Claudian was born inAlexandria. He arrived in Rome in 394 and made his mark as a court poet with aeulogy of his two youngpatrons,Probinus andOlybrius, consuls of 395.[3] He wrote a number ofpanegyrics on theconsulship of his patrons, praise poems for the deeds of the generalStilicho, andinvectives directed at Stilicho's rivals in the Eastern court ofArcadius.
Little is known about his personal life, but it seems he was a convinced pagan:Augustine refers to him as "foreign to the name of Christ" (Civitas Dei, V, 26), andPaul Orosius describes him as an "obstinate pagan" (paganus pervicacissimus) in hisAdversus paganos historiarum libri septem (VII, 55).
He was well rewarded for his political engagement, being granted the rank ofvir illustris. TheRoman Senate honored him with a statue in theRoman Forum in 400.[4] Stilicho's wife,Serena, secured a rich wife for him.[5]
Scholars assume Claudian died in 404, for none of his poems record the achievements of Stilicho after that year. His works give no account of thesack of Rome, while the writings ofOlympiodorus of Thebes have been edited and made known only in few fragments, which begin from the death of Stilicho.[6]
Although a native speaker ofGreek, Claudian is one of the best Latin poetry stylists oflate antiquity. He is not usually ranked among the top tier of Latin poets, but his writing is elegant, he tells a story well, and his polemical passages occasionally attain an unmatchable level of entertaining vitriol. The literature of his time is generally characterized by a quality modern critics find specious, of which Claudian's work is not free, and some find him cold and unfeeling.
Claudian's poetry is a valuable historical source, though distorted by the conventions of panegyric. The historical or political poems connected with Stilicho have a manuscript tradition separate from the rest of his work, an indication that they were likely published as an independent collection, perhaps by Stilicho himself after Claudian's death.
His most important non-political work is an unfinishedepic,De raptu Proserpinae ("The Abduction ofProserpina"). The three extant books are believed to have been written in 395 and 397. In the 20th and early 21st centuries, Claudian has not been among the most popular Latin poets of antiquity, but the epicDe raptu influenced painting and poetry for centuries.[7]
Hall, J.B..Claudian, De raptu Proserpinae (Cambridge University Press, 1969).
Dewar, Michael, editor and translator.Claudian Panegyricus de Sexto Consulatu Honorii Augusti (Oxford Clarendon Press, 1996).
Slavitt, David R., translator.Broken Columns: Two Roman Epic Fragments: The Achilleid of Publius Papinius Statius and The Rape of Proserpine of Claudius Claudianus, with an Afterword by David Konstan (Philadelphia: University of Pennsylvania Press, 1997).
Baier, Thomas and Anne Friedrich,Claudianus. Der Raub der Proserpina, edition, translation andcommentary (Darmstadt: WBG (Wissenschaftliche Buchgesellschaft), 2009), Edition Antike.
Helen Waddell's 1976 translation of two Epigrams in "More Latin lyrics, from Virgil to Milton", ed. Felicitas Corrigan (NY: Norton).(Internet Archive)
The rape of Proserpine: with other poems, from Claudian (1814).[10] Translated into English blank verse, with a prefatory discourse, and occasional notes. ByJacob George Strutt(Internet Archive).[11]
^Chisholm, Hugh, ed. (1911). "Claudianus, Claudius".Encyclopædia Britannica.6. (11th ed.). Cambridge University Press. pp. 463-464.
^Gian Biagio Conte,Latin Literature: A History (Johns Hopkins University Press, 1994, originally published 1987 in Italian), p. 658.
^Roberts, Michael. "Rome Personified, Rome Epitomized: Representations of Rome in the Poetry of the Early Fifth Century",The American Journal of Philology, vol. 122, no. 4, 2001, p. 533.
^Andrew D. Radford,The Lost Girls: Demeter-Persephone and the Literary Imagination, 1850–1930 (Editions Rodopi, 2007), p. 22et passim.
^Amy Golahny, "Rembrandt'sAbduction of Proserpina", inThe Age of Rembrandt: Studies in Seventeenth-Century Dutch Painting (Penn State Press, 1988), pp. 31ff.
