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Chaitanya Mahaprabhu

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15th-century Indian Vaishnavite Hindu saint
"Krishna Chaitanya" redirects here. For the Telugu lyricist, seeKrishna Chaitanya (lyricist).
"Shri Chaitanya Mahaprabhu" redirects here. For the 1954 Hindi film, seeShri Chaitanya Mahaprabhu (film).
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Chaitanya Mahaprabhu
Woodenmurti of Chaitanya Mahaprabhu as Dhāmeśvara, Nabadwip[1]
Personal life
BornVishvambhara Mishra
(1486-02-18)18 February 1486
Died14 June 1534(1534-06-14) (aged 48)
Puri,Gajapati Kingdom
(present-dayOdisha, India)
SpouseLakshmi Priya (first wife) andVishnupriya
Known forExpoundedGaudiya Vaishnavism,kirtan
Religious life
ReligionHinduism
Founder ofGaudiya Vaishnavism
Achintya Bheda Abheda
PhilosophyBhakti yoga,Achintya Bheda Abheda
Religious career
GuruSwami Isvara Puri (mantra guru); Swami Kesava Bharati (sannyas guru)
Part ofa series on
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Closeup of Vishnu, seated in the lotus position on a lotus. From depiction of the poet Jayadeva bowing to Vishnu, Gouache on paper Pahari, The very picture of devotion, bare-bodied, head bowed, legs crossed and hands folded, Jayadeva stands at left, with the implements of worship placed before the lotus-seat of Vishnu who sits there, blessing the poet.
Supreme deity
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Mind
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Chaitanya Mahaprabhu (Bengali:মহাপ্রভু শ্রীচৈতন্য দেব;Sanskrit:चैतन्य महाप्रभु,romanizedCaitanya Mahāprabhu), bornVishvambhara Mishra (IAST:Viśvambhara Miśra[2]) (18 February 1486 – 14 June 1534[3]), was an IndianHindu saint fromBengal and the founder ofGaudiya Vaishnavism. Chaitanya Mahaprabhu's mode of worshippingKrishna withbhajan-kirtan and dance had a profound effect onVaishnavism inBengal.

He is considered the chief proponent of the Vedantic philosophy ofAchintya Bheda Abheda. The concept of inconceivable difference in non-difference, known as achintya-bhedabheda, was explained later by Jiva Gosvami in his book Bhagavat Sandharbha,[4] and in his Sarva-samvadini.[5][6]

Mahaprabhu foundedGaudiya Vaishnavism. He expoundedBhakti yoga and popularised the chanting of theHare Krishna Maha-mantra.[7] He composed theShikshashtakam (eight devotional prayers).

Chaitanya is sometimes calledGauranga (IAST:Gaurāṅga) orGaura due to his molten gold–like complexion.[8] His birthday is celebrated asGaura-purnima.[9][10] He is also calledNimai because he was born underneath aNeem tree.[11]

Life

[edit]

The religious hagiographies of Gauḍīya sampradāya are the only sources available for the reconstruction of Caitanya's life. These texts (inSanskrit andBengali), consider Caitanya to be anavatāra of Kr̥ṣṇa,Svayaṁ Bhagavān,Rādhā-Kr̥ṣṇa (joint and separate),Nārāyaṇa,Viṣṇu, andJagannātha. A canonical narrative was accepted by the Gauḍīya community in the early 1600s via theCaitanya Caritāmr̥ta of Kr̥ṣṇadāsa Kavirāja, which has been described as the "final word" on Gauḍīya history and theology.[12]

Chaitanya was born in aBrahmin family as Viśvambhara Miśra aka Nimāi, the second son of Jagannātha Miśra and his wife Śacī Devī, the daughter of Nilambara Chakrabarti, bothBrahmins ofSylhet region.[2] Jagannātha Miśra's family were from the village ofDhakadakshin inSrihatta (Sylhet) (now inBangladesh). The ruins of their ancestral home still survive in present-dayBangladesh.[13][14][1] The hagiographies of Caitanya portray his birth as a divine event and state that it predicted his future mission of propagatingharināma saṃkīrtana inKali Yuga.[1]

