The Musical, premiered atPepperdine University's Smothers Theatre in a one-night charity performance. It was produced byMalibu hairstylist Marie Ferro, with a book by Juliana Jurenas and direction byJim Fall. The work explored themes ofgroup therapy, love, and human psychology, and was loosely inspired by France Janov, the wife of psychologistArthur Janov. In the late 1980s, Foster acquired the stage rights toThe Primal Scream, Arthur Janov's seminal book. More than 30 songs were written for the show and performed on stage, but as of 2025, only two remain publicly available:Celine Dion's "The Colour of My Love," from her 1993 album, and "The Joy of Christmas Past," from Foster's 1989 Christmas program. The only other known titles are “Love Me,” “Pray for Him,” “Tears for Fears,” and “Why Can't People Get Along."[100][101][102][103]
Foster also served as a judge onAsia's Got Talent during the 2015, 2017, and 2019 seasons. For more details, see the separate chapter.
In 2018, Foster was collaborating withJewel to create a musical based onAmy Bloom's novelLucky Us. Plans were also underway to adapt many of Foster's past compositions into musicals, but as of 2025, none of these productions have premiered.[104]
Michael Bublé returned to the music scene after his son's recovery from illness and released a new albumLove in 2018. Although Foster had retired from producing, he made an exception to contribute to its production.[105]
In 2018, Foster replaced his long-runningFoster & Friends series withAn Intimate Evening with David Foster. He continues to tour extensively each year with his wife, Katharine McPhee. As of 2025,Foster & Friends still exists, though at a reduced frequency.[84]
In the 2020s, Foster signed a personal management deal with Marc Johnston.[106]
Foster released his first studio album in 27 years,Eleven Words, in 2020. The album is entirely instrumental and strongly classical in style. Its release on the classical labelDecca reflected Foster's artistic intentions. Despite minimal promotion and its understated nature, the album reached number one on Billboard's Classical Crossover Albums chart and number four on the Classical Albums chart.[107]
In 2023, Foster producedChris Botti's albumVol. 1 in its entirety, his first production for another artist in five years.[108]
That same year, Foster released the albumChristmas Songs with his wifeKatharine McPhee—a collection of standards featuring Foster on keyboards and McPhee on vocals.[109]
Regarding television appearances, one-off guest spots are excluded due to their large number spanning from the 1970s through the 2020s. Recurring roles, such as season-long appearances or serving as a coach or mentor, are included.
In 1985, a behind-the-scenes documentary about the making of the Ethiopia Fund relief charity song“Tears Are Not Enough” aired three days before Christmas on Canada'sCBC. Foster appears in the documentary as the song's producer. It was released onVHS in the United States, Japan, and Canada, and was also issued onLaserdisc in Japan.[38][112][113][114]
In 1987, Foster appeared as the host ofThe Real Stuff – Canadian Forces Snowbirds, a documentary about theRoyal Canadian Air Force’s military aerobatics flight demonstration team, commonly known as theSnowbirds, which aired on Canada's CBC. The documentary featured several songs from his albumDavid Foster, released the previous year, including "Flight of the Snowbirds."
In 1992, Foster traveled to Indonesia to record the television specialDavid Foster's Twilight Orchestra on the national broadcasterRCTI.
In 1993, Foster's second Christmas television special,David Foster's Christmas Album featuring many singers, includingCeline Dion,Tom Jones, andMichael Crawford, aired onNBC in the United States on December 10. The format was similar to his first Christmas television special, but Foster was the only returning performer. This program has never been officially released for sale or distribution and remains unavailable, although a CD based on this show is still available.
The 1994 concert in Japan,JT Super Producers '94, was broadcast almost in full by the Japanese networkNTV a few months later.
Foster appeared inPopstars USA, aWB reality series designed to create the next girl group. The program aired onThe WB from 2001 to 2002, resulting in the formation ofEden's Crush (featuringNicole Scherzinger). Foster and Linda Thompson wrote and produced several songs for their album.[116]
In 2005, Foster and his family's home life was featured in a stagedreality television show,The Princes of Malibu, which aired onFox.[118] The premise centered on Foster's attempts to teach his spoiled stepsons,Brandon andBrody Jenner—the children of Thompson and OlympianCaitlyn Jenner[119]—to straighten out their lives and earn their own way.
In 2006, Foster was heavily involved in talent shows. Below is a list of the programs he appeared on.
