| Count Dracula | |
|---|---|
 Louis Jourdan as Count Dracula | |
| Based on | Dracula byBram Stoker |
| Written by | Gerald Savory |
| Directed by | Philip Saville |
| Starring | Louis Jourdan Frank Finlay Susan Penhaligon Judi Bowker Mark Burns Jack Shepherd |
| Music by | Kenyon Emrys-Roberts |
| Country of origin | United Kingdom |
| Original language | English |
| Production | |
| Producer | Morris Barry |
| Editors | Richard Bedford (film inserts) Rod Waldron (videotape) |
| Running time | 155 minutes |
| Original release | |
| Network | BBC 2 |
| Release | 22 December 1977 (1977-12-22) |
Count Dracula is a British televisionadaptation of the 1897 novelDracula byBram Stoker. Produced by theBBC, it first aired onBBC 2 on 22 December 1977. It is among the more faithful of the many adaptations of the original book.[1][2][3][4] Directed byPhilip Saville from a screenplay byGerald Savory, it starsLouis Jourdan asCount Dracula andFrank Finlay as ProfessorAbraham Van Helsing.
Lucy Westenra's sisterMina bids farewell to her fiancéJonathan Harker, a solicitor travelling toCount Dracula'scastle inTransylvania to expedite his purchase of Carfax Abbey and other properties in England.
On the penultimate leg of Harker's trip, a fellow-passenger warns him not to go to Dracula's castle. She gives him herrosary for protection. Harker is dropped off at theBorgo Pass in the dead of night, and is picked up a few moments later by the Count's coach. At the castle's door, Count Dracula welcomes Jonathan and easily carries his heavy trunk up to his room. Jonathan reluctantly agrees to stay for a month. Dracula is gracious, but he has sharp fingernails, hair on his palms, and casts no reflection. After an encounter withDracula's brides, Harker finds the Count and his brides' sleeping quarters in a crypt, with their eyes open, yet seemingly unaware of his presence. Harker tries to kill Dracula with a shovel to no effect before fleeing the castle.
In England, Mina and Lucy go to the seaside town ofWhitby. Among their friends are Lucy's American fiancéQuincey Holmwood, andDr. John Seward, who operates a local asylum. Among Seward's patients is the madmanR. M. Renfield, who worships and fears Dracula. Mina and Lucy witness a storm in which the shipDemeter goes aground. It is carrying Dracula (in the form of a wolf) and many wooden boxes filled with earth from his home. That same night, a local seaman is found dead, a victim of the vampire. Mina follows a sleepwalking Lucy to the local graveyard and glimpses Dracula embracing her. Lucy grows pale and weak; at night in her bedroom, Dracula drinks her blood on several occasions. Jonathan, meanwhile, turns up delirious and exhausted in a convent inBudapest.
Seward summons his friendAbraham Van Helsing fromAmsterdam to help with Lucy's strange illness. Although Van Helsing recognizes the symptoms and wards her bedroom with garlic, a wolf shatters the window. The shock kills Lucy's mother, and Lucy is found pale and nearly dead after another encounter with Dracula. Despite Van Helsing's efforts, she dies, but not before displaying signs ofvampirism, such as a missing reflection and an uncharacteristic seductiveness and aggression when Holmwood comes to see her in her final moments.
Seward accompanies Van Helsing to Lucy's empty grave. She has bitten a lost child. An incredulous Holmwood returns with them to Lucy's family crypt and find her perched atop it. Now a vampire and feral, Lucy attempts to seduce Holmwood, but is forced to flee from Van Helsing'scrucifix. Later, in the tomb, Holmwood drives a wooden stake into Lucy's heart. Van Helsing fills her mouth with garlic and cuts off her head.
Harker, Van Helsing, Seward and Holmwood all go to Carfax Abbey to sterilize Dracula's refuges—the boxes of soil from his native Transylvania – with parts of thehost used in theEucharist. Renfield realizes Dracula is now visiting Mina, and seeks to warn her and Seward. Enraged, Dracula kills Renfield, who just manages to warn the others. They rush to find Mina in her bedroom, drinking blood from Dracula's chest. Dracula vanishes as they enter. Van Helsing touches the hysterical Mina's forehead with a piece of a host, which scars her; she declares herself "unclean".
