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Theculture of the Philippines is characterized by great ethnic diversity.[1] Although themultiple ethnic groups of thePhilippine archipelago have only recently established a sharedFilipinonational identity,[2] their cultures were all shaped by thegeography andhistory of the region,[3][4] and by centuries of interaction with neighboring cultures, and colonial powers.[5][6] In more recent times, Filipino culture has also been influenced through its participation in theglobal community.[7]
Among the contemporary ethnic groups of the Philippine archipelago, theNegritos are generally considered the earliest settlers;[8] today, although few in numbers, they preserve a very traditional way of life and culture. After those early settlers, theAustronesians arrived on the archipelago. The Austronesian culture is strongly evident in the ethnic majority and languages.
Before thearrival of European colonizers in the 1500s, the various ethnic groups of the Philippines were organized into various independentpolities,[5][6] which historians have come to call "barangays".[9][10][a] These polities consisted of about thirty to a hundred households,[2][9] and were ruled by leaders with titles.[2] The largest of these, such asButuan,Tondo and theSultanate of Sulu were complex political formations based on the deltas of the archipelago's biggest river systems, with political and trade relationships with polities further upstream on one hand, and with the political and trading powers ofMaritime Southeast Asia andEast Asia such as theSultanate of Brunei, theMajapahit empire, theQing andMing Dynasties of China, and evenJapan.Indirect cultural exchange and some trade also took place with theIndian subcontinent andArabia.[11]
The advent of Spanish colonial rule in the islands marked the beginning of the Philippines as an entity, a collection of Southeast Asian countries united under theSpanish Empire. The empire ruled, via theViceroyalty of New Spain and later directly from Madrid (after 1821 Mexican independence), the islands between the 16th and 19th centuries (Batanes being one of the last places to be colonized in the mid-1800s), resulting inChristianity to spread and dominate throughout the archipelago and influenced the religion and beliefs of the natives. Then, the Philippines became a U.S. territory for almost 50 years. Influence from theUnited States is manifested in the wide use of theEnglish language, media and in the modern culture and clothing of present-day Philippines.[12]

The Philippines' culture is shaped by its archipelagic geography, topography and physical location withinMaritime Southeast Asia, all of which defined the cultural histories of the country's 175 Ethnolinguistic groups.[3][4][13]: 68
The cultural diversity of the Philippines is the result of the country'sarchipelagic nature. The Philippines, as the world's fifth largestisland country,[14] is one of the five original archipelagic states recognized under theUnited Nations Convention on the Law of the Sea (UNCLOS).[15] Its 7,641 islands[18] have a total land area of 300,000 square kilometers (115,831 sq mi);[19][20] itsexclusive economic zone—covering an area 200 nautical miles (370 km) from its islands' shores—encompasses 2,263,816 square kilometers (874,064 sq mi) of sea.[21] Maritime and river transport allowed cultural exchanges between thecountry's diverse ethnic groups who settled on various islands within the archipelago; inland mountain ranges, on the other hand, were a major hindrance to cultural linkages between various groups.[2]
ThePhilippines is inhabited by more than 182ethnolinguistic groups,[22]: 5 many of which are classified as "Indigenous Peoples" under the country'sIndigenous Peoples' Rights Act of 1997. Traditionally-Muslim peoples from the southernmost island group of Mindanao are usually categorized together asMoro peoples, whether they are classified as Indigenous peoples or not. About 142 are classified as non-Muslim Indigenous People groups, and about 19 ethnolinguistic groups are classified as neither indigenous nor moro.[22]: 6 Variousmigrant groups have also had a significant presence throughout the country's history.
TheMuslim-majority ethnic groups ethnolinguistic groups ofMindanao,Sulu, andPalawan are collectively referred to as theMoro people,[23] a broad category which includes some indigenous people groups and some non-indigenous people groups.[22]: 6
About 142 ofthe Philippines' Indigenous People groups are not classified as moro peoples.[22]: 6 Some of these people groups are commonly grouped together due to their strongly association with a shared geographic area, although these broad categorizations are not always welcomed by the ethnic groups themselves.[24][25][26] For example, the indigenous peoples of theCordillera Mountain Range in northernLuzon have often been referred to using theexonym[24] "Igorot people," and as theCordilleran peoples.[24] Meanwhile, the non-Moro peoples of Mindanao are collectively referred to as theLumad, a collectiveautonym conceived in 1986 as a way to distinguish them from their neighboring indigenous Moro neighbors.[27]
About 86 to 87 percent of the Philippine population belong to the 19 ethnolinguistic groups are classified as neither indigenous nor moro.[22]: 6 known simply as Filipinos, these groups are sometimes collectively referred to as "LowlandChristianized groups" to distinguish them from the other ethnolinguistic groups.[28] The most populous of these groups, with populations exceeding a million individuals, are theIlocano, thePangasinense, theKapampangan, theTagalog, theIvatan, theCuyonon, theBicolano, theVisayans (Cebuanos,Boholano, theHiligaynon/Ilonggo, andWaray) and many more.[22]: 16 These groups converted toChristianity and was part of the Spanish empire,[citation needed] particularly both the native and migrant lowland-coastal groups,[29] and adopted foreign elements of culture throughout the country's history.[citation needed]
Due to the history of the Philippines since theSpanish colonial era, there are also some historical migrant heritage groupswithin the lowland Filipino populations such as theChinese Filipinos andSpanish Filipinos, both of whom intermixed with the above lowlandAustronesian-speaking ethnic groups, which producedFilipino Mestizos. These groups also comprise and contribute a considerable proportion of the country's population,[30] especially itsbourgeois,[31] and economy[31][32][33][34] and were integral to the establishment of the country,[29] from the rise ofFilipino nationalism by theIlustradointelligentsia to thePhilippine Revolution.[35] Other peoples of migrant and/or mixed descent include those such as,American Filipinos,Indian Filipinos,[36]Japanese Filipinos,[37] and many more.

