You can helpexpand this article with text translated fromthe corresponding article in Spanish. (February 2011)Click [show] for important translation instructions. View a machine-translated version of the Spanish article. Machine translation, likeDeepL orGoogle Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. Youmust providecopyright attribution in theedit summary accompanying your translation by providing aninterlanguage link to the source of your translation. A model attribution edit summary isContent in this edit is translated from the existing Spanish Wikipedia article at [[:es:Cristina Gálvez]]; see its history for attribution. You may also add the template{{Translated|es|Cristina Gálvez}} to thetalk page. For more guidance, seeWikipedia:Translation.

Cristina Gálvez (Lima, 1916 - Lima, 1982) was aPeruvian sculptor. Along withJoaquín Roca Rey,Jorge Piqueras andJuan Guzmán she has been called one of the most important Peruvian sculptors of the twentieth century.^[1]

Cristina was the daughter of Cristina Mendoza y de la Barrera de Gálvez and José Roberto Gálvez y Chipoco. Don Jose was the brother of don Luis Gálvez Chipoco, a renowned athlete andstadium name sake, her uncle Pedro Gálvez Chipoco was the owner of theGálvez Chipoco house, a historic landmark inBarranco. Cristina's paternal grandfather was the renowned 19th century Barranquino philanthropist don Pedro Alcántara Galvéz y Martínez-Carrasco, first owner of the Galvéz y Martínez-Carrasco ranch in Plaza Espinoza de Barranco.

Relatives of Cristina Gálvez include,Michael Sayman Gálvez,Jorge del Castillo andRossana Fernandéz-Maldonado and Catalina Recavarren.

Formed initially inFrance andBelgium, she learned from a very young age the great transformations developed in Europe prior to World War II. Her first professional studies, in the 1930s, were in workshops of renowned European artists such as Mauride in Paris and Van der Stecken inBrussels whose common denominator was based on technical demand and the promotion of creative freedom. In these workshops she will get interested in drawing, but it will be in the study of Parisian post-Cubist André Lothe - who used to infuse a certain constructive rigor in his students - where he will consolidate his trade. On her return to Peru, in 1936, she mets the group of artists known as "The independents" among whom Ricardo Grau, Macedonio de la Torre,Sérvulo Gutiérrez and Juan Ugarte Elespuru stood out, a movement that she joined after leaving the National School of Fine Arts and starting to work with the avant-garde of the moment, the Peruvian-Swiss painter Enrique Kleiser. It is between this personal rediscovery of the country, on the one hand, and a novel modernist outcrop on the other, in which her vocation for sculpture is born, an activity that will be imposed as the main in their life. The work she develops from Huanuquen leather masks - unpublished material among Peruvian scholar sculpture - allows him to access, in the early fifties, a scholarship to Europe where he undertakes his sculptural training.

This article about a Peruvian sculptor is astub. You can help Wikipedia byexpanding it.

• v
• t
• e

• Artists from Lima
• Peruvian women artists
• 1916 births
• 1982 deaths
• 20th-century Peruvian sculptors
• 20th-century women artists
• Peruvian expatriates in Italy
• Peruvian expatriates in France
• Peruvian people stubs
• South American sculptor stubs

• Articles with short description
• Short description matches Wikidata
• Culture articles needing translation from Spanish Wikipedia
• All stub articles