The Count flees back to his castle after losing all his other resting places; the friends follow. Van Helsing and Mina go to the castle, while the others pursue thegypsies transporting Dracula's coffin. In the Transylvanian wilderness, Dracula's brides attempt to attack Van Helsing and Mina, but Van Helsing thwarts them with the host, and destroys them the following day. Harker, Seward, and Holmwood chase Dracula's carriage and fight the gypsies loyal to Dracula; Mina shoots one, saving Harker, but Holmwood is fatally wounded. The pursuers reach and open the coffin; inside, Dracula smiles because it is almost sunset. Realizing they have only moments left, Van Helsing mounts the carriage and drives a stake into the vampire's heart; the body disintegrates in a violent burst of smoke, leaving only his clothes and ashes. Mina's vampirism disappears, as does the scar on her forehead, and the group says a prayer of thanks.
Additional cast members include Ann Queensberry as Mrs. Westenra, George Raistrick as Bowles, George Malpas as Swales, and Michael MacOwan as Hawkins. Sue Vanner, Susie Hickford, andBelinda Meuldijk portrayDracula's Brides. The passengers on Harker's stagecoach are portrayed byBruce Wightman, Izabella Telezynska, and Orla Pederson.
Louis Jourdan's casting surprised critics, but, speaking to theRadio Times in 1977,Philip Saville explained that he sawDracula as "a romantic, sexually dashing anti-hero in the tradition of those figures usually dreamed up by women...Rochester,Heathcliff... figures that can overpower a strong heroine, inhuman figures that can't be civilised."[5]
Jourdan said of playing Dracula in interview, "What is so interesting in playing Dracula is that I try to make monstrosity, or, if you prefer, villainy, attractive, very attractive. If we succeed in that, we have won our day. If the audience can be troubled enough to say that maybe Dracula is right in what he says, then we have won... He is an angel, afallen angel. I think Dracula should be played as an extremely kind person, who truly believes he is doing good. He gives eternal life. He takes blood and he gives blood. Therefore, he gives an exchange which is symbolic of love and the sexual act, such as in the scene we were just doing [in which Dracula gives his blood toMina Harker]."[6]
Count Dracula was originally shown onBBC 2 in the UK in its entirety (155 minutes) on 22 December 1977. It was repeated twice in 1979, the first time on BBC 2 in January and again onBBC 1 in December. On both of these occasions it was split into three episodes and shown on three consecutive nights.[7] It was repeated again on BBC 2 in April 1993 when it was shown in two parts.[8]
In the United States,Count Dracula was shown as part ofPBS'sGreat Performances anthology series in three parts starting on 1 March 1978.[7]
Critical reaction toCount Dracula has been mostly positive. Writing inThe Guardian, TV criticNancy Banks-Smith stated it was "A nice plushy production with much galloping off in all directions and sulphurous smoke effects, a pleasant sensation of space and time and money. Something of a hole in the middle though, like a vampire after remedial treatment." She was less positive about the casting and performance of Louis Jourdan, however, which she felt "emphasised the lover at the expense of the demon. It makes a change. Though, I would say, for the worst".[9]
Film historianStuart Galbraith IV said that "Count Dracula remains one of the best-ever adaptations ofBram Stoker'snovel" despite a "couple of missteps", remarking that "the cast is excellent", in particular praising the performances ofFrank Finlay and Jourdan, whom he calls "especially good."[10] Critic Steve Calvert agreed thatCount Dracula was "one of the better versions" of Stoker's novel, calling it "perhaps eventhe best." He felt that "few actors have ever played the role [ofAbraham Van Helsing as] convincingly" as Finlay, that "without doubt, [Jack Shepherd is] the best on-screen embodiment there has ever been of the fly-munchingRenfield", and remarked of Jourdan's performance, "[His] Dracula ... exudes a quieter kind of evil. A calculating, educated evil with a confidence and purpose all of its own."[11]
In his bookHollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen,David J. Skal callsCount Dracula "the most careful adaptation of the novel to date, and the most successful."[1] Brett Cullum ofDVD Verdict said the special effects were this version's "biggest downfall" and that it was "perhaps the least visually interesting"Dracula adaptation, though he offered a mostly positive review, remarking that there is "plenty to admire in the production", in particular the "sublime acting".[12] MaryAnn Johanson of FlickFilosopher.com was less positive, writing: "Maybe it had more of an impact in the 70s ... but today, while it remains a stylishly surreal reinterpretation of Bram Stoker’s novel, there’s something a bit dated and stodgy about it".[13]
In 2002,BBC Learning releasedCount Dracula on DVD, for sale by direct mail order in the UK only. It was released commercially byBBC Video in 2007.[12]