Theindigenous peoples of the Philippines areethnolinguistic groups or subgroups that maintain partial isolation or independence throughout the colonial era, and have retained much of their traditional pre-colonial culture and practices.[38]
The Philippines has 110 enthnolinguistic groups comprising the Philippines' indigenous peoples; as of 2010, these groups numbered at around 14–17 million persons.[39]Austronesians make up the overwhelming majority, while full or partialNegritos scattered throughout the archipelago. The highland Austronesians and Negrito have co-existed with their lowland Austronesian kin and neighbor groups for thousands of years in the Philippine archipelago.
Culturally-indigenous peoples of northern Philippine highlands can be grouped into theIgorot (comprising many different groups) and singularBugkalot groups, while the non-Muslim culturally-indigenous groups of mainland Mindanao are collectively calledLumad. Australo-Melanesian groups throughout the archipelago are termedAeta,Ita,Ati,Dumagat, among others. Numerous culturally-indigenous groups also live outside these two indigenous corridors.[40] In addition to these labels, groups and individuals sometimes identify with the Tagalog termkatutubo, which denotes any person of indigenous origin.[41][42][43]
According to theKomisyon sa Wikang Filipino, there are 135 recognized local indigenous Austronesian languages in the Philippines, of which one (Tagalog) isvehicular and each of the remaining 134 isvernacular.[citation needed]A formal field interpreting psychology as rooted on the experience, ideas, and cultural orientation of the Filipinos, calledFilipino psychology, was established in 1975.[44]
As a general description, the distinctvalue system of Filipinos is rooted primarily in personal alliance systems, especially those based in kinship, obligation, friendship, religion (particularlyChristianity), and commercial relationships.[45]
Filipino values are, for the most part, centered around maintaining social harmony, motivated primarily by the desire to be accepted within a group.[46] The main sanction against diverging from these values are the concepts of "Hiya", roughly translated as 'shame', and "Amor propio" or 'self-esteem'.[46] Social approval, acceptance by a group, and belonging to a group are major concerns. Caring about what others will think, say or do, are strong influences on social behavior among Filipinos.[47]
Other elements of the Filipino value system are optimism about the future, pessimism about present situations and events, concern and care for other people, the existence of friendship and friendliness, the habit of being hospitable, religious nature, respectfulness to self and others, respect for the female members of society, the fear of God, and abhorrence of acts of cheating people financially and thievery.[48]

Before the arrival of European colonizers,Austronesian architecture was the common form of housing on the archipelago.[citation needed]
During the Spanish era, the new Christianized lowland culture collectively evolved a new style known as theNipa hut (Bahay Kubo). It is characterized by use of simple materials such as bamboo andcoconut as the main sources of wood.Cogon grass,Nipa palm leaves and coconut fronds are used as roof thatching. Most primitive homes are built on stilts due to frequent flooding during the rainy seasons. Regional variations include the use of thicker, and denser roof thatching in mountain areas, or longer stilts on coastal areas particularly if the structure is built over water. The architecture of other indigenous peoples may be characterized by an angular wooden roofs, bamboo in place of leafy thatching and ornate wooden carvings. The Bahay na bato architecture is a variant of Nipa Hut that emerged during the Spanish era.[49]
Spanish architecture has left an imprint in the Philippines in the way many towns were designed around a central square orplaza mayor, but many of the buildings bearing its influence were demolished during World War II.[50] Some examples remain, mainly among the country's churches, government buildings, and universities. Four Philippinebaroque churches are included in the list ofUNESCO World Heritage Sites: theSan Agustín Church in Manila,Paoay Church inIlocos Norte,Nuestra Señora de la Asunción (Santa María) Church inIlocos Sur, andSanto Tomás de Villanueva Church inIloilo.[51]Vigan in Ilocos Sur is also known for the many Hispanic-style houses and buildings preserved there.[52] The introduction ofChristianity brought European churches and architecture which subsequently became the center of most towns and cities in the nation. TheSpaniards also introduced stones and rocks as housing and building materials and the Filipinos merged it with their existing architecture and forms a hybrid mix-architecture only exclusive to the Philippines.Filipino colonial architecture can still be seen in centuries-old buildings such asFilipino baroque churches,Bahay na bato; houses, schools, convents, government buildings around the nation. The best collection of Spanish colonial era architecture can be found in the walled city ofIntramuros inManila and in the historic town ofVigan. Colonial-era churches are also on the best examples and legacies ofSpanish Baroque architecture calledEarthquake Baroque which are only found in the Philippines. Historic provinces such asIlocos Norte andIlocos Sur,Pangasinan,Pampanga,Bulacan,Cavite,Laguna,Rizal,Batangas,Quezon,Iloilo,Negros,Cebu,Bohol andZamboanga del Sur also boasts colonial-era buildings.
TheAmerican occupation in 1898 introduced a new breed of architectural structures in the Philippines. This led to the construction of government buildings andArt Deco theaters. During the American period, some semblance of city planning using the architectural designs and master plans byDaniel Burnham was done on the portions of the city ofManila. Part of the Burnham plan was the construction of government buildings that resembledGreek orNeoclassical architecture.[53] InIloilo, a lot of the colonial edifices constructed during the American occupation in the country can still be seen. Commercial buildings, houses and churches in that era are abundant in the city and especially inCalle Real.[54]
TheUniversity of Santo Tomas Main Building inManila is an example ofRenaissance Revival architecture. The building was built in 1924 and was completed at 1927. The building, designed by Fr.Roque Ruaño,O.P., is the first earthquake-resistant building in thePhilippines, after its blueprints were revised in light of lessons learned from the1923 Great Kantō earthquake.[55][56] Islamic and other Asian architecture can also be seen depicted on buildings such asmosques andtemples. Pre-Hispanic housing is still common in rural areas. Contemporary-style housing subdivisions and suburban-gated communities are popular in urbanized places such asMetro Manila,Central Visayas,Central Luzon,Negros Island and other prosperousregions.
However, certain areas of the country likeBatanes have slight differences as both Spanish and Filipino ways of architecture assimilated differently due to the climate. Limestones and coral were used as building materials.[57]

