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Clurichaun

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Mischievous fairy from Irish folklore

A representation of a Clurichaun inT. C. Croker'sFairy Legends and Traditions of the South of Ireland

Theclurichaun (/ˈklrɪkɔːn/) or clúrachán (fromIrish:clobhair-ceann[1]) is a mischievousfairy inIrish folklore known for his great love of drinking and a tendency to hauntbreweries,pubs andwine cellars.[2] He is related to theleprechaun and has sometimes been conflated with him as ashoemaker and a guardian of hidden treasure.[3] This has led somefolklorists to suppose that the clurichaun is merely a leprechaun on adrinking spree,[1] while others regard them as regional variations of the same being.[4] Like the leprechaun, the clurichaun is a solitary fairy, encountered alone rather than in groups, as distinct from thetrooping fairies.[2]

Folklore

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In thefolktale "The Haunted Cellar", recorded byThomas Crofton Croker in 1825, a clurichaun named Naggeneen haunts the wine cellar of anIrish lord, drinking everything in sight and playing frightening pranks on the servants. He is described as a little man measuring 6 in (150 mm)in height, with a face like a withered apple. He has twinkling eyes and a nose that is red and purple from heavy drinking. He wears a red nightcap, a short leather apron, light blue stockings, and shoes with large silver buckles. When he is discovered by the master of the house, Naggeneen talks him out of moving elsewhere by implying that he would simply move with him.[5]

Other descriptions have him wearing red like other solitary fairies.[2][6]

In another tale, "Master and Man", a young man named Billy Mac Daniel is on his way home one winter night when he is offered a glass ofliquor by a clurichaun to warm himself. He takes the drink but when he refuses to pay for it he is compelled by the clurichaun to serve him for seven years and a day. Billy, however, is eventually able to break his servitude by invoking the blessing of God. In this story, the clurichaun is able to pass through keyholes to invade homes and wine cellars and can transformbogrushes into horses to be used as mounts.[7] Clurichauns can also fly through the air on rushes similar towitches and their broomsticks.[8]

Thomas Keightley in hisFairy Mythology (1828) presents the story of a clurichaun named Little Wildbean who was more helpful than others of his kind, but also quick to anger and violence when slighted. He haunted the wine cellar of aQuaker gentleman named Harris, and if one of the servants was negligent enough to leave the beer barrel running then Little Wildbean would wedge himself inside to stop the flow until someone came to turn it off. His dinner was left for him in the cellar, but one night the cook left him nothing but part of a herring and some cold potatoes. At midnight Wildbean dragged the cook out of her bed and all the way down the hard cellar stairs, leaving her battered and bruised so that she was bedridden for three weeks. In a common folktalemotif Mr. Harris tried to rid himself of Wildbean by moving elsewhere but decided to turn back when he discovered the clurichaun had moved with him.[9]

The folklorist Nicholas O'Kearney described the clurichaun in 1855 as follows:

The Clobhair-ceann was another being of the same class: he was a jolly, red-faced, drunken little fellow, and was ever found in the cellars of the debauchee,Bacchus-like, astride of the wine-butt with a brimful tankard in hand, drinking and singing away merrily. Any wine cellar known to be haunted by this sprite was doomed to bring its owner to speedy ruin.[10]

Katharine Briggs stated that he was "a kind ofbuttery spirit, feasting himself in the cellars of drunkards or scaring dishonest servants who steal the wine."[2]

He is also described as atrickster and practical joker, and a disturber of order and quietness in a household, making noise day and night. Despite his often troublesome nature, the clurichaun takes special care of the family to whom he has attached himself, endeavoring to protect their property and lives, provided he is not interfered with. This dual nature makes him similar to the domestichobgoblin.[6]

Besides his love of drinking, the clurichaun also enjoys pipe smoking, and the small disposable clay pipes known as "fairy pipes" that are often found while digging or plowing are said to belong to him. He also knows the secret of making beer fromheather.[11]

Alternate spellings includecluracan,[2]cluracaun,[12]cluricaun,[13] andcluricaune.[14]

Clurichauns and leprechauns

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Though generally regarded as separate beings, certain characteristics of the leprechaun have sometimes been merged with those of the clurichaun, particularly as a shoemaker and treasure guardian.[3] The clurichaun is sometimes portrayed carrying a jug of ale or wearing a leather apron with hammer in hand, whistling as he works.[15] He also carries a magical purse (or sometimes apewter beggars cup) with varying properties. It may contain ashilling (known as the "lucky shilling" orspre na skillenagh) that always returns to the purse no matter how often it is spent,[11] or it may always be full of money, and for this reason mortals will often try to capture the clurichaun.[15] Even if he is caught he has the power to vanish if he can make his captor look away even for an instant.[16] He frequently carries two such purses, one containing the magic shilling and the other containing a normal copper coin, and if captured he will present the latter before vanishing.[11] Like the leprechaun he is sometimes said to have knowledge of hidden treasure and can be forced to reveal its location. In such instances one of his tricks is to create the illusion of multiple treasure markers so that the seeker will not know its exact whereabouts.[16]

The clurichaun also shares many attributes with thebiersal, a type ofkobold stemming fromGermanic mythology and surviving into modern times inGerman folklore.

