This articleneeds attention from an expert in Hinduism. The specific problem is:expansion of theological influence/reviewing citations.WikiProject Hinduism may be able to help recruit an expert.(October 2025)
Chaitanya Mahaprabhu (Bengali:মহাপ্রভু শ্রীচৈতন্য দেব;Sanskrit:चैतन्य महाप्रभु,romanized: Caitanya Mahāprabhu), bornVishvambhara Mishra (IAST:Viśvambhara Miśra[2]) (18 February 1486 – 14 June 1534[3]), was an IndianHindu saint fromBengal and the founder ofGaudiya Vaishnavism. Chaitanya Mahaprabhu's mode of worshippingKrishna withbhajan-kirtan and dance had a profound effect onVaishnavism inBengal.
He is considered the chief proponent of the Vedantic philosophy ofAchintya Bheda Abheda. The concept of inconceivable difference in non-difference, known as achintya-bhedabheda, was explained later by Jiva Gosvami in his book Bhagavat Sandharbha,[4] and in his Sarva-samvadini.[5][6]
Chaitanya is sometimes calledGauranga (IAST:Gaurāṅga) orGaura due to his molten gold–like complexion.[8] His birthday is celebrated asGaura-purnima.[9][10] He is also calledNimai because he was born underneath aNeem tree.[11]
The religious hagiographies of Gauḍīya sampradāya are the only sources available for the reconstruction of Caitanya's life. These texts (inSanskrit andBengali), consider Caitanya to be anavatāra of Kr̥ṣṇa,Svayaṁ Bhagavān,Rādhā-Kr̥ṣṇa (joint and separate),Nārāyaṇa,Viṣṇu, andJagannātha. A canonical narrative was accepted by the Gauḍīya community in the early 1600s via theCaitanya Caritāmr̥ta of Kr̥ṣṇadāsa Kavirāja, which has been described as the "final word" on Gauḍīya history and theology.[12]
Chaitanya was born in aBrahmin family as Viśvambhara Miśra aka Nimāi, the second son of Jagannātha Miśra and his wife Śacī Devī, the daughter of Nilambara Chakrabarti, bothBrahmins ofSylhet region.[2] Jagannātha Miśra's family were from the village ofDhakadakshin inSrihatta (Sylhet) (now inBangladesh). The ruins of their ancestral home still survive in present-dayBangladesh.[13][14][1] The hagiographies of Caitanya portray his birth as a divine event and state that it predicted his future mission of propagatingharināma saṃkīrtana inKali Yuga.[1]
The accounts of Caitanya's childhood are depicted to be reminiscent of Kr̥ṣṇa's childhood playtimes. While still a student, his father died, and he soon married Lakṣmīpriyā. He travelled to east Bengal to become a scholar and support his family, but his wife died in his absence. He then marriedViṣnupriyā, the daughter of paṇḍit Sanātana Miśra. Viśhvambara, also known as Nimāi Paṇḍit, was a promising Sanskrit scholar and is said to have once defeatedKeśava Bhaṭṭa of theNimbārka school in a debate on Sanskrit prosody in an example of "superhuman erudition".[1]
In 1508-1509 he left Nabadvip to go to Gaya to performśrāddha, a ritual homage to his dead father. There, he met an ascetic named Īśvara Purī, who initiated him using a mantra forKr̥ṣṇa worship. After this meeting Viśvambhara abandoned all scholarly and domestic pursuits and had no interests except for an intense desire to hear and speak of Krishna. Within a year he took a vow ofsaṃnyāsa (renunciation) and changed his name to Kr̥ṣṇa Caitanya under his guru Keśava Bhāratī. His mother then asked him to at least live in the city of Puri so that he would not be too far from Bengal.[1]
After hisrenunciation, Caitanya spent his time teaching Kr̥ṣṇa bhakti and engaging in communalsaṁkīrtana. Hagiographies describe debates with followers ofAdvaita Vedānta and other theological opponents in form ofdigvijaya (conquest through debate). He spent two months in Vrindavan in c. 1515, where he instructedSanātana Gosvāmī andRūpa Gosvāmī. He spent the last two decades of his life in Puri, where his ecstatic seizures yearning for Kr̥ṣṇa and his consorts, mainly Rādhā, intensified. He died in c. 1528-1534.[1]
Krsna-Caitanya-Caritamrta (c. 1513 or 1536–1540; Sanskrit): ByMurari Gupta. Known as akadcha or chronicle. Chaitanya's Navadwipalīla and eachpanca-tattva presented as a form of the Lord. Caitanya went for the first time to Murari's house at Navadwipa. Murari's standing and reputation for learning gave his biographical materials great weight in the Vaishnava community. ThisKadcha (notes) became the guiding lines for other biographers.
Kadcha or chronicle (Sanskrit): BySvarupa Damodara. He was the personal secretary of Chaitanya. Details the life of Caitanya.
Govindadaser Kadcha (Bengali): By Govinda Dāsa who accompanied Chaitanya on his tour of Deccan. This poem describes their experiences on the journey and some imaginary events in the life of Chaitanya as well as his ideas and philosophy. It is another significant biographical work, but it was regarded as controversial because of the authenticity.
