| Conquest of the Planet of the Apes | |
|---|---|
 Theatrical release poster | |
| Directed by | J. Lee Thompson |
| Written by | Paul Dehn |
| Based on | Characters byPierre Boulle |
| Produced by | Arthur P. Jacobs |
| Starring | |
| Cinematography | Bruce Surtees |
| Edited by | |
| Music by | Tom Scott |
Production company | APJAC Productions |
| Distributed by | 20th Century-Fox |
Release date |
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Running time | 88 minutes |
| Country | United States |
| Language | English |
| Budget | $1.7 million[2] |
| Box office | $9.7 million[2] |
Conquest of the Planet of the Apes is a 1972 Americanscience fiction film directed byJ. Lee Thompson and written byPaul Dehn. The film is thesequel toEscape from the Planet of the Apes (1971) and the fourth installment in theoriginalPlanet of the Apes film series.[3] It starsRoddy McDowall,Don Murray,Ricardo Montalbán,Natalie Trundy, andHari Rhodes. In the film, set in a world that has embraced apeslavery,Caesar (McDowall), the son of the late simians Cornelius and Zira, surfaces out of hiding from the authorities and prepares for arebellion against humanity.
Conquest of the Planet of the Apes was released in the United States on June 14, 1972, by20th Century-Fox. The film received mixed reviews from critics. It was followed byBattle for the Planet of the Apes in 1973.
Following a North Americanpandemic from a space-borne disease that wiped out alldogs andcats in 1983, the government has become a series ofSchutzstaffel-patternedpolice states that tookchimpanzees,gorillas, andorangutans aspets before establishing a culture based onapeslave labor. These events were foretoldin 1973 as testimony by two chimpanzee scientists who came from the distant future,Cornelius andZira, before they were killed. Widely believed to be dead, their baby was secretly raised by thecircus ownerArmando as a young horseback rider. In 1991, now fully grown and namedCaesar, the ape is brought to one of the cities to distribute flyers for Armando's circus. During their trip, Armando advises Caesar not to speak in public for fear of his life.
After seeing a gorilla being beaten and drugged, Caesar shouts "Lousy human bastards!". Armando attempts to defuse the ensuing commotion by taking responsibility for the exclamation. He plans to turn himself in to the authorities and bluff his way out while instructing Caesar to hide among the apes for safety. Caesar obeys and hides in a cage of orangutans, finding himself being trained for slavery through violent conditioning. He is then sold at auction to Governor Breck. Caesar is then put to work by Breck's chief aide MacDonald, whoseAfrican American heritage allows him to sympathize with the apes to the disgust of his boss.
Meanwhile, Armando is interrogated by Inspector Kolp, who suspects his "circus ape" is the child of Cornelius and Zira. Kolp's assistant puts Armando under a machine that psychologically forces people to be truthful. Realizing he cannot fight the machine, Armando jumps through a window and dies. When Caesar learns of Armando's death, he loses faith in human kindness. In secret, he begins teaching the apes combat and has them gather weapons.
Unfortunately, Breck eventually learns that Caesar is the ape the police are hunting. Meanwhile, Caesar realizes MacDonald is an ally to the apes' cause and reveals himself to him. MacDonald understands Caesar's intent to depose Breck, but expresses his doubts about therevolution's effectiveness. Caesar is later captured by Breck's men and is electrically tortured into speaking. Hearing him speak, Breck orders Caesar to be killed. With MacDonald's help, the heroes manage to trick Breck into believing Caesar died. Once Breck leaves, Caesar kills his torturer and escapes.
To build his numbers, Caesar takes over Ape Management. While setting the city on fire, Caesar and the rest of the apes proceed to the command center, killing most of the riot police that attempt to stop them in the process. After succeeding in this, Caesar has Breck marched out to be executed. MacDonald pleads with Caesar not to succumb to brutality and be merciful to the former masters.
As the apes raise theirrifles to beat Breck to death, Caesar's girlfriend Lisa voices her objection, saying "No!". She is the first ape to speak other than Caesar, but the other apes are concerned about Caesar's bloodlust as well. Caesar reconsiders and orders the apes to lower their weapons, deciding that they can afford to behumane, since the fight is already won and they "have seen the birth of the planet of the apes".
In the original ending of the film Caesar ignores MacDonald's pleas, and instead dedicates his life to man's downfall. Following a poor reception from first audiences the ending was reworked with the dubbed follow-up.
