| UNESCO World Heritage Site | |
|---|---|
 Hohlenstein-Stadel, one of the six caves that makes up the site | |
 Interactive map of Caves and Ice Age Art in the Swabian Jura | |
| Location | Swabian Jura,Germany |
| Criteria | Cultural: (iii) |
| Reference | 1527 |
| Inscription | 2017 (41stSession) |
| Area | 462.1 ha (1,142 acres) |
| Buffer zone | 1,158.7 ha (2,863 acres) |
| Coordinates | 48°23′16″N9°45′56″E / 48.38778°N 9.76556°E /48.38778; 9.76556 |
TheCaves and Ice Age Art in the Swabian Jura are a collection of six caves in southernGermany which were used byIce Age humans for shelter about 33,000 to 43,000 years ago. Within the caves were found the oldest non-stationary works of human art yet discovered, in the form of carved animal and humanoid figurines, in addition to the oldest musical instruments ever found.[1][2][3] One statuette of a female form, carved figurines of animals (including cave lions, mammoths, horses and cattle), musical instruments and items of personal adornment have been discovered. Some of the figurines depict creatures that are half animal, half human.[1] Because of their testimony to the development of Paleolithic art and culture, the six caves were inscribed on theUNESCOWorld Heritage List in 2017.[1]
The caves are seen as the first centre of human art,[1][4][5] were named "cradle of art"[6] and "cradle of civilization",[7] with a continuous cultural heritage over 6000 years,[8] and are among the first settlements of modern humans in Europe.[9]
Bone flute from theGeissenklösterle cave, dated aroundc. 43,150–39,370 BP, are the oldest musical instruments ever found.[10] The 41,000 to 39,000-year-oldLion Man[11] and the 42,000 to 41,000-year-oldVenus of Hohle Fels[12][13] are the oldest confirmed sculptures in the world.
The World Heritage comprises six caves which are distributed across two valleys in theSwabian Jura:Lone (river) Valley and Ach Valley.[14] The former includes the cavesHohlenstein-Stadel,Vogelherd andBocksteinhöhle; the latterGeissenklösterle,Hohle Fels andSirgenstein Cave. Each valley would contain a core area of around 3 to 4 km (1.9 to 2.5 mi) length, surrounded by a buffer zone of a least 100 m (330 ft) width.[15]
A documentation center not far fromUlm in the town ofBlaubeuren, the "Urgeschichtliches Museum Blaubeuren", displays archaeological findings, including the Venus of Hohle Fels, the earliest known undisputed example of a depiction of a human being in prehistoric art. Scientific findings, experimental archeology and modernmuseum education can be found under one roof.
The bedrock of the caves began to form roughly 200 million years ago, at the beginning of theJurassic Period, when the super-continentPangaea began to break apart.[16] The area was inundated by theNeotethys Sea, andlimestone formed from the marine sediments.[16] During the earlyCenozoic, the area was uplifted by the collision of theEurasian Plate and theAfrican andAdriatic plates. Once this occurred, the sinkholes and caves of the region were formed as rain seeped into the limestone. When the Lone and Ach valleys formed, access to the caves from the surface became possible, and the caves gradually dried out and filled in with sediment, preserving materials brought into the cave by humans.[16]
The caves of the Swabian Jura are particularly famous for their high density of artifacts from theAurignacian tradition, ranging from roughly 43,000 to 26,000 years ago. The Aurignacian tradition is characterized by the advent of symbolic communication (in the form of beads and pendants), specialized flint blades, and figurative art, all of which have been found in high numbers within these six caves. During this time,early modern humans migrated into Europe, probably from the southeast along the Danube River, and settled in the easily accessible caves in the area.[16] There, they likely lived and worked in and around these caves. The caves also served as the repositories of the figurines which may have been used in a religious context. In addition, they were the venue where performers used the excavated musical instruments and where the social groups lived from which the artists sprang.[15]