There have been proposals to establish a policy where each municipality and city will have an ordinance mandating all constructions and reconstructions within such territory to be inclined with the municipality or city's architecture and landscaping styles to preserve and conserve the country's dying heritage sites, which have been demolished one at a time in a fast pace due to urbanization, culturally-irresponsible development, and lack of towns-cape architectural vision. The proposal advocates for the usage and reinterpretations of indigenous, colonial, and modern architectural and landscaping styles that are prevalent or used to be prevalent in a given city or municipality. The proposal aims to foster a renaissance in Philippine landscaping and townscaping, especially in rural areas which can easily be transformed into new architectural heritage towns within a 50-year time frame. Unfortunately, many Philippine-based architecture and engineering experts lack the sense of preserving heritage townscapes,[58] such as the case inManila, where business proposals to construct structures that are not inclined with Manila's architectural styles have been continuously accepted and constructed by such experts, effectively destroying Manila's architectural townscape one building at a time. Only the city ofVigan has passed such an ordinance, which led to its declaration as aUNESCOWorld Heritage Site in 1999 and awarding of various recognition for the conservation and preservation of its unique architectural and landscaping styles. In 2016, bills proposing to establish a Department of Culture were filed in both chambers of Congress to help formulate policy on architecture.[59][60]
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Baro evolved from its forerunner garment worn by theTagalogs of Luzon Prior to theSpanish Era. When the Spaniards came and settled into the islands, the fashion changed drastically as the Spanish culture influenced the succeeding centuries of Philippine history. The Spanish dissolved the kingdoms and united the country, resulting in a mixture of cultures from different ethnic groups of the conquered archipelago and Spanish culture. A new type of clothing calledBarong tagalog (for men) andBaro't saya (for women) began to emerged and would ultimately define the newly formed Filipino culture.[61][62]

Throughout the 16th century up to the 18th century, women wore a more updated version of the Baro't saya, composed of a bodice – called aCamisa, often made in pineapple fiber or muslin – and a floor length skirt, while thebarong tagalog of men, was a collared and buttoned lace shirt or a suit. Aside from Barong, men also woresuits. Most Visayan lowland women wearKimona, a type of Baro't Saya blouse matching with a knee-length or floor-length skirt printed with thePatadyong pattern, hence getting the namePatadyong skirt. The dress is often accompanied with a handkerchief calledtubao also printed with patadyong pattern and is often placed above the right shoulder. These traditions was brought by the Visayans to Mindanao where they also dominate the Christian lowland culture.[61][62][63]

Salakot hat is a Filipino general term for a range of related traditional headgear used by virtually all ethnic groups of the Philippines and is a Filipino variation of theAsian conical hat ofEast and Southeast Asia. It is usually dome-shaped or cone-shaped, but various other styles also exist, including versions with dome-shaped, cone-shaped, or flat crowns with a flat or gently sloping brim. It can be made from various materials includingbamboo,rattan,nito,bottle gourd,buri straw,nipa leaves,pandan leaves,carabao horn, andtortoiseshell. In addition to Salakot and western hats,Buntal hat, Buri hat andcalasiao hat are another traditional hats worn by Filipinos. By the 19th century, due to the continuing influence of the Western culture, the rising economy, globalization, and exposure from the European fashion scene, the women's clothing began to have a change; by the 1850s, women's clothing was now full wide skirts that usually have long train rather than the simple floor length skirts, a bodice calledcamisa which means blouse in English and apañuelo, The attire is composed of four pieces, namely the camisa, the saya, the pañuelo (a scarf, also spelled panuelo) and theTapis this would later be calledMaria Clara. The men also continued to wear a more intricate versionbarong tagalog. Underneath the transparent barong tagalog is theCamisa de Chino a type of shirt, usually in white. When the Americans arrived baro't saya started to change again and became more modern in contrast to the conservative style. The women then wore the new version called,Traje de Mestiza, the more modern version of the Maria Clara. By the 1920s, the style of the skirt still remained, influenced by the flapper dress; however, the wide sleeves had been flattened to butterfly sleeves and the bigpañuelo reduced its size.[61][62][63][64]
Men wore suit and coat worn in the West, mostly Americans hence the name it was called, theAmericana, It was more popularly white or light in color than western counterpart. By the 1930s, young adult women and children embraced the more American style, but the typical "Traje de Mestiza" was not fully gone. By 1940's onward baro't saya was still evolving. But people started wearing more updated modern clothing and fully turned away from baros as everyday clothing. Though it became a symbol of traditional culture to be preserved for traditional ceremonies and cultural occasions, from the modern more globalized culture of the post war era.[61][62][63]
Cultures that are un-hispanized like the Negritos, Igorot, Lumad and Moro etc. was mostly only fully absorbed into the Filipino borders much later in history, especially during the post-war's modern and globalized culture when the hispanized lowland Filipinos are modernized. As a result, they were mostly unaffected by the traditional lowland Christian Filipino culture and clothing. What influenced them instead was the modern culture and fashions. Though traditional clothing are retained for traditional ceremonies and cultural occasions as well.[65]

Early pottery has been found in the form of mostly anthropomorphic earthenware jars dating from c. 5 BC to 225 AD.[66] Early Philippine painting can be found in red slip (clay mixed with water) designs embellished on the ritual pottery of the Philippines such as the acclaimedManunggul Jar. Evidence of Philippine pottery-making dated as early as 6000 BC has been found in Sanga-Sanga Cave, Sulu and Cagayan's Laurente Cave. It has been proven that by 5000 BC, the making of pottery was practiced throughout the archipelago. Early Austronesian peoples, especially in the Philippines, started making pottery before their Cambodian neighbors, and at about the same time as the Thais and Laotians as part of what appears to be a widespread Ice Age development of pottery technology.
Further evidence of painting is manifest in the tattoo tradition of early Filipinos, whom the Portuguese explorer referred to asPintados or the 'Painted People' of the Visayas.[67][68] Various designs referencing flora and fauna with heavenly bodies decorate their bodies in various coloredpigmentation. Perhaps, some of the most elaborate painting done by early Filipinos that survive to the present day can be manifested among the arts and architecture of theMaranaos who are well known for theNāga dragons and theSarimanok carved and painted in the beautiful Panolong of their Torogan or King's House.
Filipinos began creating paintings in the European tradition during 17th-century Spanish period. The earliest of these paintings were Church frescoes, religious imagery from Biblical sources, as well as engravings, sculptures and lithographs featuring Christian icons and European nobility. Most of the paintings and sculptures between the 19th and 20th centuries produced a mixture of religious, political, and landscape art works, with qualities of sweetness, dark, and light.[69][70][71][72][73][74][75]
The Itneg people are known for their intricatewoven fabrics. Thebinakol is a blanket which features designs that incorporate optical illusions.Other parts of Highlands in the Cordillera Region or in local term " KaIgorotan" displays their art in tattooing, weaving bags like the "sangi" a traditional backpack and carving woods. Woven fabrics of the Ga'dang people usually have bright red tones. Their weaving can also be identified by beaded ornamentation. Other peoples such as theIlongot make jewelry frompearl, red hornbill beaks, plants, and metals. Many Filipino painters were influenced by this and started using materials such as extract from onion, tomato,tuba,coffee, rust, molasses and other materials available anywhere as paint.TheLumad peoples of Mindanao such as theB'laan, Mandaya, Mansaka and T'boli are skilled in the art of dyeingabaca fiber.Abaca is a plant closely related tobananas, and its leaves are used to make fiber known asManila hemp. The fiber is dyed by a method calledikat.Ikat fiber are woven into cloth with geometric patterns depicting human, animal and plant themes.