The accounts of Caitanya's childhood are depicted to be reminiscent of Kr̥ṣṇa's childhood playtimes. While still a student, his father died, and he soon married Lakṣmīpriyā. He travelled to east Bengal to become a scholar and support his family, but his wife died in his absence. He then marriedViṣnupriyā, the daughter of paṇḍit Sanātana Miśra. Viśhvambara, also known as Nimāi Paṇḍit, was a promising Sanskrit scholar and is said to have once defeatedKeśava Bhaṭṭa of theNimbārka school in a debate on Sanskrit prosody in an example of "superhuman erudition".[1]

In 1508-1509 he left Nabadvip to go to Gaya to performśrāddha, a ritual homage to his dead father. There, he met an ascetic named Īśvara Purī, who initiated him using a mantra forKr̥ṣṇa worship. After this meeting Viśvambhara abandoned all scholarly and domestic pursuits and had no interests except for an intense desire to hear and speak of Krishna. Within a year he took a vow ofsaṃnyāsa (renunciation) and changed his name to Kr̥ṣṇa Caitanya under his guru Keśava Bhāratī. His mother then asked him to at least live in the city of Puri so that he would not be too far from Bengal.[1]

After hisrenunciation, Caitanya spent his time teaching Kr̥ṣṇa bhakti and engaging in communalsaṁkīrtana. Hagiographies describe debates with followers ofAdvaita Vedānta and other theological opponents in form ofdigvijaya (conquest through debate). He spent two months in Vrindavan in c. 1515, where he instructedSanātana Gosvāmī andRūpa Gosvāmī. He spent the last two decades of his life in Puri, where his ecstatic seizures yearning for Kr̥ṣṇa and his consorts, mainly Rādhā, intensified. He died in c. 1528-1534.[1]

Biographies

[edit]

Works on Chaitanya:[15][16][17]

  • Krsna-Caitanya-Caritamrta (c. 1513 or 1536–1540; Sanskrit): ByMurari Gupta. Known as akadcha or chronicle. Chaitanya's Navadwipalīla and eachpanca-tattva presented as a form of the Lord. Caitanya went for the first time to Murari's house at Navadwipa. Murari's standing and reputation for learning gave his biographical materials great weight in the Vaishnava community. ThisKadcha (notes) became the guiding lines for other biographers.
  • Kadcha or chronicle (Sanskrit): BySvarupa Damodara. He was the personal secretary of Chaitanya. Details the life of Caitanya.
  • Govindadaser Kadcha (Bengali): By Govinda Dāsa who accompanied Chaitanya on his tour of Deccan. This poem describes their experiences on the journey and some imaginary events in the life of Chaitanya as well as his ideas and philosophy. It is another significant biographical work, but it was regarded as controversial because of the authenticity.
  • Chaitanya-chandrodaya-kaumudi (Bengali): By Premadas (Purushottam Mishra). A verse adaptation to Kavi Karnapura'sCaitanya-candrodaya-natakam drama.
  • Sri Caitanya-caranamrta Bhasva (1887): By Srila Bhaktivinoda Thakura. Commentary on an original handwritten manuscript of theCaitanya-upanisad from one pandita, Madhusudana Maharaja, of Sambala-Pura.
  • Śrī Caitanya-caritāmṛta (1974; English): ByA. C. Bhaktivedanta Swami in English with original Bengali and Sanskrit. Commentary on Krishnadasa Kaviraja'sCaitanya-caritāmṛta, based on Bhaktivinoda Thakur'sAmrita-pravaha-bhashya and Bhaktisiddhanta Sarasvati'sAnubhāsya commentaries.