In 2006, Foster was the musical director forJCPenney Jam: The Concert For American Kids.[124]
That same year, Foster was featured inUnder the Desert Sky, Andrea Bocceli's live album and DVD of a pop concert held in Las Vegas.[125]
In 2007, Foster was appeared in Bocelli'sVivere: Live in Tuscany, a live album and DVD of a pop concert performed at Bocelli's Teatro del Silenzio in Lajatico, Tuscany in July.[126]
In 2008, Foster was featured in aPBS special titledHit Man: David Foster & Friends, a concert showcasing live performances by Foster and numerous guest artists.[127]
In 2009, Foster performed in a Christmas concert withAndrea Bocelli, which aired on PBS as part of theGreat Performances series.[128]
In 2011, Foster's ongoingFriends concert series returned to PBS under the titleHitman Returns, following the 2008 edition.[129]
In 2015, Foster joined the panel of judges forAsia's Got Talent in Malaysia and Singapore.[132] He returned as a judge in 2017 alongsideAnggun,Mel C, andVanness Wu for the second season, and again in 2019 with Anggun andJay Park for the third season.[133]
In 2016, Foster collaborated with Russian artistEmin on a concert inSt. Petersburg, Russia, performing before an audience of 50,000. The concert was broadcast nationwide on PBS. Emin had first met Foster through PBS and later invited him to collaborate.[134]
In 2018, Foster andKatharine McPhee appeared in Series 3 ofThe Great Songwriters, a music documentary program produced primarily for in-flight entertainment and satellite broadcast.[135]
In 2021, Foster and McPhee competed onseason six ofThe Masked Singer as "Banana Split". They were eliminated in the Group B Finale, where they competed againstJewel, who performed as “Queen of Hearts.”[140]
In 1993, Foster hosted a Christmas special titledDavid Foster's Christmas Album onNBC featuring many well-known artists performing holiday songs. A CD of the program's recordings was released in November, one month before the broadcast. Like Foster's other albums, it has been reissued multiple times and remains available today.[141][142]
Foster also wrote the holiday standardGrown-Up Christmas List in 1989. The song has become a favorite among artists and has been featured on numerous albums.
In 2022, Foster andKatharine McPhee recorded a seven-song Christmas EP titledChristmas Songs. The project was reissued as a full-length album with seven additional tracks, expanding the original EP into a complete holiday release in 2023.[143][144][145]
Regarding charitable activities, the following list is limited to events in which Foster took a leading role. Mere attendance at charity events is excluded due to their sheer number. Exceptions are made if he made a significant contribution as a guestor has contributed over many years, in which case the reason for his contribution is noted.
In 1986, Foster established the David Foster Foundation. The impetus for its creation came from his encounter with a young girl awaiting a liver transplant. After fulfilling her modest wish, he became profoundly aware of the importance of a child's life, which inspired him to create the foundation. To raise funds for the foundation, Foster has organized more than 100 benefit events over several decades, often persuading friends and colleagues to participate. Since its first grant, Foster and other donors have supported more than 1,500 families through the foundation, helping cover both medical and non-medical expenses. In 2022, the foundation provided assistance to 20% of Canadian families whose children received liver, kidney, heart, or lung transplants. In recognition of his efforts, Foster received the Humanitarian Award by theCanadian Academy of Recording Arts and Sciences in 2019.[146][147]
Since 1996, David Foster has served as Musical Director of the Carousel of Hope, helping raise awareness and funds fortype 1 diabetes and enabling the Children's Diabetes Foundation andBarbara Davis Center to provide vital support to individuals with diabetes and their families.[149][150]
Throughout the 1980s and 1990s, Foster took part in and performed at numeroustelethons forVariety Club, the Children's Charity, broadcast onCHAN-DT in Vancouver. He was often joined by fellow artists he knew, and he continues to be involved with the organization today.[151]
From 1995 to 2008, Foster participated annually inAndre Agassi's Grand Slam for Children charity concerts. In more recent years, he has occasionally served as music director, supporting efforts to expand educational opportunities for underserved children and their communities.[152][153]
As of 2019, Foster has been married five times and has five daughters, one son and nine grandchildren.[154]
Foster's first child, Allison Jones Foster, was born in 1970 when he was 21. He gave her up for adoption and later reunited with her as an adult. She serves as secretary of the David Foster Foundation. As of 2019, Allison is married and has two children.[154]
His first marriage was to singer and writer B.J. Cook in 1972; they divorced in 1981.[155][17] They had one daughter,Amy (b. 1973).[155]
He married his second wife, Rebecca Dyer, in 1982; they divorced in 1986.[156] They had three daughters:Sara (b. 1981),Erin (b. 1982), and Jordan (b. 1986).[154]
In 1992, Foster was driving on thePacific Coast Highway when he accidentally struck actor and dancerBen Vereen with his car. Vereen had just suffered a stroke while driving near his Malibu home and was stumbling on the highway.[158] He was critically injured but recovered after undergoing physical rehabilitation.[159] Vereen later stated that he would have died if Foster had not collided with him and then called for emergency services.[158]
Foster married his fourth wife, Dutch modelYolanda Hadid, in 2011; they divorced in 2017.[160] He became stepfather to Yolanda's three children from her previous marriage toMohamed Hadid:Gigi (b. 1995),Bella (b. 1996), and Anwar (b. 1999).[161]
^"Andrea Bocelli Live in Central Park".PBS. November 30, 2011.Archived from the original on February 19, 2014. RetrievedAugust 26, 2017.Bocelli was joined that rainy, windswept evening by pop stars Céline Dion, Tony Bennett, Chris Botti and David Foster,