Kut-kut, a technique combining ancientOriental andEuropean art process. Considered lost art and highly collectible art form. Very few known art pieces exist today. The technique was practiced by the indigenous people ofSamar Island between early 1600 and late 1800 A.D. It is an exotic Philippine art form based on early century techniques:sgraffito,encaustic and layering. The merging of the ancient styles produces a unique artwork characterized by delicate swirling interwoven lines,
Islamic art in the Philippines have two main artistic styles. One is a curved-linewoodcarving and multi-layered texture and an illusion of three-dimensional space.metalworking calledokir, similar to the Middle Eastern Islamic art. This style is associated with men. The other style is geometric tapestries, and is associated with women. The Tausug andSama–Bajau exhibit their okir on elaborate markings with boat-like imagery. The Marananaos make similar carvings on housings called torogan. Weapons made by Muslim Filipinos such as thekampilan are skillfully carved.
Earlymodernist painters such asHaagen Hansen was associated with religious and secular paintings. The art ofLorenzo Miguelito andAlleya Espanol showed a trend for political statement. The first American national artistJhurgen D. C. Pascua used post-modernism to produce paintings that illustrated Philippine culture, nature and harmony. While other artists such asBea Querol used realities andabstract on his work. In the 1980s,Odd Arthur Hansen, popularly known asama ng makabayan pintor or father of patriotic paint, gained recognition. He uses his own white hair to make his own paintbrushes and signs his painting using his own blood on the right side corner. He developed his own styles without professional training or guidance from professionals.

Philippine folk dances include theTinikling andCariñosa. In the southern region of Mindanao,Singkil is a popular dance showcasing the story of a prince and princess in the forest.Bamboo poles are arranged in atic-tac-toe pattern in which the dancers exploit every position of these clashing poles.[79][80]

The early music of the Philippines featured a mixture of Indigenous, Islamic and a variety of Asian sounds that flourished before the European and American colonization in the 16th and 20th centuries. Spanish settlers and Filipinos played a variety of musical instruments, including flutes, guitar,ukulele, violin, trumpets and drums. They performed songs and dances to celebrate festive occasions. By the 21st century, many of the folk songs and dances have remained intact throughout the Philippines. Some of the groups that perform these folk songs and dances are theBayanihan, Filipinescas, Barangay-Barrio, Hariraya, the Karilagan Ensemble, and groups associated with the guilds ofManila, and Fort Santiago theatres. Many Filipino musicians have risen prominence such as the composer and conductor Antonio J. Molina, the composer Felipe P. de Leon, known for his nationalistic themes and the opera singerJovita Fuentes.
Modern day Philippine music features several styles. Most music genres are contemporary such asFilipino rock,Filipino hip hop and other musical styles. Some are traditional such asFilipino folk music.

The Philippine literature is a diverse and rich group of works that has evolved throughout the centuries. It had started with traditional folktales and legends made by the ancient Filipinos before Spanish colonization. The main themes of Philippine literature focus on the country's pre-Hispanic cultural traditions and the socio-political histories of its colonial and contemporary traditions.The literature of the Philippines illustrates the Prehistory and European colonial legacy of the Philippines, written in both Indigenous and Hispanic writing system. Most of the traditional literatures of the Philippines were written during the Spanish period, while being preserved orally prior to Spanish colonization. Philippine literature is written inSpanish,English, or any indigenousPhilippine languages.
Some well known works of literature were created in the 17th to 19th centuries. TheIbong Adarna is a famous epic about a magical bird which was claimed to be written byJosé de la Cruz or "Huseng Sisiw".[81]Francisco Balagtas is one of the country's prominent Filipino poets, he is named as one of the greatest Filipino literary laureates for his contributions in Philippine literature. His greatest work, theFlorante at Laura is considered as his greatest work and one of the masterpieces ofPhilippine literature. Balagtas wrote theepic during his imprisonment.[82]José Rizal, the national hero of the country, wrote the novelsNoli Me Tángere (Touch Me Not) andEl Filibusterismo (The Filibustering, also known asThe Reign of Greed).Nínay ByPedro Paterno, explores the tragic life of a female protagonist Ninay.
There have been proposals to revive all indigenous ethnic scripts orsuyat in the Philippines, where the ethnic script of the ethnic majority of the student population shall be taught in public and private schools. The proposal came up after major backlash came about when a bill declaring the Tagalog baybayin as the national script of the country. The bill became controversial as it focuses only on the traditional script of the Tagalog people, while dismissing the traditional scripts of more than 100 ethnic groups in the country. The new proposal that came after the backlash cites that if the ethnic majority is Sebwano, then the script that will be taught is badlit. If the ethnic majority is Tagalog, then the script that will be taught isbaybayin. If the ethnic majority is Hanunuo Mangyan, then the script that will be taught is hanunu'o, and so on.[83]
Salón de Pertierra was the first introduced moving picture on January 1, 1897, in the Philippines. All films were all in Spanish since Philippine cinema was first introduced during the final years of the Spanish era of the country.Antonio Ramos was the first known movie producer. He used the Lumiere Cinematograph when he filmedPanorama de Manila (Manila landscape),Fiesta de Quiapo (Quiapo Fiesta),Puente de España (Bridge of Spain), andEscenas Callejeras (Street scenes). Meanwhile,Jose Nepomuceno was dubbed as the "Father of Philippine Cinema".[84] His work marked the start of cinema as an art form in the Philippines.[85] His first film produced was entitledDalagang Bukid (Country Maiden) in 1919.
Film showing resumed in 1900 during theAmerican period. Walgrah, a British entrepreneur, opened theCine Walgrah at No. 60 Calle Santa Rosa inIntramuros. It was also during this time that a movie market was formally created in the country along with the arrival ofsilent movies. These silent films were always accompanied bygramophone, a piano, aquartet, or a 200-man choir. During theJapanese occupation, filmmaking was put on hold. Nonetheless, it was continued on 1930s up until 1945 replacing the Hollywood market with Japanese films but met with little success. Postwar 1940s and the 1950s were known as the first golden age ofPhilippine cinema with the resurgence of mostly Visayan films through Lapu-Lapu Pictures. This period also saw the rise of film legendParaluman. Nationalistic films became popular, and movie themes consisting primarily of war and heroism and proved to be successful with Philippine audiences.[citation needed]