Teachings

[edit]
Main article:Gaudiya Vaishnavism § Philosophical concepts

TheŚikṣāṣṭaka is the only work accepted to be composed by Caitanya. The poem expounds upon the subjects ofharināmajapa,saṁkīrtana, the relationship between individual souls and Kr̥ṣṇa, devotional submission to Kr̥ṣṇa, and Caitanya's personalvirahabhakti. Scholars debate the extent to which Caitanya played in the development of the complex Gauḍīya Vaiṣṇava theology.[1]

According to Murari Gupta, one of Caitanya's close associates, Caitanya taught thatkirtana (chanting God's name) is the most effective spiritual practice in the Kali Age. He first gathered the community forkirtana in Srivasa's courtyard.[18] Caitanya revealed bhakti as the primary means to approach Krishna, and he appointed the Goswamis, such asSrinivasa Acarya andNarottama Dasa, to gather and compose texts explaining this devotion.[19]

Cultural legacy

[edit]
See also:Bengal Renaissance

Chaitanya's influence on the cultural legacy inBengal,Odisha andManipur, has been significant,[20] with many residents performing daily worship to him as an avatar of Krishna. Some attribute to him a Renaissance in Bengal,[21] different from the more well-known 19th-centuryBengal Renaissance. Salimullah Khan (b. 1958), a noted Bangladeshi linguist, maintains, "Sixteenth-century is the time of Chaitanya Dev, and it is the beginning of Modernism in Bengal. The concept of 'humanity' that came into fruition is contemporaneous with that of Europe".[22]

Noted Bengali biographical film on Chaitanya,Nilachaley Mahaprabhu (1957), was directed by Kartik Chattopadhyay (1912–1989).[23] A Bengali film based on Chaitanya's demise,Lawho Gouranger Naam Re, will be directed bySrijit Mukherji whereParambrata Chatterjee will be seen portraying Chaitanya Mahaprabhu.[24]

Image gallery

[edit]
  • Kisangarh painting of Chaitanya dancing in a puddle of his own tears, surrounded by followers, c. 1750.
    Kisangarh painting of Chaitanya dancing in a puddle of his own tears, surrounded by followers, c. 1750.
  • Chaitanya with a dog, Murshidabad, 19th century CE
    Chaitanya with a dog, Murshidabad, 19th century CE
  • A white ornate structure with a pyramidal pointed dome standing on the bank of a pond and surrounded by trees
    Yogapith temple at Chaitanya Mahaprabhu's birthsite established in the 1880s byBhaktivinoda Thakur inMayapur,West Bengal
  • Nineteenth century lithograph by Calcutta Art Studio of Caitanya and Nityānanda performing a kirtan in the streets of Nabadwip, Bengal.
    Nineteenth century lithograph by Calcutta Art Studio of Caitanya andNityānanda performing akirtan in the streets of Nabadwip, Bengal.
  • Pratap Rudra bowing to Chaitanya, an early 20th century print copy of a painting held by the family of Maharaja Nandakumar, Zamindars of Kunjaghata
    Pratap Rudra bowing to Chaitanya, an early 20th century print copy of a painting held by the family ofMaharaja Nandakumar, Zamindars of Kunjaghata
  • Deities of Sri Sri Radha Madhava, Jagannath, Balarama, Subhadra and Chaitanya Mahaprabhu (in middle), at the ISKCON Durgapur Temple.
    Deities of Sri Sri Radha Madhava, Jagannath, Balarama, Subhadra and Chaitanya Mahaprabhu (in middle), at the ISKCON Durgapur Temple.

See also

[edit]

