Sir Charles Hallé (bornKarl orCarl Halle; 11 April 1819 – 25 October 1895) was aPrussian and later British pianist and conductor, best known for founding theHallé Orchestra inManchester.
Born to a musical family, Hallé studied in Paris and later taught and played there until musical life in the city was disrupted by theFrench Revolution of 1848. He then moved to England: first to London and subsequently to Manchester, where he founded his orchestra in 1858, remaining its conductor until his death in 1895.
Hallé was born on 11 April 1819 inHagen,Westphalia, Prussia, the eldest child of Carolinenée Brenschedt and her husband, Friedrich Halle. He was christened as "Karl" but also used the spelling "Carl".[1] His father was organist of the principal church,Musikdirektor, responsible for conducting the concerts given in the town, and a teacher of singing and instrumental playing.[2]
Halle's first lessons in music were from his father and he immediately showed an unusual talent for playing the piano. He gave a public performance of asonata by his father and played percussion in the town orchestra in his early years. In August 1828 he took part in a concert atCassel, where he attracted the notice of the composerLouis Spohr. He first conducted at the age of eleven deputising for his father who was taken ill during the town's annual visit from a touring opera company; he took over the direction ofDer FreischützDie Zauberflöte,Zampa,Fra Diavolo and other operas.[3][4]
Halle studied underChristian Heinrich Rinck atDarmstadt in 1835, and in 1836 went to Paris, hoping to become a piano pupil ofFriedrich Kalkbrenner, at whose suggestion he instead studied underGeorge Alexander Osborne.[5] His biographerMichael Kennedy writes, "With his good looks and personal charm, Halle was soon in demand as a pianist in the fashionable salons. There he met and mixed with the astonishing galaxy of artists living and working in the French capital, not only musicians such as the impoverishedRichard Wagner andChopin,Liszt, Thalberg,Paganini, andCherubini, but the literary figuresAlfred de Musset,Alphonse de Lamartine, andGeorge Sand, and the painterIngres".[6]
He remained based in Paris, teaching and giving a series of chamber concerts withJean-Delphin Alard andAuguste Franchomme with great success.[6] He was the first player to perform allBeethoven's piano sonatas in Paris.[4] He adopted the French form of his forename and added an acute accent to his surname so that his French – and, later, British – audiences would pronounce it as a bisyllable, as in German.[7] He became a devotee of the music ofBerlioz, and attended the rehearsals and first performances of several of his works, including theRequiem andRoméo et Juliette.[4] In 1841 he married Désirée Smith de Rilieu, formerly ofNew Orleans, and by this time living in Paris with her widowed mother.[8]
In 1843 Hallé made his first visit to England, remaining there for eight weeks. He won highly favourable notices: one critic called him "a pianist of the rarest order of merit [with] a command of his art which, we believe, could scarcely be surpassed";[9] another wrote, "Hallé is a pianist of prodigious power. His manual dexterity is immense."[10]
Hallé was unimpressed by the English musical scene of the period,[11] but when theFrench Revolution of 1848 broke out, musical life in Paris was disrupted and he moved to London with his wife and their two children.[4][n 1] He performed Beethoven'sEmperor concerto atCovent Garden and gave a solo recital. He again won high praise from music critics; one wrote of his performance of the Beethoven:
But so many of Hallé's Parisian colleagues were also in London that competition for engagements and audiences was intense. A prosperousMancunian patron of the arts, Hermann Leo, had heard Hallé play in Paris, and invited him to Manchester.[13]
In September 1848 Hallé played theEmperor concerto at the Gentlemen's Concerts, a long-established Manchester institution with its own concert hall.[n 2] The orchestra was greatly inferior to those with whom he was used to playing, and he wrote in his memoirs, "I seriously thought of packing up and leaving Manchester, so that I might not have to endure a second of these wretched performances", but his friends convinced him that he could and should stay and reform the musical life of the town.[6]
Hallé's first step in that direction was to inaugurate a series of chamber concerts at theRoyal Manchester Institution, beginning in December 1848. The following November he was appointed conductor of the Gentlemen's Concerts. He was given complete freedom to re-form the orchestra that had appalled him the previous year.[6][15] He also founded a successful choral society and in 1854–55 tried, with less success, to establish opera in Manchester. In addition he gave piano recitals.[6] The town was growing in size and importance and was granted city status in 1853;[16] four years latera major international exhibition lasting six months was mounted there. Hallé was engaged to conduct daily concerts with an enlarged orchestra in the exhibition hall.[17] Rather than disband the orchestra after the exhibition closed, he engaged the players for a new series of concerts at his own risk.[4] The first, with an orchestra of sixty players, was given on 30 January 1858 at theFree Trade Hall,[18] which became the orchestra's main base for more than a century.[17] The Hallé, by some accounts, is Britain's oldest symphony orchestra, although theRoyal Liverpool Philharmonic also claims the title.[19] The oldest symphony orchestra in London, theLSO, was not founded until nearly half a century after the Hallé.[20]
Kennedy comments that three outstanding features marked Hallé's work with the orchestra: his insistence that a large number of cheap seats would be available, his gradual but steady education of the public, and his enthusiasm for performing new music.[17] He introduced works by contemporary composers includingBrahms,Dvořák,Massenet,Saint-Saëns,Tchaikovsky,Verdi and Wagner.[21] He conducted all nine of Beethoven's symphonies, all five published symphonies by Dvořák, twenty-six by Haydn, eight byMozart and four byMendelssohn.[22] He presented works by British composers includingSullivan,Stanford andParry.[23] He remained devoted to the music of Berlioz, giving the first British performances of theSymphonie fantastique,La damnation de Faust andL'enfance du Christ.[17] Kennedy comments that he attracted the leading soloists of the day to Manchester and, having extensive continental contacts, was able to recruit excellent players for his orchestra.[6] Hallé's biographer Charles Rigby wrote in 1951:
The Hallé Orchestra's concert season, which eventually ran to twenty concerts a year, was in the winter; at other times of the year Hallé conducted and played in Bristol, Edinburgh, Liverpool and London.[6] He was a celebrated teacher: his pupils included the Princess of Wales (laterQueen Alexandra)[6] and his best-known professional student,Louis Moreau Gottschalk.[25] In 1893 he saw the fulfilment of one of his ambitions for Manchester: the foundation of a music college there. He was appointed principal and piano professor at theRoyal Manchester College of Music, which opened in October of that year.[4]
In 1888 Hallé, whose first wife had died in 1866, married the violinistWilma Norman-Neruda. The same year, he wasknighted atWindsor Castle.[26] In 1890 and 1891 he toured with his wife in Australia; they toured South Africa in 1895. Shortly after their return he was taken ill and died at their house inHulme, Manchester on 25 October 1895 of acerebral haemorrhage.[6] He was buried inWeaste Cemetery, Salford after a service at theChurch of the Holy Name at which theBishop of Salford preached the sermon and Hallé's orchestra and choir performedMozart's Requiem.[27]
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