The 1950s saw the first golden age of Philippine cinema,[86][87] with the emergence of more artistic and mature films, and significant improvement in cinematic techniques among filmmakers. The studio system produced frenetic activity in the Philippine film industry as many films were made annually and several local talents started to gain recognition abroad. Award-winning filmmakers and actors were first introduced during this period. As the decade drew to a close, the studio system monopoly came under siege as a result of labor-management conflicts.
During the 1960s,James Bond movies,bomba (soft porn) pictures and an era of musical films, produced mostly bySampaguita Pictures, dominated the cinema. The second golden age occurred from the 1970s to early 1980s. It was during this era that filmmakers ceased to produce pictures in black and white. A rise inHollywood films dominated theater sales during the late 1980s until the 2000s.[88] The dawn of this era saw a dramatic decline of the mainstream Philippine movie industry.[89]
The 1970s and 1980s were considered turbulent years for the Philippine film industry, bringing both positive and negative changes. The films in this period dealt with more serious topics following the Martial law era. In addition, action, western, drama, adult and comedy films developed further in picture quality, sound and writing. The 1980s brought the arrival of alternative or independent cinema in the Philippines.[citation needed] The 1990s saw the emerging popularity of drama, teen-oriented romantic comedy, adult, comedy and action films.[87]
The mid-2010s also saw broader commercial success of films produced by independent studios.[90][91]
The Philippines, being one of Asia's earliest film industry producers, remains undisputed in terms of the highest level of theater admission in Asia. Over the years, however, the Philippine film industry has registered a steady decline in movie viewership from 131 million in 1996 to 63 million in 2004.[92][88] From a high production rate of 350 films a year in the 1950s, and 200 films a year during the 1980s, the Philippine film industry production rate declined in 2006 to 2007.[92][88] The 21st century saw the rebirth of independent filmmaking through the use of digital technology and a number of films have once again earned nationwide recognition and prestige.
With the high rates of film production in the past, several movie artists have appeared in over 100+ roles in Philippine Cinema and enjoyed great recognition from fans and moviegoers.
Protest art has played an important part in Philippine history, and in the development of Philippine culture.[93] ThePropaganda Movement had been key in the formation of the Philippine national consciousness in the 19th century.[94] In the 20th century, the proclamation ofMartial law under Ferdinand Marcos - and the subsequenthuman rights abuses which came with it - led to the prominence ofprotest art in Filipino popular culture.[95][96]
Philippine mythologies are the first literature of the Philippines, usually passed on through generation via traditional and oral folk literature. Written texts recording the stories have also been made. These literary stories are mostly chanted as part of a dynamicPhilippine epic poetry.[97][98] While each unique ethnic group has its own stories and myths to tell, Hindu and Spanish influences can nonetheless be detected in many cases. Philippine mythology mostly consists of creation stories or stories about supernatural creatures, such as theaswang, themanananggal, thediwata/engkanto, and nature. Some popular figures from Philippine mythologies areMakiling,Lam-Ang, and theSarimanok.[99]

The arrival of the Spanish colonizers in the 16th century brought the beginning of the Christianization of the people in the Philippines. This phase in history is noted as the tipping point for the destruction of a variety ofAnitist beliefs in the country, which were replaced by colonial belief systems that fitted the tastes of the Spanish, notablyChristian beliefs.Christianity in form of has influenced Filipino culture in almost every facet, from visual arts, architecture, dance, and music. Presently, the Philippines is one of the two predominantlyCatholic (80.58%) nations in Asia-Pacific, the other beingEast Timor. The country also has its own independent Philippine church, theAglipayan, which accounts for around 2% of the national population. Other Christian churches are divided among a variety of Christian sects and cults. From the census in 2014, Christianity consisted of about 90.07% of the population and is largely present throughout the nation.[100]