References

[edit]
  1. ^abcdefgValpey, Kenneth (2018). "Caitanya". In Jacobsen, Knut A.; Basu, Helene; Malinar, Angelika; Narayanan, Vasudha (eds.).Brill's Encyclopedia of Hinduism Online. Brill.
  2. ^abStewart, Tony K (2012)."Chaitanya, Sri". InSirajul Islam; Miah, Sajahan;Khanam, Mahfuza; Ahmed, Sabbir (eds.).Banglapedia: the National Encyclopedia of Bangladesh (Online ed.). Dhaka, Bangladesh: Banglapedia Trust,Asiatic Society of Bangladesh.ISBN 984-32-0576-6.OCLC 52727562.OL 30677644M. Retrieved23 November 2025.
  3. ^Delmonico 2007, p. 549: "The form of Vaishnavism inspired by the sixteenth-century saint-reformer Shri Krishna Chaitanya (1486–1533 C.E.) rested heavily upon a belief in the purifying and salvific powers of the names of God, whose fullest self-revelation Chaitanya believed to be Krishna".
  4. ^Dasa 2007, pp. 377-378: "The Bhagavat Sandarbha [...] describes the concept of Bhagavan alluded to in Bhagavata 1.2.11. Jiva explains [...] [t]he relation between Bhagavan and His potency is one of inconceivable difference in non-difference, known as achintya-bhedabheda. It is in recognition of the nature of this relation that Chaitanya’s philosophy is called Achintya bhedaabheda-vada".
  5. ^Gupta 2007, p. 46, footnote 30: "[I]n the Sarva-samvadini, [J]iva Gosvami lists the names of different teachers and their schools of Vedanta, and then concludes by saying, 'sva-mate tu acintya-bhedabhedah,' 'but my view is acintya-bhedabheda'".
  6. ^Krsna Dasa, T. 2022, "[Jiva Goswami in his] Sarva-samvadini [commenting] Anuccheda 77 and 78 of the Paramatma Sandarbha [states that:] 'It is well known that Gautama, Kaṇāda, Jaimini, Kapila and Patañjali, as well as śrī-rāmānuja and śrī-madhvācārya’s accept bheda alone. To us, acintya-bheda-abheda alone is acceptable, because the substantive is endowed with acintya śaktis' ".
  7. ^Sri Chaitanya MahaprabhuArchived 28 December 2017 at theWayback Machine "He spread theYuga-dharma as the practice for attainment of pure love forRadha-Krishna. That process is Harinam-Sankirtan, or the congregational chanting of the Holy Names of Krishna "Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Hare Rama Rama Rama Hare Hare"
  8. ^In the Name of the Lord (Deccan Herald) "He was also given the name of ‘Gora’ because of his extremely fair complexion."Archived 7 December 2006 at theWayback Machine
  9. ^"Gaura Purnima". www.krishna.com.Archived from the original on 12 March 2008. Retrieved16 December 2008.
  10. ^Sri Gaura PurnimaArchived 1 October 2020 at theWayback Machine"givegita.com"
  11. ^KCM Archive"They named Him Nimai, as he was born under a neem tree."Archived 24 April 2008 at theWayback Machine
  12. ^Stewart, Tony (2014). "Caitanya".Oxford Bibliographies Online in Hinduism.
  13. ^Sen, Dinesh Chandra."Chaitanya and his age".Internet Archive. Retrieved16 August 2020.
  14. ^Nair 2007, p. 87.
  15. ^Mukherjee 1999, pp. 65–66, 174, 280.
  16. ^Manring 2005, pp. 34–42, 44.
  17. ^PDFArchived 26 June 2020 at theWayback Machine.Mamoni, Sarma (2015). "Chapter 14".History of Vaishnavite cultures in Assam and Bengal a comparative study. pp. 253–255.hdl:10603/127571.Note, Sarma Mamoni is a researcher at Gauhati University under Chakraborty Amalendu.
  18. ^Stewart 2010, p. 102, 108.
  19. ^Stewart 2010, p. 5.
  20. ^"Lord Chaitanya Mahaprabhu".Archived from the original on 7 June 2002. Retrieved2 November 2020.
  21. ^Bengal Studies ConferenceArchived 17 December 2014 at theWayback Machine "History says that the Bengali people experienced the renaissance: not only once but also twice in the course of history. Bengalis witnessed the first renaissance in the 16th century when Hossain Shah and Sri Chaitanya's idealism influenced a sect of the upper literal class of people"
  22. ^"Chaitanya Mahaprabhu".Archived from the original on 17 November 2020. Retrieved2 November 2020.
  23. ^Sur, Ansu; Goswami, Abhijit (1999).Bengali Film Directory. Nandan, West Bengal Film Centre. p. 96.
  24. ^Chakraborty, Shamayita (16 July 2021)."Parambrata to play Gourango in Srijit's next; will also sing in the film".The Times of India.Archived from the original on 31 March 2022. Retrieved31 March 2022.

Works cited

[edit]

Further reading

[edit]

External links

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