^Claudianus, C., Hawkins, A. (1817).The works of Claudian. London: Printed for J. Porter ..., and Langdon and Son ....
^Claudianus, C., Strutt, J. George. (1814).The rape of Proserpine: with other poems, from Claudian; translated into English verse. With a prefatory discourse, and occasional notes. London: Printed by A. J. Valpy, sold by Longman, Hurst, Rees, Orme, and Brown [etc.].
^Freeman Marius O'Donoghue (1898). "Strutt, Jacob George". InDictionary of National Biography.55. London. p. 64.
^George Clement Boase (1898). "Howard, Henry Edward John". InDictionary of National Biography.28. London. pp. 37-38.
^Claudianus, C., Hughes, J., Lucan, 3. (1716).The rape of Proserpine: from Claudian ... With the story of Sextus and Erichtho, from Lucan's Pharsalia, book 6. 2d ed. London: Printed by J.D. for J. Osborne [etc.].
^George Fisher Russell Barker (1898). "Hughes, Jabez". InDictionary of National Biography.28. London. p. 178.
Barnes, Michael H. "Claudian", inA Companion to Ancient Epic. Edited byJohn Miles Foley, 539–549. Oxford: Blackwell. 2005.
Cameron, A.Claudian. Poetry and Propaganda at the Court of Honorius. Oxford: Oxford University Press. 1970.
Cameron, A.Wandering Poets and Other Essays on Late Greek Literature and Philosophy. New York: Oxford University Press. 2015.
Christiansen, P. G. "Claudian: A Greek or a Latin?"Scholia 6:79–95. 1997.
Ehlers, Widu-Wolfgang, editor.Aetas Claudianea. Eine Tagung an der Freien Universität Berlin vom 28. bis 30. Juni 2002. München/Leipzig: K.G. Saur. 2004.
Fletcher, David T. "Whatever Happened to Claudius Claudianus? A Pedagogical Proposition",The Classical Journal, vol. 104, no. 3, 2009, pp. 259–273.
Gruzelier, C. E. "Temporal and Timeless in Claudian's 'De Raptu Proserpinae'",Greece & Rome, vol. 35, no. 1, 1988, pp. 56–72.
Guipponi-Gineste, Marie-France.Claudien: poète du monde à la cour d'Occident. Collections de l'Université de Strasbourg. Études d'archéologie et d'histoire ancienne. Paris: De Boccard. 2010.
Long, J. "Juvenal Renewed in Claudian's "In Eutropium"",International Journal of the Classical Tradition, 2.3: 321–335. 1996.
Luck, Georg. "Disiecta Membra: On the Arrangement of Claudian's Carmina Minora",Illinois Classical Studies, 4: 200–213. 1979.
Martiz, J.A. "The Classical Image of Africa: The Evidence from Claudian",Acta Classica, 43: 81–99. 2000.
Miller, P.A.Subjecting Verses: Latin Love Elegy and the Emergence of the Real. Princeton, NJ: Princeton University Press. 2004.
Mulligan, B. "The Poet from Egypt? Reconsidering Claudian's Eastern Origin",Philologus, 151.2: 285–310. 2007.
Nierste, Wiebke (2022).Natur und Kunst bei Claudian: poetische concordia discors. Berlin: De Gruyter.ISBN9783110994889.
Parkes, Ruth. "Love or War? Erotic and Martial Poetics in Claudian's De Raptu Proserpinae",The Classical Journal, 110.4: 471–492. 2015.
Ratti, S. "Une lecture religieuse des invectives de Claudien est-elle possible?",AnTard, 16: 177–186. 2008.
Roberts, Michael. "Rome Personified, Rome Epitomized: Representations of Rome in the Poetry of the Early Fifth Century",The American Journal of Philology, vol. 122, no. 4, 2001, pp. 533–565.
Wasdin, Katherine. "Honorius Triumphant: Poetry and Politics in Claudian's Wedding Poems",Classical Philology, 109.1: 48–65. 2014.
Ware, Catherine.Claudian and the Roman Epic Tradition. Cambridge: Cambridge University Press. 2012.
Wheeler, Stephen M. "The Underworld Opening of Claudian's De Raptu Proserpinae",Transactions of the American Philological Association 125: 113–134. 1995.