Indigenous Philippine folk religions, also referred collectively as Anitism,[101][102] meaning ancestral religions,[103][104] are the original faiths of the diverse ethnic groups of the Philippines. Much of the texts of the religions are stored through memory which are traditionally chanted, rather than written in manuscripts.[citation needed]
Written texts, however, have been utilized as well in modern times to preserve aspects of the religions, notably their stories which are important aspects ofPhilippine mythology and traditional rites and other practices. These stories consist of creation stories or stories aboutimportant figures such as deities and heroes and certaincreatures.[citation needed]
Some popular, but distinct, figures include the Tagalog'sBathala andMakiling, the Ilocano'sLam-ang, and the Maranao'sSarimanok.[99]
Islamic mythology arrived in the Philippines in the 13th century through trade routes in Southeast Asia. The spread of Islam established a variety of belief systems, notably in the southwestern portions of the archipelago, where the sultanate system was embraced by the natives without the need for forced conversions, as the religious traders did not intended to colonize the islands. Presently, around 6% of the population are Muslims, concentrating in theBangsamoro region in Mindanao. Most Filipino Muslims practice Sunni Islam according to the Shafi'i school.[100]
Hinduism arrived in the Philippines in 200–300 AD whileVajrayana Buddhism arrived around 900 AD. Most adherent of Hinduism have Indian origins while those practicing Buddhism have Chinese or Japanese origins, notably those who immigrated in the Philippines in the last few decades.Shintoism arrived prior to the 12th century due to Japanese traders, whileJudaism arrived in the 16th century due to the Inquisition.Taoism is also practiced by some Chinese immigrants.Atheism is also found in the Philippines.[105][100]
Filipinos cook a variety of foods influenced by Western, Pacific Islander, and Asian cuisine. Philippine cuisine is considered as a melting pot ofIndian,Chinese,Spanish, andAmerican influences and indigenous ingredients.[106]
The Spanish colonizers and friars in the 16th century brought with them produce from the Americas such as chili peppers, tomatoes, corn, potatoes, and the method of sautéing with garlic and onions.Eating out is a favorite Filipino pastime. A typical Pinoy diet consists at most of six meals a day; breakfast, snacks, lunch, snacks, dinner, and again a midnight snack before going to sleep. Rice is a staple in the Filipino diet, and is usually eaten together with other dishes. Filipinos regularly use spoons together with forks when eating out and when it involves eating soup like nilaga .But in traditional home settings they eat most of the time with their bare hands and also when eating seafood. Rice, corn, and popular dishes such asadobo (a meat stew made from either pork or chicken),lumpia (meat or vegetable rolls),pancit (anoodle dish), andlechón baboy (roasted pig) are served on plates.
Other popular dishes includeafritada,asado,tapa,empanada,mani (roasted peanuts),paksiw (fish or pork, cooked in vinegar and water with some spices like garlic andpepper),pandesal (bread of salt),laing,sisig,torta (omelette),kare-kare (ox-tail stew),kilawen,pinakbet (vegetable stew), pinapaitan, andsinigang (tamarind soup with a variety of pork, fish, orprawns). Some delicacies eaten by some Filipinos may seem unappetizing to the Western palate includebalut (boiled egg with a fertilized duckling inside),longganisa (sweet sausage), anddinuguan (soup made from pork blood).[citation needed]
Popular snacks and desserts such aschicharon (deep fried pork or chicken skin),halo-halo (crushed ice withevaporated milk, flan, slicedtropical fruit, and sweet beans),puto (white rice cakes),bibingka (rice cake with butter ormargarine and salted eggs),ensaymada (sweet roll with grated cheese on top),pulburon (powder candy), andtsokolate (chocolate) are usually eaten outside the three main meals. Popular Filipino beverages includeBeer,Tanduay Rhum,lambanog, andtuba.
Every province has its own specialty and tastes vary in each region. InBicol, for example, foods are generally spicier than elsewhere in the Philippines.Patis (fish sauce),suka (vinegar),toyo (soy sauce),bagoong, andbanana ketchup are the most common condiments found in Filipino homes and restaurants.
Western fast food chains such asMcDonald's,Wendy's,KFC, andPizza Hut are a common sight in the country. Local food chains such asJollibee,Goldilocks Bakeshop,Mang Inasal andChowking are also popular and have successfully competed against international fast food chains.[107][108]
Education in thePhilippines has been influenced by Western and Eastern ideology and philosophy from theUnited States,Spain, and its neighbouringAsian countries. Philippine students enter public school at about age four, starting from nursery school up tokindergarten. At about seven years of age, students enter elementary school (6 to 9 years) this include Grade 7 to Grade 10 asjunior high school, then after, they graduate. Since the Philippines has already implemented theK-12 system, students will enter SHS orsenior high school, a 2-year course, to be able to prepare college life with their chosen track such as ABM (Accountancy Business Management), STEM (Science, Technology, Engineering and Mathematics) and HUMSS (Humanities and Social Sciences) other tracks are included like TECH-VOC (Technical Vocational). Students can make a choice if they will take the college entrance examinations (CEE) in order to attend college or university (3 to 5 years) or find work after they graduate senior high school.[citation needed]
Other types of schools in the country include private schools, preparatory schools, international schools, laboratory high schools, and science high schools. Of these schools, private Catholic schools are the most famous.Catholic schools are preferred in the Philippines due to their religious beliefs. Most Catholic schools are co-ed. The uniforms of Catholic schools usually have an emblem along with the school colors. International schools follow different curricula, such as Singaporean, American, and British. With this, their approach differs depending on the overall programs that these curricula offer.[citation needed]
The school year in the Philippines starts in June and ends in March, with a two-month summer break from April to May, two-week semestral break in October andChristmas and New Year's holidays. Changes are currently being made to the system and some universities have copied the Westernized academic calendar and now start the school year in August.[citation needed]
In 2005, the Philippines spent about US$138 per pupil compared to US$1,582 inSingapore, US$3,728 inJapan, and US$852 inThailand.[109]


Arnis, a form of martial arts, is the national sport in the Philippines.[110] Among the most popular sports includebasketball,boxing,football,billiards,chess,ten-pin bowling,volleyball,horse racing,Sepak Takraw,cockfighting andBullfighting.Dodgeball,badminton, andtennis are also popular.
Filipinos have gained international success in sports. These areboxing,football,billiards,ten-pin bowling, andchess. Popular sport stars includeManny Pacquiao,Flash Elorde, andFrancisco Guilledo in boxing,Paulino Alcántara in football,Carlos Loyzaga,Robert Jaworski, andRamon Fernandez in basketball,Efren Reyes andFrancisco Bustamante in billiards,Rafael Nepomuceno in ten-pin bowling,Eugene Torre and Renato Naranja in chess, andMark Muñoz in MMA. ThePhilippine National Basketball Team is a powerhouse inAsia and has the best performance of all Asian teams in the Olympics and theFIBA World Cup.
ThePalarong Pambansa, a national sports festival, has its origin in an annual sporting meet of public schools that started in 1948. Private schools and universities eventually joined the national event, which became known as the "Palarong Pambansa" in 1976. It serves as a nationalOlympic Games for students, competing at school and national level contests. The year 2002 event included football, golf,archery, badminton, baseball, chess, gymnastics, tennis,softball, swimming, table tennis,taekwondo, track and field, and volleyball.