Caitanya-caritāmṛta (c. 1557 or 1580 or 1615; Bengali): ByKrishnadasa Kaviraja. Three parts:Adi-lila,Madhya-lila, andAntya-lila. Massive authoritative composition of Chaitanya's biography and teachings. According to Manring, he draws liberally from previous writers (poets, theologians and biographers) as he deems correct, omitting Kavi Karnapura's works perceived as threateningRupa's authority.
Chaitanya-samhita (Bengali): By Bhagirath Bandhu. Work follows the tradition of agama or tantric texts in its presentation as a story told by Shiva to his spouse.
Sriman-mahaprabhor-asta-kaliya-lila-smarana-mangala-stotram (c. late 1600s; Sanskrit): ByVisvanatha Chakravarti. Elevensutras (seed verses) describing the eternal eight-fold daily pastimes of the fair-complexioned Lord.
Caitanya-upanisad: A book that is a part of theAtharvaveda which offers overwhelming evidence of Chaitanya's identity as the Supreme Lord andYuga Avatara.
Sri Caitanya-caranamrta Bhasva (1887): By Srila Bhaktivinoda Thakura. Commentary on an original handwritten manuscript of theCaitanya-upanisad from one pandita, Madhusudana Maharaja, of Sambala-Pura.
Śrī Caitanya-caritāmṛta (1974; English): ByA. C. Bhaktivedanta Swami in English with original Bengali and Sanskrit. Commentary on Krishnadasa Kaviraja'sCaitanya-caritāmṛta, based on Bhaktivinoda Thakur'sAmrita-pravaha-bhashya and Bhaktisiddhanta Sarasvati'sAnubhāsya commentaries.
TheŚikṣāṣṭaka is the only work accepted to be composed by Caitanya. The poem expounds upon the subjects ofharināmajapa,saṁkīrtana, the relationship between individual souls and Kr̥ṣṇa, devotional submission to Kr̥ṣṇa, and Caitanya's personalvirahabhakti. Scholars debate the extent to which Caitanya played in the development of the complex Gauḍīya Vaiṣṇava theology.[1]
According to Murari Gupta, one of Caitanya's close associates, Caitanya taught thatkirtana (chanting God's name) is the most effective spiritual practice in the Kali Age. He first gathered the community forkirtana in Srivasa's courtyard.[18] Caitanya revealed bhakti as the primary means to approach Krishna, and he appointed the Goswamis, such asSrinivasa Acarya andNarottama Dasa, to gather and compose texts explaining this devotion.[19]
Chaitanya's influence on the cultural legacy inBengal,Odisha andManipur, has been significant,[20] with many residents performing daily worship to him as an avatar of Krishna. Some attribute to him a Renaissance in Bengal,[21] different from the more well-known 19th-centuryBengal Renaissance. Salimullah Khan (b. 1958), a noted Bangladeshi linguist, maintains, "Sixteenth-century is the time of Chaitanya Dev, and it is the beginning of Modernism in Bengal. The concept of 'humanity' that came into fruition is contemporaneous with that of Europe".[22]
Noted Bengali biographical film on Chaitanya,Nilachaley Mahaprabhu (1957), was directed by Kartik Chattopadhyay (1912–1989).[23] A Bengali film based on Chaitanya's demise,Lawho Gouranger Naam Re, will be directed bySrijit Mukherji whereParambrata Chatterjee will be seen portraying Chaitanya Mahaprabhu.[24]
^Delmonico 2007, p. 549: "The form of Vaishnavism inspired by the sixteenth-century saint-reformer Shri Krishna Chaitanya (1486–1533 C.E.) rested heavily upon a belief in the purifying and salvific powers of the names of God, whose fullest self-revelation Chaitanya believed to be Krishna".
^Dasa 2007, pp. 377-378: "The Bhagavat Sandarbha [...] describes the concept of Bhagavan alluded to in Bhagavata 1.2.11. Jiva explains [...] [t]he relation between Bhagavan and His potency is one of inconceivable difference in non-difference, known as achintya-bhedabheda. It is in recognition of the nature of this relation that Chaitanya’s philosophy is called Achintya bhedaabheda-vada".
^Gupta 2007, p. 46, footnote 30: "[I]n the Sarva-samvadini, [J]iva Gosvami lists the names of different teachers and their schools of Vedanta, and then concludes by saying, 'sva-mate tu acintya-bhedabhedah,' 'but my view is acintya-bhedabheda'".
^Krsna Dasa, T. 2022, "[Jiva Goswami in his] Sarva-samvadini [commenting] Anuccheda 77 and 78 of the Paramatma Sandarbha [states that:] 'It is well known that Gautama, Kaṇāda, Jaimini, Kapila and Patañjali, as well as śrī-rāmānuja and śrī-madhvācārya’s accept bheda alone. To us, acintya-bheda-abheda alone is acceptable, because the substantive is endowed with acintya śaktis' ".
^Sri Chaitanya MahaprabhuArchived 28 December 2017 at theWayback Machine "He spread theYuga-dharma as the practice for attainment of pure love forRadha-Krishna. That process is Harinam-Sankirtan, or the congregational chanting of the Holy Names of Krishna "Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Hare Rama Rama Rama Hare Hare"
^Bengal Studies ConferenceArchived 17 December 2014 at theWayback Machine "History says that the Bengali people experienced the renaissance: not only once but also twice in the course of history. Bengalis witnessed the first renaissance in the 16th century when Hossain Shah and Sri Chaitanya's idealism influenced a sect of the upper literal class of people"