Literature

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A clurichaun named Kweequel is a prominent character in the first story of the bookFour Different Faces by C.J. Cala.[17]

The clurichaun appears as a regular character (under the nameCluracan) inNeil Gaiman's acclaimed comic seriesThe Sandman and its spin-off seriesThe Dreaming. Cluracan continues the tradition of constant drunkenness but is portrayed as a tall, elegant blond fairy, although this is likely due to use of magic "glamour," such as that used by his sister, Nuala, and his true appearance would then be left unknown.

The clurichaun Naggeneen ("a little drink") magically associates himself with "Mary's Place", the successor toCallahan's Bar inSpider Robinson's stories. The word is spelled 'cluricaune' there. 'Naggeneen' is used in place of histrue name which is unwise for magical beings to reveal. Naggeneen saves the bar from bankruptcy through his ability to drink tremendous quantities of alcohol—and to pay for it honestly.

TheFairyland series has a clurichaun named Gratchling Gourdborne Goldmouth, though he is completely unlike a typical clurichaun, being a massive and extremely violent savage.

The comic strip "Arlo and Janis" for March 17, 2010[18] has a clurichaun at the couple's door. Arlo greets him with a grin:
"Faith an' begorra! 'Tis St. Patrick's Day, and here comes a leprechaun!"
The caller, about half Arlo's height and with comic-strip "bubbles" in front of his scowling face to denote drunkenness, answers:
"Actually, I'm a clurichaun."
Arlo: "A...what?"
Clurichaun: "I'm like a leprechaun, but meaner... And given half a chance, I'll drink all your wine!"
Arlo: "Oy vey! Even if I'm not Irish?!"

In Dorothy Dunnett's novelQueens' Play, Lymond "erroneously" uses the name "O'Cluricaun" to intentionally insult Cormac O'Connor (see page 361).

See also

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References

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  1. ^abYeats, W. B. (1888).Fairy and Folk Tales of the Irish Peasantry. London: Walter Scott. p. 80.
  2. ^abcdeBriggs, Katharine (1976).An Encyclopedia of Fairies. Pantheon Books. p. 77.ISBN 0394409183.
  3. ^abBriggs (1976), pp. 264–6.
  4. ^Croker, Thomas Crofton (1844, 1825).Fairy Legends and Traditions of the South of Ireland (Vol. 1). Lea and Blanchard. p. 79.
  5. ^Croker (1844, 1825), pp. 63–70.
  6. ^abO'Hanlon, John (1870).Irish Folk Lore. Cameron & Ferguson. p. 240.
  7. ^Croker (1844, 1825), pp. 70–76.
  8. ^Croker, Thomas Crofton (1828).Fairy Legends and Traditions of the South of Ireland (Vol. 3). John Murray. p. 96.
  9. ^Keightley, Thomas (1884, 1828).The Fairy Mythology. London: George Bell & Sons. p. 369.
  10. ^O'Kearney, Nicholas, ed. (1855).Transactions of the Ossianic Society, for the year 1854. Vol. II. Feis Tithe Chonain. Dublin: The Ossianic Society. p. 19.
  11. ^abcCroker (1828), p. 9.
  12. ^Evans-Wentz, Walter (1911).The Fairy Faith in Celtic Countries. Henry Frowde, Oxford University Press. p. 30.
  13. ^Frost, William Henry (1900).Fairies and Folk of Ireland. Charles Scribner's Sons. p. 62.
  14. ^Croker (1844, 1825), p. 63–79.
  15. ^abCroker (1844, 1825), pp. 77–78.
  16. ^abCroker (1828), p. 8.
  17. ^Cala, C.J. (2014).Four Different Faces p. 8.
  18. ^Johnson, Jimmy (15 March 2010) [2010],Arlo and Janis St. Patrick 2010, archived fromthe original on 7 April 2015. The image on the web has the title "Arlo and Janis St. Patrick 2010.png", but on the web pages it just has the generic "Arlo and Janis by Jimmy Johnson for March 17, 2010".
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