There are several forms of Filipino martial arts that originated in the Philippines (similar to howSilat is the martial arts practiced in Asia) includingEskrima (weapon-based fighting, also known asArnis and in the West sometimes asKali),Panantukan (empty-handed techniques), andPananjakman (the boxing component of Filipino martial arts).


Traditional Philippine games such asluksong baka,patintero,piko, andtumbang preso are still played primarily aschildren's games among the youth.[111][112]Sungka is played on a board game using small sea shells in which players try to take all shells. The winner is determined by who has the most shells at the point when all small pits become empty.[113]
One traditional Filipino game isluksong tinik, a very popular game to Filipino children where one has to jump over thetinik and cross to the other side unscathed. Other traditional Filipino games includeyo-yo, piko, patintero, bahay kubo, pusoy, and sungka.Tong-its is a popular gambling game. Individuals play the game by trying to get rid of all the cards by choosing poker hands wisely.Card games are popular during festivities, with some, includingpusoy andtong-its, being used as a form ofillegal gambling.Mahjong is played in some Philippine communities.
Sabong or cockfighting is another popular entertainment especially among Filipino men, and existed prior to the arrival of the Spanish.Antonio Pigafetta, Magellan's chronicler, first documented this pastime in the kingdom of Taytay.[114][115]
Theyo-yo, a popular toy in the Philippines, was introduced in its modern form byPedro Flores with its name coming from theIlocano language.[116]
Filipinos have created toys using insects such as tying a beetle to string, and sweeping it circular rotation to make an interesting sound. The "Salagubang gong" is a toy described by Charles Brtjes, an Americanentomologist, who traveled toNegros and discovered a toy using beetles to create a periodic gong effect on a kerosene can as the beetle rotates above the contraption.[117]Piko is a Filipino version of the gamehopscotch. Children will draw a sequence rectangles using chalk on the ground. With various level of obstacle on each rectangle, children will compete against one another or in a team. Players usepamato; usually a flat stone, slipper or anything that could be tossed easily.
Every year, usually in April and May, thousands of Filipino boys are taken by their parents to becircumcised. According to theWorld Health Organization (WHO) about 90% of Filipino men are circumcised, one of the world's highest circumcision rates. Although the roots of the practice date back to the arrival ofIslam in 1450, the succeeding 200 years of Spanish rule obviated the religious reasons for circumcision. Nevertheless, circumcision, calledtuli, has persisted. The pressure to be circumcised is evidenced even in the language: theTagalog word for 'uncircumcised',supot, also means 'coward'. It is commonly believed that a circumcised eight or ten year-old is no longer a boy and is given more adult roles in the family and society.[118]
The Philippines, with the National Commission for Culture and the Arts as the de facto Ministry of Culture,[119] ratified the 2003 Convention after its formal deposit in August 2006.[120]
Prior to the 2003 Convention, the Philippines was invited by UNESCO to nominate intangible heritage elements for the inclusion to the Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity. This prompted the proclamation of theHudhud chant of the Ifugao in 2001 andDarangen epic chant of the Maranao in 2005. After the establishment of the 2003 Convention, all entries to the Proclamation of Masterpieces were incorporated in theRepresentative List of Intangible Cultural Heritage of Humanity in 2008. A third inscription was made in 2015 through a multinational nomination between Cambodia, the Philippines, the Republic of Korea and Viet Nam for theTugging Rituals and Games, wherein thePunnuk, tugging ritual of theIfugao was included.
As part of the objective of the 2003 Convention, the National Commission for Culture and the Arts through the Intangible Cultural Heritage unit and in partnership with the Intangible Cultural Heritage in the Asia-Pacific Region (ICHCAP), published the "Pinagmulan: Enumeration from the Philippine Inventory of Intangible Cultural Heritage" in 2012. The publication contains an initial inventory of 335 ICH elements with elaborate discussions on 109 ICH elements.[121] The elements listed are the first batch of continuous updating process initiated by the government,UNESCO, and other stakeholders. In 2014, the Pinagmulan was a finalist under the category of the Elfren S. Cruz Prize for Best Book in the Social Sciences to the National Book Awards organized by theNational Book Development Board.[122] The Philippine inventory is currently being updated as a measure to safeguard more intangible cultural heritage elements in the country. The updating began in 2013 and results may be released in 5–10 years after the scientific process finishes the second batch of element documentations. According to UNESCO, it is not expected by a country or state party to have a completed inventory. On the contrary, the development and updating of inventories is an ongoing process that can never be finished.[123]
Between 2015 and 2017, UNESCO'sIntangible Cultural Heritage Courier of Asia and the Pacific featured thedarangen epic chant,[124]punnuk tugging ritual,[125] and at least three kinds of traditional healing practices in the Philippines, including themanghihilot andalbularyo healing practices and belief ofbuhay na tubig (living water) of theTagalog people of 20th century Quezon city,[126] thebaglan andmandadawak healing practices and stone beliefs of the Itneg people inAbra,[126] and themantatawak healing practices of the Tagalog people ofMarinduque.[126]

By 2016, according to the ICH Unit, National Commission for Culture and the Arts, there were 367 elements listed under thePhilippine Inventory of Intangible Cultural Heritage (PIICH), the official ICH inventory of the Philippines. All elements under the PIICH are listed inPhilippine Registry of Cultural Property (PRECUP), the official cultural property inventory of the country which includes both tangible and intangible cultural properties.[127] In April 2018, thebuklog of the Subanen people was nominated by theNational Commission for Culture and the Arts in the list for urgent safeguarding.[128]
An Overseas Filipino is a person of Filipino origin, who lives outside of the Philippines. This term is applied to people of Filipino ancestry, who are citizens or residents of a different country. Often, these Filipinos are referred to as Overseas Filipino Workers.
There are about 11 million overseas Filipinos living worldwide, equivalent to about 11 percent of the total population of the Philippines.[129]
Each year, thousands of Filipinos migrate to work abroad through overseas employment agencies and other programs. Other individualsemigrate and becomepermanent residents of other nations. Overseas Filipinos often work as doctors, nurses, accountants, IT professionals, engineers, architects,[130] entertainers, technicians, teachers, military servicemen, students, caregivers, domestic helpers, and household maids.
International employment includes an increasing number of skilled Filipino workers taking on unskilled work overseas, resulting in what has been referred to asbrain drain, particularly in the health and education sectors. Also, the employment can result inunderemployment, for example, in cases where doctors undergo retraining to become nurses and other employment programs.
Festivals in the Philippines, locally known asfiestas, originated dating back to theSpanish colonial period when the Spaniards introducedChristianity to the country. Most Philippine towns and cities has apatron saint assigned to each of them. Fiestas in the Philippines serve as either religious, cultural, or both. These festivals are held to honor the patron saint or to commemorate history and culture, such as promoting local products and celebrate a bountiful harvest. Fiestas can be categorized byHoly Masses,processions,parades,theatrical play and reenactments, religious or cultural rituals,trade fairs,exhibits,concerts,pageants and various games and contests.


