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D-5 (Panasonic)

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D-5 videotape
PanasonicD-5 HD VTR AJ-HD3700H
Media typeMagnetic tape
EncodingNTSC,PAL
Read mechanismHelical scan
Write mechanismHelical scan
StandardInterlaced video
Developed byPanasonic
UsageTelevision production
Extended fromD-3
Released1993; 32 years ago (1993)
Magnetic tape-based videocassette format

D-5 is a professionaldigital video format introduced byPanasonic at 18th International Television Symposium inMontreux in 1993 and released a year later in 1994.[1][2][3]

Overview

[edit]
A cassette tape forD-3 and D-5 (Medium)

LikeSony'sD-1 (8-bit), it is an uncompressed digital component system (10-bit), but uses the same half-inch tapes asPanasonic's digital compositeD-3 format. A 120 min. D-3 tape will record 60 min. in D-5/D-5 HD mode. D-5 standard definition (SD) decks can be retrofitted to record high definition with the use of an external HD input/output box/decoder.[4][5][6] There were native D5 HD decks as well that didn't need an external processor and could record in both SD and HD.[7] High definition conversion on D5 HD decks does not allow for any error correction that exists on standard definition recordings, as the full bandwidth of the tape is required for high definition recording.

D-5 HD

[edit]

D-5 HD uses standard D-3/D-5 videocassettes to record HD material, using an intra-frame compression with a 4:1 ratio. It was introduced in 1994.[2] D-5 HD supports the 1080 and the 1035 interlaced line standards at both 60 Hz and 59.94 Hz field rates, all 720 progressive line standards and the 1080 progressive line standard at 24, 25 and 30 frame rates. Four 48 kHz 24-bit PCM audio channels, or eight 48 kHz 20-bit channels, are also supported. D-5 runs at different data rates for different formats:[8]

  • 323 Mbit/s (1080/59.94i/8CH, 720/59.94p/8CH, 480/59.94i/8CH)
  • 319 Mbit/s (576/50i/8CH)
  • 300 Mbit/s (1080/59.94i/4CH, 720/59.94p/4CH, 480/59.94i/4CH)
  • 258 Mbit/s (1080/23.98p/8CH, 1080/24p/8CH)
  • 269 Mbit/s (1080/50i/8CH, 1080/25p/8CH, 576/50i/4CH)

HD material is often captured for post production of film projects, whereby the D-5 HD scanning equipment is cheaper by the hour than a full resolution 2K film scan.[citation needed]

As of 2010, no D-5 HD camcorders have been offered for sale. Panasonic instead marketsP2 camcorders for field production of 720p or 1080i and 1080p images.[9]

In 2007, Panasonic introduced an add-on box (AJ-HDP2000) that allows a standard D-5 VTR to encode 2K (2048 x 1080) resolution material with 4:4:4 color space onto D-5 tape using the industry standard JPEG2000 wavelet-based compression.[10]

References

[edit]
  1. ^Costello, Vic (28 April 2016).Multimedia Foundations: Core Concepts for Digital Design. CRC Press.ISBN 9781317808909 – via Google Books.
  2. ^abPizzi, Skip; Jones, Graham (24 April 2014).A Broadcast Engineering Tutorial for Non-Engineers. CRC Press.ISBN 9781317906834 – via Google Books.
  3. ^Luis Sanz (10 March 2018)."Historia de los medios técnicos de la televisión. Grabación y reproducción de contenidos II: magnetoscopios digitales".TM Broadcast. Retrieved29 July 2023.
  4. ^"Panasonic AJ HDP500"(PDF).broadcaststore.com. Retrieved18 June 2023.
  5. ^"Panasonic Ships AJ-HDP2000".TVTechnology. 6 September 2007.
  6. ^"BroadcastStore.com − New and Used Professional Video, Audio, and Broadcast Equipment. Sony, JVC, Panasonic, Grass Valley, Tektronix, Avid, Applied Magic, and More..."www.broadcaststore.com. Retrieved18 June 2023.
  7. ^"AJ-HD3700"(PDF).Archived(PDF) from the original on 2 December 2015.
  8. ^The hardware manual for the AJ-HD3700B D5 HD VTR
  9. ^"Broadcast, Cinema & Pro Video | Panasonic North America - United States". Retrieved18 June 2023.
  10. ^"Multi-Format Digital HD Studio VTR"(PDF). Archived fromthe original(PDF) on 25 April 2012.

See also

[edit]
Subsidiaries
Current
Former
Brands
Products
Consoles
Turntables
Other
Formats and standards
People
Other
Videotape
Analog
Digital
High Definition
Videodisc
Analog
Digital
High Definition
Ultra-High Definition
Virtual
Media agnostic
Tapeless
Solid state
Video recorded to film
High-definition (HD)
Concepts
Resolutions
Analog broadcast
(All defunct)
Digital broadcast
Audio
Filming and storage
HD media and
compression
Connectors
Deployments
High-definition media
Media formats
Promoter
Interactivity
Recordable formats
Comparison
Copy prevention
Blu-ray players
Ultra HD Blu-ray players
HD DVD players
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