J. Lee Thompson, who had maintained an interest inthe franchise ever since producerArthur P. Jacobs invited him for the originalPlanet of the Apes, was hired to directConquest of the Planet of the Apes. Thompson had worked with Jacobs on two earlier films,What a Way to Go! andThe Chairman, as well as during the initial stages ofPlanet, but scheduling conflicts had made him unavailable during its long development process.[4]
Thompson staged every scene with attention to detail, such as highlighting the conflicts with color: the humans wear black and other muted colors, while the apes' suits are colorful.Don Murray suggested to Thompson his wardrobe with a black turtleneck sweater, and rehearsed his scenes after translating his dialogue into German "to get this kind of severe feeling of theNazis". ScreenwriterPaul Dehn wrote the film incorporating references to theracial conflicts in North America during the early 1970s, and Thompson further highlighted by shooting some scenes in a manner similar to a news broadcast. The primary location wasCentury City, Los Angeles, that had previously been part of the20th Century-Foxbacklot and translated well the bleak future with monochromatic buildings in a sterileultramodern style.[5] Also used as a shooting location was theUniversity of California, Irvine, in Orange County. In addition, TV producerIrwin Allen contributedprops and clothes to the film: he let the makers of 'Conquest' borrow hisSeaview jumpsuits fromVoyage to the Bottom of the Sea, brown clothes and computers and cabinets for Ape Management that were used first onThe Time Tunnel and other sets and props from other Allen productions.
Of the five original films,Conquest is the only entry filmed inTodd-AO 35 using Arriflex ARRI 35IIC cameras with lenses provided by theCarl Zeiss Group; the otherApes pictures were filmed inPanavision.
The original cut ofConquest ended with the apes' execution of Governor Breck. After a preview screening in Phoenix on June 1, 1972, the impact of the graphic content caused the producers to rework the film, even though they did not have the budget to do so.Roddy McDowall recorded a complement to Caesar's final speech, which was portrayed through editing tricks - Caesar being mostly shown through close-ups of his eyes, the gorillas hitting Breck with the butt ends of rifles played backwards to imply they were acquiescing to Caesar's directive of non-violence - and assured a lower rating.[5][6] The film's Blu-ray version adds an unrated version, restoring the original ending and many other graphic scenes.[7]
Conquest is the only Apes film without apre-title sequence. The film's script and novelization describes a nighttime pre-title scene where police on night patrol shoot an escaping ape and discover that his body is covered with welts and bruises as evidence of severeabuse (in a later scene Governor Breck refers to the "ape that physically assaulted his master," thereby prompting MacDonald to report that the escape must have been the result of severe mistreatment). The scene appears in the first chapter ofJohn Jakes' novelization of the film, and in theMarvel Comics adaption of the film in the early 1970s, both of which were probably based directly on the screenplay and not on the final edit of the actual film. An article in the Summer 1972 issue ofCinefantastique (volume 2, issue 2) by Dale Winogura shows and describes the scene being shot,[8] but it is unknown why it was cut. The Blu-ray extended cut does not contain the pre-credit opening.
Screenplay writer Paul Dehn, who wrote and co-wrote the sequels, said in interviews withCinefantastique[9] (quoted inThe Planet of the Apes Chronicles, by Paul Woods) that the story he was writing had a circular timeline:
The whole thing has become a very logical development in the form of a circle. I have a complete chronology of the time circle mapped out, and when I start a new script, I check every supposition I make against the chart to see if it is correct to use it...While I was out there [in California], Arthur Jacobs said he thought this would be the last so I fitted it together so that it fitted in with the beginning of Apes One, so that the wheel had come full circle and one could stop there quite happily, I think?
— January 1972
Howard Thompson ofThe New York Times wrote that "J. Lee Thompson's direction furiously propels the action in a compact chromium-and-glass setting—and wait till you see that last battle royal."[10] Arthur Murphy ofVariety wrote, "McDowall is extremely good as usual in simian character, and Thompson's staging keeps the pace very lively."[11]Gene Siskel of theChicago Tribune gave the film 2.5 stars out of four, calling it "excellent in the first half hour," but found "the concluding action sequences run on too long without any original slashing, maiming, or setting on fire."[12]Kevin Thomas of theLos Angeles Times wrote that the film "may be the best since No. 1, 'Planet of the Apes'," calling it "a self-contained allegory in which man's cruelty to beasts becomes symbolic of man's inhumanity to man. It is a simple but powerful premise, thoroughly developed with a good balance between dialog and action by Dehn and splendidly directed by J. Lee Thompson."[13] Clyde Jeavons ofThe Monthly Film Bulletin wrote, "This comic-book adventure is a far cry from the provocative Pierre Boulle vision so impressively realised by Franklin Schaffner four films ago; and in spite of some crude allegorical pretensions, it can't really be considered seriously as more than another excuse by APJAC to get maximum wear out of an expensive set of costumes."[14]
OnRotten Tomatoes, the film has an approval rating of 52% based on 23 reviews. The critical consensus reads: "Conquest of the Planet of the Apes is as angry and relevant as any of its predecessors, but budget constraints and a stale script rob this revolution of the scope it requires."[15] OnMetacritic, the film received an average score of 49 out of 100 based on 6 critics, indicating "mixed or average reviews."[16]
The film earned $4.5 million in theatrical rentals at the North American box office.[17]
Rise of the Planet of the Apes and its two sequels also chronicle the fall of humanity, just asConquest of the Planet of the Apes, in a new continuity. Shared plot points include an ape namedCaesar being raised by a human man, his rise as the leader and instigator of the ape revolution, his being more evolved than other primates and the "near-future" setting.
Based onLa Planète des singes (1963) byPierre Boulle | |||||||
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