| Date (Gregorian Calendar) | Filipino language | English language |
|---|---|---|
| January 1 | Araw ng Bagong Taon | New Year's Day |
| March–April | Mahal na Araw includingBiyernes Santo andHuwebes Santo | Holy Week includingGood Friday andMaundy Thursday |
| April 9 | Araw ng Kagitingan | Day of Valour |
| May 1 | Araw ng Manggagawa | Labour Day |
| June 12 | Araw ng Kalayaan | Independence Day |
| August 27 | Araw ng mga Bayani | National Heroes' Day |
| November 30 | Araw ni Bonifacio | Bonifacio Day |
| December 24 | Bisperás ng Pasko | Christmas Eve |
| December 25 | Araw ng Pasko | Christmas |
| December 30 | Araw ni Rizal | Rizal Day |
| Date (Gregorian Calendar) | Filipino language | English language |
|---|---|---|
| January–February | Bagong Taong Pang Tsino | Chinese New Year |
| February 25 | Anibersaryo ng Rebolusyon ng Lakas ng mga Tao | People Power Revolution Anniversary |
| August 21 | Araw ni Ninoy Aquino | Ninoy Aquino Day |
| November 1 | Araw ng mga Santo | All Saints Day |
| November 2 | Araw ng mga Kaluluwa | All Souls' Day |
| December 31 | Bisperás ng Bagong Taón | New Year's Eve |
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The Philippines is home to numerous heritage towns and cities, many of which have been intentionally destroyed by the Japanese through fire tactics in World War II and the Americans through bombings during the same war. After the war, the government of the Empire of Japan withheld from giving funds to the Philippines for the restoration of the heritage towns they destroyed, effectively destroying any chances of restoration since the pre-war Philippines' economy was devastated and had limited monetary supply. On the other hand, the United States gave minimal funding for only two of the hundreds of cities they destroyed, namely, Manila and Baguio.
Today, only the centres (poblacion or downtown areas) of Filipino heritage towns and cities remain in most of the expansive heritage cities and towns in the country. Yet, some heritage cities in their former glory prior to the war still exist, such as theUNESCO city ofVigan which was the only heritage town saved from American bombing and Japanese fire and kamikaze tactics. The country currently lacks a city/town-singular architectural style law. Due to this, unaesthetic cement or shanty structures have taken over heritage buildings annually, destroying many former heritage townscapes.[neutrality isdisputed] Some heritage buildings have been demolished or sold to corporations, and have been replaced by commercial structures such as shopping centers, condominium units, or newly furnished modern-style buildings, completely destroying the old aesthetics of many former heritage towns and cities. This is one of the reasons whyUNESCO has repeatedly withheld from inscribing further Filipino heritage towns in theWorld Heritage List since 1999. Only the heritage city of Vigan has a town law that guarantees its singular architecture (the Vigan colonial style) shall always be used in constructions and reconstructions.
While Silay,[132] Iloilo City, and San Fernando de Pampanga have ordinances giving certain tax exemptions to owners of heritage houses. In 2010, the Philippine Cultural Heritage Act passed into law, effectively giving protections to all cultural heritage properties of the Philippines. However, despite its passage, many ancestral home owners continue to approve the demolition of ancestral structures. In certain cases, government entities themselves were the purveyors of such demolitions.[133]
The Bisayans are called Pintados because they are in fact so, not by nature although they are well-built, well-featured and white, but by painting their entire bodies from head to foot as soon as they are young men with strength and courage enough to endure the torture of painting. In the old days, they painted themselves when they had performed some brave deed. They paint themselves by first drawing blood with pricks from a very sharp point, following the design and lines previously marked by the craftsmen in the art, and then over the fresh blood applying an indelible black powder. They do not paint the whole body at one time, but part by part, so that the painting takes many days to complete. In the former times they had to perform a new feat of bravery for each of the parts that were to be painted. The paintings are very elegant, and well proportioned to the members and parts where they are located. I used to say there, captivated and astonished by the appearance of one of these, that if they brought it to Europe a great deal of money could be made by displaying it. Children are not painted. The women paint the whole of one hand and a part of the other.
Just as Filipino people are part Malay, Chinese and Spanish, so is the cuisine of their seven-thousand-island nationPhilippines Country Study Guide. Int'l Business Publications. 2007. p. 111.ISBN 978-1-4330-3970-6. RetrievedJune 30, 2011.
Throughout the centuries, the islands have incorporated the cuisine of the early Malay settlers, Arab and Chinese traders, and Spanish and American colonizers along with other Oriental and Occidental accent and flavors.[permanent dead link]"Philippine Cuisine."Archived June 16, 2011, at theWayback MachineBalitapinoy.netArchived July 23, 2011, at theWayback Machine. Accessed July 2011.Morgolis, Jason (February 6, 2014)."Why is it so hard to find a good Filipino restaurant?".Public Radio International. RetrievedDecember 17, 2014.
Philippine food has Chinese, Malaysian, Spanish and American influences — all cultures that have shaped the Philippines.
An estimated 10 percent of the Philippine population, or nearly 8 million people, are overseas Filipino workers distributed in 182 countries, according to POPCOM. That is in addition to the estimated 3 million migrants who work illegally abroad