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| Comes a Horseman | |
|---|---|
 film poster byRobert McGinnis | |
| Directed by | Alan J. Pakula |
| Written by | Dennis Lynton Clark |
| Produced by | Gene Kirkwood Dan Paulson |
| Starring | Jane Fonda James Caan Jason Robards Richard Farnsworth |
| Cinematography | Gordon Willis |
| Edited by | Marion Rothman |
| Music by | Michael Small |
| Distributed by | United Artists |
Release date |
|
Running time | 118 minutes |
| Country | United States |
| Language | English |
| Budget | $10-12 million[1] |
| Box office | $9,585,769 |
Comes a Horseman is a 1978 AmericanWesterndrama film starringJane Fonda,James Caan,Jason Robards, andRichard Farnsworth, directed byAlan J. Pakula.
Set in theAmerican West of the 1940s but not a typical Western, it tells the story of two ranchers (Caan and Fonda) whose small operation is threatened both by economic hardship and the expansionist dreams of a local land baron (Robards).
It's the 1940s, near the end of World War II in the American West. The setting is a large, fertile valley ideal for grazing cattle. Rancher Jacob W. Ewing's (Jason Robards) family has lived in the valley for generations, and his dream is to control all of it and preserve it from those - farmers and oilmen, for example - who would use the land for other purposes. Visiting J.W. is wealthy oil executive Neil Atkinson, whose late father was J.W.'s good friend and financial backer; the Atkinsons helped J.W. buy out neighboring ranchers, taking advantage of their financial problems (often with some "persuasion" from J.W.'s henchmen). The one remaining holdout is Ella Connors (Jane Fonda), whose family has ranched in the area for the last two generations and who relies on the family's aging but skillful cowhand Dodger (Richard Farnsworth). Another small player is war veteran Frank Athearn (James Caan) to whom Ella has sold a small plot of land to pay her bills. Ella and J.W. have some personal history which Ella prefers to put behind her, but which J.W. keeps bringing up. Although J.W. believes that Ella cannot survive another season financially, Ella and Frank, both of whom are committed to making a living ranching, enter into an uneasy alliance, especially after a dangerous incident precipitated by J.W. involving Frank and Frank's partner, fellow veteran Billy Joe Meynart (Mark Harmon). Neil, meanwhile, wants to explore the entire valley for oil, and uses his family's financial support to pressure J.W. into agreeing. Ella, Frank, and Neil soon discover that J.W. will go to any lengths to get what he wants.[2]
The film was based on an original scriptComes a Horseman Wild and Free.[3] In January 1977 it was announced that Jane Fonda and James Caan would play the leads.[4][5]
"The theme of this film is very, very American," said Pakula.[6]
On 18 August 1977, a stuntman working on this film, Jim Sheppard, was killed while doing a scene where Robards' character is dragged to (presumably) his death. A horse dragging him veered from its course and caused Sheppard to hit his head on a fence post. The scene made it into the movie, but it is cut right before the horse passes through the gate where the fatal accident occurred.[7]
Gene Siskel of theChicago Tribune gave the film three-and-a-half stars out of four and called it "a fine film—majestic at times—save for a slapdash ending."[8] A less enthusiastic review inVariety stated the film was "so lethargic not even Jane Fonda, James Caan and Jason Robards can bring excitement to this artificially dramatic story of a stubborn rancher who won't surrender to the local land baron."[9]Charles Champlin of theLos Angeles Times wrote that the film "is not about the plot as such but about the way of life which the plot interrupts. The care and authenticity with which that way of life is recorded helpsComes a Horseman overcome some real problems, notably a pace that is all too reverentially slow and a totally inadequate delineation of the Robards character."[10] Gary Arnold ofThe Washington Post stated "Pakula and Clark may believe they revere Westerns, but their form of respectful imitation is lifeless, strictly token respect for the dead...By the timeComes a Horseman wheezes to an anticlimactic fadeout, Robards' depredations have begun to resemble Gothic camp."[11]
Farnsworth received a nomination for theAcademy Award for Best Supporting Actor for his performance.
The film grossed $9.6 million at the box office. The film holds a score of 67% onRotten Tomatoes, based on 12 reviews.[12]